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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 120 105 it is the complementary color RGB 71 135 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 120 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 120 105: RGB 189 120 100, RGB 206 138 119, RGB 223 156 138, RGB 240 174 157 and RGB 255 192 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 120 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 120 105: RGB 184 120 105, RGB 167 102 86, RGB 150 84 67, RGB 133 66 48 and RGB 116 48 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 43 / 28

HEX #B87869

RGB 184 120 105

HSL 11.39, 0.36%, 0.57%

LAB 56.73, 23.26, 18.57

 

Complementary color

CMYK 53 / 10 / 0 / 41

HEX #478796

RGB 71 135 150

HSL 191.39, 0.36%, 0.43%

LAB 52.81, -16.16, -14.34

 

CMYK 0 / 37 / 47 / 26

HEX #BD7864

RGB 189 120 100

HSL 13.48, 0.4%, 0.57%

LAB 57.24, 24.74, 22.23

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A77

RGB 206 138 119

HSL 13.1, 0.47%, 0.64%

LAB 63.86, 23.7, 20.77

 

CMYK 0 / 30 / 38 / 13

HEX #DF9C8A

RGB 223 156 138

HSL 12.71, 0.57%, 0.71%

LAB 70.39, 22.78, 19.46

 

CMYK 0 / 28 / 35 / 6

HEX #F0AE9D

RGB 240 174 157

HSL 12.29, 0.73%, 0.78%

LAB 76.82, 21.95, 18.27

 

CMYK 0 / 25 / 31 / 0

HEX #FFC0B0

RGB 255 192 176

HSL 12.15, 1%, 0.85%

LAB 82.96, 20.46, 16.86

 

CMYK 0 / 35 / 43 / 28

HEX #B87869

RGB 184 120 105

HSL 11.39, 0.36%, 0.57%

LAB 56.73, 23.26, 18.57

 

CMYK 0 / 39 / 49 / 35

HEX #A76656

RGB 167 102 86

HSL 11.85, 0.32%, 0.5%

LAB 49.97, 24.36, 20.1

 

CMYK 0 / 44 / 55 / 41

HEX #965443

RGB 150 84 67

HSL 12.29, 0.38%, 0.43%

LAB 43.11, 25.61, 21.86

 

CMYK 0 / 50 / 64 / 48

HEX #854230

RGB 133 66 48

HSL 12.71, 0.47%, 0.35%

LAB 36.17, 27.04, 23.96

 

CMYK 0 / 59 / 75 / 55

HEX #74301D

RGB 116 48 29

HSL 13.1, 0.6%, 0.28%

LAB 29.2, 28.61, 26.45

 

CMYK 0 / 35 / 43 / 28

HEX #B87869

RGB 184 120 105

HSL 11.39, 0.36%, 0.57%

LAB 56.73, 23.26, 18.57

 

CMYK 0 / 28 / 43 / 28

HEX #B88569

RGB 184 133 105

HSL 21.27, 0.36%, 0.57%

LAB 59.88, 16.03, 22.81

 

CMYK 0 / 21 / 43 / 28

HEX #B89269

RGB 184 146 105

HSL 31.14, 0.36%, 0.57%

LAB 63.15, 8.81, 27.15

 

CMYK 0 / 14 / 43 / 28

HEX #B89F69

RGB 184 159 105

HSL 41.01, 0.36%, 0.57%

LAB 66.52, 1.7, 31.54

 

CMYK 0 / 7 / 43 / 28

HEX #B8AC69

RGB 184 172 105

HSL 50.89, 0.36%, 0.57%

LAB 69.98, -5.28, 35.95

 

CMYK 0 / 35 / 43 / 28

HEX #B87869

RGB 184 120 105

HSL 11.39, 0.36%, 0.57%

LAB 56.73, 23.26, 18.57

 

CMYK 0 / 35 / 43 / 8

HEX #EB9986

RGB 235 153 134

HSL 11.29, 0.72%, 0.72%

LAB 70.99, 28.57, 22.7

 

CMYK 0 / 35 / 42 / 88

HEX #1F1412

RGB 31 20 18

HSL 9.23, 0.27%, 0.1%

LAB 7.55, 5.24, 3.21

 

CMYK 0 / 35 / 43 / 68

HEX #52352F

RGB 82 53 47

HSL 10.29, 0.27%, 0.25%

LAB 25.4, 12.17, 9.09

 

CMYK 0 / 35 / 43 / 48

HEX #85574C

RGB 133 87 76

HSL 11.58, 0.27%, 0.41%

LAB 41.73, 17.63, 14.19

 

CMYK 0 / 35 / 43 / 28

HEX #B87869

RGB 184 120 105

HSL 11.39, 0.36%, 0.57%

LAB 56.73, 23.26, 18.57

 

CMYK 16 / 0 / 43 / 28

HEX #9AB869

RGB 154 184 105

HSL 82.78, 0.36%, 0.57%

LAB 70.99, -23.47, 36.74

 

CMYK 43 / 34 / 0 / 28

HEX #697AB8

RGB 105 122 184

HSL 227.09, 0.36%, 0.57%

LAB 52.27, 10.1, -34.67

 

CMYK 0 / 35 / 43 / 28

HEX #B87869

RGB 184 120 105

HSL 11.39, 0.36%, 0.57%

LAB 56.73, 23.26, 18.57

 

CMYK 43 / 0 / 35 / 28

HEX #69B878

RGB 105 184 120

HSL 131.39, 0.36%, 0.57%

LAB 68.49, -38.13, 25.13

 

CMYK 35 / 43 / 0 / 28

HEX #7869B8

RGB 120 105 184

HSL 251.39, 0.36%, 0.57%

LAB 48.95, 24.44, -39.81

 

CMYK 0 / 35 / 43 / 28

HEX #B87869

RGB 184 120 105

HSL 11.39, 0.36%, 0.57%

LAB 56.73, 23.26, 18.57

 

CMYK 16 / 0 / 43 / 28

HEX #9AB869

RGB 154 184 105

HSL 82.78, 0.36%, 0.57%

LAB 70.99, -23.47, 36.74

 

CMYK 43 / 8 / 0 / 28

HEX #69AAB8

RGB 105 170 184

HSL 190.63, 0.36%, 0.57%

LAB 65.91, -17.05, -13.71

 

CMYK 26 / 43 / 0 / 28

HEX #8869B8

RGB 136 105 184

HSL 263.54, 0.36%, 0.57%

LAB 50.45, 28.98, -37.35

 

CMYK 0 / 35 / 43 / 28

HEX #B87869

RGB 184 120 105

HSL 11.39, 0.36%, 0.57%

LAB 56.73, 23.26, 18.57

 

CMYK 29 / 0 / 43 / 28

HEX #82B869

RGB 130 184 105

HSL 101.01, 0.36%, 0.57%

LAB 69.5, -32.34, 34.55

 

CMYK 43 / 8 / 0 / 28

HEX #69AAB8

RGB 105 170 184

HSL 190.63, 0.36%, 0.57%

LAB 65.91, -17.05, -13.71

 

CMYK 14 / 43 / 0 / 28

HEX #9F69B8

RGB 159 105 184

HSL 281.01, 0.36%, 0.57%

LAB 52.88, 35.81, -33.37

 

Description

Color code: RGBA 184 120 105 1 | qconv.com Color code: RGBA 184 120 105 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 120 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 120 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 43 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 43% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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