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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 202 59 63 0.5 it is the complementary color RGBA 53 196 192 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 202 59 63 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 202 59 63 0.5: RGBA 207 59 58 0.5, RGBA 224 77 77 0.5, RGBA 241 95 96 0.5, RGBA 255 113 115 0.5 and RGBA 255 131 134 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 202 59 63 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 202 59 63 0.5: RGBA 202 59 63 0.5, RGBA 185 41 44 0.5, RGBA 168 23 25 0.5, RGBA 151 5 6 0.5 and RGBA 134 0 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 34 / 10

HEX #CA3B3F7F

RGBA 202 59 63 0.5

HSLA 358.32, 0.57%, 0.51%, 0.5

LABA 47.03, 56.26, 30.97, 0.5

 

Complementary color

CMYK 36 / 0 / 1 / 12

HEX #35C4C07F

RGBA 53 196 192 0.5

HSLA 178.32, 0.57%, 0.49%, 0.5

LABA 72.26, -37.27, -8.79, 0.5

 

CMYK 0 / 36 / 36 / 9

HEX #CF3B3A7F

RGBA 207 59 58 0.5

HSLA 0.4, 0.61%, 0.52%, 0.5

LABA 47.88, 57.59, 35.11, 0.5

 

CMYK 0 / 33 / 33 / 6

HEX #E04D4D7F

RGBA 224 77 77 0.5

HSLA 0, 0.7%, 0.59%, 0.5

LABA 53.7, 57.05, 31.85, 0.5

 

CMYK 0 / 30 / 30 / 3

HEX #F15F607F

RGBA 241 95 96 0.5

HSLA 359.59, 0.84%, 0.66%, 0.5

LABA 59.64, 56.23, 29.04, 0.5

 

CMYK 0 / 28 / 27 / 0

HEX #FF71737F

RGBA 255 113 115 0.5

HSLA 359.15, 1%, 0.72%, 0.5

LABA 65.21, 54.24, 25.96, 0.5

 

CMYK 0 / 24 / 24 / 0

HEX #FF83867F

RGBA 255 131 134 0.5

HSLA 358.55, 1%, 0.76%, 0.5

LABA 68.91, 47.27, 20.28, 0.5

 

CMYK 0 / 35 / 34 / 10

HEX #CA3B3F7F

RGBA 202 59 63 0.5

HSLA 358.32, 0.57%, 0.51%, 0.5

LABA 47.03, 56.26, 30.97, 0.5

 

CMYK 0 / 39 / 38 / 14

HEX #B9292C7F

RGBA 185 41 44 0.5

HSLA 358.75, 0.64%, 0.44%, 0.5

LABA 41.35, 56.31, 34.71, 0.5

 

CMYK 0 / 43 / 43 / 17

HEX #A817197F

RGBA 168 23 25 0.5

HSLA 359.17, 0.76%, 0.37%, 0.5

LABA 36, 55.52, 38.88, 0.5

 

CMYK 0 / 48 / 48 / 20

HEX #9705067F

RGBA 151 5 6 0.5

HSLA 359.59, 0.94%, 0.31%, 0.5

LABA 31.12, 53.53, 42.37, 0.5

 

CMYK 0 / 50 / 50 / 24

HEX #8600007F

RGBA 134 0 0 0.5

HSLA 0, 1%, 0.26%, 0.5

LABA 26.93, 49.67, 39.85, 0.5

 

CMYK 0 / 35 / 34 / 10

HEX #CA3B3F7F

RGBA 202 59 63 0.5

HSLA 358.32, 0.57%, 0.51%, 0.5

LABA 47.03, 56.26, 30.97, 0.5

 

CMYK 0 / 31 / 36 / 11

HEX #C94D3A7F

RGBA 201 77 58 0.5

HSLA 7.97, 0.57%, 0.51%, 0.5

LABA 49.53, 48.25, 36.74, 0.5

 

CMYK 0 / 25 / 36 / 11

HEX #C9653A7F

RGBA 201 101 58 0.5

HSLA 18.04, 0.57%, 0.51%, 0.5

LABA 54.06, 36.57, 41.83, 0.5

 

CMYK 0 / 19 / 36 / 11

HEX #C97D3A7F

RGBA 201 125 58 0.5

HSLA 28.11, 0.57%, 0.51%, 0.5

LABA 59.33, 23.79, 47.56, 0.5

 

CMYK 0 / 13 / 36 / 11

HEX #C9953A7F

RGBA 201 149 58 0.5

HSLA 38.18, 0.57%, 0.51%, 0.5

LABA 65.14, 10.69, 53.64, 0.5

 

