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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 174 1 it is the complementary color RGB 41 81 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 174 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 174 1: RGB 219 174 0, RGB 236 192 15, RGB 253 210 34, RGB 255 228 53 and RGB 255 246 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 174 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 174 1: RGB 214 174 1, RGB 197 156 0, RGB 180 138 0, RGB 163 120 0 and RGB 146 102 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 100 / 16

HEX #D6AE01

RGB 214 174 1

HSL 48.73, 0.99%, 0.42%

LAB 72.61, 1.53, 75.12

 

Complementary color

CMYK 84 / 68 / 0 / 0

HEX #2951FE

RGB 41 81 254

HSL 228.73, 0.99%, 0.58%

LAB 43.52, 49.24, -88.63

 

CMYK 0 / 21 / 100 / 14

HEX #DBAE00

RGB 219 174 0

HSL 47.67, 1%, 0.43%

LAB 73.11, 3.72, 75.82

 

CMYK 0 / 19 / 94 / 7

HEX #ECC00F

RGB 236 192 15

HSL 48.05, 0.88%, 0.49%

LAB 79.37, 1.84, 79.43

 

CMYK 0 / 17 / 87 / 1

HEX #FDD222

RGB 253 210 34

HSL 48.22, 0.98%, 0.56%

LAB 85.55, 0.17, 81.66

 

CMYK 0 / 11 / 79 / 0

HEX #FFE435

RGB 255 228 53

HSL 51.98, 1%, 0.6%

LAB 90.32, -7.56, 81.04

 

CMYK 0 / 4 / 72 / 0

HEX #FFF648

RGB 255 246 72

HSL 57.05, 1%, 0.64%

LAB 95.01, -15.7, 79.49

 

CMYK 0 / 19 / 100 / 16

HEX #D6AE01

RGB 214 174 1

HSL 48.73, 0.99%, 0.42%

LAB 72.61, 1.53, 75.12

RAL® 1032

CMYK 0 / 21 / 100 / 23

HEX #C59C00

RGB 197 156 0

HSL 47.51, 1%, 0.39%

LAB 66.25, 3.57, 70

 

CMYK 0 / 23 / 100 / 29

HEX #B48A00

RGB 180 138 0

HSL 46, 1%, 0.35%

LAB 59.78, 5.7, 64.67

 

CMYK 0 / 26 / 100 / 36

HEX #A37800

RGB 163 120 0

HSL 44.17, 1%, 0.32%

LAB 53.19, 7.93, 59.25

 

CMYK 0 / 30 / 100 / 43

HEX #926600

RGB 146 102 0

HSL 41.92, 1%, 0.29%

LAB 46.46, 10.28, 53.73

 

CMYK 0 / 19 / 100 / 16

HEX #D6AE01

RGB 214 174 1

HSL 48.73, 0.99%, 0.42%

LAB 72.61, 1.53, 75.12

RAL® 1032

CMYK 0 / 3 / 100 / 16

HEX #D5CE01

RGB 213 206 1

HSL 58.02, 0.99%, 0.42%

LAB 80.9, -15.35, 81.03

 

CMYK 14 / 0 / 100 / 16

HEX #B8D501

RGB 184 213 1

HSL 68.21, 0.99%, 0.42%

LAB 80.62, -30.94, 79.83

 

CMYK 30 / 0 / 100 / 16

HEX #95D501

RGB 149 213 1

HSL 78.11, 0.99%, 0.42%

LAB 78.45, -44.7, 77.23

 

CMYK 46 / 0 / 100 / 16

HEX #72D501

RGB 114 213 1

HSL 88.02, 0.99%, 0.42%

LAB 76.78, -56.71, 75.22

 

CMYK 0 / 19 / 100 / 16

HEX #D6AE01

RGB 214 174 1

HSL 48.73, 0.99%, 0.42%

LAB 72.61, 1.53, 75.12

RAL® 1032

CMYK 0 / 20 / 100 / 96

HEX #0A0800

RGB 10 8 0

HSL 48, 1%, 0.02%

LAB 2.15, -0.59, 3.21

 

CMYK 0 / 18 / 100 / 76

HEX #3D3200

RGB 61 50 0

HSL 49.18, 1%, 0.12%

LAB 21.11, -0.79, 29.66

 

CMYK 0 / 19 / 99 / 56

HEX #705B01

RGB 112 91 1

HSL 48.65, 0.98%, 0.22%

LAB 39.46, 0.31, 46.75

 

CMYK 0 / 18 / 99 / 36

HEX #A38501

RGB 163 133 1

HSL 48.89, 0.99%, 0.32%

LAB 56.65, 0.67, 61.47

 

CMYK 0 / 19 / 100 / 16

HEX #D6AE01

RGB 214 174 1

HSL 48.73, 0.99%, 0.42%

LAB 72.61, 1.53, 75.12

RAL® 1032

CMYK 100 / 0 / 100 / 16

HEX #01D501

RGB 1 213 1

HSL 120, 0.99%, 0.42%

LAB 74.57, -75.19, 72.53

 

CMYK 60 / 100 / 0 / 16

HEX #5501D5

RGB 85 1 213

HSL 263.77, 0.99%, 0.42%

LAB 31.25, 71.08, -85.57

 

CMYK 0 / 19 / 100 / 16

HEX #D6AE01

RGB 214 174 1

HSL 48.73, 0.99%, 0.42%

LAB 72.61, 1.53, 75.12

RAL® 1032

CMYK 100 / 0 / 20 / 16

HEX #01D5AA

RGB 1 213 170

HSL 167.83, 0.99%, 0.42%

LAB 76.37, -53.76, 9.04

 

CMYK 20 / 100 / 0 / 16

HEX #AA01D5

RGB 170 1 213

HSL 287.83, 0.99%, 0.42%

LAB 43.32, 79.36, -65.28

 

CMYK 0 / 19 / 100 / 16

HEX #D6AE01

RGB 214 174 1

HSL 48.73, 0.99%, 0.42%

LAB 72.61, 1.53, 75.12

RAL® 1032

CMYK 100 / 0 / 100 / 16

HEX #01D501

RGB 1 213 1

HSL 120, 0.99%, 0.42%

LAB 74.57, -75.19, 72.53

 

CMYK 100 / 80 / 0 / 16

HEX #012BD5

RGB 1 43 213

HSL 228.11, 0.99%, 0.42%

LAB 30.73, 55.43, -86.55

 

CMYK 0 / 100 / 0 / 16

HEX #D501D5

RGB 213 1 213

HSL 300, 0.99%, 0.42%

LAB 50.65, 85.7, -53.08

 

CMYK 0 / 19 / 100 / 16

HEX #D6AE01

RGB 214 174 1

HSL 48.73, 0.99%, 0.42%

LAB 72.61, 1.53, 75.12

RAL® 1032

CMYK 100 / 0 / 70 / 16

HEX #01D540

RGB 1 213 64

HSL 137.83, 0.99%, 0.42%

LAB 74.8, -72.18, 58.57

 

CMYK 100 / 80 / 0 / 16

HEX #012BD5

RGB 1 43 213

HSL 228.11, 0.99%, 0.42%

LAB 30.73, 55.43, -86.55

 

CMYK 0 / 100 / 30 / 16

HEX #D50195

RGB 213 1 149

HSL 318.11, 0.99%, 0.42%

LAB 47.41, 77.64, -20.6

 

Description

Color code: RGBA 214 174 1 1 | qconv.com Color code: RGBA 214 174 1 1 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 174 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 174 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 100 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 100% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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