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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 163 198 142 0.75 it is the complementary color RGBA 92 57 113 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 163 198 142 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 163 198 142 0.75 shade: RGBA 168 198 137 0.75, RGBA 185 216 156 0.75, RGBA 202 234 175 0.75, RGBA 219 252 194 0.75 and RGBA 236 255 213 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 163 198 142 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 163 198 142 0.75 shade: RGBA 163 198 142 0.75, RGBA 146 180 123 0.75, RGBA 129 162 104 0.75, RGBA 112 144 85 0.75 and RGBA 95 126 66 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 163 198 142 0.75 shade: RGB 164 199 143, RGB 179 199 143, RGB 194 199 143, RGB 199 188 143 and RGB 199 173 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 163 198 142 0.75 shade: RGB 164 199 143, RGB 149 199 143, RGB 143 199 152, RGB 143 199 167 and RGB 143 199 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 163 198 142 0.75 shade matches the following richer shades: RGB 164 199 143, RGB 161 212 129, RGB 157 226 116, RGB 154 239 102 and RGB 150 253 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 163 198 142 0.75 shade: RGB 164 199 143, RGB 167 185 157, RGB 171 171 170, RGB 174 158 184 and RGB 178 144 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 163 198 142 0.75 shade: RGB 194 199 143, RGB 179 199 143, RGB 164 199 143, RGB 150 199 143 and RGB 143 199 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 163 198 142 0.75 shade: RGB 119 171 88, RGB 142 185 116, RGB 164 199 143, RGB 186 212 171 and RGB 209 226 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 163 198 142 0.75 shade: RGB 163 198 142, RGB 143 199 188 and RGB 199 143 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 163 198 142 0.75 shade: RGB 163 198 142, RGB 143 164 199 and RGB 199 143 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 163 198 142 0.75 shade: RGB 163 198 142, RGB 143 199 188, RGB 177 143 199 and RGB 199 143 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 163 198 142 0.75 shade: RGB 163 198 142, RGB 143 192 199, RGB 177 143 199 and RGB 199 150 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 21 / 17

HEX #A3C68EBF

RGBA 163 198 142 0.75

HSLA 97.5, 0.33%, 0.67%, 0.75

LABA 76.15, -21.93, 24.33, 0.75

 

Complementary color

CMYK 14 / 37 / 0 / 42

HEX #5C3971BF

RGBA 92 57 113 0.75

HSLA 277.5, 0.33%, 0.33%, 0.75

LABA 30.39, 26.75, -26.42, 0.75

 

CMYK 11 / 0 / 23 / 17

HEX #A8C689BF

RGBA 168 198 137 0.75

HSLA 89.51, 0.35%, 0.66%, 0.75

LABA 76.39, -20.86, 27.34, 0.75

 

CMYK 11 / 0 / 21 / 11

HEX #B9D89CBF

RGBA 185 216 156 0.75

HSLA 91, 0.43%, 0.73%, 0.75

LABA 82.82, -20.81, 26.29, 0.75

 

CMYK 10 / 0 / 19 / 6

HEX #CAEAAFBF

RGBA 202 234 175 0.75

HSLA 92.54, 0.58%, 0.8%, 0.75

LABA 89.16, -20.76, 25.28, 0.75

 

CMYK 10 / 0 / 17 / 1

HEX #DBFCC2BF

RGBA 219 252 194 0.75

HSLA 94.14, 0.91%, 0.87%, 0.75

LABA 95.4, -20.7, 24.32, 0.75

 

CMYK 6 / 0 / 12 / 0

HEX #ECFFD5BF

RGBA 236 255 213 0.75

HSLA 87.14, 1%, 0.92%, 0.75

LABA 97.7, -13.38, 18.01, 0.75

 

CMYK 13 / 0 / 21 / 17

HEX #A3C68EBF

RGBA 163 198 142 0.75

HSLA 97.5, 0.33%, 0.67%, 0.75

LABA 76.15, -21.93, 24.33, 0.75

 

CMYK 14 / 0 / 24 / 22

HEX #92B47BBF

RGBA 146 180 123 0.75

HSLA 95.79, 0.28%, 0.59%, 0.75

LABA 69.6, -22.04, 25.41, 0.75

 

CMYK 15 / 0 / 27 / 27

HEX #81A268BF

RGBA 129 162 104 0.75

HSLA 94.14, 0.24%, 0.52%, 0.75

LABA 62.93, -22.14, 26.55, 0.75

 

CMYK 17 / 0 / 31 / 33

HEX #709055BF

RGBA 112 144 85 0.75

HSLA 92.54, 0.26%, 0.45%, 0.75

LABA 56.13, -22.23, 27.76, 0.75

 

