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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 163 149 210 0.75 it is the complementary color RGBA 92 106 45 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 163 149 210 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 163 149 210 0.75 shade: RGBA 168 149 205 0.75, RGBA 185 167 224 0.75, RGBA 202 185 243 0.75, RGBA 219 203 255 0.75 and RGBA 236 221 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 163 149 210 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 163 149 210 0.75 shade: RGBA 163 149 210 0.75, RGBA 146 131 191 0.75, RGBA 129 113 172 0.75, RGBA 112 95 153 0.75 and RGBA 95 77 134 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 163 149 210 0.75 shade: RGB 162 148 209, RGB 178 148 209, RGB 195 148 209, RGB 209 148 207 and RGB 209 148 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 163 149 210 0.75 shade: RGB 162 148 209 and RGB 148 148 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 163 149 210 0.75 shade matches the following richer shades: RGB 162 148 209, RGB 155 136 221, RGB 149 123 234 and RGB 142 111 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 163 149 210 0.75 shade: RGB 162 148 209, RGB 169 160 197, RGB 175 173 184, RGB 182 185 172 and RGB 189 197 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 163 149 210 0.75 shade: RGB 148 167 209, RGB 148 151 209, RGB 161 148 209, RGB 177 148 209 and RGB 194 148 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 163 149 210 0.75 shade: RGB 112 90 184, RGB 137 119 197, RGB 162 148 209, RGB 187 177 221 and RGB 212 206 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 163 149 210 0.75 shade: RGB 163 149 210, RGB 209 148 184 and RGB 159 209 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 163 149 210 0.75 shade: RGB 163 149 210, RGB 209 161 148 and RGB 148 209 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 163 149 210 0.75 shade: RGB 163 149 210, RGB 209 148 184, RGB 196 209 148 and RGB 148 209 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 163 149 210 0.75 shade: RGB 163 149 210, RGB 209 148 165, RGB 196 209 148 and RGB 148 209 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 22 / 0 / 13

HEX #A395D2BF

RGBA 163 149 210 0.75

HSLA 253.77, 0.4%, 0.7%, 0.75

LABA 64.91, 17.92, -29.37, 0.75

 

Complementary color

CMYK 10 / 0 / 43 / 44

HEX #5C6A2DBF

RGBA 92 106 45 0.75

HSLA 73.77, 0.4%, 0.3%, 0.75

LABA 42.42, -15.44, 31.99, 0.75

 

CMYK 14 / 20 / 0 / 15

HEX #A895CDBF

RGBA 168 149 205 0.75

HSLA 260.36, 0.36%, 0.69%, 0.75

LABA 65.14, 18.32, -26.19, 0.75

 

CMYK 13 / 19 / 0 / 9

HEX #B9A7E0BF

RGBA 185 167 224 0.75

HSLA 258.95, 0.48%, 0.77%, 0.75

LABA 71.78, 17.81, -26.37, 0.75

 

CMYK 13 / 18 / 0 / 4

HEX #CAB9F3BF

RGBA 202 185 243 0.75

HSLA 257.59, 0.71%, 0.84%, 0.75

LABA 78.3, 17.34, -26.57, 0.75

 

CMYK 11 / 15 / 0 / 0

HEX #DBCBFFBF

RGBA 219 203 255 0.75

HSLA 258.46, 1%, 0.9%, 0.75

LABA 84.48, 15.44, -23.43, 0.75

 

CMYK 6 / 10 / 0 / 0

HEX #ECDDFFBF

RGBA 236 221 255 0.75

HSLA 266.47, 1%, 0.93%, 0.75

LABA 90.21, 11.3, -14.65, 0.75

 

CMYK 17 / 22 / 0 / 13

HEX #A395D2BF

RGBA 163 149 210 0.75

HSLA 253.77, 0.4%, 0.7%, 0.75

LABA 64.91, 17.92, -29.37, 0.75

 

CMYK 18 / 24 / 0 / 19

HEX #9283BFBF

RGBA 146 131 191 0.75

HSLA 255, 0.32%, 0.63%, 0.75

LABA 58.14, 18.49, -29.29, 0.75

 

CMYK 19 / 26 / 0 / 24

HEX #8171ACBF

RGBA 129 113 172 0.75

HSLA 256.27, 0.26%, 0.56%, 0.75

LABA 51.22, 19.14, -29.24, 0.75

 

