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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 201 247 it is the complementary color RGB 118 54 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 201 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 201 247: RGB 142 201 242, RGB 159 219 255, RGB 176 237 255, RGB 193 255 255 and RGB 210 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 201 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 201 247: RGB 137 201 247, RGB 120 183 228, RGB 103 165 209, RGB 86 147 190 and RGB 69 129 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 19 / 0 / 3

HEX #89C9F7

RGB 137 201 247

HSL 205.09, 0.87%, 0.75%

LAB 78.35, -8.53, -29.01

 

Complementary color

CMYK 0 / 54 / 93 / 54

HEX #763608

RGB 118 54 8

HSL 25.09, 0.87%, 0.25%

LAB 30.66, 25.38, 38.28

 

CMYK 41 / 17 / 0 / 5

HEX #8EC9F2

RGB 142 201 242

HSL 204.6, 0.79%, 0.75%

LAB 78.42, -8.64, -26.2

 

CMYK 38 / 14 / 0 / 0

HEX #9FDBFF

RGB 159 219 255

HSL 202.5, 1%, 0.81%

LAB 84.61, -10.37, -23.59

 

CMYK 31 / 7 / 0 / 0

HEX #B0EDFF

RGB 176 237 255

HSL 193.67, 1%, 0.85%

LAB 90.33, -15.02, -14.88

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 45 / 19 / 0 / 3

HEX #89C9F7

RGB 137 201 247

HSL 205.09, 0.87%, 0.75%

LAB 78.35, -8.53, -29.01

 

CMYK 47 / 20 / 0 / 11

HEX #78B7E4

RGB 120 183 228

HSL 205, 0.67%, 0.68%

LAB 71.87, -8.2, -28.79

 

CMYK 51 / 21 / 0 / 18

HEX #67A5D1

RGB 103 165 209

HSL 204.91, 0.54%, 0.61%

LAB 65.28, -7.8, -28.57

 

CMYK 55 / 23 / 0 / 25

HEX #5693BE

RGB 86 147 190

HSL 204.81, 0.44%, 0.54%

LAB 58.57, -7.3, -28.36

 

CMYK 60 / 25 / 0 / 33

HEX #4581AB

RGB 69 129 171

HSL 204.71, 0.43%, 0.47%

LAB 51.73, -6.66, -28.16

 

CMYK 45 / 19 / 0 / 3

HEX #89C9F7

RGB 137 201 247

HSL 205.09, 0.87%, 0.75%

LAB 78.35, -8.53, -29.01

 

CMYK 45 / 26 / 0 / 4

HEX #87B6F6

RGB 135 182 246

HSL 214.59, 0.86%, 0.75%

LAB 73.06, 0.99, -36.64

 

CMYK 45 / 34 / 0 / 4

HEX #87A3F6

RGB 135 163 246

HSL 224.86, 0.86%, 0.75%

LAB 68.02, 11.67, -44.51

 

CMYK 45 / 41 / 0 / 4

HEX #8791F6

RGB 135 145 246

HSL 234.59, 0.86%, 0.75%

LAB 63.39, 22.07, -51.82

 

CMYK 41 / 45 / 0 / 4

HEX #9187F6

RGB 145 135 246

HSL 245.41, 0.86%, 0.75%

LAB 61.66, 30.28, -54.52

 

CMYK 45 / 19 / 0 / 3

HEX #89C9F7

RGB 137 201 247

HSL 205.09, 0.87%, 0.75%

LAB 78.35, -8.53, -29.01

 

CMYK 44 / 19 / 0 / 83

HEX #18232B

RGB 24 35 43

HSL 205.26, 0.28%, 0.13%

LAB 13.05, -2.25, -6.86

 

CMYK 45 / 19 / 0 / 63

HEX #344C5E

RGB 52 76 94

HSL 205.71, 0.29%, 0.29%

LAB 31.13, -3.83, -13.46

 

CMYK 45 / 19 / 0 / 43

HEX #507691

RGB 80 118 145

HSL 204.92, 0.29%, 0.44%

LAB 47.89, -5.8, -18.86

 

CMYK 44 / 19 / 0 / 23

HEX #6D9FC4

RGB 109 159 196

HSL 205.52, 0.42%, 0.6%

LAB 63.37, -6.79, -24.25

 

CMYK 45 / 19 / 0 / 3

HEX #89C9F7

RGB 137 201 247

HSL 205.09, 0.87%, 0.75%

LAB 78.35, -8.53, -29.01

 

CMYK 17 / 45 / 0 / 4

HEX #CC87F6

RGB 204 135 246

HSL 277.3, 0.86%, 0.75%

LAB 67.14, 45.8, -45.49

 

CMYK 1 / 0 / 45 / 4

HEX #F4F687

RGB 244 246 135

HSL 61.08, 0.86%, 0.75%

LAB 94.69, -15.83, 52.86

 

CMYK 45 / 19 / 0 / 3

HEX #89C9F7

RGB 137 201 247

HSL 205.09, 0.87%, 0.75%

LAB 78.35, -8.53, -29.01

 

CMYK 0 / 45 / 19 / 4

HEX #F687C8

RGB 246 135 200

HSL 324.86, 0.86%, 0.75%

LAB 70.24, 50.16, -14.88

 

CMYK 19 / 0 / 45 / 4

HEX #C8F687

RGB 200 246 135

HSL 84.86, 0.86%, 0.75%

LAB 91.66, -32.41, 48.45

 

CMYK 45 / 19 / 0 / 3

HEX #89C9F7

RGB 137 201 247

HSL 205.09, 0.87%, 0.75%

LAB 78.35, -8.53, -29.01

 

CMYK 17 / 45 / 0 / 4

HEX #CC87F6

RGB 204 135 246

HSL 277.3, 0.86%, 0.75%

LAB 67.14, 45.8, -45.49

 

CMYK 0 / 26 / 45 / 4

HEX #F6B687

RGB 246 182 135

HSL 25.41, 0.86%, 0.75%

LAB 78.92, 17.62, 32.97

 

CMYK 28 / 0 / 45 / 4

HEX #B2F687

RGB 178 246 135

HSL 96.76, 0.86%, 0.75%

LAB 90.38, -40.14, 46.57

 

CMYK 45 / 19 / 0 / 3

HEX #89C9F7

RGB 137 201 247

HSL 205.09, 0.87%, 0.75%

LAB 78.35, -8.53, -29.01

 

CMYK 4 / 45 / 0 / 4

HEX #ED87F6

RGB 237 135 246

HSL 295.14, 0.86%, 0.75%

LAB 70.86, 55.05, -39.4

 

CMYK 0 / 26 / 45 / 4

HEX #F6B687

RGB 246 182 135

HSL 25.41, 0.86%, 0.75%

LAB 78.92, 17.62, 32.97

 

CMYK 41 / 0 / 45 / 4

HEX #91F687

RGB 145 246 135

HSL 114.59, 0.86%, 0.75%

LAB 88.77, -50.67, 44.21

 

Description

Color code: RGBA 137 201 247 1 | qconv.com Color code: RGBA 137 201 247 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 201 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 201 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 19 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 19% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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