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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 174 103 125 0.5 it is the complementary color RGBA 81 152 130 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 174 103 125 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 174 103 125 0.5 shade: RGBA 179 103 120 0.5, RGBA 196 121 139 0.5, RGBA 213 139 158 0.5, RGBA 230 157 177 0.5 and RGBA 247 175 196 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 174 103 125 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 174 103 125 0.5 shade: RGBA 174 103 125 0.5, RGBA 157 85 106 0.5, RGBA 140 67 87 0.5, RGBA 123 49 68 0.5 and RGBA 106 31 49 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 174 103 125 0.5 shade: RGB 173 103 124, RGB 173 103 105 and RGB 173 103 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 174 103 125 0.5 shade: RGB 173 103 124, RGB 173 103 143, RGB 173 103 162, RGB 165 103 173 and RGB 146 103 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 174 103 125 0.5 shade matches the following richer shades: RGB 173 103 124, RGB 192 84 117, RGB 211 65 110, RGB 230 46 103 and RGB 249 27 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 174 103 125 0.5 shade: RGB 173 103 124, RGB 154 121 132, RGB 135 140 139, RGB 116 159 146 and RGB 97 178 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 174 103 125 0.5 shade: RGB 173 103 162, RGB 173 103 144, RGB 173 103 125, RGB 173 103 106 and RGB 173 118 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 174 103 125 0.5 shade: RGB 125 68 85, RGB 152 82 104, RGB 173 103 124, RGB 187 129 147 and RGB 202 156 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 174 103 125 0.5 shade: RGB 174 103 125, RGB 173 165 103 and RGB 103 153 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 174 103 125 0.5 shade: RGB 174 103 125, RGB 125 173 103 and RGB 103 125 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 174 103 125 0.5 shade: RGB 174 103 125, RGB 173 165 103, RGB 103 173 151 and RGB 103 111 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 174 103 125 0.5 shade: RGB 174 103 125, RGB 160 173 103, RGB 103 173 151 and RGB 115 103 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 14 / 16

HEX #AE677D7F

RGBA 174 103 125 0.5

HSLA 341.41, 0.3%, 0.54%, 0.5

LABA 52.04, 31.33, 0.08, 0.5

 

Complementary color

CMYK 23 / 0 / 7 / 20

HEX #5198827F

RGBA 81 152 130 0.5

HSLA 161.41, 0.3%, 0.46%, 0.5

LABA 57.86, -27.83, 4.69, 0.5

 

CMYK 0 / 21 / 16 / 15

HEX #B367787F

RGBA 179 103 120 0.5

HSLA 346.58, 0.33%, 0.55%, 0.5

LABA 52.55, 32.51, 3.87, 0.5

 

CMYK 0 / 19 / 15 / 12

HEX #C4798B7F

RGBA 196 121 139 0.5

HSLA 345.6, 0.39%, 0.62%, 0.5

LABA 59.23, 31.59, 2.69, 0.5

 

CMYK 0 / 17 / 13 / 8

HEX #D58B9E7F

RGBA 213 139 158 0.5

HSLA 344.59, 0.47%, 0.69%, 0.5

LABA 65.81, 30.74, 1.66, 0.5

 

CMYK 0 / 16 / 12 / 5

HEX #E69DB17F

RGBA 230 157 177 0.5

HSLA 343.56, 0.59%, 0.76%, 0.5

LABA 72.3, 29.96, 0.74, 0.5

 

CMYK 0 / 15 / 10 / 2

HEX #F7AFC47F

RGBA 247 175 196 0.5

HSLA 342.5, 0.82%, 0.83%, 0.5

LABA 78.71, 29.23, -0.11, 0.5

 

CMYK 0 / 20 / 14 / 16

HEX #AE677D7F

RGBA 174 103 125 0.5

HSLA 341.41, 0.3%, 0.54%, 0.5

LABA 52.04, 31.33, 0.08, 0.5

 

CMYK 0 / 23 / 16 / 19

HEX #9D556A7F

RGBA 157 85 106 0.5

HSLA 342.5, 0.3%, 0.47%, 0.5

LABA 45.23, 32.26, 1.29, 0.5

 

CMYK 0 / 26 / 19 / 23

HEX #8C43577F

RGBA 140 67 87 0.5

HSLA 343.56, 0.35%, 0.41%, 0.5

LABA 38.34, 33.22, 2.75, 0.5

 