CMYK 18 / 0 / 36 / 38

HEX #5F7E42BF

RGBA 95 126 66 0.75

HSLA 91, 0.31%, 0.38%, 0.75

LABA 49.19, -22.3, 29.03, 0.75

 

CMYK 18 / 0 / 28 / 22

HEX #A4C78F

RGB 164 199 143

HSL 97.5, 0.33%, 0.67%

LAB 76.51, -21.91, 24.31

 

CMYK 10 / 0 / 28 / 22

HEX #B3C78F

RGB 179 199 143

HSL 81.43, 0.33%, 0.67%

LAB 77.53, -16.43, 25.85

 

CMYK 3 / 0 / 28 / 22

HEX #C2C78F

RGB 194 199 143

HSL 65.36, 0.33%, 0.67%

LAB 78.64, -10.77, 27.54

 

CMYK 0 / 6 / 28 / 22

HEX #C7BC8F

RGB 199 188 143

HSL 48.21, 0.33%, 0.67%

LAB 76.13, -3.13, 24.22

 

CMYK 0 / 13 / 28 / 22

HEX #C7AD8F

RGB 199 173 143

HSL 32.14, 0.33%, 0.67%

LAB 72.24, 4.85, 18.9

 

CMYK 18 / 0 / 28 / 22

HEX #A4C78F

RGB 164 199 143

HSL 97.5, 0.33%, 0.67%

LAB 76.51, -21.91, 24.31

 

CMYK 25 / 0 / 28 / 22

HEX #95C78F

RGB 149 199 143

HSL 113.57, 0.33%, 0.67%

LAB 75.59, -27.16, 22.9

 

CMYK 28 / 0 / 24 / 22

HEX #8FC798

RGB 143 199 152

HSL 129.64, 0.33%, 0.67%

LAB 75.42, -27.61, 17.83

 

CMYK 28 / 0 / 16 / 22

HEX #8FC7A7

RGB 143 199 167

HSL 145.71, 0.33%, 0.67%

LAB 75.75, -24.79, 10.24

 

CMYK 28 / 0 / 9 / 22

HEX #8FC7B6

RGB 143 199 182

HSL 161.79, 0.33%, 0.67%

LAB 76.11, -21.72, 2.68

 

CMYK 18 / 0 / 28 / 22

HEX #A4C78F

RGB 164 199 143

HSL 97.5, 0.33%, 0.67%

LAB 76.51, -21.91, 24.31

 

CMYK 24 / 0 / 39 / 17

HEX #A1D481

RGB 161 212 129

HSL 96.87, 0.49%, 0.67%

LAB 79.76, -31.29, 35.82

 

CMYK 31 / 0 / 49 / 11

HEX #9DE274

RGB 157 226 116

HSL 97.64, 0.65%, 0.67%

LAB 83.35, -40.7, 46.71

 

CMYK 36 / 0 / 57 / 6

HEX #9AEF66

RGB 154 239 102

HSL 97.23, 0.81%, 0.67%

LAB 86.78, -48.79, 57.17

 

CMYK 41 / 0 / 65 / 1

HEX #96FD59

RGB 150 253 89

HSL 97.68, 0.98%, 0.67%

LAB 90.53, -56.89, 66.69

 

CMYK 18 / 0 / 28 / 22

HEX #A4C78F

RGB 164 199 143

HSL 97.5, 0.33%, 0.67%

LAB 76.51, -21.91, 24.31

 

CMYK 10 / 0 / 15 / 27

HEX #A7B99D

RGB 167 185 157

HSL 98.57, 0.17%, 0.67%

LAB 73.12, -11.42, 12.14

 

CMYK 0 / 0 / 1 / 33

HEX #ABABAA

RGB 171 171 170

HSL 60, 0.01%, 0.67%

LAB 69.96, -0.18, 0.51

 

CMYK 5 / 14 / 0 / 28

HEX #AE9EB8

RGB 174 158 184

HSL 276.92, 0.15%, 0.67%

LAB 67.21, 10.75, -11.3

 

CMYK 10 / 27 / 0 / 22

HEX #B290C6

RGB 178 144 198

HSL 277.78, 0.32%, 0.67%

LAB 64.55, 22.82, -23.11

 

CMYK 3 / 0 / 28 / 22

HEX #C2C78F

RGB 194 199 143

HSL 65.36, 0.33%, 0.67%

LAB 78.64, -10.77, 27.54

 

CMYK 10 / 0 / 28 / 22

HEX #B3C78F

RGB 179 199 143

HSL 81.43, 0.33%, 0.67%

LAB 77.53, -16.43, 25.85

 

