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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 78 67 it is the complementary color RGB 117 177 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 78 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 138 78 67: RGB 143 78 62, RGB 160 96 81, RGB 177 114 100, RGB 194 132 119 and RGB 211 150 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 78 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 138 78 67: RGB 138 78 67, RGB 121 60 48, RGB 104 42 29, RGB 87 24 10 and RGB 70 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 51 / 46

HEX #8A4E43

RGB 138 78 67

HSL 9.3, 0.35%, 0.4%

LAB 40.01, 24, 17.48

 

Complementary color

CMYK 38 / 6 / 0 / 26

HEX #75B1BC

RGB 117 177 188

HSL 189.3, 0.35%, 0.6%

LAB 68.65, -16.54, -11.76

 

CMYK 0 / 45 / 57 / 44

HEX #8F4E3E

RGB 143 78 62

HSL 11.85, 0.4%, 0.4%

LAB 40.63, 25.63, 21.46

 

CMYK 0 / 40 / 49 / 37

HEX #A06051

RGB 160 96 81

HSL 11.39, 0.33%, 0.47%

LAB 47.54, 24.34, 19.63

 

CMYK 0 / 36 / 44 / 31

HEX #B17264

RGB 177 114 100

HSL 10.91, 0.33%, 0.54%

LAB 54.35, 23.22, 18.07

 

CMYK 0 / 32 / 39 / 24

HEX #C28477

RGB 194 132 119

HSL 10.4, 0.38%, 0.61%

LAB 61.05, 22.23, 16.69

 

CMYK 0 / 29 / 35 / 17

HEX #D3968A

RGB 211 150 138

HSL 9.86, 0.45%, 0.68%

LAB 67.65, 21.36, 15.47

 

CMYK 0 / 43 / 51 / 46

HEX #8A4E43

RGB 138 78 67

HSL 9.3, 0.35%, 0.4%

LAB 40.01, 24, 17.48

 

CMYK 0 / 50 / 60 / 53

HEX #793C30

RGB 121 60 48

HSL 9.86, 0.43%, 0.33%

LAB 32.94, 25.36, 19.5

 

CMYK 0 / 60 / 72 / 59

HEX #682A1D

RGB 104 42 29

HSL 10.4, 0.56%, 0.26%

LAB 25.83, 26.86, 22.02

 

CMYK 0 / 72 / 89 / 66

HEX #57180A

RGB 87 24 10

HSL 10.91, 0.79%, 0.19%

LAB 18.81, 28.3, 24.11

 

CMYK 0 / 91 / 100 / 73

HEX #460600

RGB 70 6 0

HSL 5.14, 1%, 0.14%

LAB 12.17, 29.05, 18.98

 

CMYK 0 / 43 / 51 / 46

HEX #8A4E43

RGB 138 78 67

HSL 9.3, 0.35%, 0.4%

LAB 40.01, 24, 17.48

 

CMYK 0 / 36 / 52 / 46

HEX #895842

RGB 137 88 66

HSL 18.59, 0.35%, 0.4%

LAB 42.29, 17.66, 21.06

 

CMYK 0 / 27 / 52 / 46

HEX #896442

RGB 137 100 66

HSL 28.73, 0.35%, 0.4%

LAB 45.4, 10.62, 25.05

 

CMYK 0 / 18 / 52 / 46

HEX #897042

RGB 137 112 66

HSL 38.87, 0.35%, 0.4%

LAB 48.64, 3.63, 29.12

 

CMYK 0 / 9 / 52 / 46

HEX #897C42

RGB 137 124 66

HSL 49.01, 0.35%, 0.4%

LAB 51.98, -3.21, 33.22

 

CMYK 0 / 43 / 51 / 46

HEX #8A4E43

RGB 138 78 67

HSL 9.3, 0.35%, 0.4%

LAB 40.01, 24, 17.48

 

CMYK 0 / 43 / 51 / 26

HEX #BD6B5C

RGB 189 107 92

HSL 9.28, 0.42%, 0.55%

LAB 54.14, 31.06, 22.68

 

CMYK 0 / 43 / 51 / 6

HEX #F08875

RGB 240 136 117

HSL 9.27, 0.8%, 0.7%

LAB 67.59, 37.74, 27.61

 

CMYK 0 / 44 / 53 / 86

HEX #241411

RGB 36 20 17

HSL 9.47, 0.36%, 0.1%

LAB 8.27, 7.76, 4.96

 

CMYK 0 / 44 / 52 / 66

HEX #57312A

RGB 87 49 42

HSL 9.33, 0.35%, 0.25%

LAB 24.92, 16.38, 11.87

 

CMYK 0 / 43 / 51 / 46

HEX #8A4E43

RGB 138 78 67

HSL 9.3, 0.35%, 0.4%

LAB 40.01, 24, 17.48

 

CMYK 18 / 0 / 52 / 46

HEX #708942

RGB 112 137 66

HSL 81.13, 0.35%, 0.4%

LAB 53.74, -21.05, 34.85

 

CMYK 52 / 39 / 0 / 46

HEX #425489

RGB 66 84 137

HSL 224.79, 0.35%, 0.4%

LAB 36.57, 8.94, -31.74

 

CMYK 0 / 43 / 51 / 46

HEX #8A4E43

RGB 138 78 67

HSL 9.3, 0.35%, 0.4%

LAB 40.01, 24, 17.48

 

CMYK 52 / 0 / 44 / 46

HEX #42894D

RGB 66 137 77

HSL 129.3, 0.35%, 0.4%

LAB 51.37, -35.88, 25.49

 

CMYK 44 / 52 / 0 / 46

HEX #4D4289

RGB 77 66 137

HSL 249.3, 0.35%, 0.4%

LAB 32.44, 23.46, -38.25

 

CMYK 0 / 43 / 51 / 46

HEX #8A4E43

RGB 138 78 67

HSL 9.3, 0.35%, 0.4%

LAB 40.01, 24, 17.48

 

CMYK 18 / 0 / 52 / 46

HEX #708942

RGB 112 137 66

HSL 81.13, 0.35%, 0.4%

LAB 53.74, -21.05, 34.85

 

CMYK 52 / 8 / 0 / 46

HEX #427E89

RGB 66 126 137

HSL 189.3, 0.35%, 0.4%

LAB 49.36, -16.26, -11.98

 

CMYK 34 / 52 / 0 / 46

HEX #5B4289

RGB 91 66 137

HSL 261.13, 0.35%, 0.4%

LAB 33.83, 27.23, -35.95

 

CMYK 0 / 43 / 51 / 46

HEX #8A4E43

RGB 138 78 67

HSL 9.3, 0.35%, 0.4%

LAB 40.01, 24, 17.48

 

CMYK 34 / 0 / 52 / 46

HEX #5B8942

RGB 91 137 66

HSL 98.87, 0.35%, 0.4%

LAB 52.41, -29.28, 32.93

 

CMYK 52 / 8 / 0 / 46

HEX #427E89

RGB 66 126 137

HSL 189.3, 0.35%, 0.4%

LAB 49.36, -16.26, -11.98

 

CMYK 18 / 52 / 0 / 46

HEX #704289

RGB 112 66 137

HSL 278.87, 0.35%, 0.4%

LAB 36.27, 33.29, -31.93

 

Description

Color code: RGBA 138 78 67 1 | qconv.com Color code: RGBA 138 78 67 1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 78 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 78 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 51 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 51% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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