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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 242 235 242 0.7 it is the complementary color RGBA 13 20 13 0.7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 242 235 242 0.7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 242 235 242 0.7: RGBA 247 235 237 0.7, RGBA 255 253 255 0.7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 242 235 242 0.7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 242 235 242 0.7: RGBA 242 235 242 0.7, RGBA 225 217 223 0.7, RGBA 208 199 204 0.7, RGBA 191 181 185 0.7 and RGBA 174 163 166 0.7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 0 / 4

HEX #F2EBF2B2

RGBA 242 235 242 0.7

HSLA 300, 0.21%, 0.94%, 0.7

LABA 93.76, 3.58, -2.55, 0.7

 

Complementary color

CMYK 24 / 0 / 24 / 65

HEX #0D140DB2

RGBA 13 20 13 0.7

HSLA 120, 0.21%, 0.06%, 0.7

LABA 5.55, -3.92, 2.8, 0.7

 

CMYK 0 / 3 / 3 / 2

HEX #F7EBEDB2

RGBA 247 235 237 0.7

HSLA 350, 0.43%, 0.95%, 0.7

LABA 94.01, 4.39, 0.47, 0.7

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFFB2

RGBA 255 253 255 0.7

HSLA 300, 1%, 1%, 0.7

LABA 99.51, 1.01, -0.73, 0.7

 

CMYK 0 / 2 / 0 / 4

HEX #F2EBF2B2

RGBA 242 235 242 0.7

HSLA 300, 0.21%, 0.94%, 0.7

LABA 93.76, 3.58, -2.55, 0.7

 

CMYK 0 / 2 / 1 / 8

HEX #E1D9DFB2

RGBA 225 217 223 0.7

HSLA 315, 0.12%, 0.87%, 0.7

LABA 87.47, 3.8, -1.98, 0.7

 

CMYK 0 / 3 / 1 / 13

HEX #D0C7CCB2

RGBA 208 199 204 0.7

HSLA 326.67, 0.09%, 0.8%, 0.7

LABA 81.08, 4.02, -1.38, 0.7

 

CMYK 0 / 4 / 2 / 18

HEX #BFB5B9B2

RGBA 191 181 185 0.7

HSLA 336, 0.07%, 0.73%, 0.7

LABA 74.59, 4.26, -0.77, 0.7

 

CMYK 0 / 4 / 3 / 22

HEX #AEA3A6B2

RGBA 174 163 166 0.7

HSLA 343.64, 0.06%, 0.66%, 0.7

LABA 67.98, 4.52, -0.13, 0.7

 

CMYK 0 / 2 / 0 / 4

HEX #F2EBF2B2

RGBA 242 235 242 0.7

HSLA 300, 0.21%, 0.94%, 0.7

LABA 93.76, 3.58, -2.55, 0.7

 

CMYK 0 / 2 / 0 / 4

HEX #F2ECF1B2

RGBA 242 236 241 0.7

HSLA 310, 0.19%, 0.94%, 0.7

LABA 93.98, 2.89, -1.71, 0.7

 

CMYK 0 / 2 / 1 / 4

HEX #F2ECF0B2

RGBA 242 236 240 0.7

HSLA 320, 0.19%, 0.94%, 0.7

LABA 93.95, 2.72, -1.23, 0.7

 

CMYK 0 / 2 / 1 / 4

HEX #F2ECEFB2

RGBA 242 236 239 0.7

HSLA 330, 0.19%, 0.94%, 0.7

LABA 93.93, 2.54, -0.74, 0.7

 

CMYK 0 / 2 / 1 / 4

HEX #F2ECEEB2

RGBA 242 236 238 0.7

HSLA 340, 0.19%, 0.94%, 0.7

LABA 93.9, 2.37, -0.26, 0.7

 

CMYK 0 / 2 / 0 / 4

HEX #F2EBF2B2

RGBA 242 235 242 0.7

HSLA 300, 0.21%, 0.94%, 0.7

LABA 93.76, 3.58, -2.55, 0.7

 

CMYK 0 / 2 / 0 / 60

HEX #262526B2

RGBA 38 37 38 0.7

HSLA 300, 0.01%, 0.15%, 0.7

LABA 14.82, 0.7, -0.5, 0.7

 

