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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 146 142 202 0.75 it is the complementary color RGBA 109 113 53 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 146 142 202 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 146 142 202 0.75 shade: RGBA 151 142 197 0.75, RGBA 168 160 216 0.75, RGBA 185 178 235 0.75, RGBA 202 196 254 0.75 and RGBA 219 214 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 146 142 202 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 146 142 202 0.75 shade: RGBA 146 142 202 0.75, RGBA 129 124 183 0.75, RGBA 112 106 164 0.75, RGBA 95 88 145 0.75 and RGBA 78 70 126 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 146 142 202 0.75 shade: RGB 145 141 201, RGB 161 141 201, RGB 177 141 201, RGB 194 141 201 and RGB 201 141 192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 146 142 202 0.75 shade: RGB 145 141 201 and RGB 141 141 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 146 142 202 0.75 shade matches the following richer shades: RGB 145 141 201, RGB 133 127 215, RGB 121 113 228 and RGB 109 100 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 146 142 202 0.75 shade: RGB 145 141 201, RGB 156 154 188, RGB 168 168 174, RGB 180 181 160 and RGB 192 195 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 146 142 202 0.75 shade: RGB 141 169 201, RGB 141 153 201, RGB 145 141 201, RGB 161 141 201 and RGB 177 141 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 146 142 202 0.75 shade: RGB 90 84 175, RGB 118 112 188, RGB 145 141 201, RGB 172 169 214 and RGB 199 197 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 146 142 202 0.75 shade: RGB 146 142 202, RGB 201 141 185 and RGB 161 201 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 146 142 202 0.75 shade: RGB 146 142 202, RGB 201 145 141 and RGB 141 201 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 146 142 202 0.75 shade: RGB 146 142 202, RGB 201 141 185, RGB 197 201 141 and RGB 141 201 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 146 142 202 0.75 shade: RGB 146 142 202, RGB 201 141 167, RGB 197 201 141 and RGB 141 201 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 22 / 0 / 16

HEX #928ECABF

RGBA 146 142 202 0.75

HSLA 244, 0.36%, 0.67%, 0.75

LABA 61.41, 14.84, -30.42, 0.75

 

Complementary color

CMYK 3 / 0 / 40 / 42

HEX #6D7135BF

RGBA 109 113 53 0.75

HSLA 64, 0.36%, 0.33%, 0.75

LABA 46.07, -10.88, 32.43, 0.75

 

CMYK 18 / 21 / 0 / 17

HEX #978EC5BF

RGBA 151 142 197 0.75

HSLA 249.82, 0.32%, 0.66%, 0.75

LABA 61.62, 15.13, -27.26, 0.75

 

CMYK 17 / 19 / 0 / 11

HEX #A8A0D8BF

RGBA 168 160 216 0.75

HSLA 248.57, 0.42%, 0.74%, 0.75

LABA 68.33, 14.64, -27.39, 0.75

 

CMYK 16 / 18 / 0 / 6

HEX #B9B2EBBF

RGBA 185 178 235 0.75

HSLA 247.37, 0.59%, 0.81%, 0.75

LABA 74.92, 14.19, -27.54, 0.75

 

CMYK 15 / 17 / 0 / 0

HEX #CAC4FEBF

RGBA 202 196 254 0.75

HSLA 246.21, 0.97%, 0.88%, 0.75

LABA 81.4, 13.79, -27.72, 0.75

 

CMYK 11 / 12 / 0 / 0

HEX #DBD6FFBF

RGBA 219 214 255 0.75

HSLA 247.32, 1%, 0.92%, 0.75

LABA 87.18, 9.59, -19.34, 0.75

 

CMYK 21 / 22 / 0 / 16

HEX #928ECABF

RGBA 146 142 202 0.75

HSLA 244, 0.36%, 0.67%, 0.75

LABA 61.41, 14.84, -30.42, 0.75

 

CMYK 22 / 24 / 0 / 21

HEX #817CB7BF

RGBA 129 124 183 0.75

HSLA 245.08, 0.29%, 0.6%, 0.75

LABA 54.55, 15.42, -30.39, 0.75

 

CMYK 24 / 27 / 0 / 27

HEX #706AA4BF

RGBA 112 106 164 0.75

HSLA 246.21, 0.24%, 0.53%, 0.75

LABA 47.54, 16.09, -30.41, 0.75

 

