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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 250 115 0.75 it is the complementary color RGBA 100 5 140 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 250 115 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 250 115 0.75 shade: RGBA 160 250 110 0.75, RGBA 177 255 129 0.75, RGBA 194 255 148 0.75, RGBA 211 255 167 0.75 and RGBA 228 255 186 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 250 115 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 250 115 0.75 shade: RGBA 155 250 115 0.75, RGBA 138 232 96 0.75, RGBA 121 214 77 0.75, RGBA 104 196 58 0.75 and RGBA 87 178 39 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 250 115 0.75 shade: RGB 157 250 117, RGB 192 250 117, RGB 228 250 117, RGB 250 236 117 and RGB 250 200 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 250 115 0.75 shade: RGB 157 250 117, RGB 121 250 117, RGB 117 250 149, RGB 117 250 185 and RGB 117 250 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 250 115 0.75 shade matches the following richer shades: RGB 157 250 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 250 115 0.75 shade: RGB 157 250 117, RGB 161 238 129, RGB 166 227 140, RGB 171 215 152 and RGB 175 204 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 250 115 0.75 shade: RGB 228 250 117, RGB 192 250 117, RGB 157 250 117, RGB 122 250 117 and RGB 117 250 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 250 115 0.75 shade: RGB 100 247 38, RGB 128 249 77, RGB 157 250 117, RGB 185 251 157 and RGB 213 253 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 250 115 0.75 shade: RGB 155 250 115, RGB 117 250 237 and RGB 250 117 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 250 115 0.75 shade: RGB 155 250 115, RGB 117 157 250 and RGB 250 117 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 250 115 0.75 shade: RGB 155 250 115, RGB 117 250 237, RGB 210 117 250 and RGB 250 117 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 250 115 0.75 shade: RGB 155 250 115, RGB 117 223 250, RGB 210 117 250 and RGB 250 144 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 41 / 1

HEX #9BFA73BF

RGBA 155 250 115 0.75

HSLA 102.22, 0.93%, 0.72%, 0.75

LABA 90.13, -51.68, 55.31, 0.75

 

Complementary color

CMYK 21 / 72 / 0 / 34

HEX #64058CBF

RGBA 100 5 140 0.75

HSLA 282.22, 0.93%, 0.28%, 0.75

LABA 25.9, 55.8, -50.54, 0.75

 

CMYK 27 / 0 / 42 / 1

HEX #A0FA6EBF

RGBA 160 250 110 0.75

HSLA 98.57, 0.93%, 0.71%, 0.75

LABA 90.31, -50.61, 57.8, 0.75

 

CMYK 23 / 0 / 37 / 0

HEX #B1FF81BF

RGBA 177 255 129 0.75

HSLA 97.14, 1%, 0.75%, 0.75

LABA 92.77, -45.11, 52.34, 0.75

 

CMYK 18 / 0 / 31 / 0

HEX #C2FF94BF

RGBA 194 255 148 0.75

HSLA 94.21, 1%, 0.79%, 0.75

LABA 93.94, -37.11, 45, 0.75

 

CMYK 13 / 0 / 26 / 0

HEX #D3FFA7BF

RGBA 211 255 167 0.75

HSLA 90, 1%, 0.83%, 0.75

LABA 95.23, -28.76, 37.57, 0.75

 

CMYK 8 / 0 / 20 / 0

HEX #E4FFBABF

RGBA 228 255 186 0.75

HSLA 83.48, 1%, 0.86%, 0.75

LABA 96.64, -20.18, 30.16, 0.75

 

CMYK 29 / 0 / 41 / 1

HEX #9BFA73BF

RGBA 155 250 115 0.75

HSLA 102.22, 0.93%, 0.72%, 0.75

LABA 90.13, -51.68, 55.31, 0.75

 

CMYK 30 / 0 / 44 / 7

HEX #8AE860BF

RGBA 138 232 96 0.75

HSLA 101.47, 0.75%, 0.64%, 0.75

LABA 83.95, -51.63, 56.35, 0.75

 

CMYK 33 / 0 / 48 / 12

HEX #79D64DBF

RGBA 121 214 77 0.75

HSLA 100.73, 0.63%, 0.57%, 0.75

LABA 77.69, -51.47, 57.25, 0.75

 

