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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 54 165 0.75 it is the complementary color RGBA 100 201 90 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 54 165 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 54 165 0.75 shade: RGBA 160 54 160 0.75, RGBA 177 72 179 0.75, RGBA 194 90 198 0.75, RGBA 211 108 217 0.75 and RGBA 228 126 236 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 54 165 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 54 165 0.75 shade: RGBA 155 54 165 0.75, RGBA 138 36 146 0.75, RGBA 121 18 127 0.75, RGBA 104 0 108 0.75 and RGBA 87 0 89 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 54 165 0.75 shade: RGB 155 54 166, RGB 166 54 145, RGB 166 54 115, RGB 166 54 85 and RGB 166 54 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 54 165 0.75 shade: RGB 155 54 166, RGB 125 54 166, RGB 95 54 166, RGB 65 54 166 and RGB 54 54 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 54 165 0.75 shade matches the following richer shades: RGB 155 54 166, RGB 170 36 183, RGB 185 18 201 and RGB 199 1 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 54 165 0.75 shade: RGB 155 54 166, RGB 141 71 148, RGB 126 89 130, RGB 112 107 112 and RGB 97 125 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 54 165 0.75 shade: RGB 95 54 166, RGB 125 54 166, RGB 154 54 166, RGB 166 54 147 and RGB 166 54 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 54 165 0.75 shade: RGB 97 34 103, RGB 126 44 134, RGB 155 54 166, RGB 182 67 194 and RGB 194 98 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 54 165 0.75 shade: RGB 155 54 165, RGB 166 65 54 and RGB 54 166 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 54 165 0.75 shade: RGB 155 54 165, RGB 166 154 54 and RGB 54 166 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 54 165 0.75 shade: RGB 155 54 165, RGB 166 65 54, RGB 65 166 54 and RGB 54 154 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 54 165 0.75 shade: RGB 155 54 165, RGB 166 98 54, RGB 65 166 54 and RGB 54 121 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 50 / 0 / 26

HEX #9B36A5BF

RGBA 155 54 165 0.75

HSLA 294.59, 0.51%, 0.43%, 0.75

LABA 41.73, 56.44, -39.83, 0.75

 

Complementary color

CMYK 38 / 0 / 41 / 16

HEX #64C95ABF

RGBA 100 201 90 0.75

HSLA 114.59, 0.51%, 0.57%, 0.75

LABA 73.04, -51.14, 45.97, 0.75

 

CMYK 0 / 50 / 0 / 28

HEX #A036A0BF

RGBA 160 54 160 0.75

HSLA 300, 0.5%, 0.42%, 0.75

LABA 42.23, 56.75, -35.99, 0.75

 

CMYK 1 / 45 / 0 / 22

HEX #B148B3BF

RGBA 177 72 179 0.75

HSLA 298.88, 0.43%, 0.49%, 0.75

LABA 48.56, 56.73, -37.08, 0.75

 

CMYK 2 / 41 / 0 / 17

HEX #C25AC6BF

RGBA 194 90 198 0.75

HSLA 297.78, 0.49%, 0.56%, 0.75

LABA 54.93, 56.37, -37.89, 0.75

 

CMYK 2 / 38 / 0 / 11

HEX #D36CD9BF

RGBA 211 108 217 0.75

HSLA 296.7, 0.59%, 0.64%, 0.75

LABA 61.29, 55.82, -38.52, 0.75

 

CMYK 3 / 35 / 0 / 6

HEX #E47EECBF

RGBA 228 126 236 0.75

HSLA 295.64, 0.74%, 0.71%, 0.75

LABA 67.63, 55.16, -39.03, 0.75

 

CMYK 5 / 50 / 0 / 26

HEX #9B36A5BF

RGBA 155 54 165 0.75

HSLA 294.59, 0.51%, 0.43%, 0.75

LABA 41.73, 56.44, -39.83, 0.75

 

CMYK 4 / 57 / 0 / 32

HEX #8A2492BF

RGBA 138 36 146 0.75

HSLA 295.64, 0.6%, 0.36%, 0.75

LABA 35.48, 55.9, -38.46, 0.75

 

CMYK 4 / 64 / 0 / 38

HEX #79127FBF

RGBA 121 18 127 0.75

HSLA 296.7, 0.75%, 0.28%, 0.75

LABA 29.49, 54.29, -36.41, 0.75

 