CMYK 18 / 0 / 28 / 22

HEX #A4C78F

RGB 164 199 143

HSL 97.5, 0.33%, 0.67%

LAB 76.51, -21.91, 24.31

 

CMYK 25 / 0 / 28 / 22

HEX #96C78F

RGB 150 199 143

HSL 112.5, 0.33%, 0.67%

LAB 75.65, -26.82, 22.99

 

CMYK 28 / 0 / 24 / 22

HEX #8FC797

RGB 143 199 151

HSL 128.57, 0.33%, 0.67%

LAB 75.4, -27.79, 18.34

 

CMYK 30 / 0 / 49 / 33

HEX #77AB58

RGB 119 171 88

HSL 97.59, 0.33%, 0.51%

LAB 64.77, -32.4, 37.15

 

CMYK 23 / 0 / 37 / 27

HEX #8EB974

RGB 142 185 116

HSL 97.39, 0.33%, 0.59%

LAB 70.67, -26.99, 30.48

 

CMYK 18 / 0 / 28 / 22

HEX #A4C78F

RGB 164 199 143

HSL 97.5, 0.33%, 0.67%

LAB 76.51, -21.91, 24.31

 

CMYK 12 / 0 / 19 / 17

HEX #BAD4AB

RGB 186 212 171

HSL 98.05, 0.32%, 0.75%

LAB 82.09, -16.12, 17.43

 

CMYK 8 / 0 / 12 / 11

HEX #D1E2C6

RGB 209 226 198

HSL 96.43, 0.33%, 0.83%

LAB 87.98, -10.67, 11.77

 

CMYK 18 / 0 / 28 / 22

HEX #A3C68E

RGB 163 198 142

HSL 97.5, 0.33%, 0.67%

LAB 76.15, -21.93, 24.33

 

CMYK 28 / 0 / 6 / 22

HEX #8FC7BC

RGB 143 199 188

HSL 168.21, 0.33%, 0.67%

LAB 76.26, -20.43, -0.34

 

CMYK 0 / 28 / 6 / 22

HEX #C78FBB

RGB 199 143 187

HSL 312.86, 0.33%, 0.67%

LAB 66.04, 28.26, -14.49

 

CMYK 18 / 0 / 28 / 22

HEX #A3C68E

RGB 163 198 142

HSL 97.5, 0.33%, 0.67%

LAB 76.15, -21.93, 24.33

 

CMYK 28 / 18 / 0 / 22

HEX #8FA4C7

RGB 143 164 199

HSL 217.5, 0.33%, 0.67%

LAB 66.91, 0.71, -20.32

 

CMYK 0 / 28 / 18 / 22

HEX #C78FA4

RGB 199 143 164

HSL 337.5, 0.33%, 0.67%

LAB 65.33, 24.36, -2.61

 

CMYK 18 / 0 / 28 / 22

HEX #A3C68E

RGB 163 198 142

HSL 97.5, 0.33%, 0.67%

LAB 76.15, -21.93, 24.33

 

CMYK 28 / 0 / 6 / 22

HEX #8FC7BC

RGB 143 199 188

HSL 168.21, 0.33%, 0.67%

LAB 76.26, -20.43, -0.34

 

CMYK 11 / 28 / 0 / 22

HEX #B18FC7

RGB 177 143 199

HSL 276.43, 0.33%, 0.67%

LAB 64.25, 23.27, -24.14

 

CMYK 0 / 28 / 23 / 22

HEX #C78F99

RGB 199 143 153

HSL 349.29, 0.33%, 0.67%

LAB 65.03, 22.67, 3.16

 

CMYK 18 / 0 / 28 / 22

HEX #A3C68E

RGB 163 198 142

HSL 97.5, 0.33%, 0.67%

LAB 76.15, -21.93, 24.33

 

CMYK 28 / 4 / 0 / 22

HEX #8FC0C7

RGB 143 192 199

HSL 187.5, 0.33%, 0.67%

LAB 74.61, -14.36, -8.74

 

CMYK 11 / 28 / 0 / 22

HEX #B18FC7

RGB 177 143 199

HSL 276.43, 0.33%, 0.67%

LAB 64.25, 23.27, -24.14

 

CMYK 0 / 25 / 28 / 22

HEX #C7968F

RGB 199 150 143

HSL 7.5, 0.33%, 0.67%

LAB 66.47, 17.38, 10.84

 

Description

Color code: RGBA 163 198 142 0.75 | qconv.com Color code: RGBA 163 198 142 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 198 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 198 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 21 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 21% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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