CMYK 35 / 0 / 53 / 17

HEX #68C43ABF

RGBA 104 196 58 0.75

HSLA 100, 0.54%, 0.5%, 0.75

LABA 71.37, -51.14, 57.86, 0.75

 

CMYK 38 / 0 / 59 / 23

HEX #57B227BF

RGBA 87 178 39 0.75

HSLA 99.28, 0.64%, 0.43%, 0.75

LABA 64.97, -50.56, 57.92, 0.75

 

CMYK 37 / 0 / 53 / 2

HEX #9DFA75

RGB 157 250 117

HSL 101.95, 0.93%, 0.72%

LAB 90.24, -50.83, 54.56

 

CMYK 23 / 0 / 53 / 2

HEX #C0FA75

RGB 192 250 117

HSL 86.17, 0.93%, 0.72%

LAB 92.07, -38.97, 57.18

 

CMYK 9 / 0 / 53 / 2

HEX #E4FA75

RGB 228 250 117

HSL 69.92, 0.93%, 0.72%

LAB 94.38, -25.54, 60.45

 

CMYK 0 / 6 / 53 / 2

HEX #FAEC75

RGB 250 236 117

HSL 53.68, 0.93%, 0.72%

LAB 92.4, -10.11, 58.58

 

CMYK 0 / 20 / 53 / 2

HEX #FAC875

RGB 250 200 117

HSL 37.44, 0.93%, 0.72%

LAB 83.4, 8.18, 47.88

 

CMYK 37 / 0 / 53 / 2

HEX #9DFA75

RGB 157 250 117

HSL 101.95, 0.93%, 0.72%

LAB 90.24, -50.83, 54.56

 

CMYK 52 / 0 / 53 / 2

HEX #79FA75

RGB 121 250 117

HSL 118.2, 0.93%, 0.72%

LAB 88.79, -61.17, 52.48

 

CMYK 53 / 0 / 40 / 2

HEX #75FA95

RGB 117 250 149

HSL 134.44, 0.93%, 0.72%

LAB 89.07, -57.67, 37.56

 

CMYK 53 / 0 / 26 / 2

HEX #75FAB9

RGB 117 250 185

HSL 150.68, 0.93%, 0.72%

LAB 89.7, -51.22, 20.25

 

CMYK 53 / 0 / 12 / 2

HEX #75FADD

RGB 117 250 221

HSL 166.92, 0.93%, 0.72%

LAB 90.49, -43.45, 2.79

 

CMYK 37 / 0 / 53 / 2

HEX #9DFA75

RGB 157 250 117

HSL 101.95, 0.93%, 0.72%

LAB 90.24, -50.83, 54.56

 

CMYK 37 / 0 / 53 / 2

HEX #9DFA75

RGB 157 250 117

HSL 101.95, 0.93%, 0.72%

LAB 90.24, -50.83, 54.56

 

CMYK 32 / 0 / 46 / 7

HEX #A1EE81

RGB 161 238 129

HSL 102.39, 0.76%, 0.72%

LAB 87.15, -43.05, 45.23

 

CMYK 27 / 0 / 38 / 11

HEX #A6E38C

RGB 166 227 140

HSL 102.07, 0.61%, 0.72%

LAB 84.45, -35.01, 36.43

 

CMYK 20 / 0 / 29 / 16

HEX #ABD798

RGB 171 215 152

HSL 101.9, 0.44%, 0.72%

LAB 81.58, -25.88, 26.53

 

CMYK 14 / 0 / 20 / 20

HEX #AFCCA3

RGB 175 204 163

HSL 102.44, 0.29%, 0.72%

LAB 79.01, -17.29, 17.26

 

CMYK 9 / 0 / 53 / 2

HEX #E4FA75

RGB 228 250 117

HSL 69.92, 0.93%, 0.72%

LAB 94.38, -25.54, 60.45

 

CMYK 23 / 0 / 53 / 2

HEX #C0FA75

RGB 192 250 117

HSL 86.17, 0.93%, 0.72%

LAB 92.07, -38.97, 57.18

 

CMYK 37 / 0 / 53 / 2

HEX #9DFA75

RGB 157 250 117

HSL 101.95, 0.93%, 0.72%

LAB 90.24, -50.83, 54.56

 

