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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 232 119 0.75 it is the complementary color RGBA 100 23 136 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 232 119 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 232 119 0.75 shade: RGBA 160 232 114 0.75, RGBA 177 250 133 0.75, RGBA 194 255 152 0.75, RGBA 211 255 171 0.75 and RGBA 228 255 190 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 232 119 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 232 119 0.75 shade: RGBA 155 232 119 0.75, RGBA 138 214 100 0.75, RGBA 121 196 81 0.75, RGBA 104 178 62 0.75 and RGBA 87 160 43 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 232 119 0.75 shade: RGB 156 232 120, RGB 186 232 120, RGB 216 232 120, RGB 232 218 120 and RGB 232 187 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 232 119 0.75 shade: RGB 156 232 120, RGB 125 232 120, RGB 120 232 145, RGB 120 232 175 and RGB 120 232 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 232 119 0.75 shade matches the following richer shades: RGB 156 232 120 and RGB 151 245 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 232 119 0.75 shade: RGB 156 232 120, RGB 160 219 133, RGB 165 206 145, RGB 170 194 158 and RGB 174 181 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 232 119 0.75 shade: RGB 217 232 120, RGB 187 232 120, RGB 157 232 120, RGB 127 232 120 and RGB 120 232 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 232 119 0.75 shade: RGB 104 220 49, RGB 130 226 85, RGB 156 232 120, RGB 182 238 155 and RGB 207 244 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 232 119 0.75 shade: RGB 155 232 119, RGB 120 232 217 and RGB 232 120 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 232 119 0.75 shade: RGB 155 232 119, RGB 120 157 232 and RGB 232 120 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 232 119 0.75 shade: RGB 155 232 119, RGB 120 232 217, RGB 195 120 232 and RGB 232 120 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 232 119 0.75 shade: RGB 155 232 119, RGB 120 213 232, RGB 195 120 232 and RGB 232 139 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 37 / 7

HEX #9BE877BF

RGBA 155 232 119 0.75

HSLA 100.88, 0.71%, 0.69%, 0.75

LABA 85, -43.64, 47.29, 0.75

 

Complementary color

CMYK 20 / 62 / 0 / 35

HEX #641788BF

RGBA 100 23 136 0.75

HSLA 280.88, 0.71%, 0.31%, 0.75

LABA 27.02, 50.67, -46.22, 0.75

 

CMYK 23 / 0 / 38 / 7

HEX #A0E872BF

RGBA 160 232 114 0.75

HSLA 96.61, 0.72%, 0.68%, 0.75

LABA 85.2, -42.54, 49.94, 0.75

 

CMYK 22 / 0 / 35 / 1

HEX #B1FA85BF

RGBA 177 250 133 0.75

HSLA 97.44, 0.92%, 0.75%, 0.75

LABA 91.42, -42.48, 48.81, 0.75

 

CMYK 18 / 0 / 30 / 0

HEX #C2FF98BF

RGBA 194 255 152 0.75

HSLA 95.53, 1%, 0.8%, 0.75

LABA 93.99, -36.61, 43.13, 0.75

 

CMYK 13 / 0 / 25 / 0

HEX #D3FFABBF

RGBA 211 255 171 0.75

HSLA 91.43, 1%, 0.84%, 0.75

LABA 95.29, -28.22, 35.67, 0.75

 

CMYK 8 / 0 / 19 / 0

HEX #E4FFBEBF

RGBA 228 255 190 0.75

HSLA 84.92, 1%, 0.87%, 0.75

LABA 96.71, -19.61, 28.24, 0.75

 

CMYK 25 / 0 / 37 / 7

HEX #9BE877BF

RGBA 155 232 119 0.75

HSLA 100.88, 0.71%, 0.69%, 0.75

LABA 85, -43.64, 47.29, 0.75

 

CMYK 27 / 0 / 40 / 12

HEX #8AD664BF

RGBA 138 214 100 0.75

HSLA 100, 0.58%, 0.62%, 0.75

LABA 78.7, -43.69, 48.43, 0.75

 

CMYK 29 / 0 / 44 / 17

HEX #79C451BF

RGBA 121 196 81 0.75

HSLA 99.13, 0.49%, 0.54%, 0.75

LABA 72.32, -43.66, 49.52, 0.75

 