CMYK 26 / 29 / 0 / 32

HEX #5F5891BF

RGBA 95 88 145 0.75

HSLA 247.37, 0.24%, 0.46%, 0.75

LABA 40.34, 16.87, -30.5, 0.75

 

CMYK 29 / 33 / 0 / 38

HEX #4E467EBF

RGBA 78 70 126 0.75

HSLA 248.57, 0.29%, 0.38%, 0.75

LABA 32.93, 17.8, -30.65, 0.75

 

CMYK 28 / 30 / 0 / 21

HEX #918DC9

RGB 145 141 201

HSL 244, 0.36%, 0.67%

LAB 61.03, 14.87, -30.45

 

CMYK 20 / 30 / 0 / 21

HEX #A18DC9

RGB 161 141 201

HSL 260, 0.36%, 0.67%

LAB 62.38, 19.75, -28.27

 

CMYK 12 / 30 / 0 / 21

HEX #B18DC9

RGB 177 141 201

HSL 276, 0.36%, 0.67%

LAB 63.85, 24.82, -25.88

 

CMYK 3 / 30 / 0 / 21

HEX #C28DC9

RGB 194 141 201

HSL 293, 0.36%, 0.67%

LAB 65.54, 30.31, -23.13

 

CMYK 0 / 30 / 4 / 21

HEX #C98DC0

RGB 201 141 192

HSL 309, 0.36%, 0.67%

LAB 65.96, 30.93, -17.39

 

CMYK 28 / 30 / 0 / 21

HEX #918DC9

RGB 145 141 201

HSL 244, 0.36%, 0.67%

LAB 61.03, 14.87, -30.45

 

CMYK 30 / 30 / 0 / 21

HEX #8D8DC9

RGB 141 141 201

HSL 240, 0.36%, 0.67%

LAB 60.72, 13.68, -30.97

 

CMYK 28 / 30 / 0 / 21

HEX #918DC9

RGB 145 141 201

HSL 244, 0.36%, 0.67%

LAB 61.03, 14.87, -30.45

 

CMYK 38 / 41 / 0 / 16

HEX #857FD7

RGB 133 127 215

HSL 244.09, 0.52%, 0.67%

LAB 57.15, 23.36, -44.48

 

CMYK 47 / 50 / 0 / 11

HEX #7971E4

RGB 121 113 228

HSL 244.17, 0.68%, 0.67%

LAB 53.47, 32.45, -57.7

 

CMYK 55 / 59 / 0 / 5

HEX #6D64F2

RGB 109 100 242

HSL 243.8, 0.85%, 0.67%

LAB 50.42, 41.93, -70.5

 

CMYK 28 / 30 / 0 / 21

HEX #918DC9

RGB 145 141 201

HSL 244, 0.36%, 0.67%

LAB 61.03, 14.87, -30.45

 

CMYK 17 / 18 / 0 / 26

HEX #9C9ABC

RGB 156 154 188

HSL 243.53, 0.2%, 0.67%

LAB 64.81, 7.8, -17.29

 

CMYK 3 / 3 / 0 / 32

HEX #A8A8AE

RGB 168 168 174

HSL 240, 0.04%, 0.67%

LAB 69.03, 1.16, -3.09

 

CMYK 1 / 0 / 12 / 29

HEX #B4B5A0

RGB 180 181 160

HSL 62.86, 0.12%, 0.67%

LAB 73.08, -4.07, 10.59

 

CMYK 2 / 0 / 25 / 24

HEX #C0C393

RGB 192 195 147

HSL 63.75, 0.29%, 0.67%

LAB 77.49, -8.92, 23.85

 

CMYK 30 / 16 / 0 / 21

HEX #8DA9C9

RGB 141 169 201

HSL 212, 0.36%, 0.67%

LAB 68.21, -2.16, -19.47

 

CMYK 30 / 24 / 0 / 21

HEX #8D99C9

RGB 141 153 201

HSL 228, 0.36%, 0.67%

LAB 63.89, 6.79, -26.08

 

CMYK 28 / 30 / 0 / 21

HEX #918DC9

RGB 145 141 201

HSL 244, 0.36%, 0.67%

LAB 61.03, 14.87, -30.45

 