CMYK 51 / 0 / 53 / 2

HEX #7AFA75

RGB 122 250 117

HSL 117.74, 0.93%, 0.72%

LAB 88.82, -60.92, 52.53

 

CMYK 53 / 0 / 41 / 2

HEX #75FA94

RGB 117 250 148

HSL 133.98, 0.93%, 0.72%

LAB 89.06, -57.83, 38.03

 

CMYK 60 / 0 / 85 / 3

HEX #64F726

RGB 100 247 38

HSL 102.2, 0.93%, 0.56%

LAB 86.69, -71.5, 78.12

 

CMYK 49 / 0 / 69 / 2

HEX #80F94D

RGB 128 249 77

HSL 102.21, 0.93%, 0.64%

LAB 88.39, -62.82, 68.69

 

CMYK 37 / 0 / 53 / 2

HEX #9DFA75

RGB 157 250 117

HSL 101.95, 0.93%, 0.72%

LAB 90.24, -50.83, 54.56

 

CMYK 26 / 0 / 37 / 2

HEX #B9FB9D

RGB 185 251 157

HSL 102.13, 0.92%, 0.8%

LAB 92.46, -37.18, 38.6

 

CMYK 16 / 0 / 22 / 1

HEX #D5FDC5

RGB 213 253 197

HSL 102.86, 0.93%, 0.88%

LAB 95.34, -22.77, 22.65

 

CMYK 38 / 0 / 54 / 2

HEX #9BFA73

RGB 155 250 115

HSL 102.22, 0.93%, 0.72%

LAB 90.13, -51.68, 55.31

 

CMYK 53 / 0 / 5 / 2

HEX #75FAED

RGB 117 250 237

HSL 174.14, 0.93%, 0.72%

LAB 90.9, -39.61, -4.92

 

CMYK 0 / 53 / 16 / 2

HEX #FA75D2

RGB 250 117 210

HSL 318.05, 0.93%, 0.72%

LAB 67.8, 61.47, -24.11

 

CMYK 38 / 0 / 54 / 2

HEX #9BFA73

RGB 155 250 115

HSL 102.22, 0.93%, 0.72%

LAB 90.13, -51.68, 55.31

 

CMYK 53 / 37 / 0 / 2

HEX #759DFA

RGB 117 157 250

HSL 221.95, 0.93%, 0.72%

LAB 65.59, 12.24, -50.59

 

CMYK 0 / 53 / 37 / 2

HEX #FA759D

RGB 250 117 157

HSL 341.95, 0.93%, 0.72%

LAB 66.12, 54.63, 3.28

 

CMYK 38 / 0 / 54 / 2

HEX #9BFA73

RGB 155 250 115

HSL 102.22, 0.93%, 0.72%

LAB 90.13, -51.68, 55.31

 

CMYK 53 / 0 / 5 / 2

HEX #75FAED

RGB 117 250 237

HSL 174.14, 0.93%, 0.72%

LAB 90.9, -39.61, -4.92

 

CMYK 16 / 53 / 0 / 2

HEX #D275FA

RGB 210 117 250

HSL 281.95, 0.93%, 0.72%

LAB 64.42, 57.49, -51.93

 

CMYK 0 / 53 / 48 / 2

HEX #FA7582

RGB 250 117 130

HSL 354.14, 0.93%, 0.72%

LAB 65.48, 51.91, 17.72

 

CMYK 38 / 0 / 54 / 2

HEX #9BFA73

RGB 155 250 115

HSL 102.22, 0.93%, 0.72%

LAB 90.13, -51.68, 55.31

 

CMYK 53 / 11 / 0 / 2

HEX #75DFFA

RGB 117 223 250

HSL 192.18, 0.93%, 0.72%

LAB 83.68, -23.43, -22.54

 

CMYK 16 / 53 / 0 / 2

HEX #D275FA

RGB 210 117 250

HSL 281.95, 0.93%, 0.72%

LAB 64.42, 57.49, -51.93

 

CMYK 0 / 42 / 53 / 2

HEX #FA9075

RGB 250 144 117

HSL 12.18, 0.93%, 0.72%

LAB 70.56, 37.41, 31.75

 

Description

Color code: RGBA 155 250 115 0.75 | qconv.com Color code: RGBA 155 250 115 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 250 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 250 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 41 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 41% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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