CMYK 20 / 28 / 0 / 30

HEX #705F99BF

RGBA 112 95 153 0.75

HSLA 257.59, 0.23%, 0.49%, 0.75

LABA 44.13, 19.87, -29.23, 0.75

 

CMYK 22 / 32 / 0 / 36

HEX #5F4D86BF

RGBA 95 77 134 0.75

HSLA 258.95, 0.27%, 0.41%, 0.75

LABA 36.86, 20.72, -29.28, 0.75

 

CMYK 22 / 29 / 0 / 18

HEX #A294D1

RGB 162 148 209

HSL 253.77, 0.4%, 0.7%

LAB 64.54, 17.94, -29.4

 

CMYK 15 / 29 / 0 / 18

HEX #B294D1

RGB 178 148 209

HSL 269.51, 0.4%, 0.7%

LAB 65.94, 22.92, -27.12

 

CMYK 7 / 29 / 0 / 18

HEX #C394D1

RGB 195 148 209

HSL 286.23, 0.4%, 0.7%

LAB 67.57, 28.36, -24.49

 

CMYK 0 / 29 / 1 / 18

HEX #D194CF

RGB 209 148 207

HSL 301.97, 0.4%, 0.7%

LAB 68.92, 32.52, -21.17

 

CMYK 0 / 29 / 9 / 18

HEX #D194BE

RGB 209 148 190

HSL 318.69, 0.4%, 0.7%

LAB 68.35, 29.48, -12.58

 

CMYK 22 / 29 / 0 / 18

HEX #A294D1

RGB 162 148 209

HSL 253.77, 0.4%, 0.7%

LAB 64.54, 17.94, -29.4

 

CMYK 29 / 29 / 0 / 18

HEX #9494D1

RGB 148 148 209

HSL 240, 0.4%, 0.7%

LAB 63.41, 13.74, -31.24

 

CMYK 22 / 29 / 0 / 18

HEX #A294D1

RGB 162 148 209

HSL 253.77, 0.4%, 0.7%

LAB 64.54, 17.94, -29.4

 

CMYK 30 / 38 / 0 / 13

HEX #9B88DD

RGB 155 136 221

HSL 253.41, 0.56%, 0.7%

LAB 61.48, 25.69, -40.89

 

CMYK 36 / 47 / 0 / 8

HEX #957BEA

RGB 149 123 234

HSL 254.05, 0.73%, 0.7%

LAB 58.5, 34.93, -52.87

 

CMYK 42 / 55 / 0 / 4

HEX #8E6FF6

RGB 142 111 246

HSL 253.78, 0.88%, 0.7%

LAB 55.86, 43.35, -63.81

 

CMYK 22 / 29 / 0 / 18

HEX #A294D1

RGB 162 148 209

HSL 253.77, 0.4%, 0.7%

LAB 64.54, 17.94, -29.4

 

CMYK 14 / 19 / 0 / 23

HEX #A9A0C5

RGB 169 160 197

HSL 254.59, 0.24%, 0.7%

LAB 67.73, 10.67, -17.79

 

CMYK 5 / 6 / 0 / 28

HEX #AFADB8

RGB 175 173 184

HSL 250.91, 0.07%, 0.7%

LAB 71.19, 2.82, -5.37

 

CMYK 2 / 0 / 7 / 27

HEX #B6B9AC

RGB 182 185 172

HSL 73.85, 0.08%, 0.7%

LAB 74.59, -3.41, 6.22

 

CMYK 4 / 0 / 19 / 23

HEX #BDC5A0

RGB 189 197 160

HSL 72.97, 0.24%, 0.7%

LAB 78.05, -9.15, 17.66

 

CMYK 29 / 20 / 0 / 18

HEX #94A7D1

RGB 148 167 209

HSL 221.31, 0.4%, 0.7%

LAB 68.41, 3, -23.53

 

CMYK 29 / 28 / 0 / 18

HEX #9497D1

RGB 148 151 209

HSL 237.05, 0.4%, 0.7%

LAB 64.19, 12.02, -30.03

 

CMYK 23 / 29 / 0 / 18

HEX #A194D1

RGB 161 148 209

HSL 252.79, 0.4%, 0.7%

LAB 64.45, 17.64, -29.54

 

