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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 141 179 it is the complementary color RGB 28 114 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 141 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 227 141 179: RGB 232 141 174, RGB 249 159 193, RGB 255 177 212, RGB 255 195 231 and RGB 255 213 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 141 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 227 141 179: RGB 227 141 179, RGB 210 123 160, RGB 193 105 141, RGB 176 87 122 and RGB 159 69 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 21 / 11

HEX #E38DB3

RGB 227 141 179

HSL 333.49, 0.61%, 0.72%

LAB 68.49, 37.68, -6.02

 

Complementary color

CMYK 75 / 0 / 33 / 55

HEX #1C724C

RGB 28 114 76

HSL 153.49, 0.61%, 0.28%

LAB 42.47, -34.72, 14.01

 

CMYK 0 / 39 / 25 / 9

HEX #E88DAE

RGB 232 141 174

HSL 338.24, 0.66%, 0.73%

LAB 68.94, 38.7, -2.49

 

CMYK 0 / 36 / 22 / 2

HEX #F99FC1

RGB 249 159 193

HSL 337.33, 0.88%, 0.8%

LAB 75.32, 37.89, -3.41

 

CMYK 0 / 31 / 17 / 0

HEX #FFB1D4

RGB 255 177 212

HSL 333.08, 1%, 0.85%

LAB 80.44, 33.36, -6.14

 

CMYK 0 / 24 / 9 / 0

HEX #FFC3E7

RGB 255 195 231

HSL 324, 1%, 0.88%

LAB 85.03, 26.94, -9.53

 

CMYK 0 / 16 / 2 / 0

HEX #FFD5FA

RGB 255 213 250

HSL 307.14, 1%, 0.92%

LAB 89.74, 20.76, -12.56

 

CMYK 0 / 38 / 21 / 11

HEX #E38DB3

RGB 227 141 179

HSL 333.49, 0.61%, 0.72%

LAB 68.49, 37.68, -6.02

 

CMYK 0 / 41 / 24 / 18

HEX #D27BA0

RGB 210 123 160

HSL 334.48, 0.49%, 0.65%

LAB 62, 38.5, -5.1

 

CMYK 0 / 46 / 27 / 24

HEX #C1698D

RGB 193 105 141

HSL 335.45, 0.42%, 0.58%

LAB 55.44, 39.34, -4.05

 

CMYK 0 / 51 / 31 / 31

HEX #B0577A

RGB 176 87 122

HSL 336.4, 0.36%, 0.52%

LAB 48.82, 40.2, -2.81

 

CMYK 0 / 57 / 35 / 38

HEX #9F4567

RGB 159 69 103

HSL 337.33, 0.39%, 0.45%

LAB 42.16, 41, -1.31

 

CMYK 0 / 38 / 21 / 11

HEX #E38DB3

RGB 227 141 179

HSL 333.49, 0.61%, 0.72%

LAB 68.49, 37.68, -6.02

 

CMYK 0 / 38 / 28 / 11

HEX #E38CA4

RGB 227 140 164

HSL 343.45, 0.61%, 0.72%

LAB 67.85, 36.08, 1.45

 

CMYK 0 / 38 / 34 / 11

HEX #E38C96

RGB 227 140 150

HSL 353.1, 0.61%, 0.72%

LAB 67.49, 34.27, 8.81

 

CMYK 0 / 37 / 38 / 11

HEX #E3908C

RGB 227 144 140

HSL 2.76, 0.61%, 0.72%

LAB 68.15, 30.96, 15.32

 

CMYK 0 / 30 / 38 / 11

HEX #E39E8C

RGB 227 158 140

HSL 12.41, 0.61%, 0.72%

LAB 71.34, 23.48, 19.74

 

CMYK 0 / 38 / 21 / 11

HEX #E38DB3

RGB 227 141 179

HSL 333.49, 0.61%, 0.72%

LAB 68.49, 37.68, -6.02

 

CMYK 0 / 39 / 22 / 91

HEX #170E12

RGB 23 14 18

HSL 333.33, 0.24%, 0.07%

LAB 4.88, 4.36, -0.8

 

CMYK 0 / 38 / 22 / 71

HEX #4A2E3A

RGB 74 46 58

HSL 334.29, 0.23%, 0.24%

LAB 22.71, 14.9, -2.31

 

CMYK 0 / 38 / 21 / 51

HEX #7D4E63

RGB 125 78 99

HSL 333.19, 0.23%, 0.4%

LAB 39.09, 23.01, -3.92

 

CMYK 0 / 38 / 21 / 31

HEX #B06D8B

RGB 176 109 139

HSL 333.13, 0.3%, 0.56%

LAB 54.06, 30.84, -5.17

 

CMYK 0 / 38 / 21 / 11

HEX #E38DB3

RGB 227 141 179

HSL 333.49, 0.61%, 0.72%

LAB 68.49, 37.68, -6.02

 

CMYK 0 / 10 / 38 / 11

HEX #E3CD8C

RGB 227 205 140

HSL 44.83, 0.61%, 0.72%

LAB 82.85, -1.4, 35.17

 

CMYK 38 / 6 / 0 / 11

HEX #8CD6E3

RGB 140 214 227

HSL 188.97, 0.61%, 0.72%

LAB 81.41, -19.7, -13.67

 

CMYK 0 / 38 / 21 / 11

HEX #E38DB3

RGB 227 141 179

HSL 333.49, 0.61%, 0.72%

LAB 68.49, 37.68, -6.02

 

CMYK 21 / 0 / 38 / 11

HEX #B3E38C

RGB 179 227 140

HSL 93.1, 0.61%, 0.72%

LAB 85.21, -30.49, 37.55

 

CMYK 38 / 21 / 0 / 11

HEX #8CB3E3

RGB 140 179 227

HSL 213.1, 0.61%, 0.72%

LAB 71.8, -1.27, -28.25

 

CMYK 0 / 38 / 21 / 11

HEX #E38DB3

RGB 227 141 179

HSL 333.49, 0.61%, 0.72%

LAB 68.49, 37.68, -6.02

 

CMYK 0 / 10 / 38 / 11

HEX #E3CD8C

RGB 227 205 140

HSL 44.83, 0.61%, 0.72%

LAB 82.85, -1.4, 35.17

 

CMYK 38 / 0 / 18 / 11

HEX #8CE3BB

RGB 140 227 187

HSL 152.41, 0.61%, 0.72%

LAB 84.02, -35.02, 11.36

 

CMYK 38 / 29 / 0 / 11

HEX #8CA1E3

RGB 140 161 227

HSL 225.52, 0.61%, 0.72%

LAB 66.98, 8.78, -35.7

 

CMYK 0 / 38 / 21 / 11

HEX #E38DB3

RGB 227 141 179

HSL 333.49, 0.61%, 0.72%

LAB 68.49, 37.68, -6.02

 

CMYK 2 / 0 / 38 / 11

HEX #DEE38C

RGB 222 227 140

HSL 63.45, 0.61%, 0.72%

LAB 88.14, -14.5, 41.91

 

CMYK 38 / 0 / 18 / 11

HEX #8CE3BB

RGB 140 227 187

HSL 152.41, 0.61%, 0.72%

LAB 84.02, -35.02, 11.36

 

CMYK 37 / 38 / 0 / 11

HEX #908CE3

RGB 144 140 227

HSL 242.76, 0.61%, 0.72%

LAB 61.85, 21.93, -43.71

 

Description

Color code: RGBA 227 141 179 1 | qconv.com Color code: RGBA 227 141 179 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 141 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 141 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 21 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 21% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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