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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 124 38 it is the complementary color RGB 19 131 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 124 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 236 124 38: RGB 241 124 33, RGB 255 142 52, RGB 255 160 71, RGB 255 178 90 and RGB 255 196 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 124 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 236 124 38: RGB 236 124 38, RGB 219 106 19, RGB 202 88 0, RGB 185 70 0 and RGB 168 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 84 / 7

HEX #EC7C26

RGB 236 124 38

HSL 26.06, 0.84%, 0.54%

LAB 63.66, 37.92, 61.82

 

Complementary color

CMYK 91 / 40 / 0 / 15

HEX #1383D9

RGB 19 131 217

HSL 206.06, 0.84%, 0.46%

LAB 53.36, 2.85, -51.92

 

CMYK 0 / 49 / 86 / 5

HEX #F17C21

RGB 241 124 33

HSL 26.25, 0.88%, 0.54%

LAB 64.34, 39.77, 64.39

 

CMYK 0 / 44 / 80 / 0

HEX #FF8E34

RGB 255 142 52

HSL 26.6, 1%, 0.6%

LAB 70.07, 36.7, 63.2

 

CMYK 0 / 37 / 72 / 0

HEX #FFA047

RGB 255 160 71

HSL 29.02, 1%, 0.64%

LAB 74.1, 28.17, 59.16

 

CMYK 0 / 30 / 65 / 0

HEX #FFB25A

RGB 255 178 90

HSL 32, 1%, 0.68%

LAB 78.37, 19.78, 55.1

 

CMYK 0 / 23 / 57 / 0

HEX #FFC46D

RGB 255 196 109

HSL 35.75, 1%, 0.71%

LAB 82.83, 11.66, 51.21

 

CMYK 0 / 47 / 84 / 7

HEX #EC7C26

RGB 236 124 38

HSL 26.06, 0.84%, 0.54%

LAB 63.66, 37.92, 61.82

RAL® 2011

CMYK 0 / 52 / 91 / 14

HEX #DB6A13

RGB 219 106 19

HSL 26.1, 0.84%, 0.47%

LAB 57.48, 39.9, 61.88

 

CMYK 0 / 56 / 100 / 21

HEX #CA5800

RGB 202 88 0

HSL 26.14, 1%, 0.4%

LAB 51.31, 41.96, 60.74

 

CMYK 0 / 62 / 100 / 27

HEX #B94600

RGB 185 70 0

HSL 22.7, 1%, 0.36%

LAB 45.21, 44.06, 55.88

 

CMYK 0 / 69 / 100 / 34

HEX #A83400

RGB 168 52 0

HSL 18.57, 1%, 0.33%

LAB 39.21, 45.81, 51.12

 

CMYK 0 / 47 / 84 / 7

HEX #EC7C26

RGB 236 124 38

HSL 26.06, 0.84%, 0.54%

LAB 63.66, 37.92, 61.82

RAL® 2011

CMYK 0 / 33 / 83 / 7

HEX #EC9D27

RGB 236 157 39

HSL 35.94, 0.84%, 0.54%

LAB 70.94, 20.71, 67.66

 

CMYK 0 / 19 / 83 / 7

HEX #ECBE27

RGB 236 190 39

HSL 45.99, 0.84%, 0.54%

LAB 78.93, 3.32, 74.39

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF27

RGB 236 223 39

HSL 56.04, 0.84%, 0.54%

LAB 87.37, -13.44, 81.42

 

CMYK 8 / 0 / 83 / 7

HEX #D8EC27

RGB 216 236 39

HSL 66.09, 0.84%, 0.54%

LAB 89.27, -28, 82.38

 

CMYK 0 / 47 / 84 / 7

HEX #EC7C26

RGB 236 124 38

HSL 26.06, 0.84%, 0.54%

LAB 63.66, 37.92, 61.82

RAL® 2011

CMYK 0 / 47 / 84 / 87

HEX #201105

RGB 32 17 5

HSL 26.67, 0.73%, 0.07%

LAB 6.49, 5.74, 7.78

 

CMYK 0 / 47 / 84 / 67

HEX #532C0D

RGB 83 44 13

HSL 26.57, 0.73%, 0.19%

LAB 22.55, 15.27, 26.72

 

CMYK 0 / 48 / 84 / 47

HEX #864616

RGB 134 70 22

HSL 25.71, 0.72%, 0.31%

LAB 36.94, 23.79, 38.93

 

CMYK 0 / 48 / 84 / 27

HEX #B9611E

RGB 185 97 30

HSL 25.94, 0.72%, 0.42%

LAB 50.64, 31.05, 50.73

 

CMYK 0 / 47 / 84 / 7

HEX #EC7C26

RGB 236 124 38

HSL 26.06, 0.84%, 0.54%

LAB 63.66, 37.92, 61.82

RAL® 2011

CMYK 53 / 0 / 83 / 7

HEX #6FEC27

RGB 111 236 39

HSL 98.07, 0.84%, 0.54%

LAB 83.71, -64.99, 75.41

 

CMYK 81 / 83 / 0 / 7

HEX #2D27EC

RGB 45 39 236

HSL 241.83, 0.84%, 0.54%

LAB 34.12, 65.4, -94.08

 

CMYK 0 / 47 / 84 / 7

HEX #EC7C26

RGB 236 124 38

HSL 26.06, 0.84%, 0.54%

LAB 63.66, 37.92, 61.82

RAL® 2011

CMYK 83 / 0 / 47 / 7

HEX #27EC7C

RGB 39 236 124

HSL 145.89, 0.84%, 0.54%

LAB 82.85, -69.5, 41.46

 

CMYK 47 / 83 / 0 / 7

HEX #7C27EC

RGB 124 39 236

HSL 265.89, 0.84%, 0.54%

LAB 40.88, 71.62, -82.66

 

CMYK 0 / 47 / 84 / 7

HEX #EC7C26

RGB 236 124 38

HSL 26.06, 0.84%, 0.54%

LAB 63.66, 37.92, 61.82

RAL® 2011

CMYK 53 / 0 / 83 / 7

HEX #6FEC27

RGB 111 236 39

HSL 98.07, 0.84%, 0.54%

LAB 83.71, -64.99, 75.41

 

CMYK 83 / 36 / 0 / 7

HEX #2796EC

RGB 39 150 236

HSL 206.19, 0.84%, 0.54%

LAB 60.16, -0.06, -51.69

 

CMYK 31 / 83 / 0 / 7

HEX #A327EC

RGB 163 39 236

HSL 277.77, 0.84%, 0.54%

LAB 46.03, 76.68, -74.02

 

CMYK 0 / 47 / 84 / 7

HEX #EC7C26

RGB 236 124 38

HSL 26.06, 0.84%, 0.54%

LAB 63.66, 37.92, 61.82

RAL® 2011

CMYK 78 / 0 / 83 / 7

HEX #34EC27

RGB 52 236 39

HSL 116.04, 0.84%, 0.54%

LAB 82.31, -76.71, 73.62

 

CMYK 83 / 36 / 0 / 7

HEX #2796EC

RGB 39 150 236

HSL 206.19, 0.84%, 0.54%

LAB 60.16, -0.06, -51.69

 

CMYK 6 / 83 / 0 / 7

HEX #DF27EC

RGB 223 39 236

HSL 296.04, 0.84%, 0.54%

LAB 55.27, 86.2, -58.63

 

Description

Color code: RGBA 236 124 38 1 | qconv.com Color code: RGBA 236 124 38 1 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 124 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 124 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 84 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 84% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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