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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 224 249 it is the complementary color RGB 48 31 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 224 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 207 224 249: RGB 212 224 244, RGB 229 242 255, RGB 246 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 224 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 207 224 249: RGB 207 224 249, RGB 190 206 230, RGB 173 188 211, RGB 156 170 192 and RGB 139 152 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 10 / 0 / 2

HEX #CFE0F9

RGB 207 224 249

HSL 215.71, 0.78%, 0.89%

LAB 88.65, -0.63, -14.07

 

Complementary color

CMYK 0 / 35 / 88 / 81

HEX #301F06

RGB 48 31 6

HSL 35.71, 0.78%, 0.11%

LAB 13.36, 5.27, 17.41

 

CMYK 13 / 8 / 0 / 4

HEX #D4E0F4

RGB 212 224 244

HSL 217.5, 0.59%, 0.89%

LAB 88.85, -0.1, -11.1

 

CMYK 10 / 5 / 0 / 0

HEX #E5F2FF

RGB 229 242 255

HSL 210, 1%, 0.95%

LAB 94.9, -1.81, -7.72

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 17 / 10 / 0 / 2

HEX #CFE0F9

RGB 207 224 249

HSL 215.71, 0.78%, 0.89%

LAB 88.65, -0.63, -14.07

 

CMYK 17 / 10 / 0 / 10

HEX #BECEE6

RGB 190 206 230

HSL 216, 0.44%, 0.82%

LAB 82.27, -0.49, -13.68

 

CMYK 18 / 11 / 0 / 17

HEX #ADBCD3

RGB 173 188 211

HSL 216.32, 0.3%, 0.75%

LAB 75.79, -0.35, -13.29

 

CMYK 19 / 11 / 0 / 25

HEX #9CAAC0

RGB 156 170 192

HSL 216.67, 0.22%, 0.68%

LAB 69.2, -0.2, -12.9

 

CMYK 20 / 12 / 0 / 32

HEX #8B98AD

RGB 139 152 173

HSL 217.06, 0.17%, 0.61%

LAB 62.48, -0.04, -12.52

 

CMYK 17 / 10 / 0 / 2

HEX #CFE0F9

RGB 207 224 249

HSL 215.71, 0.78%, 0.89%

LAB 88.65, -0.63, -14.07

 

CMYK 17 / 13 / 0 / 3

HEX #CDD8F8

RGB 205 216 248

HSL 224.65, 0.75%, 0.89%

LAB 86.44, 2.72, -16.87

 

CMYK 17 / 16 / 0 / 3

HEX #CDD0F8

RGB 205 208 248

HSL 235.81, 0.75%, 0.89%

LAB 84.42, 6.96, -19.92

 

CMYK 16 / 17 / 0 / 3

HEX #D0CDF8

RGB 208 205 248

HSL 244.19, 0.75%, 0.89%

LAB 83.89, 9.48, -20.7

 

CMYK 13 / 17 / 0 / 3

HEX #D8CDF8

RGB 216 205 248

HSL 255.35, 0.75%, 0.89%

LAB 84.5, 11.99, -19.7

 

CMYK 17 / 10 / 0 / 2

HEX #CFE0F9

RGB 207 224 249

HSL 215.71, 0.78%, 0.89%

LAB 88.65, -0.63, -14.07

 

CMYK 18 / 11 / 0 / 82

HEX #25282D

RGB 37 40 45

HSL 217.5, 0.1%, 0.16%

LAB 16.01, -0.02, -3.73

 

CMYK 17 / 10 / 0 / 62

HEX #505660

RGB 80 86 96

HSL 217.5, 0.09%, 0.35%

LAB 36.38, -0.02, -6.59

 

CMYK 17 / 10 / 0 / 42

HEX #7A8493

RGB 122 132 147

HSL 216, 0.1%, 0.53%

LAB 54.81, -0.36, -9.29

 

CMYK 17 / 10 / 0 / 22

HEX #A5B2C6

RGB 165 178 198

HSL 216.36, 0.22%, 0.71%

LAB 72.17, -0.34, -11.68

 

CMYK 17 / 10 / 0 / 2

HEX #CFE0F9

RGB 207 224 249

HSL 215.71, 0.78%, 0.89%

LAB 88.65, -0.63, -14.07

 

CMYK 4 / 17 / 0 / 3

HEX #EFCDF8

RGB 239 205 248

HSL 287.44, 0.75%, 0.89%

LAB 86.4, 19.36, -16.66

 

CMYK 3 / 0 / 17 / 3

HEX #F0F8CD

RGB 240 248 205

HSL 71.16, 0.75%, 0.89%

LAB 96.02, -9.76, 19.8

 

CMYK 17 / 10 / 0 / 2

HEX #CFE0F9

RGB 207 224 249

HSL 215.71, 0.78%, 0.89%

LAB 88.65, -0.63, -14.07

 

CMYK 0 / 17 / 10 / 3

HEX #F8CDDF

RGB 248 205 223

HSL 334.88, 0.75%, 0.89%

LAB 86.48, 17.97, -3.2

 

CMYK 10 / 0 / 17 / 3

HEX #DFF8CD

RGB 223 248 205

HSL 94.88, 0.75%, 0.89%

LAB 94.84, -15.67, 17.96

 

CMYK 17 / 10 / 0 / 2

HEX #CFE0F9

RGB 207 224 249

HSL 215.71, 0.78%, 0.89%

LAB 88.65, -0.63, -14.07

 

CMYK 4 / 17 / 0 / 3

HEX #EFCDF8

RGB 239 205 248

HSL 287.44, 0.75%, 0.89%

LAB 86.4, 19.36, -16.66

 

CMYK 0 / 7 / 17 / 3

HEX #F8E6CD

RGB 248 230 205

HSL 34.88, 0.75%, 0.89%

LAB 92.11, 2.17, 14.39

 

CMYK 14 / 0 / 17 / 3

HEX #D6F8CD

RGB 214 248 205

HSL 107.44, 0.75%, 0.89%

LAB 94.24, -18.72, 17.04

 

CMYK 17 / 10 / 0 / 2

HEX #CFE0F9

RGB 207 224 249

HSL 215.71, 0.78%, 0.89%

LAB 88.65, -0.63, -14.07

 

CMYK 0 / 17 / 1 / 3

HEX #F8CDF5

RGB 248 205 245

HSL 304.19, 0.75%, 0.89%

LAB 87.1, 21.76, -13.94

 

CMYK 0 / 7 / 17 / 3

HEX #F8E6CD

RGB 248 230 205

HSL 34.88, 0.75%, 0.89%

LAB 92.11, 2.17, 14.39

 

CMYK 17 / 0 / 16 / 3

HEX #CDF8D0

RGB 205 248 208

HSL 124.19, 0.75%, 0.89%

LAB 93.74, -21.21, 14.71

 

Description

Color code: RGBA 207 224 249 1 | qconv.com Color code: RGBA 207 224 249 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 224 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 224 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 10 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 10% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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