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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 143 142 191 0.75 it is the complementary color RGBA 112 113 64 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 143 142 191 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 143 142 191 0.75 shade: RGBA 148 142 186 0.75, RGBA 165 160 205 0.75, RGBA 182 178 224 0.75, RGBA 199 196 243 0.75 and RGBA 216 214 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 143 142 191 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 143 142 191 0.75 shade: RGBA 143 142 191 0.75, RGBA 126 124 172 0.75, RGBA 109 106 153 0.75, RGBA 92 88 134 0.75 and RGBA 75 70 115 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 143 142 191 0.75 shade: RGB 142 141 191, RGB 155 141 191, RGB 169 141 191, RGB 182 141 191 and RGB 191 141 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 143 142 191 0.75 shade: RGB 142 141 191 and RGB 141 141 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 143 142 191 0.75 shade matches the following richer shades: RGB 142 141 191, RGB 128 126 205, RGB 114 112 220, RGB 100 97 234 and RGB 86 83 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 143 142 191 0.75 shade: RGB 142 141 191, RGB 156 155 176, RGB 169 170 162, RGB 183 184 147 and RGB 197 199 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 143 142 191 0.75 shade: RGB 141 167 191, RGB 141 153 191, RGB 142 141 191, RGB 155 141 191 and RGB 168 141 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 143 142 191 0.75 shade: RGB 91 90 159, RGB 116 114 176, RGB 142 141 191, RGB 168 167 206 and RGB 194 194 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 143 142 191 0.75 shade: RGB 143 142 191, RGB 191 141 180 and RGB 160 191 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 143 142 191 0.75 shade: RGB 143 142 191, RGB 191 142 141 and RGB 141 191 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 143 142 191 0.75 shade: RGB 143 142 191, RGB 191 141 180, RGB 190 191 141 and RGB 141 191 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 143 142 191 0.75 shade: RGB 143 142 191, RGB 191 141 165, RGB 190 191 141 and RGB 141 191 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 19 / 0 / 19

HEX #8F8EBFBF

RGBA 143 142 191 0.75

HSLA 241.22, 0.28%, 0.65%, 0.75

LABA 60.74, 11.2, -25.3, 0.75

 

Complementary color

CMYK 1 / 0 / 33 / 42

HEX #707140BF

RGBA 112 113 64 0.75

HSLA 61.22, 0.28%, 0.35%, 0.75

LABA 46.48, -8.35, 27.02, 0.75

 

CMYK 15 / 18 / 0 / 20

HEX #948EBABF

RGBA 148 142 186 0.75

HSLA 248.18, 0.24%, 0.64%, 0.75

LABA 60.95, 11.58, -22.11, 0.75

 

CMYK 15 / 16 / 0 / 15

HEX #A5A0CDBF

RGBA 165 160 205 0.75

HSLA 246.67, 0.31%, 0.72%, 0.75

LABA 67.69, 11.17, -22.32, 0.75

 

CMYK 14 / 15 / 0 / 9

HEX #B6B2E0BF

RGBA 182 178 224 0.75

HSLA 245.22, 0.43%, 0.79%, 0.75

LABA 74.3, 10.8, -22.55, 0.75

 

CMYK 14 / 15 / 0 / 4

HEX #C7C4F3BF

RGBA 199 196 243 0.75

HSLA 243.83, 0.66%, 0.86%, 0.75

LABA 80.79, 10.45, -22.79, 0.75

 

CMYK 11 / 12 / 0 / 0

HEX #D8D6FFBF

RGBA 216 214 255 0.75

HSLA 242.93, 1%, 0.92%, 0.75

LABA 86.95, 8.66, -19.7, 0.75

 

CMYK 19 / 19 / 0 / 19

HEX #8F8EBFBF

RGBA 143 142 191 0.75

HSLA 241.22, 0.28%, 0.65%, 0.75

LABA 60.74, 11.2, -25.3, 0.75

 

CMYK 20 / 21 / 0 / 24

HEX #7E7CACBF

RGBA 126 124 172 0.75

HSLA 242.5, 0.22%, 0.58%, 0.75

LABA 53.85, 11.68, -25.18, 0.75

 

CMYK 22 / 23 / 0 / 30

HEX #6D6A99BF

RGBA 109 106 153 0.75

HSLA 243.83, 0.19%, 0.51%, 0.75

LABA 46.79, 12.23, -25.12, 0.75

 

