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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 214 142 151 0.75 it is the complementary color RGBA 41 113 104 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 214 142 151 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 214 142 151 0.75 shade: RGBA 219 142 146 0.75, RGBA 236 160 165 0.75, RGBA 253 178 184 0.75, RGBA 255 196 203 0.75 and RGBA 255 214 222 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 214 142 151 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 214 142 151 0.75 shade: RGBA 214 142 151 0.75, RGBA 197 124 132 0.75, RGBA 180 106 113 0.75, RGBA 163 88 94 0.75 and RGBA 146 70 75 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 214 142 151 0.75 shade: RGB 214 143 152 and RGB 214 143 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 214 142 151 0.75 shade: RGB 214 143 152, RGB 214 143 171, RGB 214 143 190, RGB 214 143 210 and RGB 200 143 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 214 142 151 0.75 shade matches the following richer shades: RGB 214 143 152, RGB 227 130 142, RGB 239 118 133 and RGB 252 105 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 214 142 151 0.75 shade: RGB 214 143 152, RGB 202 155 161, RGB 190 167 170, RGB 177 180 179 and RGB 165 192 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 214 142 151 0.75 shade: RGB 214 143 190, RGB 214 143 171, RGB 214 143 152, RGB 214 152 143 and RGB 214 171 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 214 142 151 0.75 shade: RGB 193 82 96, RGB 204 112 124, RGB 214 143 152, RGB 225 173 179 and RGB 236 203 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 214 142 151 0.75 shade: RGB 214 142 151, RGB 210 214 143 and RGB 143 181 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 214 142 151 0.75 shade: RGB 214 142 151, RGB 152 214 143 and RGB 143 152 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 214 142 151 0.75 shade: RGB 214 142 151, RGB 210 214 143, RGB 143 214 205 and RGB 147 143 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 214 142 151 0.75 shade: RGB 214 142 151, RGB 188 214 143, RGB 143 214 205 and RGB 169 143 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 22 / 12

HEX #D68E97BF

RGBA 214 142 151 0.75

HSLA 352.5, 0.47%, 0.7%, 0.75

LABA 66.43, 28.53, 6.51, 0.75

 

Complementary color

CMYK 48 / 0 / 6 / 42

HEX #297168BF

RGBA 41 113 104 0.75

HSLA 172.5, 0.47%, 0.3%, 0.75

LABA 43.18, -24.55, -1.64, 0.75

 

CMYK 0 / 26 / 25 / 11

HEX #DB8E92BF

RGBA 219 142 146 0.75

HSLA 356.88, 0.52%, 0.71%, 0.75

LABA 66.89, 29.74, 10.06, 0.75

 

CMYK 0 / 24 / 23 / 6

HEX #ECA0A5BF

RGBA 236 160 165 0.75

HSLA 356.05, 0.67%, 0.78%, 0.75

LABA 73.34, 28.89, 8.95, 0.75

 

CMYK 0 / 22 / 20 / 1

HEX #FDB2B8BF

RGBA 253 178 184 0.75

HSLA 355.2, 0.95%, 0.85%, 0.75

LABA 79.72, 28.12, 7.94, 0.75

 

CMYK 0 / 17 / 15 / 0

HEX #FFC4CBBF

RGBA 255 196 203 0.75

HSLA 352.88, 1%, 0.88%, 0.75

LABA 84.51, 22.05, 4.66, 0.75

 

CMYK 0 / 12 / 10 / 0

HEX #FFD6DEBF

RGBA 255 214 222 0.75

HSLA 348.29, 1%, 0.92%, 0.75

LABA 89.22, 15.53, 1.41, 0.75

 

CMYK 0 / 25 / 22 / 12

HEX #D68E97BF

RGBA 214 142 151 0.75

HSLA 352.5, 0.47%, 0.7%, 0.75

LABA 66.43, 28.53, 6.51, 0.75

 

CMYK 0 / 28 / 25 / 17

HEX #C57C84BF

RGBA 197 124 132 0.75

HSLA 353.42, 0.39%, 0.63%, 0.75

LABA 59.84, 29.4, 7.63, 0.75

 

CMYK 0 / 31 / 28 / 22

HEX #B46A71BF

RGBA 180 106 113 0.75

HSLA 354.32, 0.33%, 0.56%, 0.75

LABA 53.17, 30.36, 8.9, 0.75

 