CMYK 15 / 29 / 0 / 18

HEX #B194D1

RGB 177 148 209

HSL 268.52, 0.4%, 0.7%

LAB 65.85, 22.61, -27.27

 

CMYK 7 / 29 / 0 / 18

HEX #C294D1

RGB 194 148 209

HSL 285.25, 0.4%, 0.7%

LAB 67.47, 28.04, -24.65

 

CMYK 39 / 51 / 0 / 28

HEX #705AB8

RGB 112 90 184

HSL 254.04, 0.4%, 0.54%

LAB 44.54, 31.34, -46.86

 

CMYK 30 / 40 / 0 / 23

HEX #8977C5

RGB 137 119 197

HSL 253.85, 0.4%, 0.62%

LAB 54.6, 24.34, -38.28

 

CMYK 22 / 29 / 0 / 18

HEX #A294D1

RGB 162 148 209

HSL 253.77, 0.4%, 0.7%

LAB 64.54, 17.94, -29.4

 

CMYK 15 / 20 / 0 / 13

HEX #BBB1DD

RGB 187 177 221

HSL 253.64, 0.39%, 0.78%

LAB 74.34, 12.26, -20.82

 

CMYK 9 / 12 / 0 / 8

HEX #D4CEEA

RGB 212 206 234

HSL 252.86, 0.4%, 0.86%

LAB 84.01, 7.35, -13.04

 

CMYK 22 / 29 / 0 / 18

HEX #A395D2

RGB 163 149 210

HSL 253.77, 0.4%, 0.7%

LAB 64.91, 17.92, -29.37

 

CMYK 0 / 29 / 12 / 18

HEX #D194B8

RGB 209 148 184

HSL 324.59, 0.4%, 0.7%

LAB 68.16, 28.46, -9.52

 

CMYK 24 / 0 / 29 / 18

HEX #9FD194

RGB 159 209 148

HSL 109.18, 0.4%, 0.7%

LAB 79.1, -27.76, 25.14

 

CMYK 22 / 29 / 0 / 18

HEX #A395D2

RGB 163 149 210

HSL 253.77, 0.4%, 0.7%

LAB 64.91, 17.92, -29.37

 

CMYK 0 / 23 / 29 / 18

HEX #D1A194

RGB 209 161 148

HSL 12.79, 0.4%, 0.7%

LAB 70.3, 15.91, 13.61

 

CMYK 29 / 0 / 23 / 18

HEX #94D1A1

RGB 148 209 161

HSL 132.79, 0.4%, 0.7%

LAB 78.74, -29.18, 17.69

 

CMYK 22 / 29 / 0 / 18

HEX #A395D2

RGB 163 149 210

HSL 253.77, 0.4%, 0.7%

LAB 64.91, 17.92, -29.37

 

CMYK 0 / 29 / 12 / 18

HEX #D194B8

RGB 209 148 184

HSL 324.59, 0.4%, 0.7%

LAB 68.16, 28.46, -9.52

 

CMYK 6 / 0 / 29 / 18

HEX #C4D194

RGB 196 209 148

HSL 72.79, 0.4%, 0.7%

LAB 81.55, -14.42, 28.86

 

CMYK 29 / 0 / 17 / 18

HEX #94D1AD

RGB 148 209 173

HSL 144.59, 0.4%, 0.7%

LAB 78.99, -26.94, 11.68

 

CMYK 22 / 29 / 0 / 18

HEX #A395D2

RGB 163 149 210

HSL 253.77, 0.4%, 0.7%

LAB 64.91, 17.92, -29.37

 

CMYK 0 / 29 / 21 / 18

HEX #D194A5

RGB 209 148 165

HSL 343.28, 0.4%, 0.7%

LAB 67.61, 25.43, 0.3

 

CMYK 6 / 0 / 29 / 18

HEX #C4D194

RGB 196 209 148

HSL 72.79, 0.4%, 0.7%

LAB 81.55, -14.42, 28.86

 

CMYK 29 / 0 / 8 / 18

HEX #94D1C0

RGB 148 209 192

HSL 163.28, 0.4%, 0.7%

LAB 79.44, -23.07, 2.18

 

Description

Color code: RGBA 163 149 210 0.75 | qconv.com Color code: RGBA 163 149 210 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 149 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 149 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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