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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 245 238 it is the complementary color RGB 54 10 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 245 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 201 245 238: RGB 206 245 233, RGB 223 255 252, RGB 240 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 245 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 201 245 238: RGB 201 245 238, RGB 184 227 219, RGB 167 209 200, RGB 150 191 181 and RGB 133 173 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 3 / 4

HEX #C9F5EE

RGB 201 245 238

HSL 170.45, 0.69%, 0.87%

LAB 93.41, -15.42, -1.32

 

Complementary color

CMYK 0 / 81 / 69 / 79

HEX #360A11

RGB 54 10 17

HSL 350.45, 0.69%, 0.13%

LAB 9.34, 22.35, 6.94

 

CMYK 16 / 0 / 5 / 4

HEX #CEF5E9

RGB 206 245 233

HSL 161.54, 0.66%, 0.88%

LAB 93.58, -14.84, 1.57

 

CMYK 13 / 0 / 1 / 0

HEX #DFFFFC

RGB 223 255 252

HSL 174.38, 1%, 0.94%

LAB 97.73, -10.83, -2.06

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 18 / 0 / 3 / 4

HEX #C9F5EE

RGB 201 245 238

HSL 170.45, 0.69%, 0.87%

LAB 93.41, -15.42, -1.32

 

CMYK 19 / 0 / 4 / 11

HEX #B8E3DB

RGB 184 227 219

HSL 168.84, 0.43%, 0.81%

LAB 87.12, -15.49, -0.72

 

CMYK 20 / 0 / 4 / 18

HEX #A7D1C8

RGB 167 209 200

HSL 167.14, 0.31%, 0.74%

LAB 80.73, -15.59, -0.09

 

CMYK 21 / 0 / 5 / 25

HEX #96BFB5

RGB 150 191 181

HSL 165.37, 0.24%, 0.67%

LAB 74.24, -15.69, 0.55

 

CMYK 23 / 0 / 6 / 32

HEX #85ADA2

RGB 133 173 162

HSL 163.5, 0.2%, 0.6%

LAB 67.64, -15.82, 1.23

 

CMYK 18 / 0 / 3 / 4

HEX #C9F5EE

RGB 201 245 238

HSL 170.45, 0.69%, 0.87%

LAB 93.41, -15.42, -1.32

 

CMYK 19 / 0 / 0 / 4

HEX #C6F4F4

RGB 198 244 244

HSL 180, 0.68%, 0.87%

LAB 93.12, -14.61, -4.87

 

CMYK 19 / 3 / 0 / 4

HEX #C6EDF4

RGB 198 237 244

HSL 189.13, 0.68%, 0.87%

LAB 91.28, -11.1, -7.59

 

CMYK 19 / 6 / 0 / 4

HEX #C6E5F4

RGB 198 229 244

HSL 199.57, 0.68%, 0.87%

LAB 89.19, -7.03, -10.69

 

CMYK 19 / 9 / 0 / 4

HEX #C6DDF4

RGB 198 221 244

HSL 210, 0.68%, 0.87%

LAB 87.12, -2.9, -13.78

 

CMYK 18 / 0 / 3 / 4

HEX #C9F5EE

RGB 201 245 238

HSL 170.45, 0.69%, 0.87%

LAB 93.41, -15.42, -1.32

 

CMYK 17 / 0 / 2 / 84

HEX #222928

RGB 34 41 40

HSL 171.43, 0.09%, 0.15%

LAB 15.9, -3.34, -0.39

 

CMYK 18 / 0 / 3 / 64

HEX #4B5C59

RGB 75 92 89

HSL 169.41, 0.1%, 0.33%

LAB 37.61, -7.2, -0.45

 

CMYK 18 / 0 / 3 / 44

HEX #758F8B

RGB 117 143 139

HSL 170.77, 0.1%, 0.51%

LAB 57.36, -10.05, -0.94

 

CMYK 18 / 0 / 3 / 24

HEX #9FC2BC

RGB 159 194 188

HSL 169.71, 0.22%, 0.69%

LAB 75.81, -12.91, -0.88

 

CMYK 18 / 0 / 3 / 4

HEX #C9F5EE

RGB 201 245 238

HSL 170.45, 0.69%, 0.87%

LAB 93.41, -15.42, -1.32

 

CMYK 18 / 19 / 0 / 4

HEX #C8C6F4

RGB 200 198 244

HSL 242.61, 0.68%, 0.87%

LAB 81.4, 9.9, -22.39

 

CMYK 0 / 11 / 19 / 4

HEX #F4DAC6

RGB 244 218 198

HSL 26.09, 0.68%, 0.87%

LAB 88.66, 5.86, 13.11

 

CMYK 18 / 0 / 3 / 4

HEX #C9F5EE

RGB 201 245 238

HSL 170.45, 0.69%, 0.87%

LAB 93.41, -15.42, -1.32

 

CMYK 3 / 19 / 0 / 4

HEX #EDC6F4

RGB 237 198 244

HSL 290.87, 0.68%, 0.87%

LAB 84.44, 21.67, -17.5

 

CMYK 0 / 3 / 19 / 4

HEX #F4EDC6

RGB 244 237 198

HSL 50.87, 0.68%, 0.87%

LAB 93.4, -3.85, 19.77

 

CMYK 18 / 0 / 3 / 4

HEX #C9F5EE

RGB 201 245 238

HSL 170.45, 0.69%, 0.87%

LAB 93.41, -15.42, -1.32

 

CMYK 18 / 19 / 0 / 4

HEX #C8C6F4

RGB 200 198 244

HSL 242.61, 0.68%, 0.87%

LAB 81.4, 9.9, -22.39

 

CMYK 0 / 19 / 16 / 4

HEX #F4C6CE

RGB 244 198 206

HSL 349.57, 0.68%, 0.87%

LAB 84.01, 17.54, 2.19

 

CMYK 0 / 0 / 19 / 4

HEX #F3F4C6

RGB 243 244 198

HSL 61.3, 0.68%, 0.87%

LAB 95.09, -7.73, 22.11

 

CMYK 18 / 0 / 3 / 4

HEX #C9F5EE

RGB 201 245 238

HSL 170.45, 0.69%, 0.87%

LAB 93.41, -15.42, -1.32

 

CMYK 12 / 19 / 0 / 4

HEX #D6C6F4

RGB 214 198 244

HSL 260.87, 0.68%, 0.87%

LAB 82.49, 14.28, -20.63

 

CMYK 0 / 19 / 16 / 4

HEX #F4C6CE

RGB 244 198 206

HSL 349.57, 0.68%, 0.87%

LAB 84.01, 17.54, 2.19

 

CMYK 6 / 0 / 19 / 4

HEX #E5F4C6

RGB 229 244 198

HSL 79.57, 0.68%, 0.87%

LAB 94.07, -12.7, 20.54

 

Description

Color code: RGBA 201 245 238 1 | qconv.com Color code: RGBA 201 245 238 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 245 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 245 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 3 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 3% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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