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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 166 150 it is the complementary color RGB 80 89 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 166 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 166 150: RGB 180 166 145, RGB 197 184 164, RGB 214 202 183, RGB 231 220 202 and RGB 248 238 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 166 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 166 150: RGB 175 166 150, RGB 158 148 131, RGB 141 130 112, RGB 124 112 93 and RGB 107 94 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 14 / 31

HEX #AFA696

RGB 175 166 150

HSL 38.4, 0.14%, 0.64%

LAB 68.45, 0.47, 9.44

 

Complementary color

CMYK 24 / 15 / 0 / 59

HEX #505969

RGB 80 89 105

HSL 218.4, 0.14%, 0.36%

LAB 37.61, 0.4, -10.34

 

CMYK 0 / 8 / 19 / 29

HEX #B4A691

RGB 180 166 145

HSL 36, 0.19%, 0.64%

LAB 68.77, 1.58, 12.71

 

CMYK 0 / 7 / 17 / 23

HEX #C5B8A4

RGB 197 184 164

HSL 36.36, 0.22%, 0.71%

LAB 75.35, 1.28, 11.82

 

CMYK 0 / 6 / 14 / 16

HEX #D6CAB7

RGB 214 202 183

HSL 36.77, 0.27%, 0.78%

LAB 81.81, 1.02, 10.98

 

CMYK 0 / 5 / 13 / 9

HEX #E7DCCA

RGB 231 220 202

HSL 37.24, 0.38%, 0.85%

LAB 88.18, 0.78, 10.18

 

CMYK 0 / 4 / 11 / 3

HEX #F8EEDD

RGB 248 238 221

HSL 37.78, 0.66%, 0.92%

LAB 94.45, 0.55, 9.42

 

CMYK 0 / 5 / 14 / 31

HEX #AFA696

RGB 175 166 150

HSL 38.4, 0.14%, 0.64%

LAB 68.45, 0.47, 9.44

SW® 7052

CMYK 0 / 6 / 17 / 38

HEX #9E9483

RGB 158 148 131

HSL 37.78, 0.12%, 0.57%

LAB 61.73, 0.74, 10.32

 

CMYK 0 / 8 / 21 / 45

HEX #8D8270

RGB 141 130 112

HSL 37.24, 0.11%, 0.5%

LAB 54.86, 1.04, 11.25

 

CMYK 0 / 10 / 25 / 51

HEX #7C705D

RGB 124 112 93

HSL 36.77, 0.14%, 0.43%

LAB 47.83, 1.4, 12.28

 

CMYK 0 / 12 / 31 / 58

HEX #6B5E4A

RGB 107 94 74

HSL 36.36, 0.18%, 0.35%

LAB 40.61, 1.84, 13.4

 

CMYK 0 / 5 / 14 / 31

HEX #AFA696

RGB 175 166 150

HSL 38.4, 0.14%, 0.64%

LAB 68.45, 0.47, 9.44

SW® 7052

CMYK 0 / 3 / 15 / 31

HEX #B0AA96

RGB 176 170 150

HSL 46.15, 0.14%, 0.64%

LAB 69.6, -1.32, 11.08

 

CMYK 0 / 1 / 15 / 31

HEX #B0AF96

RGB 176 175 150

HSL 57.69, 0.14%, 0.64%

LAB 70.93, -4, 12.97

 

CMYK 2 / 0 / 15 / 31

HEX #ACB096

RGB 172 176 150

HSL 69.23, 0.14%, 0.64%

LAB 70.89, -6.03, 12.85

 

CMYK 5 / 0 / 15 / 31

HEX #A8B096

RGB 168 176 150

HSL 78.46, 0.14%, 0.64%

LAB 70.58, -7.51, 12.37

 

