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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 220 230 it is the complementary color RGB 69 35 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 220 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 186 220 230: RGB 191 220 225, RGB 208 238 244, RGB 225 255 255, RGB 242 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 220 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 186 220 230: RGB 186 220 230, RGB 169 202 211, RGB 152 184 192, RGB 135 166 173 and RGB 118 148 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 4 / 0 / 10

HEX #BADCE6

RGB 186 220 230

HSL 193.64, 0.47%, 0.82%

LAB 85.67, -9.04, -8.63

 

Complementary color

CMYK 0 / 49 / 64 / 73

HEX #452319

RGB 69 35 25

HSL 13.64, 0.47%, 0.18%

LAB 18.09, 15.04, 13.78

 

CMYK 15 / 2 / 0 / 12

HEX #BFDCE1

RGB 191 220 225

HSL 188.82, 0.36%, 0.82%

LAB 85.86, -8.53, -5.68

 

CMYK 15 / 2 / 0 / 4

HEX #D0EEF4

RGB 208 238 244

HSL 190, 0.62%, 0.89%

LAB 92.17, -8.54, -6.2

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 19 / 4 / 0 / 10

HEX #BADCE6

RGB 186 220 230

HSL 193.64, 0.47%, 0.82%

LAB 85.67, -9.04, -8.63

 

CMYK 20 / 4 / 0 / 17

HEX #A9CAD3

RGB 169 202 211

HSL 192.86, 0.32%, 0.75%

LAB 79.26, -9.03, -8.15

 

CMYK 21 / 4 / 0 / 25

HEX #98B8C0

RGB 152 184 192

HSL 192, 0.24%, 0.67%

LAB 72.74, -9.03, -7.65

 

CMYK 22 / 4 / 0 / 32

HEX #87A6AD

RGB 135 166 173

HSL 191.05, 0.19%, 0.6%

LAB 66.09, -9.03, -7.15

 

CMYK 23 / 4 / 0 / 40

HEX #76949A

RGB 118 148 154

HSL 190, 0.15%, 0.53%

LAB 59.31, -9.05, -6.63

 

CMYK 19 / 4 / 0 / 10

HEX #BADCE6

RGB 186 220 230

HSL 193.64, 0.47%, 0.82%

LAB 85.67, -9.04, -8.63

 

CMYK 19 / 7 / 0 / 10

HEX #BBD6E6

RGB 187 214 230

HSL 202.33, 0.46%, 0.82%

LAB 84.16, -5.62, -10.88

 

CMYK 19 / 10 / 0 / 10

HEX #BBCEE6

RGB 187 206 230

HSL 213.49, 0.46%, 0.82%

LAB 82.07, -1.43, -14.01

 

CMYK 19 / 13 / 0 / 10

HEX #BBC7E6

RGB 187 199 230

HSL 223.26, 0.46%, 0.82%

LAB 80.25, 2.29, -16.74

 

CMYK 19 / 17 / 0 / 10

HEX #BBC0E6

RGB 187 192 230

HSL 233.02, 0.46%, 0.82%

LAB 78.45, 6.05, -19.46

 

CMYK 19 / 4 / 0 / 10

HEX #BADCE6

RGB 186 220 230

HSL 193.64, 0.47%, 0.82%

LAB 85.67, -9.04, -8.63

 

CMYK 19 / 4 / 0 / 90

HEX #15191A

RGB 21 25 26

HSL 192, 0.11%, 0.09%

LAB 8.39, -1.61, -1.35

 

CMYK 19 / 4 / 0 / 70

HEX #3E4A4D

RGB 62 74 77

HSL 192, 0.11%, 0.27%

LAB 30.54, -4.03, -3.4

 

CMYK 19 / 5 / 0 / 50

HEX #687A80

RGB 104 122 128

HSL 195, 0.1%, 0.45%

LAB 50, -5.21, -5.49

 

CMYK 19 / 4 / 0 / 30

HEX #91ABB3

RGB 145 171 179

HSL 194.12, 0.18%, 0.64%

LAB 68.31, -7.18, -7.11

 

CMYK 19 / 4 / 0 / 10

HEX #BADCE6

RGB 186 220 230

HSL 193.64, 0.47%, 0.82%

LAB 85.67, -9.04, -8.63

 

CMYK 11 / 19 / 0 / 10

HEX #CDBBE6

RGB 205 187 230

HSL 265.12, 0.46%, 0.82%

LAB 78.6, 14.47, -19.1

 

CMYK 0 / 3 / 19 / 10

HEX #E6DEBB

RGB 230 222 187

HSL 48.84, 0.46%, 0.82%

LAB 88.28, -2.91, 18.17

 

CMYK 19 / 4 / 0 / 10

HEX #BADCE6

RGB 186 220 230

HSL 193.64, 0.47%, 0.82%

LAB 85.67, -9.04, -8.63

 

CMYK 0 / 19 / 4 / 10

HEX #E6BBDD

RGB 230 187 221

HSL 312.56, 0.46%, 0.82%

LAB 80.51, 21.02, -11.16

 

CMYK 4 / 0 / 19 / 10

HEX #DDE6BB

RGB 221 230 187

HSL 72.56, 0.46%, 0.82%

LAB 89.65, -10.22, 19.98

 

CMYK 19 / 4 / 0 / 10

HEX #BADCE6

RGB 186 220 230

HSL 193.64, 0.47%, 0.82%

LAB 85.67, -9.04, -8.63

 

CMYK 11 / 19 / 0 / 10

HEX #CDBBE6

RGB 205 187 230

HSL 265.12, 0.46%, 0.82%

LAB 78.6, 14.47, -19.1

 

CMYK 0 / 15 / 19 / 10

HEX #E6C4BB

RGB 230 196 187

HSL 12.56, 0.46%, 0.82%

LAB 81.78, 10.63, 8.97

 

CMYK 8 / 0 / 19 / 10

HEX #D4E6BB

RGB 212 230 187

HSL 85.12, 0.46%, 0.82%

LAB 89.01, -13.42, 18.98

 

CMYK 19 / 4 / 0 / 10

HEX #BADCE6

RGB 186 220 230

HSL 193.64, 0.47%, 0.82%

LAB 85.67, -9.04, -8.63

 

CMYK 5 / 19 / 0 / 10

HEX #DABBE6

RGB 218 187 230

HSL 283.26, 0.46%, 0.82%

LAB 79.7, 18.69, -17.32

 

CMYK 0 / 15 / 19 / 10

HEX #E6C4BB

RGB 230 196 187

HSL 12.56, 0.46%, 0.82%

LAB 81.78, 10.63, 8.97

 

CMYK 13 / 0 / 19 / 10

HEX #C7E6BB

RGB 199 230 187

HSL 103.26, 0.46%, 0.82%

LAB 88.12, -17.95, 17.61

 

Description

Color code: RGBA 186 220 230 1 | qconv.com Color code: RGBA 186 220 230 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 220 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 220 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 4 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 4% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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