CMYK 0 / 30 / 22 / 26

HEX #7B31447F

RGBA 123 49 68 0.5

HSLA 344.59, 0.43%, 0.34%, 0.5

LABA 31.4, 34.13, 4.61, 0.5

 

CMYK 0 / 35 / 27 / 29

HEX #6A1F317F

RGBA 106 31 49 0.5

HSLA 345.6, 0.55%, 0.27%, 0.5

LABA 24.53, 34.76, 7.15, 0.5

 

CMYK 0 / 40 / 28 / 32

HEX #AD677C

RGB 173 103 124

HSL 342, 0.3%, 0.54%

LAB 51.88, 30.82, 0.43

 

CMYK 0 / 40 / 39 / 32

HEX #AD6769

RGB 173 103 105

HSL 358.29, 0.3%, 0.54%

LAB 51.39, 28.32, 10.98

 

CMYK 0 / 40 / 40 / 32

HEX #AD6767

RGB 173 103 103

HSL 0, 0.3%, 0.54%

LAB 51.34, 28.09, 12.09

 

CMYK 0 / 40 / 28 / 32

HEX #AD677C

RGB 173 103 124

HSL 342, 0.3%, 0.54%

LAB 51.88, 30.82, 0.43

 

CMYK 0 / 40 / 17 / 32

HEX #AD678F

RGB 173 103 143

HSL 325.71, 0.3%, 0.54%

LAB 52.47, 33.71, -9.93

 

CMYK 0 / 40 / 6 / 32

HEX #AD67A2

RGB 173 103 162

HSL 309.43, 0.3%, 0.54%

LAB 53.16, 36.97, -20.03

 

CMYK 5 / 40 / 0 / 32

HEX #A567AD

RGB 165 103 173

HSL 293.14, 0.3%, 0.54%

LAB 52.64, 36.48, -27.32

 

CMYK 16 / 40 / 0 / 32

HEX #9267AD

RGB 146 103 173

HSL 276.86, 0.3%, 0.54%

LAB 50.49, 30.53, -30.83

 

CMYK 0 / 40 / 28 / 32

HEX #AD677C

RGB 173 103 124

HSL 342, 0.3%, 0.54%

LAB 51.88, 30.82, 0.43

 

CMYK 0 / 56 / 39 / 25

HEX #C05475

RGB 192 84 117

HSL 341.67, 0.46%, 0.54%

LAB 50.49, 46.57, 2.91

 

CMYK 0 / 69 / 48 / 17

HEX #D3416E

RGB 211 65 110

HSL 341.51, 0.62%, 0.54%

LAB 50.4, 60.06, 7.41

 

CMYK 0 / 80 / 55 / 10

HEX #E62E67

RGB 230 46 103

HSL 341.41, 0.79%, 0.54%

LAB 51.56, 70.75, 13.78

 

CMYK 0 / 89 / 62 / 2

HEX #F91B5F

RGB 249 27 95

HSL 341.62, 0.95%, 0.54%

LAB 53.76, 78.7, 22.21

 

CMYK 0 / 40 / 28 / 32

HEX #AD677C

RGB 173 103 124

HSL 342, 0.3%, 0.54%

LAB 51.88, 30.82, 0.43

 

CMYK 0 / 21 / 14 / 40

HEX #9A7984

RGB 154 121 132

HSL 340, 0.14%, 0.54%

LAB 54.25, 14.66, -1.08

 

CMYK 4 / 0 / 1 / 45

HEX #878C8B

RGB 135 140 139

HSL 168, 0.02%, 0.54%

LAB 57.82, -2.03, -0.11

 

CMYK 27 / 0 / 8 / 38

HEX #749F92

RGB 116 159 146

HSL 161.86, 0.18%, 0.54%

LAB 62.16, -17.42, 2.07

 

CMYK 46 / 0 / 14 / 30

HEX #61B299

RGB 97 178 153

HSL 161.48, 0.34%, 0.54%

LAB 67.04, -30.87, 5.11

 

CMYK 0 / 40 / 6 / 32

HEX #AD67A2

RGB 173 103 162

HSL 309.43, 0.3%, 0.54%

LAB 53.16, 36.97, -20.03

 

CMYK 0 / 40 / 17 / 32

HEX #AD6790

RGB 173 103 144

HSL 324.86, 0.3%, 0.54%

LAB 52.51, 33.87, -10.46

 