CMYK 24 / 26 / 0 / 36

HEX #5C5886BF

RGBA 92 88 134 0.75

HSLA 245.22, 0.21%, 0.44%, 0.75

LABA 39.54, 12.87, -25.1, 0.75

 

CMYK 26 / 29 / 0 / 41

HEX #4B4673BF

RGBA 75 70 115 0.75

HSLA 246.67, 0.24%, 0.36%, 0.75

LABA 32.06, 13.63, -25.16, 0.75

 

CMYK 26 / 26 / 0 / 25

HEX #8E8DBF

RGB 142 141 191

HSL 241.2, 0.28%, 0.65%

LAB 60.39, 11.47, -25.83

 

CMYK 19 / 26 / 0 / 25

HEX #9B8DBF

RGB 155 141 191

HSL 256.8, 0.28%, 0.65%

LAB 61.46, 15.55, -24.09

 

CMYK 12 / 26 / 0 / 25

HEX #A98DBF

RGB 169 141 191

HSL 273.6, 0.28%, 0.65%

LAB 62.72, 20.08, -22.07

 

CMYK 5 / 26 / 0 / 25

HEX #B68DBF

RGB 182 141 191

HSL 289.2, 0.28%, 0.65%

LAB 63.96, 24.38, -20.05

 

CMYK 0 / 26 / 3 / 25

HEX #BF8DBA

RGB 191 141 186

HSL 306, 0.28%, 0.65%

LAB 64.7, 26.45, -16.03

 

CMYK 26 / 26 / 0 / 25

HEX #8E8DBF

RGB 142 141 191

HSL 241.2, 0.28%, 0.65%

LAB 60.39, 11.47, -25.83

 

CMYK 26 / 26 / 0 / 25

HEX #8D8DBF

RGB 141 141 191

HSL 240, 0.28%, 0.65%

LAB 60.31, 11.16, -25.96

 

CMYK 26 / 26 / 0 / 25

HEX #8E8DBF

RGB 142 141 191

HSL 241.2, 0.28%, 0.65%

LAB 60.39, 11.47, -25.83

 

CMYK 38 / 39 / 0 / 20

HEX #807ECD

RGB 128 126 205

HSL 241.52, 0.44%, 0.65%

LAB 56.01, 19.86, -40.66

 

CMYK 48 / 49 / 0 / 14

HEX #7270DC

RGB 114 112 220

HSL 241.11, 0.61%, 0.65%

LAB 52.21, 29.1, -55.24

 

CMYK 57 / 59 / 0 / 8

HEX #6461EA

RGB 100 97 234

HSL 241.31, 0.77%, 0.65%

LAB 48.51, 39.63, -69.15

 

CMYK 65 / 67 / 0 / 2

HEX #5653F9

RGB 86 83 249

HSL 241.08, 0.93%, 0.65%

LAB 45.64, 50.47, -82.29

 

CMYK 26 / 26 / 0 / 25

HEX #8E8DBF

RGB 142 141 191

HSL 241.2, 0.28%, 0.65%

LAB 60.39, 11.47, -25.83

 

CMYK 11 / 12 / 0 / 31

HEX #9C9BB0

RGB 156 155 176

HSL 242.86, 0.12%, 0.65%

LAB 64.68, 4.61, -10.77

 

CMYK 1 / 0 / 5 / 33

HEX #A9AAA2

RGB 169 170 162

HSL 67.5, 0.04%, 0.65%

LAB 69.32, -1.84, 3.99

 

CMYK 1 / 0 / 20 / 28

HEX #B7B893

RGB 183 184 147

HSL 61.62, 0.21%, 0.65%

LAB 73.84, -6.6, 18.73

 

CMYK 1 / 0 / 33 / 22

HEX #C5C785

RGB 197 199 133

HSL 61.82, 0.37%, 0.65%

LAB 78.7, -10.9, 32.88

 

CMYK 26 / 13 / 0 / 25

HEX #8DA7BF

RGB 141 167 191

HSL 208.8, 0.28%, 0.65%

LAB 67.32, -3.5, -15.27

 

CMYK 26 / 20 / 0 / 25

HEX #8D99BF

RGB 141 153 191

HSL 225.6, 0.28%, 0.65%

LAB 63.51, 4.31, -21.05

 

CMYK 26 / 26 / 0 / 25

HEX #8E8DBF

RGB 142 141 191

HSL 241.2, 0.28%, 0.65%

LAB 60.39, 11.47, -25.83

 

