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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 203 156 0.75 it is the complementary color RGBA 100 52 99 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 203 156 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 203 156 0.75 shade: RGBA 160 203 151 0.75, RGBA 177 221 170 0.75, RGBA 194 239 189 0.75, RGBA 211 255 208 0.75 and RGBA 228 255 227 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 203 156 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 203 156 0.75 shade: RGBA 155 203 156 0.75, RGBA 138 185 137 0.75, RGBA 121 167 118 0.75, RGBA 104 149 99 0.75 and RGBA 87 131 80 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 203 156 0.75 shade: RGB 154 203 155, RGB 166 203 154, RGB 179 203 154, RGB 193 203 154 and RGB 203 200 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 203 156 0.75 shade: RGB 154 203 155, RGB 154 203 168, RGB 154 203 181, RGB 154 203 195 and RGB 154 198 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 203 156 0.75 shade matches the following richer shades: RGB 154 203 155, RGB 142 215 143, RGB 129 228 131, RGB 117 240 119 and RGB 105 252 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 203 156 0.75 shade: RGB 154 203 155, RGB 166 191 167, RGB 179 178 179, RGB 191 166 191 and RGB 204 153 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 203 156 0.75 shade: RGB 179 203 154, RGB 166 203 154, RGB 154 203 155, RGB 154 203 168 and RGB 154 203 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 203 156 0.75 shade: RGB 100 175 101, RGB 127 189 128, RGB 154 203 155, RGB 181 217 182 and RGB 208 231 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 203 156 0.75 shade: RGB 155 203 156, RGB 154 192 203 and RGB 203 154 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 203 156 0.75 shade: RGB 155 203 156, RGB 155 154 203 and RGB 203 155 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 203 156 0.75 shade: RGB 155 203 156, RGB 154 192 203, RGB 203 154 202 and RGB 203 165 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 203 156 0.75 shade: RGB 155 203 156, RGB 154 178 203, RGB 203 154 202 and RGB 203 179 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 17 / 15

HEX #9BCB9CBF

RGBA 155 203 156 0.75

HSLA 121.25, 0.32%, 0.7%, 0.75

LABA 77.33, -24.88, 18.45, 0.75

 

Complementary color

CMYK 0 / 36 / 1 / 46

HEX #643463BF

RGBA 100 52 99 0.75

HSLA 301.25, 0.32%, 0.3%, 0.75

LABA 29.58, 29.18, -18.66, 0.75

 

CMYK 16 / 0 / 19 / 15

HEX #A0CB97BF

RGBA 160 203 151 0.75

HSLA 109.62, 0.33%, 0.69%, 0.75

LABA 77.53, -24.02, 21.43, 0.75

 

CMYK 15 / 0 / 17 / 10

HEX #B1DDAABF

RGBA 177 221 170 0.75

HSLA 111.76, 0.43%, 0.77%, 0.75

LABA 83.95, -23.86, 20.45, 0.75

 

CMYK 14 / 0 / 16 / 5

HEX #C2EFBDBF

RGBA 194 239 189 0.75

HSLA 114, 0.61%, 0.84%, 0.75

LABA 90.26, -23.71, 19.52, 0.75

 

CMYK 13 / 0 / 14 / 0

HEX #D3FFD0BF

RGBA 211 255 208 0.75

HSLA 116.17, 1%, 0.91%, 0.75

LABA 95.96, -22.61, 17.89, 0.75

 

CMYK 8 / 0 / 8 / 0

HEX #E4FFE3BF

RGBA 228 255 227 0.75

HSLA 117.86, 1%, 0.95%, 0.75

LABA 97.45, -13.78, 10.43, 0.75

 

CMYK 18 / 0 / 17 / 15

HEX #9BCB9CBF

RGBA 155 203 156 0.75

HSLA 121.25, 0.32%, 0.7%, 0.75

LABA 77.33, -24.88, 18.45, 0.75

 

CMYK 19 / 0 / 19 / 21

HEX #8AB989BF

RGBA 138 185 137 0.75

HSLA 118.75, 0.26%, 0.63%, 0.75

LABA 70.81, -25.09, 19.45, 0.75

 

CMYK 21 / 0 / 22 / 26

HEX #79A776BF

RGBA 121 167 118 0.75

HSLA 116.33, 0.22%, 0.56%, 0.75

LABA 64.17, -25.31, 20.52, 0.75

 

CMYK 23 / 0 / 25 / 31

HEX #689563BF

RGBA 104 149 99 0.75

HSLA 114, 0.2%, 0.49%, 0.75

LABA 57.4, -25.55, 21.66, 0.75

 

