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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 209 221 152 0.75 it is the complementary color RGBA 46 34 103 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 209 221 152 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 209 221 152 0.75 shade: RGBA 214 221 147 0.75, RGBA 231 239 166 0.75, RGBA 248 255 185 0.75, RGBA 255 255 204 0.75 and RGBA 255 255 223 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 209 221 152 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 209 221 152 0.75 shade: RGBA 209 221 152 0.75, RGBA 192 203 133 0.75, RGBA 175 185 114 0.75, RGBA 158 167 95 0.75 and RGBA 141 149 76 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 209 221 152 0.75 shade: RGB 209 221 152, RGB 221 214 152, RGB 221 195 152, RGB 221 177 152 and RGB 221 158 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 209 221 152 0.75 shade: RGB 209 221 152, RGB 190 221 152, RGB 171 221 152, RGB 153 221 152 and RGB 152 221 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 209 221 152 0.75 shade matches the following richer shades: RGB 209 221 152, RGB 216 232 141, RGB 223 243 129 and RGB 230 254 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 209 221 152 0.75 shade: RGB 209 221 152, RGB 201 209 163, RGB 194 198 174, RGB 187 187 185 and RGB 180 176 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 209 221 152 0.75 shade: RGB 221 195 152, RGB 221 214 152, RGB 209 221 152, RGB 191 221 152 and RGB 172 221 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 209 221 152 0.75 shade: RGB 181 200 90, RGB 195 210 121, RGB 209 221 152, RGB 223 231 183 and RGB 236 241 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 209 221 152 0.75 shade: RGB 209 221 152, RGB 152 221 177 and RGB 205 152 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 209 221 152 0.75 shade: RGB 209 221 152, RGB 152 209 221 and RGB 221 152 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 209 221 152 0.75 shade: RGB 209 221 152, RGB 152 221 177, RGB 163 152 221 and RGB 221 152 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 209 221 152 0.75 shade: RGB 209 221 152, RGB 152 221 198, RGB 163 152 221 and RGB 221 152 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 23 / 10

HEX #D1DD98BF

RGBA 209 221 152 0.75

HSLA 70.43, 0.5%, 0.73%, 0.75

LABA 85.77, -15.02, 32.6, 0.75

 

Complementary color

CMYK 42 / 50 / 0 / 45

HEX #2E2267BF

RGBA 46 34 103 0.75

HSLA 250.43, 0.5%, 0.27%, 0.75

LABA 18.82, 25.94, -38.79, 0.75

 

CMYK 2 / 0 / 25 / 10

HEX #D6DD93BF

RGBA 214 221 147 0.75

HSLA 65.68, 0.52%, 0.72%, 0.75

LABA 86.06, -13.76, 35.6, 0.75

 

CMYK 3 / 0 / 23 / 5

HEX #E7EFA6BF

RGBA 231 239 166 0.75

HSLA 66.58, 0.7%, 0.79%, 0.75

LABA 92.34, -13.95, 34.5, 0.75

 

CMYK 2 / 0 / 21 / 0

HEX #F8FFB9BF

RGBA 248 255 185 0.75

HSLA 66, 1%, 0.86%, 0.75

LABA 98.03, -13.14, 32.77, 0.75

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFCCBF

RGBA 255 255 204 0.75

HSLA 60, 1%, 0.9%, 0.75

LABA 98.88, -8.05, 24.44, 0.75

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFDFBF

RGBA 255 255 223 0.75

HSLA 60, 1%, 0.94%, 0.75

LABA 99.26, -5.26, 15.31, 0.75

 

CMYK 4 / 0 / 23 / 10

HEX #D1DD98BF

RGBA 209 221 152 0.75

HSLA 70.43, 0.5%, 0.73%, 0.75

LABA 85.77, -15.02, 32.6, 0.75

 

CMYK 4 / 0 / 26 / 15

HEX #C0CB85BF

RGBA 192 203 133 0.75

HSLA 69.43, 0.4%, 0.66%, 0.75

LABA 79.39, -14.87, 33.71, 0.75

 

CMYK 4 / 0 / 29 / 21

HEX #AFB972BF

RGBA 175 185 114 0.75

HSLA 68.45, 0.34%, 0.59%, 0.75

LABA 72.91, -14.68, 34.87, 0.75

 

CMYK 4 / 0 / 32 / 26

HEX #9EA75FBF

RGBA 158 167 95 0.75

HSLA 67.5, 0.29%, 0.51%, 0.75

LABA 66.32, -14.43, 36.07, 0.75

 

