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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 240 198 136 0.75 it is the complementary color RGBA 15 57 119 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 240 198 136 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 240 198 136 0.75 shade: RGBA 245 198 131 0.75, RGBA 255 216 150 0.75, RGBA 255 234 169 0.75, RGBA 255 252 188 0.75 and RGBA 255 255 207 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 240 198 136 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 240 198 136 0.75 shade: RGBA 240 198 136 0.75, RGBA 223 180 117 0.75, RGBA 206 162 98 0.75, RGBA 189 144 79 0.75 and RGBA 172 126 60 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 240 198 136 0.75 shade: RGB 240 199 137, RGB 240 171 137, RGB 240 143 137 and RGB 240 137 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 240 198 136 0.75 shade: RGB 240 199 137, RGB 240 227 137, RGB 226 240 137, RGB 199 240 137 and RGB 171 240 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 240 198 136 0.75 shade matches the following richer shades: RGB 240 199 137 and RGB 251 201 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 240 198 136 0.75 shade: RGB 240 199 137, RGB 230 197 148, RGB 219 195 158, RGB 208 192 169 and RGB 198 190 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 240 198 136 0.75 shade: RGB 240 142 137, RGB 240 170 137, RGB 240 197 137, RGB 240 225 137 and RGB 228 240 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 240 198 136 0.75 shade: RGB 231 164 64, RGB 236 181 100, RGB 240 199 137, RGB 245 216 174 and RGB 249 234 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 240 198 136 0.75 shade: RGB 240 198 136, RGB 159 240 137 and RGB 156 137 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 240 198 136 0.75 shade: RGB 240 198 136, RGB 137 240 197 and RGB 197 137 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 240 198 136 0.75 shade: RGB 240 198 136, RGB 159 240 137, RGB 137 180 240 and RGB 218 137 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 240 198 136 0.75 shade: RGB 240 198 136, RGB 137 240 146, RGB 137 180 240 and RGB 240 137 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 33 / 4

HEX #F0C688BF

RGBA 240 198 136 0.75

HSLA 35.77, 0.78%, 0.74%, 0.75

LABA 82.21, 6.95, 36.62, 0.75

 

Complementary color

CMYK 66 / 39 / 0 / 40

HEX #0F3977BF

RGBA 15 57 119 0.75

HSLA 215.77, 0.78%, 0.26%, 0.75

LABA 24.83, 11.24, -39.44, 0.75

 

CMYK 0 / 14 / 35 / 3

HEX #F5C683BF

RGBA 245 198 131 0.75

HSLA 35.26, 0.85%, 0.74%, 0.75

LABA 82.61, 8.45, 39.79, 0.75

 

CMYK 0 / 11 / 31 / 0

HEX #FFD896BF

RGBA 255 216 150 0.75

HSLA 37.71, 1%, 0.79%, 0.75

LABA 88.24, 4.99, 37.57, 0.75

 

CMYK 0 / 6 / 25 / 0

HEX #FFEAA9BF

RGBA 255 234 169 0.75

HSLA 45.35, 1%, 0.83%, 0.75

LABA 93, -2.07, 34.2, 0.75

 

CMYK 0 / 1 / 20 / 0

HEX #FFFCBCBF

RGBA 255 252 188 0.75

HSLA 57.31, 1%, 0.87%, 0.75

LABA 97.84, -8.72, 31.1, 0.75

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFCFBF

RGBA 255 255 207 0.75

HSLA 60, 1%, 0.91%, 0.75

LABA 98.94, -7.63, 23, 0.75

 

CMYK 0 / 13 / 33 / 4

HEX #F0C688BF

RGBA 240 198 136 0.75

HSLA 35.77, 0.78%, 0.74%, 0.75

LABA 82.21, 6.95, 36.62, 0.75

 

CMYK 0 / 14 / 36 / 9

HEX #DFB475BF

RGBA 223 180 117 0.75

HSLA 35.66, 0.62%, 0.67%, 0.75

LABA 75.83, 7.7, 37.9, 0.75

 

CMYK 0 / 16 / 39 / 14

HEX #CEA262BF

RGBA 206 162 98 0.75

HSLA 35.56, 0.52%, 0.6%, 0.75

LABA 69.36, 8.57, 39.25, 0.75

 

