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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 226 201 it is the complementary color RGB 13 29 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 226 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 242 226 201: RGB 247 226 196, RGB 255 244 215, RGB 255 255 234, RGB 255 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 226 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 242 226 201: RGB 242 226 201, RGB 225 208 182, RGB 208 190 163, RGB 191 172 144 and RGB 174 154 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 17 / 5

HEX #F2E2C9

RGB 242 226 201

HSL 36.59, 0.61%, 0.87%

LAB 90.55, 1.47, 14.18

 

Complementary color

CMYK 76 / 46 / 0 / 79

HEX #0D1D36

RGB 13 29 54

HSL 216.59, 0.61%, 0.13%

LAB 10.78, 3.25, -18.37

 

CMYK 0 / 9 / 21 / 3

HEX #F7E2C4

RGB 247 226 196

HSL 35.29, 0.76%, 0.87%

LAB 90.85, 2.54, 17.28

 

CMYK 0 / 4 / 16 / 0

HEX #FFF4D7

RGB 255 244 215

HSL 43.5, 1%, 0.92%

LAB 96.36, -0.96, 15.3

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 7 / 17 / 5

HEX #F2E2C9

RGB 242 226 201

HSL 36.59, 0.61%, 0.87%

LAB 90.55, 1.47, 14.18

 

CMYK 0 / 8 / 19 / 12

HEX #E1D0B6

RGB 225 208 182

HSL 36.28, 0.42%, 0.8%

LAB 84.22, 1.75, 15.04

 

CMYK 0 / 9 / 22 / 18

HEX #D0BEA3

RGB 208 190 163

HSL 36, 0.32%, 0.73%

LAB 77.8, 2.07, 15.95

 

CMYK 0 / 10 / 25 / 25

HEX #BFAC90

RGB 191 172 144

HSL 35.74, 0.27%, 0.66%

LAB 71.28, 2.42, 16.91

 

CMYK 0 / 11 / 28 / 32

HEX #AE9A7D

RGB 174 154 125

HSL 35.51, 0.23%, 0.59%

LAB 64.64, 2.83, 17.94

 

CMYK 0 / 7 / 17 / 5

HEX #F2E2C9

RGB 242 226 201

HSL 36.59, 0.61%, 0.87%

LAB 90.55, 1.47, 14.18

 

CMYK 0 / 4 / 17 / 5

HEX #F2E8C9

RGB 242 232 201

HSL 45.37, 0.61%, 0.87%

LAB 92.05, -1.6, 16.3

 

CMYK 0 / 1 / 17 / 5

HEX #F2EFC9

RGB 242 239 201

HSL 55.61, 0.61%, 0.87%

LAB 93.81, -5.14, 18.78

 

CMYK 2 / 0 / 17 / 5

HEX #EEF2C9

RGB 238 242 201

HSL 65.85, 0.61%, 0.87%

LAB 94.27, -8.07, 19.37

 

CMYK 5 / 0 / 17 / 5

HEX #E7F2C9

RGB 231 242 201

HSL 76.1, 0.61%, 0.87%

LAB 93.76, -10.55, 18.58

 

CMYK 0 / 7 / 17 / 5

HEX #F2E2C9

RGB 242 226 201

HSL 36.59, 0.61%, 0.87%

LAB 90.55, 1.47, 14.18

 

CMYK 0 / 8 / 16 / 85

HEX #262320

RGB 38 35 32

HSL 30, 0.09%, 0.14%

LAB 13.93, 0.73, 2.52

 

CMYK 0 / 7 / 17 / 65

HEX #59534A

RGB 89 83 74

HSL 36, 0.09%, 0.32%

LAB 35.61, 0.71, 6.15

 

CMYK 0 / 6 / 17 / 45

HEX #8C8374

RGB 140 131 116

HSL 37.5, 0.09%, 0.5%

LAB 55.14, 0.73, 9.33

 

CMYK 0 / 7 / 17 / 25

HEX #BFB29F

RGB 191 178 159

HSL 35.63, 0.2%, 0.69%

LAB 73.17, 1.46, 11.38

 

CMYK 0 / 7 / 17 / 5

HEX #F2E2C9

RGB 242 226 201

HSL 36.59, 0.61%, 0.87%

LAB 90.55, 1.47, 14.18

 

CMYK 14 / 0 / 17 / 5

HEX #D1F2C9

RGB 209 242 201

HSL 108.29, 0.61%, 0.87%

LAB 92.25, -18.14, 16.25

 

CMYK 14 / 17 / 0 / 5

HEX #D1C9F2

RGB 209 201 242

HSL 251.71, 0.61%, 0.87%

LAB 82.77, 10.68, -19.18

 

CMYK 0 / 7 / 17 / 5

HEX #F2E2C9

RGB 242 226 201

HSL 36.59, 0.61%, 0.87%

LAB 90.55, 1.47, 14.18

 

CMYK 17 / 0 / 7 / 5

HEX #C9F2E1

RGB 201 242 225

HSL 155.12, 0.61%, 0.87%

LAB 92.29, -16.47, 3.81

 

CMYK 7 / 17 / 0 / 5

HEX #E1C9F2

RGB 225 201 242

HSL 275.12, 0.61%, 0.87%

LAB 84.07, 15.8, -17.11

 

CMYK 0 / 7 / 17 / 5

HEX #F2E2C9

RGB 242 226 201

HSL 36.59, 0.61%, 0.87%

LAB 90.55, 1.47, 14.18

 

CMYK 14 / 0 / 17 / 5

HEX #D1F2C9

RGB 209 242 201

HSL 108.29, 0.61%, 0.87%

LAB 92.25, -18.14, 16.25

 

CMYK 17 / 10 / 0 / 5

HEX #C9D9F2

RGB 201 217 242

HSL 216.59, 0.61%, 0.87%

LAB 86.23, -0.31, -14.04

 

CMYK 4 / 17 / 0 / 5

HEX #E9C9F2

RGB 233 201 242

HSL 286.83, 0.61%, 0.87%

LAB 84.74, 18.4, -16.02

 

CMYK 0 / 7 / 17 / 5

HEX #F2E2C9

RGB 242 226 201

HSL 36.59, 0.61%, 0.87%

LAB 90.55, 1.47, 14.18

 

CMYK 17 / 0 / 15 / 5

HEX #C9F2CD

RGB 201 242 205

HSL 125.85, 0.61%, 0.87%

LAB 91.83, -20.12, 13.52

 

CMYK 17 / 10 / 0 / 5

HEX #C9D9F2

RGB 201 217 242

HSL 216.59, 0.61%, 0.87%

LAB 86.23, -0.31, -14.04

 

CMYK 0 / 17 / 2 / 5

HEX #F2C9EE

RGB 242 201 238

HSL 305.85, 0.61%, 0.87%

LAB 85.41, 20.63, -12.8

 

Description

Color code: RGBA 242 226 201 1 | qconv.com Color code: RGBA 242 226 201 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 226 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 226 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 17 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 17% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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