CMYK 4 / 0 / 37 / 31

HEX #8D954CBF

RGBA 141 149 76 0.75

HSLA 66.58, 0.32%, 0.44%, 0.75

LABA 59.6, -14.11, 37.29, 0.75

 

CMYK 5 / 0 / 31 / 13

HEX #D1DD98

RGB 209 221 152

HSL 70.43, 0.5%, 0.73%

LAB 85.77, -15.02, 32.6

 

CMYK 0 / 3 / 31 / 13

HEX #DDD698

RGB 221 214 152

HSL 53.91, 0.5%, 0.73%

LAB 84.86, -6.94, 31.55

 

CMYK 0 / 12 / 31 / 13

HEX #DDC398

RGB 221 195 152

HSL 37.39, 0.5%, 0.73%

LAB 79.99, 2.9, 25.01

 

CMYK 0 / 20 / 31 / 13

HEX #DDB198

RGB 221 177 152

HSL 21.74, 0.5%, 0.73%

LAB 75.5, 12.44, 18.85

 

CMYK 0 / 29 / 31 / 13

HEX #DD9E98

RGB 221 158 152

HSL 5.22, 0.5%, 0.73%

LAB 70.93, 22.66, 12.47

 

CMYK 5 / 0 / 31 / 13

HEX #D1DD98

RGB 209 221 152

HSL 70.43, 0.5%, 0.73%

LAB 85.77, -15.02, 32.6

 

CMYK 14 / 0 / 31 / 13

HEX #BEDD98

RGB 190 221 152

HSL 86.96, 0.5%, 0.73%

LAB 84.45, -22.04, 30.59

 

CMYK 23 / 0 / 31 / 13

HEX #ABDD98

RGB 171 221 152

HSL 103.48, 0.5%, 0.73%

LAB 83.25, -28.76, 28.79

 

CMYK 31 / 0 / 31 / 13

HEX #99DD98

RGB 153 221 152

HSL 119.13, 0.5%, 0.73%

LAB 82.25, -34.76, 27.26

 

CMYK 31 / 0 / 24 / 13

HEX #98DDA9

RGB 152 221 169

HSL 134.78, 0.5%, 0.73%

LAB 82.51, -32.16, 18.77

 

CMYK 5 / 0 / 31 / 13

HEX #D1DD98

RGB 209 221 152

HSL 70.43, 0.5%, 0.73%

LAB 85.77, -15.02, 32.6

 

CMYK 7 / 0 / 39 / 9

HEX #D8E88D

RGB 216 232 141

HSL 70.55, 0.66%, 0.73%

LAB 89.03, -19.14, 42.46

 

CMYK 8 / 0 / 47 / 5

HEX #DFF381

RGB 223 243 129

HSL 70.53, 0.83%, 0.73%

LAB 92.3, -23.05, 52.41

 

CMYK 9 / 0 / 54 / 0

HEX #E6FE76

RGB 230 254 118

HSL 70.59, 0.99%, 0.73%

LAB 95.59, -26.57, 61.44

 

CMYK 5 / 0 / 31 / 13

HEX #D1DD98

RGB 209 221 152

HSL 70.43, 0.5%, 0.73%

LAB 85.77, -15.02, 32.6

 

CMYK 4 / 0 / 22 / 18

HEX #C9D1A3

RGB 201 209 163

HSL 70.43, 0.33%, 0.73%

LAB 82.2, -10.43, 21.96

 

CMYK 2 / 0 / 12 / 22

HEX #C2C6AE

RGB 194 198 174

HSL 70, 0.17%, 0.73%

LAB 78.99, -5.6, 11.56

 

CMYK 0 / 0 / 1 / 27

HEX #BBBBB9

RGB 187 187 185

HSL 60, 0.01%, 0.73%

LAB 75.83, -0.37, 1

 

CMYK 8 / 10 / 0 / 23

HEX #B4B0C4

RGB 180 176 196

HSL 252, 0.14%, 0.73%

LAB 72.72, 5.29, -9.65

 

CMYK 0 / 12 / 31 / 13

HEX #DDC398

RGB 221 195 152

HSL 37.39, 0.5%, 0.73%

LAB 79.99, 2.9, 25.01

 

CMYK 0 / 3 / 31 / 13

HEX #DDD698

RGB 221 214 152

HSL 53.91, 0.5%, 0.73%

LAB 84.86, -6.94, 31.55

 