CMYK 20 / 30 / 0 / 21

HEX #A18DC9

RGB 161 141 201

HSL 260, 0.36%, 0.67%

LAB 62.38, 19.75, -28.27

 

CMYK 12 / 30 / 0 / 21

HEX #B18DC9

RGB 177 141 201

HSL 276, 0.36%, 0.67%

LAB 63.85, 24.82, -25.88

 

CMYK 49 / 52 / 0 / 31

HEX #5A54AF

RGB 90 84 175

HSL 243.96, 0.36%, 0.51%

LAB 40.59, 27.03, -48.02

 

CMYK 37 / 40 / 0 / 26

HEX #7670BC

RGB 118 112 188

HSL 244.74, 0.36%, 0.59%

LAB 50.77, 20.78, -39.26

 

CMYK 28 / 30 / 0 / 21

HEX #918DC9

RGB 145 141 201

HSL 244, 0.36%, 0.67%

LAB 61.03, 14.87, -30.45

 

CMYK 20 / 21 / 0 / 16

HEX #ACA9D6

RGB 172 169 214

HSL 244, 0.35%, 0.75%

LAB 70.87, 10.39, -22.37

 

CMYK 13 / 14 / 0 / 11

HEX #C7C5E4

RGB 199 197 228

HSL 243.87, 0.36%, 0.83%

LAB 80.56, 6.73, -15.11

 

CMYK 28 / 30 / 0 / 21

HEX #928ECA

RGB 146 142 202

HSL 244, 0.36%, 0.67%

LAB 61.41, 14.84, -30.42

 

CMYK 0 / 30 / 8 / 21

HEX #C98DB9

RGB 201 141 185

HSL 316, 0.36%, 0.67%

LAB 65.73, 29.69, -13.82

 

CMYK 20 / 0 / 30 / 21

HEX #A1C98D

RGB 161 201 141

HSL 100, 0.36%, 0.67%

LAB 76.84, -24.28, 25.78

 

CMYK 28 / 30 / 0 / 21

HEX #928ECA

RGB 146 142 202

HSL 244, 0.36%, 0.67%

LAB 61.41, 14.84, -30.42

 

CMYK 0 / 28 / 30 / 21

HEX #C9918D

RGB 201 145 141

HSL 4, 0.36%, 0.67%

LAB 65.43, 20.62, 10.51

 

CMYK 30 / 0 / 28 / 21

HEX #8DC991

RGB 141 201 145

HSL 124, 0.36%, 0.67%

LAB 75.75, -30.45, 21.99

 

CMYK 28 / 30 / 0 / 21

HEX #928ECA

RGB 146 142 202

HSL 244, 0.36%, 0.67%

LAB 61.41, 14.84, -30.42

 

CMYK 0 / 30 / 8 / 21

HEX #C98DB9

RGB 201 141 185

HSL 316, 0.36%, 0.67%

LAB 65.73, 29.69, -13.82

 

CMYK 2 / 0 / 30 / 21

HEX #C5C98D

RGB 197 201 141

HSL 64, 0.36%, 0.67%

LAB 79.37, -10.91, 29.6

 

CMYK 30 / 0 / 22 / 21

HEX #8DC99D

RGB 141 201 157

HSL 136, 0.36%, 0.67%

LAB 75.99, -28.3, 15.93

 

CMYK 28 / 30 / 0 / 21

HEX #928ECA

RGB 146 142 202

HSL 244, 0.36%, 0.67%

LAB 61.41, 14.84, -30.42

 

CMYK 0 / 30 / 17 / 21

HEX #C98DA7

RGB 201 141 167

HSL 334, 0.36%, 0.67%

LAB 65.17, 26.66, -4.52

 

CMYK 2 / 0 / 30 / 21

HEX #C5C98D

RGB 197 201 141

HSL 64, 0.36%, 0.67%

LAB 79.37, -10.91, 29.6

 

CMYK 30 / 0 / 13 / 21

HEX #8DC9AF

RGB 141 201 175

HSL 154, 0.36%, 0.67%

LAB 76.39, -24.78, 6.85

 

Description

Color code: RGBA 146 142 202 0.75 | qconv.com Color code: RGBA 146 142 202 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 142 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 142 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 22 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 22% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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