CMYK 0 / 18 / 44 / 19

HEX #BD904FBF

RGBA 189 144 79 0.75

HSLA 35.45, 0.45%, 0.53%, 0.75

LABA 62.79, 9.58, 40.65, 0.75

 

CMYK 0 / 20 / 49 / 24

HEX #AC7E3CBF

RGBA 172 126 60 0.75

HSLA 35.36, 0.48%, 0.45%, 0.75

LABA 56.11, 10.79, 42.05, 0.75

 

CMYK 0 / 17 / 43 / 6

HEX #F0C789

RGB 240 199 137

HSL 36.12, 0.77%, 0.74%

LAB 82.47, 6.53, 36.44

 

CMYK 0 / 29 / 43 / 6

HEX #F0AB89

RGB 240 171 137

HSL 19.81, 0.77%, 0.74%

LAB 75.73, 21.28, 27.57

 

CMYK 0 / 40 / 43 / 6

HEX #F08F89

RGB 240 143 137

HSL 3.5, 0.77%, 0.74%

LAB 69.45, 36.03, 19.05

 

CMYK 0 / 43 / 43 / 6

HEX #F08989

RGB 240 137 137

HSL 0, 0.77%, 0.74%

LAB 68.18, 39.13, 17.3

 

CMYK 0 / 17 / 43 / 6

HEX #F0C789

RGB 240 199 137

HSL 36.12, 0.77%, 0.74%

LAB 82.47, 6.53, 36.44

 

CMYK 0 / 5 / 43 / 6

HEX #F0E389

RGB 240 227 137

HSL 52.43, 0.77%, 0.74%

LAB 89.52, -7.81, 45.43

 

CMYK 6 / 0 / 43 / 6

HEX #E2F089

RGB 226 240 137

HSL 68.16, 0.77%, 0.74%

LAB 91.82, -19.65, 48.07

 

CMYK 17 / 0 / 43 / 6

HEX #C7F089

RGB 199 240 137

HSL 83.88, 0.77%, 0.74%

LAB 89.98, -29.75, 45.38

 

CMYK 29 / 0 / 43 / 6

HEX #ABF089

RGB 171 240 137

HSL 100.19, 0.77%, 0.74%

LAB 88.34, -39.59, 42.97

 

CMYK 0 / 17 / 43 / 6

HEX #F0C789

RGB 240 199 137

HSL 36.12, 0.77%, 0.74%

LAB 82.47, 6.53, 36.44

 

CMYK 0 / 20 / 50 / 2

HEX #FBC97E

RGB 251 201 126

HSL 36, 0.94%, 0.74%

LAB 83.86, 8.83, 44

 

CMYK 0 / 17 / 43 / 6

HEX #F0C789

RGB 240 199 137

HSL 36.12, 0.77%, 0.74%

LAB 82.47, 6.53, 36.44

 

CMYK 0 / 14 / 36 / 10

HEX #E6C594

RGB 230 197 148

HSL 35.85, 0.62%, 0.74%

LAB 81.23, 4.86, 28.92

 

CMYK 0 / 11 / 28 / 14

HEX #DBC39E

RGB 219 195 158

HSL 36.39, 0.46%, 0.74%

LAB 79.93, 2.91, 21.72

 

CMYK 0 / 8 / 19 / 18

HEX #D0C0A9

RGB 208 192 169

HSL 35.38, 0.29%, 0.74%

LAB 78.45, 1.9, 13.63

 

CMYK 0 / 4 / 9 / 22

HEX #C6BEB4

RGB 198 190 180

HSL 33.33, 0.14%, 0.74%

LAB 77.36, 1.06, 6.04

 

CMYK 0 / 41 / 43 / 6

HEX #F08E89

RGB 240 142 137

HSL 2.91, 0.77%, 0.74%

LAB 69.24, 36.55, 18.75

 

CMYK 0 / 29 / 43 / 6

HEX #F0AA89

RGB 240 170 137

HSL 19.22, 0.77%, 0.74%

LAB 75.5, 21.81, 27.26

 

CMYK 0 / 18 / 43 / 6

HEX #F0C589

RGB 240 197 137

HSL 34.95, 0.77%, 0.74%

LAB 81.98, 7.58, 35.8

 