CMYK 0 / 40 / 28 / 32

HEX #AD677D

RGB 173 103 125

HSL 341.14, 0.3%, 0.54%

LAB 51.91, 30.96, -0.12

 

CMYK 0 / 40 / 39 / 32

HEX #AD676A

RGB 173 103 106

HSL 357.43, 0.3%, 0.54%

LAB 51.41, 28.45, 10.42

 

CMYK 0 / 32 / 40 / 32

HEX #AD7667

RGB 173 118 103

HSL 12.86, 0.3%, 0.54%

LAB 54.89, 19.69, 16.99

 

CMYK 0 / 46 / 32 / 51

HEX #7D4455

RGB 125 68 85

HSL 342.11, 0.3%, 0.38%

LAB 36.27, 26.66, 0.74

 

CMYK 0 / 46 / 32 / 40

HEX #985268

RGB 152 82 104

HSL 341.14, 0.3%, 0.46%

LAB 43.81, 31.77, 0.36

 

CMYK 0 / 40 / 28 / 32

HEX #AD677C

RGB 173 103 124

HSL 342, 0.3%, 0.54%

LAB 51.88, 30.82, 0.43

 

CMYK 0 / 31 / 21 / 27

HEX #BB8193

RGB 187 129 147

HSL 341.38, 0.3%, 0.62%

LAB 60.22, 25.03, -0.59

 

CMYK 0 / 23 / 16 / 21

HEX #CA9CAA

RGB 202 156 170

HSL 341.74, 0.3%, 0.7%

LAB 68.92, 19.28, -0.67

 

CMYK 0 / 41 / 28 / 32

HEX #AE677D

RGB 174 103 125

HSL 341.41, 0.3%, 0.54%

LAB 52.04, 31.33, 0.08

 

CMYK 0 / 5 / 40 / 32

HEX #ADA567

RGB 173 165 103

HSL 53.14, 0.3%, 0.54%

LAB 67.11, -6.31, 33.15

 

CMYK 40 / 12 / 0 / 32

HEX #6799AD

RGB 103 153 173

HSL 197.14, 0.3%, 0.54%

LAB 60.5, -11.42, -15.72

 

CMYK 0 / 41 / 28 / 32

HEX #AE677D

RGB 174 103 125

HSL 341.41, 0.3%, 0.54%

LAB 52.04, 31.33, 0.08

 

CMYK 28 / 0 / 40 / 32

HEX #7DAD67

RGB 125 173 103

HSL 101.14, 0.3%, 0.54%

LAB 65.92, -29.18, 30.94

 

CMYK 40 / 28 / 0 / 32

HEX #677DAD

RGB 103 125 173

HSL 221.14, 0.3%, 0.54%

LAB 52.47, 4.56, -28.02

 

CMYK 0 / 41 / 28 / 32

HEX #AE677D

RGB 174 103 125

HSL 341.41, 0.3%, 0.54%

LAB 52.04, 31.33, 0.08

 

CMYK 0 / 5 / 40 / 32

HEX #ADA567

RGB 173 165 103

HSL 53.14, 0.3%, 0.54%

LAB 67.11, -6.31, 33.15

 

CMYK 40 / 0 / 13 / 32

HEX #67AD97

RGB 103 173 151

HSL 161.14, 0.3%, 0.54%

LAB 65.75, -27.3, 4.4

 

CMYK 40 / 36 / 0 / 32

HEX #676FAD

RGB 103 111 173

HSL 233.14, 0.3%, 0.54%

LAB 48.6, 12.99, -34.07

 

CMYK 0 / 41 / 28 / 32

HEX #AE677D

RGB 174 103 125

HSL 341.41, 0.3%, 0.54%

LAB 52.04, 31.33, 0.08

 

CMYK 8 / 0 / 40 / 32

HEX #A0AD67

RGB 160 173 103

HSL 71.14, 0.3%, 0.54%

LAB 68.27, -15.8, 34.42

 

CMYK 40 / 0 / 13 / 32

HEX #67AD97

RGB 103 173 151

HSL 161.14, 0.3%, 0.54%

LAB 65.75, -27.3, 4.4

 

CMYK 34 / 40 / 0 / 32

HEX #7367AD

RGB 115 103 173

HSL 250.29, 0.3%, 0.54%

LAB 47.45, 21.23, -35.81

 

Description

Color code: RGBA 174 103 125 0.5 | qconv.com Color code: RGBA 174 103 125 0.5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 103 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 103 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 14 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 14% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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