CMYK 3 / 75 / 0 / 43

HEX #68006CBF

RGBA 104 0 108 0.75

HSLA 297.78, 1%, 0.21%, 0.75

LABA 23.76, 51.49, -33.64, 0.75

 

CMYK 2 / 75 / 0 / 49

HEX #570059BF

RGBA 87 0 89 0.75

HSLA 298.65, 1%, 0.17%, 0.75

LABA 19, 45.22, -28.91, 0.75

 

CMYK 7 / 67 / 0 / 35

HEX #9B36A6

RGB 155 54 166

HSL 294.11, 0.51%, 0.43%

LAB 41.78, 56.62, -40.34

 

CMYK 0 / 67 / 13 / 35

HEX #A63691

RGB 166 54 145

HSL 311.25, 0.51%, 0.43%

LAB 42.44, 55.8, -26.55

 

CMYK 0 / 67 / 31 / 35

HEX #A63673

RGB 166 54 115

HSL 327.32, 0.51%, 0.43%

LAB 41.19, 51.58, -10.08

 

CMYK 0 / 67 / 49 / 35

HEX #A63655

RGB 166 54 85

HSL 343.39, 0.51%, 0.43%

LAB 40.25, 48.28, 7.32

 

CMYK 0 / 67 / 67 / 35

HEX #A63637

RGB 166 54 55

HSL 359.46, 0.51%, 0.43%

LAB 39.62, 45.99, 25.2

 

CMYK 7 / 67 / 0 / 35

HEX #9B36A6

RGB 155 54 166

HSL 294.11, 0.51%, 0.43%

LAB 41.78, 56.62, -40.34

 

CMYK 25 / 67 / 0 / 35

HEX #7D36A6

RGB 125 54 166

HSL 278.04, 0.51%, 0.43%

LAB 37.39, 49.68, -47.61

 

CMYK 43 / 67 / 0 / 35

HEX #5F36A6

RGB 95 54 166

HSL 261.96, 0.51%, 0.43%

LAB 33.61, 43.24, -53.9

 

CMYK 61 / 67 / 0 / 35

HEX #4136A6

RGB 65 54 166

HSL 245.89, 0.51%, 0.43%

LAB 30.68, 37.82, -58.82

 

CMYK 67 / 67 / 0 / 35

HEX #3636A6

RGB 54 54 166

HSL 240, 0.51%, 0.43%

LAB 29.85, 36.21, -60.2

 

CMYK 7 / 67 / 0 / 35

HEX #9B36A6

RGB 155 54 166

HSL 294.11, 0.51%, 0.43%

LAB 41.78, 56.62, -40.34

 

CMYK 7 / 80 / 0 / 28

HEX #AA24B7

RGB 170 36 183

HSL 294.69, 0.67%, 0.43%

LAB 43.1, 68.8, -48.16

 

CMYK 8 / 91 / 0 / 21

HEX #B912C9

RGB 185 18 201

HSL 294.75, 0.84%, 0.43%

LAB 45.58, 77.86, -54.56

 

CMYK 9 / 100 / 0 / 14

HEX #C701DB

RGB 199 1 219

HSL 294.5, 0.99%, 0.43%

LAB 48.61, 84.45, -59.93

 

CMYK 7 / 67 / 0 / 35

HEX #9B36A6

RGB 155 54 166

HSL 294.11, 0.51%, 0.43%

LAB 41.78, 56.62, -40.34

 

CMYK 5 / 52 / 0 / 42

HEX #8D4794

RGB 141 71 148

HSL 294.55, 0.35%, 0.43%

LAB 41.7, 41.49, -29.8

 

CMYK 3 / 32 / 0 / 49

HEX #7E5982

RGB 126 89 130

HSL 294.15, 0.19%, 0.43%

LAB 43.05, 22.72, -16.97

 

CMYK 0 / 4 / 0 / 56

HEX #706B70

RGB 112 107 112

HSL 300, 0.02%, 0.43%

LAB 45.81, 2.96, -2.1

 

CMYK 22 / 0 / 24 / 51

HEX #617D5F

RGB 97 125 95

HSL 116, 0.14%, 0.43%

LAB 49.54, -16.38, 13.14

 

CMYK 43 / 67 / 0 / 35

HEX #5F36A6

RGB 95 54 166

HSL 261.96, 0.51%, 0.43%

LAB 33.61, 43.24, -53.9

 

CMYK 25 / 67 / 0 / 35

HEX #7D36A6

RGB 125 54 166

HSL 278.04, 0.51%, 0.43%

LAB 37.39, 49.68, -47.61

 