CMYK 0 / 6 / 43 / 6

HEX #F0E189

RGB 240 225 137

HSL 51.26, 0.77%, 0.74%

LAB 89.01, -6.8, 44.79

 

CMYK 5 / 0 / 43 / 6

HEX #E4F089

RGB 228 240 137

HSL 66.99, 0.77%, 0.74%

LAB 91.96, -18.89, 48.28

 

CMYK 0 / 29 / 72 / 9

HEX #E7A440

RGB 231 164 64

HSL 35.93, 0.78%, 0.58%

LAB 72.17, 15.79, 59.32

 

CMYK 0 / 23 / 58 / 7

HEX #ECB564

RGB 236 181 100

HSL 35.74, 0.78%, 0.66%

LAB 77.16, 11.06, 48.39

 

CMYK 0 / 17 / 43 / 6

HEX #F0C789

RGB 240 199 137

HSL 36.12, 0.77%, 0.74%

LAB 82.47, 6.53, 36.44

 

CMYK 0 / 12 / 29 / 4

HEX #F5D8AE

RGB 245 216 174

HSL 35.49, 0.78%, 0.82%

LAB 87.77, 3.95, 24.42

 

CMYK 0 / 6 / 16 / 2

HEX #F9EAD2

RGB 249 234 210

HSL 36.92, 0.76%, 0.9%

LAB 93.29, 1.23, 13.48

 

CMYK 0 / 18 / 43 / 6

HEX #F0C688

RGB 240 198 136

HSL 35.77, 0.78%, 0.74%

LAB 82.21, 6.95, 36.62

 

CMYK 34 / 0 / 43 / 6

HEX #9FF089

RGB 159 240 137

HSL 107.18, 0.77%, 0.74%

LAB 87.73, -43.54, 42.05

 

CMYK 35 / 43 / 0 / 6

HEX #9C89F0

RGB 156 137 240

HSL 251.07, 0.77%, 0.74%

LAB 62.72, 30.28, -49.47

 

CMYK 0 / 18 / 43 / 6

HEX #F0C688

RGB 240 198 136

HSL 35.77, 0.78%, 0.74%

LAB 82.21, 6.95, 36.62

 

CMYK 43 / 0 / 18 / 6

HEX #89F0C5

RGB 137 240 197

HSL 154.95, 0.77%, 0.74%

LAB 87.81, -39.69, 11.5

 

CMYK 18 / 43 / 0 / 6

HEX #C589F0

RGB 197 137 240

HSL 274.95, 0.77%, 0.74%

LAB 66.56, 41.48, -43.16

 

CMYK 0 / 18 / 43 / 6

HEX #F0C688

RGB 240 198 136

HSL 35.77, 0.78%, 0.74%

LAB 82.21, 6.95, 36.62

 

CMYK 34 / 0 / 43 / 6

HEX #9FF089

RGB 159 240 137

HSL 107.18, 0.77%, 0.74%

LAB 87.73, -43.54, 42.05

 

CMYK 43 / 25 / 0 / 6

HEX #89B4F0

RGB 137 180 240

HSL 214.95, 0.77%, 0.74%

LAB 72.4, 0.92, -34.41

 

CMYK 9 / 43 / 0 / 6

HEX #DA89F0

RGB 218 137 240

HSL 287.18, 0.77%, 0.74%

LAB 68.81, 47.48, -39.47

 

CMYK 0 / 18 / 43 / 6

HEX #F0C688

RGB 240 198 136

HSL 35.77, 0.78%, 0.74%

LAB 82.21, 6.95, 36.62

 

CMYK 43 / 0 / 39 / 6

HEX #89F092

RGB 137 240 146

HSL 125.24, 0.77%, 0.74%

LAB 86.86, -48.9, 36.29

 

CMYK 43 / 25 / 0 / 6

HEX #89B4F0

RGB 137 180 240

HSL 214.95, 0.77%, 0.74%

LAB 72.4, 0.92, -34.41

 

CMYK 0 / 43 / 3 / 6

HEX #F089E8

RGB 240 137 232

HSL 304.66, 0.77%, 0.74%

LAB 71.04, 52.43, -31.43

 

Description

Color code: RGBA 240 198 136 0.75 | qconv.com Color code: RGBA 240 198 136 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 198 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 198 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 33 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 33% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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