CMYK 0 / 5 / 14 / 31

HEX #AFA696

RGB 175 166 150

HSL 38.4, 0.14%, 0.64%

LAB 68.45, 0.47, 9.44

SW® 7052

CMYK 0 / 5 / 14 / 11

HEX #E2D6C2

RGB 226 214 194

HSL 37.5, 0.36%, 0.82%

LAB 86.08, 0.83, 11.35

 

CMYK 0 / 5 / 14 / 91

HEX #161513

RGB 22 21 19

HSL 40, 0.07%, 0.08%

LAB 6.81, 0, 1.39

 

CMYK 0 / 5 / 14 / 71

HEX #49453F

RGB 73 69 63

HSL 36, 0.07%, 0.27%

LAB 29.49, 0.46, 4.22

 

CMYK 0 / 5 / 15 / 51

HEX #7C766A

RGB 124 118 106

HSL 40, 0.08%, 0.45%

LAB 49.84, 0.08, 7.43

 

CMYK 0 / 5 / 14 / 31

HEX #AFA696

RGB 175 166 150

HSL 38.4, 0.14%, 0.64%

LAB 68.45, 0.47, 9.44

SW® 7052

CMYK 13 / 0 / 15 / 31

HEX #9AB096

RGB 154 176 150

HSL 110.77, 0.14%, 0.64%

LAB 69.56, -12.61, 10.79

 

CMYK 11 / 15 / 0 / 31

HEX #9C96B0

RGB 156 150 176

HSL 253.85, 0.14%, 0.64%

LAB 63.36, 7.42, -12.75

 

CMYK 0 / 5 / 14 / 31

HEX #AFA696

RGB 175 166 150

HSL 38.4, 0.14%, 0.64%

LAB 68.45, 0.47, 9.44

SW® 7052

CMYK 15 / 0 / 6 / 31

HEX #96B0A6

RGB 150 176 166

HSL 156.92, 0.14%, 0.64%

LAB 69.67, -10.95, 2.12

 

CMYK 6 / 15 / 0 / 31

HEX #A696B0

RGB 166 150 176

HSL 276.92, 0.14%, 0.64%

LAB 64.2, 10.85, -11.39

 

CMYK 0 / 5 / 14 / 31

HEX #AFA696

RGB 175 166 150

HSL 38.4, 0.14%, 0.64%

LAB 68.45, 0.47, 9.44

SW® 7052

CMYK 13 / 0 / 15 / 31

HEX #9AB096

RGB 154 176 150

HSL 110.77, 0.14%, 0.64%

LAB 69.56, -12.61, 10.79

 

CMYK 15 / 10 / 0 / 31

HEX #969FB0

RGB 150 159 176

HSL 219.23, 0.14%, 0.64%

LAB 65.29, 0.36, -9.9

 

CMYK 3 / 15 / 0 / 31

HEX #AB96B0

RGB 171 150 176

HSL 288.46, 0.14%, 0.64%

LAB 64.65, 12.59, -10.68

 

CMYK 0 / 5 / 14 / 31

HEX #AFA696

RGB 175 166 150

HSL 38.4, 0.14%, 0.64%

LAB 68.45, 0.47, 9.44

SW® 7052

CMYK 15 / 0 / 13 / 31

HEX #96B099

RGB 150 176 153

HSL 126.92, 0.14%, 0.64%

LAB 69.35, -13.47, 8.81

 

CMYK 15 / 10 / 0 / 31

HEX #969FB0

RGB 150 159 176

HSL 219.23, 0.14%, 0.64%

LAB 65.29, 0.36, -9.9

 

CMYK 0 / 15 / 2 / 31

HEX #B096AC

RGB 176 150 172

HSL 309.23, 0.14%, 0.64%

LAB 64.98, 13.57, -7.89

 

Description

Color code: RGBA 175 166 150 1 | qconv.com Color code: RGBA 175 166 150 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 166 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 166 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 14 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 14% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

11% - coen | コーエン公式通販サイト
Link: http://www.coen.co.jp

14% - お取り寄せ | 京の奈良漬 京都 田中長...
Link: http://tanakacho.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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