CMYK 19 / 26 / 0 / 25

HEX #9B8DBF

RGB 155 141 191

HSL 256.8, 0.28%, 0.65%

LAB 61.46, 15.55, -24.09

 

CMYK 12 / 26 / 0 / 25

HEX #A88DBF

RGB 168 141 191

HSL 272.4, 0.28%, 0.65%

LAB 62.62, 19.76, -22.22

 

CMYK 43 / 43 / 0 / 38

HEX #5B5A9F

RGB 91 90 159

HSL 240.87, 0.28%, 0.49%

LAB 41.28, 18.59, -37.43

 

CMYK 34 / 35 / 0 / 31

HEX #7472B0

RGB 116 114 176

HSL 241.94, 0.28%, 0.57%

LAB 50.55, 15.69, -32.68

 

CMYK 26 / 26 / 0 / 25

HEX #8E8DBF

RGB 142 141 191

HSL 241.2, 0.28%, 0.65%

LAB 60.39, 11.47, -25.83

 

CMYK 18 / 19 / 0 / 19

HEX #A8A7CE

RGB 168 167 206

HSL 241.54, 0.28%, 0.73%

LAB 69.77, 8.44, -19.68

 

CMYK 12 / 12 / 0 / 14

HEX #C2C2DC

RGB 194 194 220

HSL 240, 0.27%, 0.81%

LAB 79.17, 5.08, -12.94

 

CMYK 25 / 26 / 0 / 25

HEX #8F8EBF

RGB 143 142 191

HSL 241.22, 0.28%, 0.65%

LAB 60.74, 11.2, -25.3

 

CMYK 0 / 26 / 6 / 25

HEX #BF8DB4

RGB 191 141 180

HSL 313.2, 0.28%, 0.65%

LAB 64.5, 25.35, -12.96

 

CMYK 16 / 0 / 26 / 25

HEX #A0BF8D

RGB 160 191 141

HSL 97.2, 0.28%, 0.65%

LAB 73.97, -19.67, 21.87

 

CMYK 25 / 26 / 0 / 25

HEX #8F8EBF

RGB 143 142 191

HSL 241.22, 0.28%, 0.65%

LAB 60.74, 11.2, -25.3

 

CMYK 0 / 26 / 26 / 25

HEX #BF8E8D

RGB 191 142 141

HSL 1.2, 0.28%, 0.65%

LAB 63.63, 18.43, 7.81

 

CMYK 26 / 0 / 26 / 25

HEX #8DBF8E

RGB 141 191 142

HSL 121.2, 0.28%, 0.65%

LAB 72.81, -26.15, 19.55

 

CMYK 25 / 26 / 0 / 25

HEX #8F8EBF

RGB 143 142 191

HSL 241.22, 0.28%, 0.65%

LAB 60.74, 11.2, -25.3

 

CMYK 0 / 26 / 6 / 25

HEX #BF8DB4

RGB 191 141 180

HSL 313.2, 0.28%, 0.65%

LAB 64.5, 25.35, -12.96

 

CMYK 1 / 0 / 26 / 25

HEX #BEBF8D

RGB 190 191 141

HSL 61.2, 0.28%, 0.65%

LAB 76.15, -8.45, 25.19

 

CMYK 26 / 0 / 20 / 25

HEX #8DBF98

RGB 141 191 152

HSL 133.2, 0.28%, 0.65%

LAB 73.02, -24.35, 14.46

 

CMYK 25 / 26 / 0 / 25

HEX #8F8EBF

RGB 143 142 191

HSL 241.22, 0.28%, 0.65%

LAB 60.74, 11.2, -25.3

 

CMYK 0 / 26 / 14 / 25

HEX #BF8DA5

RGB 191 141 165

HSL 331.2, 0.28%, 0.65%

LAB 64.03, 22.73, -5.18

 

CMYK 1 / 0 / 26 / 25

HEX #BEBF8D

RGB 190 191 141

HSL 61.2, 0.28%, 0.65%

LAB 76.15, -8.45, 25.19

 

CMYK 26 / 0 / 13 / 25

HEX #8DBFA7

RGB 141 191 167

HSL 151.2, 0.28%, 0.65%

LAB 73.36, -21.44, 6.82

 

Description

Color code: RGBA 143 142 191 0.75 | qconv.com Color code: RGBA 143 142 191 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 142 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 142 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 19 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 19% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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