CMYK 0 / 35 / 34 / 10

HEX #CA3B3F7F

RGBA 202 59 63 0.5

HSLA 358.32, 0.57%, 0.51%, 0.5

LABA 47.03, 56.26, 30.97, 0.5

 

CMYK 0 / 35 / 34 / 0

HEX #FD4A4F7F

RGBA 253 74 79 0.5

HSLA 358.32, 0.98%, 0.64%, 0.5

LABA 58.36, 67.34, 37.55, 0.5

 

CMYK 0 / 36 / 35 / 40

HEX #310E0F7F

RGBA 49 14 15 0.5

HSLA 358.29, 0.56%, 0.12%, 0.5

LABA 9, 17.91, 7.43, 0.5

 

CMYK 0 / 36 / 35 / 30

HEX #641D1F7F

RGBA 100 29 31 0.5

HSLA 358.31, 0.55%, 0.25%, 0.5

LABA 22.61, 32.03, 16.63, 0.5

 

CMYK 0 / 35 / 34 / 20

HEX #972C2F7F

RGBA 151 44 47 0.5

HSLA 358.32, 0.55%, 0.38%, 0.5

LABA 35.17, 44.58, 24.04, 0.5

 

CMYK 0 / 35 / 34 / 10

HEX #CA3B3F7F

RGBA 202 59 63 0.5

HSLA 358.32, 0.57%, 0.51%, 0.5

LABA 47.03, 56.26, 30.97, 0.5

 

CMYK 6 / 0 / 36 / 11

HEX #B1C93A7F

RGBA 177 201 58 0.5

HSLA 70.07, 0.57%, 0.51%, 0.5

LABA 76.94, -26.58, 64.79, 0.5

 

CMYK 36 / 20 / 0 / 11

HEX #3A78C97F

RGBA 58 120 201 0.5

HSLA 213.99, 0.57%, 0.51%, 0.5

LABA 50.16, 7.22, -47.91, 0.5

 

CMYK 0 / 35 / 34 / 10

HEX #CA3B3F7F

RGBA 202 59 63 0.5

HSLA 358.32, 0.57%, 0.51%, 0.5

LABA 47.03, 56.26, 30.97, 0.5

 

CMYK 34 / 0 / 36 / 11

HEX #3FC93A7F

RGBA 63 201 58 0.5

HSLA 117.9, 0.57%, 0.51%, 0.5

LABA 71.65, -63.08, 57.74, 0.5

 

CMYK 36 / 34 / 0 / 11

HEX #3A3FC97F

RGBA 58 63 201 0.5

HSLA 237.9, 0.57%, 0.51%, 0.5

LABA 35.34, 43.16, -71.9, 0.5

 

CMYK 0 / 35 / 34 / 10

HEX #CA3B3F7F

RGBA 202 59 63 0.5

HSLA 358.32, 0.57%, 0.51%, 0.5

LABA 47.03, 56.26, 30.97, 0.5

 

CMYK 6 / 0 / 36 / 11

HEX #B1C93A7F

RGBA 177 201 58 0.5

HSLA 70.07, 0.57%, 0.51%, 0.5

LABA 76.94, -26.58, 64.79, 0.5

 

CMYK 36 / 0 / 1 / 11

HEX #3AC9C47F

RGBA 58 201 196 0.5

HSLA 177.9, 0.57%, 0.51%, 0.5

LABA 73.97, -37.83, -8.4, 0.5

 

CMYK 30 / 36 / 0 / 11

HEX #523AC97F

RGBA 82 58 201 0.5

HSLA 250.07, 0.57%, 0.51%, 0.5

LABA 36.06, 49, -70.67, 0.5

 

CMYK 0 / 35 / 34 / 10

HEX #CA3B3F7F

RGBA 202 59 63 0.5

HSLA 358.32, 0.57%, 0.51%, 0.5

LABA 47.03, 56.26, 30.97, 0.5

 

CMYK 17 / 0 / 36 / 11

HEX #86C93A7F

RGBA 134 201 58 0.5

HSLA 88.11, 0.57%, 0.51%, 0.5

LABA 74.28, -43.21, 61.28, 0.5

 

CMYK 36 / 0 / 1 / 11

HEX #3AC9C47F

RGBA 58 201 196 0.5

HSLA 177.9, 0.57%, 0.51%, 0.5

LABA 73.97, -37.83, -8.4, 0.5

 

CMYK 19 / 36 / 0 / 11

HEX #7D3AC97F

RGBA 125 58 201 0.5

HSLA 268.11, 0.57%, 0.51%, 0.5

LABA 40.58, 56.05, -63.09, 0.5

 

Description

Color code: RGBA 202 59 63 0.5 | qconv.com Color code: RGBA 202 59 63 0.5 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 59 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 59 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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