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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 29 52 it is the complementary color RGB 58 226 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 29 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 197 29 52: RGB 202 29 47, RGB 219 47 66, RGB 236 65 85, RGB 253 83 104 and RGB 255 101 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 29 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 197 29 52: RGB 197 29 52, RGB 180 11 33, RGB 163 0 14, RGB 146 0 0 and RGB 129 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 74 / 23

HEX #C51D34

RGB 197 29 52

HSL 351.79, 0.74%, 0.44%

LAB 42.76, 63.13, 32.22

 

Complementary color

CMYK 74 / 0 / 10 / 11

HEX #3AE2CB

RGB 58 226 203

HSL 171.79, 0.74%, 0.56%

LAB 81.62, -46.97, -0.87

 

CMYK 0 / 86 / 77 / 21

HEX #CA1D2F

RGB 202 29 47

HSL 353.76, 0.75%, 0.45%

LAB 43.71, 64.29, 36.53

 

CMYK 0 / 79 / 70 / 14

HEX #DB2F42

RGB 219 47 66

HSL 353.37, 0.7%, 0.52%

LAB 48.87, 65.36, 32.16

 

CMYK 0 / 72 / 64 / 7

HEX #EC4155

RGB 236 65 85

HSL 352.98, 0.82%, 0.59%

LAB 54.31, 65.67, 28.41

 

CMYK 0 / 67 / 59 / 1

HEX #FD5368

RGB 253 83 104

HSL 352.59, 0.98%, 0.66%

LAB 59.95, 65.47, 25.22

 

CMYK 0 / 60 / 52 / 0

HEX #FF657B

RGB 255 101 123

HSL 351.43, 1%, 0.7%

LAB 63.34, 60.21, 18.89

 

CMYK 0 / 85 / 74 / 23

HEX #C51D34

RGB 197 29 52

HSL 351.79, 0.74%, 0.44%

LAB 42.76, 63.13, 32.22

RAL® 3027

CMYK 0 / 94 / 82 / 29

HEX #B40B21

RGB 180 11 33

HSL 352.19, 0.88%, 0.37%

LAB 37.94, 60.98, 37.18

 

CMYK 0 / 100 / 91 / 36

HEX #A3000E

RGB 163 0 14

HSL 354.85, 1%, 0.32%

LAB 33.6, 57.5, 41.97

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 85 / 74 / 23

HEX #C51D34

RGB 197 29 52

HSL 351.79, 0.74%, 0.44%

LAB 42.76, 63.13, 32.22

RAL® 3027

CMYK 0 / 84 / 85 / 24

HEX #C31F1D

RGB 195 31 29

HSL 0.72, 0.74%, 0.44%

LAB 42.26, 61.42, 44.5

 

CMYK 0 / 70 / 85 / 24

HEX #C33B1D

RGB 195 59 29

HSL 10.84, 0.74%, 0.44%

LAB 45.38, 52.71, 47.21

 

CMYK 0 / 55 / 85 / 24

HEX #C3571D

RGB 195 87 29

HSL 20.96, 0.74%, 0.44%

LAB 50.11, 40.2, 51.26

 

CMYK 0 / 42 / 85 / 24

HEX #C3721D

RGB 195 114 29

HSL 30.72, 0.74%, 0.44%

LAB 55.81, 26.08, 56.09

 

CMYK 0 / 85 / 74 / 23

HEX #C51D34

RGB 197 29 52

HSL 351.79, 0.74%, 0.44%

LAB 42.76, 63.13, 32.22

RAL® 3027

CMYK 0 / 85 / 74 / 3

HEX #F82541

RGB 248 37 65

HSL 352.04, 0.94%, 0.56%

LAB 53.67, 75.43, 39.78

 

CMYK 0 / 86 / 73 / 83

HEX #2C060C

RGB 44 6 12

HSL 350.53, 0.76%, 0.1%

LAB 6.25, 19.54, 4.78

 

CMYK 0 / 85 / 74 / 63

HEX #5F0E19

RGB 95 14 25

HSL 351.85, 0.74%, 0.21%

LAB 19.3, 35.85, 16.38

 

CMYK 0 / 86 / 73 / 43

HEX #921527

RGB 146 21 39

HSL 351.36, 0.75%, 0.33%

LAB 31.33, 50.17, 24.22

 

CMYK 0 / 85 / 74 / 23

HEX #C51D34

RGB 197 29 52

HSL 351.79, 0.74%, 0.44%

LAB 42.76, 63.13, 32.22

RAL® 3027

CMYK 5 / 0 / 85 / 24

HEX #BAC31D

RGB 186 195 29

HSL 63.25, 0.74%, 0.44%

LAB 75.8, -21.03, 72.39

 

CMYK 85 / 38 / 0 / 24

HEX #1D78C3

RGB 29 120 195

HSL 207.11, 0.74%, 0.44%

LAB 49.05, 1.73, -46.29

 

CMYK 0 / 85 / 74 / 23

HEX #C51D34

RGB 197 29 52

HSL 351.79, 0.74%, 0.44%

LAB 42.76, 63.13, 32.22

RAL® 3027

CMYK 72 / 0 / 85 / 24

HEX #36C31D

RGB 54 195 29

HSL 110.96, 0.74%, 0.44%

LAB 69.4, -64.6, 64.38

 

CMYK 85 / 72 / 0 / 24

HEX #1D36C3

RGB 29 54 195

HSL 230.96, 0.74%, 0.44%

LAB 31.44, 44.08, -74.87

 

CMYK 0 / 85 / 74 / 23

HEX #C51D34

RGB 197 29 52

HSL 351.79, 0.74%, 0.44%

LAB 42.76, 63.13, 32.22

RAL® 3027

CMYK 5 / 0 / 85 / 24

HEX #BAC31D

RGB 186 195 29

HSL 63.25, 0.74%, 0.44%

LAB 75.8, -21.03, 72.39

 

CMYK 85 / 0 / 13 / 24

HEX #1DC3AA

RGB 29 195 170

HSL 170.96, 0.74%, 0.44%

LAB 71, -45.21, 1.32

 

CMYK 81 / 85 / 0 / 24

HEX #251DC3

RGB 37 29 195

HSL 242.89, 0.74%, 0.44%

LAB 27.33, 57.28, -81.68

 

CMYK 0 / 85 / 74 / 23

HEX #C51D34

RGB 197 29 52

HSL 351.79, 0.74%, 0.44%

LAB 42.76, 63.13, 32.22

RAL® 3027

CMYK 30 / 0 / 85 / 24

HEX #89C31D

RGB 137 195 29

HSL 80.96, 0.74%, 0.44%

LAB 72.52, -40.92, 68.31

 

CMYK 85 / 0 / 13 / 24

HEX #1DC3AA

RGB 29 195 170

HSL 170.96, 0.74%, 0.44%

LAB 71, -45.21, 1.32

 

CMYK 55 / 85 / 0 / 24

HEX #571DC3

RGB 87 29 195

HSL 260.96, 0.74%, 0.44%

LAB 31.45, 60.9, -74.72

 

Description

Color code: RGBA 197 29 52 1 | qconv.com Color code: RGBA 197 29 52 1 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 29 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 29 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 74 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 74% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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