CMYK 0 / 35 / 32 / 27

HEX #A3585EBF

RGBA 163 88 94 0.75

HSLA 355.2, 0.3%, 0.49%, 0.75

LABA 46.41, 31.4, 10.38, 0.75

 

CMYK 0 / 39 / 36 / 32

HEX #92464BBF

RGBA 146 70 75 0.75

HSLA 356.05, 0.35%, 0.42%, 0.75

LABA 39.58, 32.51, 12.16, 0.75

 

CMYK 0 / 33 / 29 / 16

HEX #D68F98

RGB 214 143 152

HSL 352.39, 0.46%, 0.7%

LAB 66.68, 28.12, 6.31

 

CMYK 0 / 33 / 33 / 16

HEX #D68F8F

RGB 214 143 143

HSL 0, 0.46%, 0.7%

LAB 66.46, 26.94, 11.06

 

CMYK 0 / 33 / 29 / 16

HEX #D68F98

RGB 214 143 152

HSL 352.39, 0.46%, 0.7%

LAB 66.68, 28.12, 6.31

 

CMYK 0 / 33 / 20 / 16

HEX #D68FAB

RGB 214 143 171

HSL 336.34, 0.46%, 0.7%

LAB 67.19, 30.85, -3.63

 

CMYK 0 / 33 / 11 / 16

HEX #D68FBE

RGB 214 143 190

HSL 320.28, 0.46%, 0.7%

LAB 67.77, 33.89, -13.41

 

CMYK 0 / 33 / 2 / 16

HEX #D68FD2

RGB 214 143 210

HSL 303.38, 0.46%, 0.7%

LAB 68.46, 37.39, -23.5

 

CMYK 7 / 33 / 0 / 16

HEX #C88FD6

RGB 200 143 214

HSL 288.17, 0.46%, 0.7%

LAB 67.11, 33.7, -27.91

 

CMYK 0 / 33 / 29 / 16

HEX #D68F98

RGB 214 143 152

HSL 352.39, 0.46%, 0.7%

LAB 66.68, 28.12, 6.31

 

CMYK 0 / 43 / 37 / 11

HEX #E3828E

RGB 227 130 142

HSL 352.58, 0.63%, 0.7%

LAB 65.16, 38.55, 10

 

CMYK 0 / 51 / 44 / 6

HEX #EF7685

RGB 239 118 133

HSL 352.56, 0.79%, 0.7%

LAB 64.16, 47.91, 13.94

 

CMYK 0 / 58 / 51 / 1

HEX #FC697C

RGB 252 105 124

HSL 352.24, 0.96%, 0.7%

LAB 63.55, 57.57, 18.53

 

CMYK 0 / 33 / 29 / 16

HEX #D68F98

RGB 214 143 152

HSL 352.39, 0.46%, 0.7%

LAB 66.68, 28.12, 6.31

 

CMYK 0 / 23 / 20 / 21

HEX #CA9BA1

RGB 202 155 161

HSL 352.34, 0.31%, 0.7%

LAB 68.44, 18.41, 3.64

 

CMYK 0 / 12 / 11 / 25

HEX #BEA7AA

RGB 190 167 170

HSL 352.17, 0.15%, 0.7%

LAB 70.52, 8.86, 1.52

 

CMYK 2 / 0 / 1 / 29

HEX #B1B4B3

RGB 177 180 179

HSL 160, 0.02%, 0.7%

LAB 73.05, -1.24, 0.13

 

CMYK 14 / 0 / 2 / 25

HEX #A5C0BD

RGB 165 192 189

HSL 173.33, 0.18%, 0.7%

LAB 75.68, -9.71, -1.57

 

CMYK 0 / 33 / 11 / 16

HEX #D68FBE

RGB 214 143 190

HSL 320.28, 0.46%, 0.7%

LAB 67.77, 33.89, -13.41

 

CMYK 0 / 33 / 20 / 16

HEX #D68FAB

RGB 214 143 171

HSL 336.34, 0.46%, 0.7%

LAB 67.19, 30.85, -3.63

 

CMYK 0 / 33 / 29 / 16

HEX #D68F98

RGB 214 143 152

HSL 352.39, 0.46%, 0.7%

LAB 66.68, 28.12, 6.31

 

