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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 207 113 240 0.75 it is the complementary color RGBA 48 142 15 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 207 113 240 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 207 113 240 0.75 shade: RGBA 212 113 235 0.75, RGBA 229 131 254 0.75, RGBA 246 149 255 0.75, RGBA 255 167 255 0.75 and RGBA 255 185 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 207 113 240 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 207 113 240 0.75 shade: RGBA 207 113 240 0.75, RGBA 190 95 221 0.75, RGBA 173 77 202 0.75, RGBA 156 59 183 0.75 and RGBA 139 41 164 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 207 113 240 0.75 shade: RGB 207 112 240, RGB 240 112 239, RGB 240 112 204, RGB 240 112 170 and RGB 240 112 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 207 113 240 0.75 shade: RGB 207 112 240, RGB 172 112 240, RGB 138 112 240 and RGB 112 112 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 207 113 240 0.75 shade matches the following richer shades: RGB 207 112 240 and RGB 213 99 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 207 113 240 0.75 shade: RGB 207 112 240, RGB 201 125 227, RGB 194 138 214, RGB 188 150 202 and RGB 182 163 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 207 113 240 0.75 shade: RGB 138 112 240, RGB 172 112 240, RGB 206 112 240, RGB 240 112 240 and RGB 240 112 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 207 113 240 0.75 shade: RGB 181 37 232, RGB 194 75 236, RGB 207 112 240, RGB 219 149 244 and RGB 232 187 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 207 113 240 0.75 shade: RGB 207 113 240, RGB 240 112 120 and RGB 112 240 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 207 113 240 0.75 shade: RGB 207 113 240, RGB 240 206 112 and RGB 112 240 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 207 113 240 0.75 shade: RGB 207 113 240, RGB 240 112 120, RGB 146 240 112 and RGB 112 240 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 207 113 240 0.75 shade: RGB 207 113 240, RGB 240 142 112, RGB 146 240 112 and RGB 112 210 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 40 / 0 / 4

HEX #CF71F0BF

RGBA 207 113 240 0.75

HSLA 284.41, 0.81%, 0.69%, 0.75

LABA 62.82, 56.68, -48.98, 0.75

 

Complementary color

CMYK 50 / 0 / 67 / 33

HEX #308E0FBF

RGBA 48 142 15 0.75

HSLA 104.41, 0.81%, 0.31%, 0.75

LABA 51.85, -48.94, 51.99, 0.75

 

CMYK 7 / 39 / 0 / 6

HEX #D471EBBF

RGBA 212 113 235 0.75

HSLA 288.69, 0.75%, 0.68%, 0.75

LABA 63.18, 57.01, -45.59, 0.75

 

CMYK 7 / 36 / 0 / 0

HEX #E583FEBF

RGBA 229 131 254 0.75

HSLA 287.8, 0.98%, 0.75%, 0.75

LABA 69.5, 56.33, -45.96, 0.75

 

CMYK 3 / 31 / 0 / 0

HEX #F695FFBF

RGBA 246 149 255 0.75

HSLA 294.91, 1%, 0.79%, 0.75

LABA 75.02, 52.23, -37.74, 0.75

 

CMYK 0 / 26 / 0 / 0

HEX #FFA7FFBF

RGBA 255 167 255 0.75

HSLA 300, 1%, 0.83%, 0.75

LABA 79.68, 45.7, -30.46, 0.75

 

CMYK 0 / 21 / 0 / 0

HEX #FFB9FFBF

RGBA 255 185 255 0.75

HSLA 300, 1%, 0.86%, 0.75

LABA 83.54, 36.35, -24.57, 0.75

 

CMYK 10 / 40 / 0 / 4

HEX #CF71F0BF

RGBA 207 113 240 0.75

HSLA 284.41, 0.81%, 0.69%, 0.75

LABA 62.82, 56.68, -48.98, 0.75

 

CMYK 11 / 43 / 0 / 10

HEX #BE5FDDBF

RGBA 190 95 221 0.75

HSLA 285.24, 0.65%, 0.62%, 0.75

LABA 56.44, 57.33, -48.61, 0.75

 

CMYK 11 / 46 / 0 / 16

HEX #AD4DCABF

RGBA 173 77 202 0.75

HSLA 286.08, 0.54%, 0.55%, 0.75

LABA 50.04, 57.82, -48.1, 0.75

 