CMYK 0 / 2 / 0 / 46

HEX #595659B2

RGBA 89 86 89 0.7

HSLA 300, 0.02%, 0.34%, 0.7

LABA 36.93, 1.84, -1.31, 0.7

 

CMYK 0 / 2 / 0 / 32

HEX #8C888CB2

RGBA 140 136 140 0.7

HSLA 300, 0.02%, 0.54%, 0.7

LABA 57.15, 2.27, -1.62, 0.7

 

CMYK 0 / 2 / 0 / 18

HEX #BFB9BFB2

RGBA 191 185 191 0.7

HSLA 300, 0.04%, 0.74%, 0.7

LABA 75.78, 3.21, -2.29, 0.7

 

CMYK 0 / 2 / 0 / 4

HEX #F2EBF2B2

RGBA 242 235 242 0.7

HSLA 300, 0.21%, 0.94%, 0.7

LABA 93.76, 3.58, -2.55, 0.7

 

CMYK 0 / 1 / 2 / 4

HEX #F2EDECB2

RGBA 242 237 236 0.7

HSLA 10, 0.19%, 0.94%, 0.7

LABA 94.1, 1.5, 1.07, 0.7

 

CMYK 2 / 0 / 1 / 4

HEX #ECF2F0B2

RGBA 236 242 240 0.7

HSLA 160, 0.19%, 0.94%, 0.7

LABA 95, -2.34, 0.26, 0.7

 

CMYK 0 / 2 / 0 / 4

HEX #F2EBF2B2

RGBA 242 235 242 0.7

HSLA 300, 0.21%, 0.94%, 0.7

LABA 93.76, 3.58, -2.55, 0.7

 

CMYK 0 / 0 / 2 / 4

HEX #F2F2ECB2

RGBA 242 242 236 0.7

HSLA 60, 0.19%, 0.94%, 0.7

LABA 95.34, -1.04, 2.88, 0.7

 

CMYK 2 / 0 / 0 / 4

HEX #ECF2F2B2

RGBA 236 242 242 0.7

HSLA 180, 0.19%, 0.94%, 0.7

LABA 95.05, -1.98, -0.7, 0.7

 

CMYK 0 / 2 / 0 / 4

HEX #F2EBF2B2

RGBA 242 235 242 0.7

HSLA 300, 0.21%, 0.94%, 0.7

LABA 93.76, 3.58, -2.55, 0.7

 

CMYK 0 / 1 / 2 / 4

HEX #F2EDECB2

RGBA 242 237 236 0.7

HSLA 10, 0.19%, 0.94%, 0.7

LABA 94.1, 1.5, 1.07, 0.7

 

CMYK 2 / 0 / 2 / 4

HEX #ECF2ECB2

RGBA 236 242 236 0.7

HSLA 120, 0.19%, 0.94%, 0.7

LABA 94.9, -3.05, 2.19, 0.7

 

CMYK 2 / 0 / 0 / 4

HEX #ECF1F2B2

RGBA 236 241 242 0.7

HSLA 190, 0.19%, 0.94%, 0.7

LABA 94.8, -1.47, -1.07, 0.7

 

CMYK 0 / 2 / 0 / 4

HEX #F2EBF2B2

RGBA 242 235 242 0.7

HSLA 300, 0.21%, 0.94%, 0.7

LABA 93.76, 3.58, -2.55, 0.7

 

CMYK 0 / 1 / 2 / 4

HEX #F2EFECB2

RGBA 242 239 236 0.7

HSLA 30, 0.19%, 0.94%, 0.7

LABA 94.6, 0.48, 1.79, 0.7

 

CMYK 2 / 0 / 2 / 4

HEX #ECF2ECB2

RGBA 236 242 236 0.7

HSLA 120, 0.19%, 0.94%, 0.7

LABA 94.9, -3.05, 2.19, 0.7

 

CMYK 2 / 1 / 0 / 4

HEX #ECEFF2B2

RGBA 236 239 242 0.7

HSLA 210, 0.19%, 0.94%, 0.7

LABA 94.3, -0.45, -1.8, 0.7

 

Description

Color code: RGBA 242 235 242 0.7 | qconv.com Color code: RGBA 242 235 242 0.7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 235 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 235 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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