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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 195 179 it is the complementary color RGB 35 60 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 195 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 220 195 179: RGB 225 195 174, RGB 242 213 193, RGB 255 231 212, RGB 255 249 231 and RGB 255 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 195 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 220 195 179: RGB 220 195 179, RGB 203 177 160, RGB 186 159 141, RGB 169 141 122 and RGB 152 123 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 19 / 14

HEX #DCC3B3

RGB 220 195 179

HSL 23.41, 0.37%, 0.78%

LAB 80.46, 6.28, 11.26

 

Complementary color

CMYK 54 / 21 / 0 / 70

HEX #233C4C

RGB 35 60 76

HSL 203.41, 0.37%, 0.22%

LAB 24.03, -4.44, -12.74

HKS® 38

CMYK 0 / 13 / 23 / 12

HEX #E1C3AE

RGB 225 195 174

HSL 24.71, 0.46%, 0.78%

LAB 80.79, 7.4, 14.47

 

CMYK 0 / 12 / 20 / 5

HEX #F2D5C1

RGB 242 213 193

HSL 24.49, 0.65%, 0.85%

LAB 87.15, 7, 13.58

 

CMYK 0 / 9 / 17 / 0

HEX #FFE7D4

RGB 255 231 212

HSL 26.51, 1%, 0.92%

LAB 93.09, 5.2, 12.21

 

CMYK 0 / 2 / 9 / 0

HEX #FFF9E7

RGB 255 249 231

HSL 45, 1%, 0.95%

LAB 97.95, -1, 9.34

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 11 / 19 / 14

HEX #DCC3B3

RGB 220 195 179

HSL 23.41, 0.37%, 0.78%

LAB 80.46, 6.28, 11.26

 

CMYK 0 / 13 / 21 / 20

HEX #CBB1A0

RGB 203 177 160

HSL 23.72, 0.29%, 0.71%

LAB 73.98, 6.67, 12.14

 

CMYK 0 / 15 / 24 / 27

HEX #BA9F8D

RGB 186 159 141

HSL 24, 0.25%, 0.64%

LAB 67.4, 7.11, 13.07

 

CMYK 0 / 17 / 28 / 34

HEX #A98D7A

RGB 169 141 122

HSL 24.26, 0.21%, 0.57%

LAB 60.68, 7.61, 14.08

 

CMYK 0 / 19 / 32 / 40

HEX #987B67

RGB 152 123 103

HSL 24.49, 0.19%, 0.5%

LAB 53.84, 8.19, 15.18

 

CMYK 0 / 11 / 19 / 14

HEX #DCC3B3

RGB 220 195 179

HSL 23.41, 0.37%, 0.78%

LAB 80.46, 6.28, 11.26

 

CMYK 0 / 9 / 19 / 14

HEX #DBC8B2

RGB 219 200 178

HSL 32.2, 0.36%, 0.78%

LAB 81.61, 3.13, 13.41

 

CMYK 0 / 5 / 19 / 14

HEX #DBCFB2

RGB 219 207 178

HSL 42.44, 0.36%, 0.78%

LAB 83.39, -0.53, 15.92

 

CMYK 0 / 2 / 19 / 14

HEX #DBD6B2

RGB 219 214 178

HSL 52.68, 0.36%, 0.78%

LAB 85.18, -4.15, 18.43

 

CMYK 1 / 0 / 19 / 14

HEX #D9DBB2

RGB 217 219 178

HSL 62.93, 0.36%, 0.78%

LAB 86.32, -7.44, 19.98

 

CMYK 0 / 11 / 19 / 14

HEX #DCC3B3

RGB 220 195 179

HSL 23.41, 0.37%, 0.78%

LAB 80.46, 6.28, 11.26

 

CMYK 0 / 13 / 19 / 94

HEX #100E0D

RGB 16 14 13

HSL 20, 0.1%, 0.06%

LAB 4.09, 0.51, 0.7

 

CMYK 0 / 12 / 18 / 74

HEX #433B37

RGB 67 59 55

HSL 20, 0.1%, 0.24%

LAB 25.55, 2.68, 3.74

 

CMYK 0 / 11 / 19 / 54

HEX #766960

RGB 118 105 96

HSL 24.55, 0.1%, 0.42%

LAB 45.36, 3.51, 6.93

 

CMYK 0 / 11 / 18 / 34

HEX #A9968A

RGB 169 150 138

HSL 23.23, 0.15%, 0.6%

LAB 63.41, 5.02, 8.89

 

CMYK 0 / 11 / 19 / 14

HEX #DCC3B3

RGB 220 195 179

HSL 23.41, 0.37%, 0.78%

LAB 80.46, 6.28, 11.26

 

CMYK 11 / 0 / 19 / 14

HEX #C3DBB2

RGB 195 219 178

HSL 95.12, 0.36%, 0.78%

LAB 84.73, -15.33, 17.53

 

CMYK 19 / 19 / 0 / 14

HEX #B2B2DB

RGB 178 178 219

HSL 240, 0.36%, 0.78%

LAB 73.82, 8.43, -20.58

 

CMYK 0 / 11 / 19 / 14

HEX #DCC3B3

RGB 220 195 179

HSL 23.41, 0.37%, 0.78%

LAB 80.46, 6.28, 11.26

 

CMYK 19 / 0 / 11 / 14

HEX #B2DBC2

RGB 178 219 194

HSL 143.41, 0.36%, 0.78%

LAB 83.98, -18.29, 7.88

 

CMYK 11 / 19 / 0 / 14

HEX #C2B2DB

RGB 194 178 219

HSL 263.41, 0.36%, 0.78%

LAB 75.09, 13.54, -18.53

 

CMYK 0 / 11 / 19 / 14

HEX #DCC3B3

RGB 220 195 179

HSL 23.41, 0.37%, 0.78%

LAB 80.46, 6.28, 11.26

 

CMYK 11 / 0 / 19 / 14

HEX #C3DBB2

RGB 195 219 178

HSL 95.12, 0.36%, 0.78%

LAB 84.73, -15.33, 17.53

 

CMYK 19 / 7 / 0 / 14

HEX #B2CBDB

RGB 178 203 219

HSL 203.41, 0.36%, 0.78%

LAB 80.34, -5.02, -10.76

 

CMYK 8 / 19 / 0 / 14

HEX #CAB2DB

RGB 202 178 219

HSL 275.12, 0.36%, 0.78%

LAB 75.77, 16.15, -17.44

 

CMYK 0 / 11 / 19 / 14

HEX #DCC3B3

RGB 220 195 179

HSL 23.41, 0.37%, 0.78%

LAB 80.46, 6.28, 11.26

 

CMYK 17 / 0 / 19 / 14

HEX #B6DBB2

RGB 182 219 178

HSL 114.15, 0.36%, 0.78%

LAB 83.87, -19.83, 16.2

 

CMYK 19 / 7 / 0 / 14

HEX #B2CBDB

RGB 178 203 219

HSL 203.41, 0.36%, 0.78%

LAB 80.34, -5.02, -10.76

 

CMYK 2 / 19 / 0 / 14

HEX #D6B2DB

RGB 214 178 219

HSL 292.68, 0.36%, 0.78%

LAB 76.83, 20.12, -15.74

 

Description

Color code: RGBA 220 195 179 1 | qconv.com Color code: RGBA 220 195 179 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 195 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 195 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 19 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 19% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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