CMYK 0 / 29 / 33 / 16

HEX #D6988F

RGB 214 152 143

HSL 7.61, 0.46%, 0.7%

LAB 68.56, 22.07, 14.01

 

CMYK 0 / 20 / 33 / 16

HEX #D6AB8F

RGB 214 171 143

HSL 23.66, 0.46%, 0.7%

LAB 73.16, 11.79, 20.39

 

CMYK 0 / 58 / 50 / 24

HEX #C15260

RGB 193 82 96

HSL 352.43, 0.47%, 0.54%

LAB 49.76, 45.74, 14.51

 

CMYK 0 / 45 / 39 / 20

HEX #CC707C

RGB 204 112 124

HSL 352.17, 0.47%, 0.62%

LAB 57.92, 37.46, 9.64

 

CMYK 0 / 33 / 29 / 16

HEX #D68F98

RGB 214 143 152

HSL 352.39, 0.46%, 0.7%

LAB 66.68, 28.12, 6.31

 

CMYK 0 / 23 / 20 / 12

HEX #E1ADB3

RGB 225 173 179

HSL 353.08, 0.46%, 0.78%

LAB 75.54, 19.87, 4.28

 

CMYK 0 / 14 / 12 / 7

HEX #ECCBCF

RGB 236 203 207

HSL 352.73, 0.46%, 0.86%

LAB 84.51, 12.22, 2.3

 

CMYK 0 / 34 / 29 / 16

HEX #D68E97

RGB 214 142 151

HSL 352.5, 0.47%, 0.7%

LAB 66.43, 28.53, 6.51

 

CMYK 2 / 0 / 33 / 16

HEX #D2D68F

RGB 210 214 143

HSL 63.38, 0.46%, 0.7%

LAB 83.85, -12.26, 34.67

 

CMYK 33 / 15 / 0 / 16

HEX #8FB5D6

RGB 143 181 214

HSL 207.89, 0.46%, 0.7%

LAB 72.06, -4.89, -20.76

 

CMYK 0 / 34 / 29 / 16

HEX #D68E97

RGB 214 142 151

HSL 352.5, 0.47%, 0.7%

LAB 66.43, 28.53, 6.51

 

CMYK 29 / 0 / 33 / 16

HEX #98D68F

RGB 152 214 143

HSL 112.39, 0.46%, 0.7%

LAB 80.04, -33.27, 28.94

 

CMYK 33 / 29 / 0 / 16

HEX #8F98D6

RGB 143 152 214

HSL 232.39, 0.46%, 0.7%

LAB 64.28, 11.29, -32.69

 

CMYK 0 / 34 / 29 / 16

HEX #D68E97

RGB 214 142 151

HSL 352.5, 0.47%, 0.7%

LAB 66.43, 28.53, 6.51

 

CMYK 2 / 0 / 33 / 16

HEX #D2D68F

RGB 210 214 143

HSL 63.38, 0.46%, 0.7%

LAB 83.85, -12.26, 34.67

 

CMYK 33 / 0 / 4 / 16

HEX #8FD6CD

RGB 143 214 205

HSL 172.39, 0.46%, 0.7%

LAB 80.93, -24.11, -2.63

 

CMYK 31 / 33 / 0 / 16

HEX #938FD6

RGB 147 143 214

HSL 243.38, 0.46%, 0.7%

LAB 62.26, 17.6, -35.82

 

CMYK 0 / 34 / 29 / 16

HEX #D68E97

RGB 214 142 151

HSL 352.5, 0.47%, 0.7%

LAB 66.43, 28.53, 6.51

 

CMYK 12 / 0 / 33 / 16

HEX #BCD68F

RGB 188 214 143

HSL 81.97, 0.46%, 0.7%

LAB 82.25, -20.57, 32.28

 

CMYK 33 / 0 / 4 / 16

HEX #8FD6CD

RGB 143 214 205

HSL 172.39, 0.46%, 0.7%

LAB 80.93, -24.11, -2.63

 

CMYK 21 / 33 / 0 / 16

HEX #A98FD6

RGB 169 143 214

HSL 261.97, 0.46%, 0.7%

LAB 64.11, 24.09, -32.8

 

Description

Color code: RGBA 214 142 151 0.75 | qconv.com Color code: RGBA 214 142 151 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 142 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 142 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 22 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 22% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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