CMYK 11 / 51 / 0 / 21

HEX #9C3BB7BF

RGBA 156 59 183 0.75

HSLA 286.94, 0.51%, 0.47%, 0.75

LABA 43.68, 58.02, -47.37, 0.75

 

CMYK 11 / 56 / 0 / 27

HEX #8B29A4BF

RGBA 139 41 164 0.75

HSLA 287.8, 0.6%, 0.4%, 0.75

LABA 37.4, 57.71, -46.29, 0.75

 

CMYK 14 / 53 / 0 / 6

HEX #CF70F0

RGB 207 112 240

HSL 284.53, 0.81%, 0.69%

LAB 62.63, 57.18, -49.28

 

CMYK 0 / 53 / 0 / 6

HEX #F070EF

RGB 240 112 239

HSL 300.47, 0.81%, 0.69%

LAB 66.78, 65.58, -41.9

 

CMYK 0 / 53 / 15 / 6

HEX #F070CC

RGB 240 112 204

HSL 316.88, 0.81%, 0.69%

LAB 65.34, 59.99, -24.65

 

CMYK 0 / 53 / 29 / 6

HEX #F070AA

RGB 240 112 170

HSL 332.81, 0.81%, 0.69%

LAB 64.17, 55.3, -7.15

 

CMYK 0 / 53 / 44 / 6

HEX #F07087

RGB 240 112 135

HSL 349.22, 0.81%, 0.69%

LAB 63.23, 51.35, 11.51

 

CMYK 14 / 53 / 0 / 6

HEX #CF70F0

RGB 207 112 240

HSL 284.53, 0.81%, 0.69%

LAB 62.63, 57.18, -49.28

 

CMYK 28 / 53 / 0 / 6

HEX #AC70F0

RGB 172 112 240

HSL 268.13, 0.81%, 0.69%

LAB 58.65, 48.3, -55.85

 

CMYK 43 / 53 / 0 / 6

HEX #8A70F0

RGB 138 112 240

HSL 252.19, 0.81%, 0.69%

LAB 55.36, 40.25, -61.29

 

CMYK 53 / 53 / 0 / 6

HEX #7070F0

RGB 112 112 240

HSL 240, 0.81%, 0.69%

LAB 53.3, 34.78, -64.72

 

CMYK 14 / 53 / 0 / 6

HEX #CF70F0

RGB 207 112 240

HSL 284.53, 0.81%, 0.69%

LAB 62.63, 57.18, -49.28

 

CMYK 16 / 61 / 0 / 1

HEX #D563FD

RGB 213 99 253

HSL 284.42, 0.97%, 0.69%

LAB 61.79, 67.32, -57.74

 

CMYK 14 / 53 / 0 / 6

HEX #CF70F0

RGB 207 112 240

HSL 284.53, 0.81%, 0.69%

LAB 62.63, 57.18, -49.28

 

CMYK 11 / 45 / 0 / 11

HEX #C97DE3

RGB 201 125 227

HSL 284.71, 0.65%, 0.69%

LAB 63.86, 46.29, -40.17

 

CMYK 9 / 36 / 0 / 16

HEX #C28AD6

RGB 194 138 214

HSL 284.21, 0.48%, 0.69%

LAB 65.36, 34.56, -30.67

 

CMYK 7 / 26 / 0 / 21

HEX #BC96CA

RGB 188 150 202

HSL 283.85, 0.33%, 0.69%

LAB 67.1, 23.56, -21.36

 

CMYK 4 / 14 / 0 / 26

HEX #B6A3BD

RGB 182 163 189

HSL 283.85, 0.16%, 0.69%

LAB 69.34, 11.72, -10.82

 

CMYK 43 / 53 / 0 / 6

HEX #8A70F0

RGB 138 112 240

HSL 252.19, 0.81%, 0.69%

LAB 55.36, 40.25, -61.29

 

CMYK 28 / 53 / 0 / 6

HEX #AC70F0

RGB 172 112 240

HSL 268.13, 0.81%, 0.69%

LAB 58.65, 48.3, -55.85

 

CMYK 14 / 53 / 0 / 6

HEX #CE70F0

RGB 206 112 240

HSL 284.06, 0.81%, 0.69%

LAB 62.51, 56.92, -49.48

 

