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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 218 215 it is the complementary color RGB 71 37 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 218 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 218 215: RGB 189 218 210, RGB 206 236 229, RGB 223 254 248, RGB 240 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 218 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 218 215: RGB 184 218 215, RGB 167 200 196, RGB 150 182 177, RGB 133 164 158 and RGB 116 146 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 1 / 15

HEX #B8DAD7

RGB 184 218 215

HSL 174.71, 0.31%, 0.79%

LAB 84.61, -11.75, -2.28

 

Complementary color

CMYK 0 / 48 / 44 / 72

HEX #472528

RGB 71 37 40

HSL 354.71, 0.31%, 0.21%

LAB 19.29, 16.47, 5.09

 

CMYK 13 / 0 / 4 / 15

HEX #BDDAD2

RGB 189 218 210

HSL 163.45, 0.28%, 0.8%

LAB 84.8, -11.14, 0.69

 

CMYK 13 / 0 / 3 / 7

HEX #CEECE5

RGB 206 236 229

HSL 166, 0.44%, 0.87%

LAB 91.13, -11.11, 0.07

 

CMYK 12 / 0 / 2 / 0

HEX #DFFEF8

RGB 223 254 248

HSL 168.39, 0.94%, 0.94%

LAB 97.37, -11.1, -0.52

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 16 / 0 / 1 / 15

HEX #B8DAD7

RGB 184 218 215

HSL 174.71, 0.31%, 0.79%

LAB 84.61, -11.75, -2.28

 

CMYK 17 / 0 / 2 / 22

HEX #A7C8C4

RGB 167 200 196

HSL 172.73, 0.23%, 0.72%

LAB 78.17, -11.79, -1.69

 

CMYK 18 / 0 / 3 / 29

HEX #96B6B1

RGB 150 182 177

HSL 170.63, 0.18%, 0.65%

LAB 71.63, -11.85, -1.08

 

CMYK 19 / 0 / 4 / 36

HEX #85A49E

RGB 133 164 158

HSL 168.39, 0.15%, 0.58%

LAB 64.97, -11.93, -0.44

 

CMYK 21 / 0 / 5 / 43

HEX #74928B

RGB 116 146 139

HSL 166, 0.12%, 0.51%

LAB 58.16, -12.02, 0.23

 

CMYK 16 / 0 / 1 / 15

HEX #B8DAD7

RGB 184 218 215

HSL 174.71, 0.31%, 0.79%

LAB 84.61, -11.75, -2.28

 

CMYK 16 / 1 / 0 / 15

HEX #B8D7DA

RGB 184 215 218

HSL 185.29, 0.31%, 0.79%

LAB 83.89, -9.6, -4.93

 

CMYK 16 / 4 / 0 / 15

HEX #B8D2DA

RGB 184 210 218

HSL 194.12, 0.31%, 0.79%

LAB 82.56, -7.01, -6.89

 

CMYK 16 / 6 / 0 / 15

HEX #B8CCDA

RGB 184 204 218

HSL 204.71, 0.31%, 0.79%

LAB 80.98, -3.87, -9.23

 

CMYK 16 / 9 / 0 / 15

HEX #B8C7DA

RGB 184 199 218

HSL 213.53, 0.31%, 0.79%

LAB 79.67, -1.23, -11.19

 

CMYK 16 / 0 / 1 / 15

HEX #B8DAD7

RGB 184 218 215

HSL 174.71, 0.31%, 0.79%

LAB 84.61, -11.75, -2.28

 

CMYK 14 / 0 / 0 / 95

HEX #0C0E0E

RGB 12 14 14

HSL 180, 0.08%, 0.05%

LAB 3.83, -0.62, -0.22

 

CMYK 15 / 0 / 2 / 75

HEX #374140

RGB 55 65 64

HSL 174, 0.08%, 0.24%

LAB 26.63, -4.33, -0.78

 

CMYK 16 / 0 / 2 / 55

HEX #627472

RGB 98 116 114

HSL 173.33, 0.08%, 0.42%

LAB 47.37, -7.09, -1.14

 

CMYK 16 / 0 / 1 / 35

HEX #8DA7A5

RGB 141 167 165

HSL 175.38, 0.13%, 0.6%

LAB 66.53, -9.38, -1.99

 

CMYK 16 / 0 / 1 / 15

HEX #B8DAD7

RGB 184 218 215

HSL 174.71, 0.31%, 0.79%

LAB 84.61, -11.75, -2.28

 

CMYK 14 / 16 / 0 / 15

HEX #BCB8DA

RGB 188 184 218

HSL 247.06, 0.31%, 0.79%

LAB 76.09, 8.12, -16.53

 

CMYK 0 / 8 / 16 / 15

HEX #DAC9B8

RGB 218 201 184

HSL 30, 0.31%, 0.79%

LAB 81.91, 3.15, 10.63

 

CMYK 16 / 0 / 1 / 15

HEX #B8DAD7

RGB 184 218 215

HSL 174.71, 0.31%, 0.79%

LAB 84.61, -11.75, -2.28

 

CMYK 2 / 16 / 0 / 15

HEX #D6B8DA

RGB 214 184 218

HSL 292.94, 0.31%, 0.79%

LAB 78.25, 16.69, -13.06

 

CMYK 0 / 2 / 16 / 15

HEX #DAD6B8

RGB 218 214 184

HSL 52.94, 0.31%, 0.79%

LAB 85.23, -3.61, 15.32

 

CMYK 16 / 0 / 1 / 15

HEX #B8DAD7

RGB 184 218 215

HSL 174.71, 0.31%, 0.79%

LAB 84.61, -11.75, -2.28

 

CMYK 14 / 16 / 0 / 15

HEX #BCB8DA

RGB 188 184 218

HSL 247.06, 0.31%, 0.79%

LAB 76.09, 8.12, -16.53

 

CMYK 0 / 16 / 14 / 15

HEX #DAB8BC

RGB 218 184 188

HSL 352.94, 0.31%, 0.79%

LAB 77.77, 12.82, 2.52

 

CMYK 2 / 0 / 16 / 15

HEX #D6DAB8

RGB 214 218 184

HSL 67.06, 0.31%, 0.79%

LAB 85.96, -7.11, 16.3

 

CMYK 16 / 0 / 1 / 15

HEX #B8DAD7

RGB 184 218 215

HSL 174.71, 0.31%, 0.79%

LAB 84.61, -11.75, -2.28

 

CMYK 9 / 16 / 0 / 15

HEX #C6B8DA

RGB 198 184 218

HSL 264.71, 0.31%, 0.79%

LAB 76.89, 11.37, -15.24

 

CMYK 0 / 16 / 14 / 15

HEX #DAB8BC

RGB 218 184 188

HSL 352.94, 0.31%, 0.79%

LAB 77.77, 12.82, 2.52

 

CMYK 6 / 0 / 16 / 15

HEX #CCDAB8

RGB 204 218 184

HSL 84.71, 0.31%, 0.79%

LAB 85.22, -10.68, 15.16

 

Description

Color code: RGBA 184 218 215 1 | qconv.com Color code: RGBA 184 218 215 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 218 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 218 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 1 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 1% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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