CMYK 31 / 0 / 49 / 23

HEX #68B23EBF

RGBA 104 178 62 0.75

HSLA 98.28, 0.48%, 0.47%, 0.75

LABA 65.85, -43.51, 50.43, 0.75

 

CMYK 34 / 0 / 55 / 28

HEX #57A02BBF

RGBA 87 160 43 0.75

HSLA 97.44, 0.58%, 0.4%, 0.75

LABA 59.29, -43.16, 50.97, 0.75

 

CMYK 33 / 0 / 48 / 9

HEX #9CE878

RGB 156 232 120

HSL 100.71, 0.71%, 0.69%

LAB 85.07, -43.19, 46.9

 

CMYK 20 / 0 / 48 / 9

HEX #BAE878

RGB 186 232 120

HSL 84.64, 0.71%, 0.69%

LAB 86.76, -32.67, 49.35

 

CMYK 7 / 0 / 48 / 9

HEX #D8E878

RGB 216 232 120

HSL 68.57, 0.71%, 0.69%

LAB 88.77, -21.31, 52.25

 

CMYK 0 / 6 / 48 / 9

HEX #E8DA78

RGB 232 218 120

HSL 52.5, 0.71%, 0.69%

LAB 86.33, -8.06, 49.61

 

CMYK 0 / 19 / 48 / 9

HEX #E8BB78

RGB 232 187 120

HSL 35.89, 0.71%, 0.69%

LAB 78.49, 7.94, 39.91

 

CMYK 33 / 0 / 48 / 9

HEX #9CE878

RGB 156 232 120

HSL 100.71, 0.71%, 0.69%

LAB 85.07, -43.19, 46.9

 

CMYK 46 / 0 / 48 / 9

HEX #7DE878

RGB 125 232 120

HSL 117.32, 0.71%, 0.69%

LAB 83.67, -52.72, 44.86

 

CMYK 48 / 0 / 38 / 9

HEX #78E891

RGB 120 232 145

HSL 133.39, 0.71%, 0.69%

LAB 83.84, -50.36, 32.7

 

CMYK 48 / 0 / 25 / 9

HEX #78E8AF

RGB 120 232 175

HSL 149.46, 0.71%, 0.69%

LAB 84.38, -44.89, 18.03

 

CMYK 48 / 0 / 12 / 9

HEX #78E8CD

RGB 120 232 205

HSL 165.54, 0.71%, 0.69%

LAB 85.05, -38.46, 3.27

 

CMYK 33 / 0 / 48 / 9

HEX #9CE878

RGB 156 232 120

HSL 100.71, 0.71%, 0.69%

LAB 85.07, -43.19, 46.9

 

CMYK 38 / 0 / 56 / 4

HEX #97F56B

RGB 151 245 107

HSL 100.87, 0.87%, 0.69%

LAB 88.42, -51.73, 56.83

 

CMYK 33 / 0 / 48 / 9

HEX #9CE878

RGB 156 232 120

HSL 100.71, 0.71%, 0.69%

LAB 85.07, -43.19, 46.9

 

CMYK 27 / 0 / 39 / 14

HEX #A0DB85

RGB 160 219 133

HSL 101.16, 0.54%, 0.69%

LAB 81.75, -34.35, 36.37

 

CMYK 20 / 0 / 30 / 19

HEX #A5CE91

RGB 165 206 145

HSL 100.33, 0.38%, 0.69%

LAB 78.57, -24.69, 26.05

 

CMYK 12 / 0 / 19 / 24

HEX #AAC29E

RGB 170 194 158

HSL 100, 0.23%, 0.69%

LAB 75.82, -14.82, 15.43

 

CMYK 4 / 0 / 6 / 29

HEX #AEB5AB

RGB 174 181 171

HSL 102, 0.06%, 0.69%

LAB 72.88, -4.31, 4.24

 

CMYK 6 / 0 / 48 / 9

HEX #D9E878

RGB 217 232 120

HSL 68.04, 0.71%, 0.69%

LAB 88.84, -20.92, 52.36

 

CMYK 19 / 0 / 48 / 9

HEX #BBE878

RGB 187 232 120

HSL 84.11, 0.71%, 0.69%

LAB 86.82, -32.31, 49.44

 

CMYK 32 / 0 / 48 / 9

HEX #9DE878

RGB 157 232 120

HSL 100.18, 0.71%, 0.69%

LAB 85.12, -42.86, 46.97

 