CMYK 5 / 0 / 31 / 13

HEX #D1DD98

RGB 209 221 152

HSL 70.43, 0.5%, 0.73%

LAB 85.77, -15.02, 32.6

 

CMYK 14 / 0 / 31 / 13

HEX #BFDD98

RGB 191 221 152

HSL 86.09, 0.5%, 0.73%

LAB 84.51, -21.68, 30.69

 

CMYK 22 / 0 / 31 / 13

HEX #ACDD98

RGB 172 221 152

HSL 102.61, 0.5%, 0.73%

LAB 83.31, -28.41, 28.88

 

CMYK 10 / 0 / 55 / 22

HEX #B5C85A

RGB 181 200 90

HSL 70.36, 0.5%, 0.57%

LAB 77.2, -22.25, 51.97

 

CMYK 7 / 0 / 42 / 18

HEX #C3D279

RGB 195 210 121

HSL 70.11, 0.5%, 0.65%

LAB 81.33, -18.61, 42.31

 

CMYK 5 / 0 / 31 / 13

HEX #D1DD98

RGB 209 221 152

HSL 70.43, 0.5%, 0.73%

LAB 85.77, -15.02, 32.6

 

CMYK 3 / 0 / 21 / 9

HEX #DFE7B7

RGB 223 231 183

HSL 70, 0.5%, 0.81%

LAB 89.98, -10.59, 22.52

 

CMYK 2 / 0 / 11 / 5

HEX #ECF1D6

RGB 236 241 214

HSL 71.11, 0.49%, 0.89%

LAB 94.14, -6.26, 12.47

 

CMYK 5 / 0 / 31 / 13

HEX #D1DD98

RGB 209 221 152

HSL 70.43, 0.5%, 0.73%

LAB 85.77, -15.02, 32.6

 

CMYK 31 / 0 / 20 / 13

HEX #98DDB1

RGB 152 221 177

HSL 141.74, 0.5%, 0.73%

LAB 82.68, -30.69, 14.8

 

CMYK 7 / 31 / 0 / 13

HEX #CD98DD

RGB 205 152 221

HSL 286.09, 0.5%, 0.73%

LAB 69.93, 31.75, -27.4

 

CMYK 5 / 0 / 31 / 13

HEX #D1DD98

RGB 209 221 152

HSL 70.43, 0.5%, 0.73%

LAB 85.77, -15.02, 32.6

 

CMYK 31 / 5 / 0 / 13

HEX #98D1DD

RGB 152 209 221

HSL 190.43, 0.5%, 0.73%

LAB 80.46, -15.39, -11.83

 

CMYK 0 / 31 / 5 / 13

HEX #DD98D1

RGB 221 152 209

HSL 310.43, 0.5%, 0.73%

LAB 71.17, 34.67, -18.75

 

CMYK 5 / 0 / 31 / 13

HEX #D1DD98

RGB 209 221 152

HSL 70.43, 0.5%, 0.73%

LAB 85.77, -15.02, 32.6

 

CMYK 31 / 0 / 20 / 13

HEX #98DDB1

RGB 152 221 177

HSL 141.74, 0.5%, 0.73%

LAB 82.68, -30.69, 14.8

 

CMYK 26 / 31 / 0 / 13

HEX #A398DD

RGB 163 152 221

HSL 249.57, 0.5%, 0.73%

LAB 66.11, 18.85, -33.62

 

CMYK 0 / 31 / 12 / 13

HEX #DD98C3

RGB 221 152 195

HSL 322.61, 0.5%, 0.73%

LAB 70.71, 32.27, -11.7

 

CMYK 5 / 0 / 31 / 13

HEX #D1DD98

RGB 209 221 152

HSL 70.43, 0.5%, 0.73%

LAB 85.77, -15.02, 32.6

 

CMYK 31 / 0 / 10 / 13

HEX #98DDC6

RGB 152 221 198

HSL 160, 0.5%, 0.73%

LAB 83.16, -26.5, 4.4

 

CMYK 26 / 31 / 0 / 13

HEX #A398DD

RGB 163 152 221

HSL 249.57, 0.5%, 0.73%

LAB 66.11, 18.85, -33.62

 

CMYK 0 / 31 / 21 / 13

HEX #DD98AF

RGB 221 152 175

HSL 340, 0.5%, 0.73%

LAB 70.12, 29.11, -1.46

 

Description

Color code: RGBA 209 221 152 0.75 | qconv.com Color code: RGBA 209 221 152 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 221 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 221 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 23 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 23% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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