CMYK 0 / 53 / 0 / 6

HEX #F070F0

RGB 240 112 240

HSL 300, 0.81%, 0.69%

LAB 66.83, 65.75, -42.38

 

CMYK 0 / 53 / 14 / 6

HEX #F070CE

RGB 240 112 206

HSL 315.94, 0.81%, 0.69%

LAB 65.41, 60.29, -25.65

 

CMYK 22 / 84 / 0 / 9

HEX #B525E8

RGB 181 37 232

HSL 284.31, 0.81%, 0.53%

LAB 48.23, 79.08, -68.08

 

CMYK 18 / 68 / 0 / 7

HEX #C24BEC

RGB 194 75 236

HSL 284.35, 0.81%, 0.61%

LAB 54.61, 70.03, -59.92

 

CMYK 14 / 53 / 0 / 6

HEX #CF70F0

RGB 207 112 240

HSL 284.53, 0.81%, 0.69%

LAB 62.63, 57.18, -49.28

 

CMYK 10 / 39 / 0 / 4

HEX #DB95F4

RGB 219 149 244

HSL 284.21, 0.81%, 0.77%

LAB 71.61, 42.24, -37.29

 

CMYK 6 / 25 / 0 / 3

HEX #E8BBF8

RGB 232 187 248

HSL 284.26, 0.81%, 0.85%

LAB 81.55, 26.69, -24.05

 

CMYK 14 / 53 / 0 / 6

HEX #CF71F0

RGB 207 113 240

HSL 284.41, 0.81%, 0.69%

LAB 62.82, 56.68, -48.98

 

CMYK 0 / 53 / 50 / 6

HEX #F07078

RGB 240 112 120

HSL 356.25, 0.81%, 0.69%

LAB 62.9, 49.95, 19.64

 

CMYK 53 / 0 / 35 / 6

HEX #70F09B

RGB 112 240 155

HSL 140.16, 0.81%, 0.69%

LAB 86.07, -53.89, 30.57

 

CMYK 14 / 53 / 0 / 6

HEX #CF71F0

RGB 207 113 240

HSL 284.41, 0.81%, 0.69%

LAB 62.82, 56.68, -48.98

 

CMYK 0 / 14 / 53 / 6

HEX #F0CE70

RGB 240 206 112

HSL 44.06, 0.81%, 0.69%

LAB 83.88, 0.6, 50.66

 

CMYK 53 / 0 / 14 / 6

HEX #70F0CE

RGB 112 240 206

HSL 164.06, 0.81%, 0.69%

LAB 87.11, -43.55, 5.68

 

CMYK 14 / 53 / 0 / 6

HEX #CF71F0

RGB 207 113 240

HSL 284.41, 0.81%, 0.69%

LAB 62.82, 56.68, -48.98

 

CMYK 0 / 53 / 50 / 6

HEX #F07078

RGB 240 112 120

HSL 356.25, 0.81%, 0.69%

LAB 62.9, 49.95, 19.64

 

CMYK 39 / 0 / 53 / 6

HEX #92F070

RGB 146 240 112

HSL 104.06, 0.81%, 0.69%

LAB 86.8, -50.72, 52.62

 

CMYK 53 / 0 / 4 / 6

HEX #70F0E7

RGB 112 240 231

HSL 175.78, 0.81%, 0.69%

LAB 87.74, -37.54, -6.47

 

CMYK 14 / 53 / 0 / 6

HEX #CF71F0

RGB 207 113 240

HSL 284.41, 0.81%, 0.69%

LAB 62.82, 56.68, -48.98

 

CMYK 0 / 41 / 53 / 6

HEX #F08E70

RGB 240 142 112

HSL 14.06, 0.81%, 0.69%

LAB 68.78, 34.2, 31.91

 

CMYK 39 / 0 / 53 / 6

HEX #92F070

RGB 146 240 112

HSL 104.06, 0.81%, 0.69%

LAB 86.8, -50.72, 52.62

 

CMYK 53 / 13 / 0 / 6

HEX #70D2F0

RGB 112 210 240

HSL 194.06, 0.81%, 0.69%

LAB 79.52, -20.7, -23.58

 

Description

Color code: RGBA 207 113 240 0.75 | qconv.com Color code: RGBA 207 113 240 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 113 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 113 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 40 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 40% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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