CMYK 45 / 0 / 48 / 9

HEX #7FE878

RGB 127 232 120

HSL 116.25, 0.71%, 0.69%

LAB 83.75, -52.16, 44.98

 

CMYK 48 / 0 / 39 / 9

HEX #78E88E

RGB 120 232 142

HSL 131.79, 0.71%, 0.69%

LAB 83.79, -50.85, 34.15

 

CMYK 53 / 0 / 78 / 14

HEX #68DC31

RGB 104 220 49

HSL 100.7, 0.71%, 0.53%

LAB 78.67, -60.73, 68.09

 

CMYK 42 / 0 / 62 / 11

HEX #82E255

RGB 130 226 85

HSL 100.85, 0.71%, 0.61%

LAB 81.73, -52.76, 58.46

 

CMYK 33 / 0 / 48 / 9

HEX #9CE878

RGB 156 232 120

HSL 100.71, 0.71%, 0.69%

LAB 85.07, -43.19, 46.9

 

CMYK 24 / 0 / 35 / 7

HEX #B6EE9B

RGB 182 238 155

HSL 100.48, 0.71%, 0.77%

LAB 88.67, -32.53, 34.58

 

CMYK 15 / 0 / 22 / 4

HEX #CFF4BE

RGB 207 244 190

HSL 101.11, 0.71%, 0.85%

LAB 92.44, -21.57, 22.15

 

CMYK 33 / 0 / 49 / 9

HEX #9BE877

RGB 155 232 119

HSL 100.88, 0.71%, 0.69%

LAB 85, -43.64, 47.29

 

CMYK 48 / 0 / 6 / 9

HEX #78E8D9

RGB 120 232 217

HSL 171.96, 0.71%, 0.69%

LAB 85.36, -35.63, -2.6

 

CMYK 0 / 48 / 13 / 9

HEX #E878CA

RGB 232 120 202

HSL 316.07, 0.71%, 0.69%

LAB 65.63, 53.51, -23.16

 

CMYK 33 / 0 / 49 / 9

HEX #9BE877

RGB 155 232 119

HSL 100.88, 0.71%, 0.69%

LAB 85, -43.64, 47.29

 

CMYK 48 / 32 / 0 / 9

HEX #789DE8

RGB 120 157 232

HSL 220.18, 0.71%, 0.69%

LAB 64.91, 7.46, -41.78

 

CMYK 0 / 48 / 32 / 9

HEX #E8789D

RGB 232 120 157

HSL 340.18, 0.71%, 0.69%

LAB 64.18, 47.19, 0.14

 

CMYK 33 / 0 / 49 / 9

HEX #9BE877

RGB 155 232 119

HSL 100.88, 0.71%, 0.69%

LAB 85, -43.64, 47.29

 

CMYK 48 / 0 / 6 / 9

HEX #78E8D9

RGB 120 232 217

HSL 171.96, 0.71%, 0.69%

LAB 85.36, -35.63, -2.6

 

CMYK 16 / 48 / 0 / 9

HEX #C378E8

RGB 195 120 232

HSL 280.18, 0.71%, 0.69%

LAB 62.39, 48.28, -45.31

 

CMYK 0 / 48 / 42 / 9

HEX #E87887

RGB 232 120 135

HSL 351.96, 0.71%, 0.69%

LAB 63.62, 44.67, 11.9

 

CMYK 33 / 0 / 49 / 9

HEX #9BE877

RGB 155 232 119

HSL 100.88, 0.71%, 0.69%

LAB 85, -43.64, 47.29

 

CMYK 48 / 8 / 0 / 9

HEX #78D5E8

RGB 120 213 232

HSL 190.18, 0.71%, 0.69%

LAB 80.41, -22.69, -17.93

 

CMYK 16 / 48 / 0 / 9

HEX #C378E8

RGB 195 120 232

HSL 280.18, 0.71%, 0.69%

LAB 62.39, 48.28, -45.31

 

CMYK 0 / 40 / 48 / 9

HEX #E88B78

RGB 232 139 120

HSL 10.18, 0.71%, 0.69%

LAB 67.26, 33.4, 25.33

 

Description

Color code: RGBA 155 232 119 0.75 | qconv.com Color code: RGBA 155 232 119 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 232 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 232 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 37 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 37% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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