CMYK 25 / 0 / 29 / 36

HEX #578350BF

RGBA 87 131 80 0.75

HSLA 111.76, 0.24%, 0.41%, 0.75

LABA 50.5, -25.78, 22.89, 0.75

 

CMYK 24 / 0 / 24 / 20

HEX #9ACB9B

RGB 154 203 155

HSL 121.22, 0.32%, 0.7%

LAB 77.25, -25.38, 18.86

 

CMYK 18 / 0 / 24 / 20

HEX #A6CB9A

RGB 166 203 154

HSL 105.31, 0.32%, 0.7%

LAB 77.96, -21.44, 20.5

 

CMYK 12 / 0 / 24 / 20

HEX #B3CB9A

RGB 179 203 154

HSL 89.39, 0.32%, 0.7%

LAB 78.83, -16.8, 21.82

 

CMYK 5 / 0 / 24 / 20

HEX #C1CB9A

RGB 193 203 154

HSL 72.24, 0.32%, 0.7%

LAB 79.83, -11.65, 23.36

 

CMYK 0 / 1 / 24 / 20

HEX #CBC89A

RGB 203 200 154

HSL 56.33, 0.32%, 0.7%

LAB 79.81, -6.35, 23.45

 

CMYK 24 / 0 / 24 / 20

HEX #9ACB9B

RGB 154 203 155

HSL 121.22, 0.32%, 0.7%

LAB 77.25, -25.38, 18.86

 

CMYK 24 / 0 / 17 / 20

HEX #9ACBA8

RGB 154 203 168

HSL 137.14, 0.32%, 0.7%

LAB 77.52, -23.04, 12.32

 

CMYK 24 / 0 / 11 / 20

HEX #9ACBB5

RGB 154 203 181

HSL 153.06, 0.32%, 0.7%

LAB 77.83, -20.52, 5.78

 

CMYK 24 / 0 / 4 / 20

HEX #9ACBC3

RGB 154 203 195

HSL 170.2, 0.32%, 0.7%

LAB 78.18, -17.61, -1.23

 

CMYK 24 / 2 / 0 / 20

HEX #9AC6CB

RGB 154 198 203

HSL 186.12, 0.32%, 0.7%

LAB 77.02, -13.29, -7.25

 

CMYK 24 / 0 / 24 / 20

HEX #9ACB9B

RGB 154 203 155

HSL 121.22, 0.32%, 0.7%

LAB 77.25, -25.38, 18.86

 

CMYK 34 / 0 / 33 / 16

HEX #8ED78F

RGB 142 215 143

HSL 120.82, 0.48%, 0.7%

LAB 79.8, -36.97, 28.53

 

CMYK 43 / 0 / 43 / 11

HEX #81E483

RGB 129 228 131

HSL 121.21, 0.65%, 0.7%

LAB 82.8, -48.41, 38.43

 

CMYK 51 / 0 / 50 / 6

HEX #75F077

RGB 117 240 119

HSL 120.98, 0.8%, 0.7%

LAB 85.72, -58.15, 47.8

 

CMYK 58 / 0 / 57 / 1

HEX #69FC6C

RGB 105 252 108

HSL 121.22, 0.96%, 0.7%

LAB 88.78, -66.8, 56.38

 

CMYK 24 / 0 / 24 / 20

HEX #9ACB9B

RGB 154 203 155

HSL 121.22, 0.32%, 0.7%

LAB 77.25, -25.38, 18.86

 

CMYK 13 / 0 / 13 / 25

HEX #A6BFA7

RGB 166 191 167

HSL 122.4, 0.16%, 0.7%

LAB 74.92, -13.11, 9.27

 

CMYK 0 / 1 / 0 / 30

HEX #B3B2B3

RGB 179 178 179

HSL 300, 0.01%, 0.7%

LAB 72.68, 0.54, -0.39

 

CMYK 0 / 13 / 0 / 25

HEX #BFA6BF

RGB 191 166 191

HSL 300, 0.16%, 0.7%

LAB 70.95, 13.55, -9.44

 

CMYK 0 / 25 / 1 / 20

HEX #CC99CA

RGB 204 153 202

HSL 302.35, 0.33%, 0.7%

LAB 69.39, 27.21, -17.75

 

CMYK 12 / 0 / 24 / 20

HEX #B3CB9A

RGB 179 203 154

HSL 89.39, 0.32%, 0.7%

LAB 78.83, -16.8, 21.82

 

CMYK 18 / 0 / 24 / 20

HEX #A6CB9A

RGB 166 203 154

HSL 105.31, 0.32%, 0.7%

LAB 77.96, -21.44, 20.5

 

