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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 85 139 it is the complementary color RGB 112 170 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 85 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 85 139: RGB 148 85 134, RGB 165 103 153, RGB 182 121 172, RGB 199 139 191 and RGB 216 157 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 85 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 85 139: RGB 143 85 139, RGB 126 67 120, RGB 109 49 101, RGB 92 31 82 and RGB 75 13 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 3 / 44

HEX #8F558B

RGB 143 85 139

HSL 304.14, 0.25%, 0.45%

LAB 44.52, 32.7, -19.98

 

Complementary color

CMYK 34 / 0 / 32 / 33

HEX #70AA74

RGB 112 170 116

HSL 124.14, 0.25%, 0.55%

LAB 64.53, -30.16, 22.01

 

CMYK 0 / 43 / 9 / 42

HEX #945586

RGB 148 85 134

HSL 313.33, 0.27%, 0.46%

LAB 44.96, 33.46, -16.23

 

CMYK 0 / 38 / 7 / 35

HEX #A56799

RGB 165 103 153

HSL 311.61, 0.26%, 0.53%

LAB 51.84, 32.66, -16.87

 

CMYK 0 / 34 / 5 / 29

HEX #B679AC

RGB 182 121 172

HSL 309.84, 0.29%, 0.59%

LAB 58.6, 31.9, -17.42

 

CMYK 0 / 30 / 4 / 22

HEX #C78BBF

RGB 199 139 191

HSL 308, 0.35%, 0.66%

LAB 65.25, 31.18, -17.92

 

CMYK 0 / 27 / 3 / 15

HEX #D89DD2

RGB 216 157 210

HSL 306.1, 0.43%, 0.73%

LAB 71.8, 30.5, -18.39

 

CMYK 0 / 41 / 3 / 44

HEX #8F558B

RGB 143 85 139

HSL 304.14, 0.25%, 0.45%

LAB 44.52, 32.7, -19.98

 

CMYK 0 / 47 / 5 / 51

HEX #7E4378

RGB 126 67 120

HSL 306.1, 0.31%, 0.38%

LAB 37.49, 33.5, -19.39

 

CMYK 0 / 55 / 7 / 57

HEX #6D3165

RGB 109 49 101

HSL 308, 0.38%, 0.31%

LAB 30.37, 34.22, -18.61

 

CMYK 0 / 66 / 11 / 64

HEX #5C1F52

RGB 92 31 82

HSL 309.84, 0.5%, 0.24%

LAB 23.22, 34.65, -17.49

 

CMYK 0 / 83 / 16 / 71

HEX #4B0D3F

RGB 75 13 63

HSL 311.61, 0.7%, 0.17%

LAB 16.22, 34.21, -15.63

 

CMYK 0 / 41 / 3 / 44

HEX #8F558B

RGB 143 85 139

HSL 304.14, 0.25%, 0.45%

LAB 44.52, 32.7, -19.98

 

CMYK 0 / 40 / 9 / 44

HEX #8F5682

RGB 143 86 130

HSL 313.68, 0.25%, 0.45%

LAB 44.39, 30.44, -14.75

 

CMYK 0 / 40 / 16 / 44

HEX #8F5678

RGB 143 86 120

HSL 324.21, 0.25%, 0.45%

LAB 44.02, 28.67, -9.24

 

CMYK 0 / 40 / 23 / 44

HEX #8F566E

RGB 143 86 110

HSL 334.74, 0.25%, 0.45%

LAB 43.68, 27.02, -3.64

 

CMYK 0 / 40 / 29 / 44

HEX #8F5665

RGB 143 86 101

HSL 344.21, 0.25%, 0.45%

LAB 43.41, 25.65, 1.47

 

CMYK 0 / 41 / 3 / 44

HEX #8F558B

RGB 143 85 139

HSL 304.14, 0.25%, 0.45%

LAB 44.52, 32.7, -19.98

 

CMYK 0 / 41 / 3 / 24

HEX #C273BD

RGB 194 115 189

HSL 303.8, 0.39%, 0.61%

LAB 59.35, 42.16, -25.87

 

CMYK 0 / 40 / 3 / 4

HEX #F592EE

RGB 245 146 238

HSL 304.24, 0.83%, 0.77%

LAB 73.64, 50.42, -30.65

 

CMYK 0 / 41 / 2 / 84

HEX #291828

RGB 41 24 40

HSL 303.53, 0.26%, 0.13%

LAB 11.12, 11.89, -7.45

 

CMYK 0 / 40 / 3 / 64

HEX #5C3759

RGB 92 55 89

HSL 304.86, 0.25%, 0.29%

LAB 28.72, 22.5, -13.61

 

CMYK 0 / 41 / 3 / 44

HEX #8F558B

RGB 143 85 139

HSL 304.14, 0.25%, 0.45%

LAB 44.52, 32.7, -19.98

 

CMYK 0 / 29 / 40 / 44

HEX #8F6556

RGB 143 101 86

HSL 15.79, 0.25%, 0.45%

LAB 46.74, 14.9, 15.22

 

CMYK 40 / 0 / 13 / 44

HEX #568F7C

RGB 86 143 124

HSL 160, 0.25%, 0.45%

LAB 55.15, -23.34, 4.24

 

CMYK 0 / 41 / 3 / 44

HEX #8F558B

RGB 143 85 139

HSL 304.14, 0.25%, 0.45%

LAB 44.52, 32.7, -19.98

 

CMYK 3 / 0 / 40 / 44

HEX #8B8F56

RGB 139 143 86

HSL 64.21, 0.25%, 0.45%

LAB 57.85, -10.64, 29.82

 

CMYK 40 / 3 / 0 / 44

HEX #568B8F

RGB 86 139 143

HSL 184.21, 0.25%, 0.45%

LAB 54.48, -16.5, -7.71

 

CMYK 0 / 41 / 3 / 44

HEX #8F558B

RGB 143 85 139

HSL 304.14, 0.25%, 0.45%

LAB 44.52, 32.7, -19.98

 

CMYK 0 / 29 / 40 / 44

HEX #8F6556

RGB 143 101 86

HSL 15.79, 0.25%, 0.45%

LAB 46.74, 14.9, 15.22

 

CMYK 40 / 0 / 38 / 44

HEX #568F59

RGB 86 143 89

HSL 123.16, 0.25%, 0.45%

LAB 54.39, -30.45, 23.01

 

CMYK 40 / 10 / 0 / 44

HEX #56808F

RGB 86 128 143

HSL 195.79, 0.25%, 0.45%

LAB 51.15, -10.44, -12.69

 

CMYK 0 / 41 / 3 / 44

HEX #8F558B

RGB 143 85 139

HSL 304.14, 0.25%, 0.45%

LAB 44.52, 32.7, -19.98

 

CMYK 0 / 17 / 40 / 44

HEX #8F7656

RGB 143 118 86

HSL 33.68, 0.25%, 0.45%

LAB 51.23, 5.04, 21.28

 

CMYK 40 / 0 / 38 / 44

HEX #568F59

RGB 86 143 89

HSL 123.16, 0.25%, 0.45%

LAB 54.39, -30.45, 23.01

 

CMYK 40 / 23 / 0 / 44

HEX #566E8F

RGB 86 110 143

HSL 214.74, 0.25%, 0.45%

LAB 45.79, 0.04, -20.87

 

Description

Color code: RGBA 143 85 139 1 | qconv.com Color code: RGBA 143 85 139 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 85 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 85 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 3 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 3% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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