CMYK 7 / 67 / 0 / 35

HEX #9A36A6

RGB 154 54 166

HSL 293.57, 0.51%, 0.43%

LAB 41.63, 56.39, -40.59

 

CMYK 0 / 67 / 11 / 35

HEX #A63693

RGB 166 54 147

HSL 310.18, 0.51%, 0.43%

LAB 42.54, 56.11, -27.61

 

CMYK 0 / 67 / 30 / 35

HEX #A63675

RGB 166 54 117

HSL 326.25, 0.51%, 0.43%

LAB 41.26, 51.83, -11.21

 

CMYK 6 / 67 / 0 / 60

HEX #612267

RGB 97 34 103

HSL 294.78, 0.5%, 0.27%

LAB 25.76, 38.68, -27.27

 

CMYK 6 / 67 / 0 / 47

HEX #7E2C86

RGB 126 44 134

HSL 294.67, 0.51%, 0.35%

LAB 33.9, 47.78, -33.71

 

CMYK 7 / 67 / 0 / 35

HEX #9B36A6

RGB 155 54 166

HSL 294.11, 0.51%, 0.43%

LAB 41.78, 56.62, -40.34

 

CMYK 6 / 65 / 0 / 24

HEX #B643C2

RGB 182 67 194

HSL 294.33, 0.51%, 0.51%

LAB 49.32, 62.76, -44.56

 

CMYK 5 / 52 / 0 / 20

HEX #C262CC

RGB 194 98 204

HSL 294.34, 0.51%, 0.59%

LAB 56.65, 53.63, -38.61

 

CMYK 6 / 67 / 0 / 35

HEX #9B36A5

RGB 155 54 165

HSL 294.59, 0.51%, 0.43%

LAB 41.73, 56.44, -39.83

 

CMYK 0 / 61 / 67 / 35

HEX #A64136

RGB 166 65 54

HSL 5.89, 0.51%, 0.43%

LAB 41.46, 40.95, 28.06

 

CMYK 67 / 0 / 34 / 35

HEX #36A66E

RGB 54 166 110

HSL 150, 0.51%, 0.43%

LAB 60.94, -44.67, 20.05

 

CMYK 6 / 67 / 0 / 35

HEX #9B36A5

RGB 155 54 165

HSL 294.59, 0.51%, 0.43%

LAB 41.73, 56.44, -39.83

 

CMYK 0 / 7 / 67 / 35

HEX #A69A36

RGB 166 154 54

HSL 53.57, 0.51%, 0.43%

LAB 62.91, -7.66, 51.97

 

CMYK 67 / 0 / 7 / 35

HEX #36A69A

RGB 54 166 154

HSL 173.57, 0.51%, 0.43%

LAB 61.99, -33.94, -2.97

 

CMYK 6 / 67 / 0 / 35

HEX #9B36A5

RGB 155 54 165

HSL 294.59, 0.51%, 0.43%

LAB 41.73, 56.44, -39.83

 

CMYK 0 / 61 / 67 / 35

HEX #A64136

RGB 166 65 54

HSL 5.89, 0.51%, 0.43%

LAB 41.46, 40.95, 28.06

 

CMYK 61 / 0 / 67 / 35

HEX #41A636

RGB 65 166 54

HSL 114.11, 0.51%, 0.43%

LAB 60.48, -50.84, 47.57

 

CMYK 67 / 7 / 0 / 35

HEX #369AA6

RGB 54 154 166

HSL 186.43, 0.51%, 0.43%

LAB 58.65, -24.56, -14.74

 

CMYK 6 / 67 / 0 / 35

HEX #9B36A5

RGB 155 54 165

HSL 294.59, 0.51%, 0.43%

LAB 41.73, 56.44, -39.83

 

CMYK 0 / 41 / 67 / 35

HEX #A66236

RGB 166 98 54

HSL 23.57, 0.51%, 0.43%

LAB 48.4, 23.54, 36.22

 

CMYK 61 / 0 / 67 / 35

HEX #41A636

RGB 65 166 54

HSL 114.11, 0.51%, 0.43%

LAB 60.48, -50.84, 47.57

 

CMYK 67 / 27 / 0 / 35

HEX #3679A6

RGB 54 121 166

HSL 204.11, 0.51%, 0.43%

LAB 48.53, -6.49, -30.29

 

Description

Color code: RGBA 155 54 165 0.75 | qconv.com Color code: RGBA 155 54 165 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 54 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 54 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 50 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 50% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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