CMYK 24 / 0 / 24 / 20

HEX #9ACB9B

RGB 154 203 155

HSL 121.22, 0.32%, 0.7%

LAB 77.25, -25.38, 18.86

 

CMYK 24 / 0 / 17 / 20

HEX #9ACBA8

RGB 154 203 168

HSL 137.14, 0.32%, 0.7%

LAB 77.52, -23.04, 12.32

 

CMYK 24 / 0 / 11 / 20

HEX #9ACBB5

RGB 154 203 181

HSL 153.06, 0.32%, 0.7%

LAB 77.83, -20.52, 5.78

 

CMYK 43 / 0 / 42 / 31

HEX #64AF65

RGB 100 175 101

HSL 120.8, 0.32%, 0.54%

LAB 65.21, -38.75, 30.81

 

CMYK 33 / 0 / 32 / 26

HEX #7FBD80

RGB 127 189 128

HSL 120.97, 0.32%, 0.62%

LAB 71.19, -32.22, 24.69

 

CMYK 24 / 0 / 24 / 20

HEX #9ACB9B

RGB 154 203 155

HSL 121.22, 0.32%, 0.7%

LAB 77.25, -25.38, 18.86

 

CMYK 17 / 0 / 16 / 15

HEX #B5D9B6

RGB 181 217 182

HSL 121.67, 0.32%, 0.78%

LAB 83.35, -18.48, 13.35

 

CMYK 10 / 0 / 10 / 9

HEX #D0E7D1

RGB 208 231 209

HSL 122.61, 0.32%, 0.86%

LAB 89.47, -11.63, 8.13

 

CMYK 24 / 0 / 23 / 20

HEX #9BCB9C

RGB 155 203 156

HSL 121.25, 0.32%, 0.7%

LAB 77.33, -24.88, 18.45

 

CMYK 24 / 5 / 0 / 20

HEX #9AC0CB

RGB 154 192 203

HSL 193.47, 0.32%, 0.7%

LAB 75.38, -10.16, -9.7

 

CMYK 0 / 24 / 15 / 20

HEX #CB9AAD

RGB 203 154 173

HSL 336.73, 0.32%, 0.7%

LAB 68.62, 21.23, -2.77

SW® 6563

CMYK 24 / 0 / 23 / 20

HEX #9BCB9C

RGB 155 203 156

HSL 121.25, 0.32%, 0.7%

LAB 77.33, -24.88, 18.45

 

CMYK 24 / 24 / 0 / 20

HEX #9B9ACB

RGB 155 154 203

HSL 241.22, 0.32%, 0.7%

LAB 65.27, 10.96, -24.97

 

CMYK 0 / 24 / 24 / 20

HEX #CB9B9A

RGB 203 155 154

HSL 1.22, 0.32%, 0.7%

LAB 68.37, 17.74, 7.45

 

CMYK 24 / 0 / 23 / 20

HEX #9BCB9C

RGB 155 203 156

HSL 121.25, 0.32%, 0.7%

LAB 77.33, -24.88, 18.45

 

CMYK 24 / 5 / 0 / 20

HEX #9AC0CB

RGB 154 192 203

HSL 193.47, 0.32%, 0.7%

LAB 75.38, -10.16, -9.7

 

CMYK 0 / 24 / 0 / 20

HEX #CB9ACA

RGB 203 154 202

HSL 301.22, 0.32%, 0.7%

LAB 69.52, 26.33, -17.55

 

CMYK 0 / 19 / 24 / 20

HEX #CBA59A

RGB 203 165 154

HSL 13.47, 0.32%, 0.7%

LAB 70.83, 12.28, 10.96

 

CMYK 24 / 0 / 23 / 20

HEX #9BCB9C

RGB 155 203 156

HSL 121.25, 0.32%, 0.7%

LAB 77.33, -24.88, 18.45

 

CMYK 24 / 12 / 0 / 20

HEX #9AB2CB

RGB 154 178 203

HSL 210.61, 0.32%, 0.7%

LAB 71.57, -2.68, -15.4

 

CMYK 0 / 24 / 0 / 20

HEX #CB9ACA

RGB 203 154 202

HSL 301.22, 0.32%, 0.7%

LAB 69.52, 26.33, -17.55

 

CMYK 0 / 12 / 24 / 20

HEX #CBB39A

RGB 203 179 154

HSL 30.61, 0.32%, 0.7%

LAB 74.36, 4.72, 15.93

 

Description

Color code: RGBA 155 203 156 0.75 | qconv.com Color code: RGBA 155 203 156 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 203 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 203 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 17 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 17% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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