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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 134 142 172 0.75 it is the complementary color RGBA 121 113 83 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 134 142 172 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 134 142 172 0.75 shade: RGBA 139 142 167 0.75, RGBA 156 160 186 0.75, RGBA 173 178 205 0.75, RGBA 190 196 224 0.75 and RGBA 207 214 243 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 134 142 172 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 134 142 172 0.75 shade: RGBA 134 142 172 0.75, RGBA 117 124 153 0.75, RGBA 100 106 134 0.75, RGBA 83 88 115 0.75 and RGBA 66 70 96 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 134 142 172 0.75 shade: RGB 134 142 172, RGB 136 134 172, RGB 146 134 172, RGB 157 134 172 and RGB 167 134 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 134 142 172 0.75 shade: RGB 134 142 172 and RGB 134 134 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 134 142 172 0.75 shade matches the following richer shades: RGB 134 142 172, RGB 117 132 189, RGB 101 123 205, RGB 84 113 222 and RGB 68 104 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 134 142 172 0.75 shade: RGB 134 142 172, RGB 150 151 156, RGB 167 161 139, RGB 183 170 123 and RGB 200 180 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 134 142 172 0.75 shade: RGB 134 163 172, RGB 134 152 172, RGB 134 142 172, RGB 136 134 172 and RGB 146 134 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 134 142 172 0.75 shade: RGB 91 99 133, RGB 109 119 156, RGB 134 142 172, RGB 158 165 189 and RGB 183 188 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 134 142 172 0.75 shade: RGB 134 142 172, RGB 172 134 172 and RGB 158 172 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 134 142 172 0.75 shade: RGB 134 142 172, RGB 172 134 142 and RGB 142 172 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 134 142 172 0.75 shade: RGB 134 142 172, RGB 172 134 172, RGB 172 164 134 and RGB 134 172 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 134 142 172 0.75 shade: RGB 134 142 172, RGB 172 134 161, RGB 172 164 134 and RGB 134 172 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 13 / 0 / 24

HEX #868EACBF

RGBA 134 142 172 0.75

HSLA 227.37, 0.19%, 0.6%, 0.75

LABA 59.34, 3.76, -16.73, 0.75

 

Complementary color

CMYK 0 / 5 / 24 / 39

HEX #797153BF

RGBA 121 113 83 0.75

HSLA 47.37, 0.19%, 0.4%, 0.75

LABA 47.62, -1.94, 17.81, 0.75

 

CMYK 13 / 11 / 0 / 26

HEX #8B8EA7BF

RGBA 139 142 167 0.75

HSLA 233.57, 0.14%, 0.6%, 0.75

LABA 59.55, 4.24, -13.52, 0.75

 

CMYK 12 / 10 / 0 / 20

HEX #9CA0BABF

RGBA 156 160 186 0.75

HSLA 232, 0.18%, 0.67%, 0.75

LABA 66.33, 3.99, -13.88, 0.75

 

CMYK 12 / 10 / 0 / 15

HEX #ADB2CDBF

RGBA 173 178 205 0.75

HSLA 230.63, 0.24%, 0.74%, 0.75

LABA 72.98, 3.77, -14.24, 0.75

 

CMYK 11 / 9 / 0 / 9

HEX #BEC4E0BF

RGBA 190 196 224 0.75

HSLA 229.41, 0.35%, 0.81%, 0.75

LABA 79.5, 3.55, -14.61, 0.75

 

CMYK 11 / 9 / 0 / 4

HEX #CFD6F3BF

RGBA 207 214 243 0.75

HSLA 228.33, 0.6%, 0.88%, 0.75

LABA 85.92, 3.35, -14.99, 0.75

 

CMYK 17 / 13 / 0 / 24

HEX #868EACBF

RGBA 134 142 172 0.75

HSLA 227.37, 0.19%, 0.6%, 0.75

LABA 59.34, 3.76, -16.73, 0.75

 

CMYK 18 / 14 / 0 / 30

HEX #757C99BF

RGBA 117 124 153 0.75

HSLA 228.33, 0.15%, 0.53%, 0.75

LABA 52.39, 4.04, -16.45, 0.75

 

CMYK 19 / 16 / 0 / 36

HEX #646A86BF

RGBA 100 106 134 0.75

HSLA 229.41, 0.15%, 0.46%, 0.75

LABA 45.27, 4.35, -16.21, 0.75

 

CMYK 21 / 18 / 0 / 41

HEX #535873BF

RGBA 83 88 115 0.75

HSLA 230.63, 0.16%, 0.39%, 0.75

LABA 37.94, 4.72, -15.99, 0.75

 

CMYK 23 / 20 / 0 / 47

HEX #424660BF

RGBA 66 70 96 0.75

HSLA 232, 0.19%, 0.32%, 0.75

LABA 30.36, 5.15, -15.84, 0.75

 

CMYK 22 / 17 / 0 / 33

HEX #868EAC

RGB 134 142 172

HSL 227.37, 0.19%, 0.6%

LAB 59.34, 3.76, -16.73

 

CMYK 21 / 22 / 0 / 33

HEX #8886AC

RGB 136 134 172

HSL 243.16, 0.19%, 0.6%

LAB 57.33, 9.01, -19.76

 

CMYK 15 / 22 / 0 / 33

HEX #9286AC

RGB 146 134 172

HSL 258.95, 0.19%, 0.6%

LAB 58.17, 12.3, -18.41

 

CMYK 9 / 22 / 0 / 33

HEX #9D86AC

RGB 157 134 172

HSL 276.32, 0.19%, 0.6%

LAB 59.16, 16.01, -16.82

 

CMYK 3 / 22 / 0 / 33

HEX #A786AC

RGB 167 134 172

HSL 292.11, 0.19%, 0.6%

LAB 60.11, 19.45, -15.28

 

CMYK 22 / 17 / 0 / 33

HEX #868EAC

RGB 134 142 172

HSL 227.37, 0.19%, 0.6%

LAB 59.34, 3.76, -16.73

 

CMYK 22 / 22 / 0 / 33

HEX #8686AC

RGB 134 134 172

HSL 240, 0.19%, 0.6%

LAB 57.17, 8.37, -20.02

 

CMYK 22 / 17 / 0 / 33

HEX #868EAC

RGB 134 142 172

HSL 227.37, 0.19%, 0.6%

LAB 59.34, 3.76, -16.73

 

CMYK 38 / 30 / 0 / 26

HEX #7584BD

RGB 117 132 189

HSL 227.5, 0.35%, 0.6%

LAB 56.05, 8.84, -31.57

 

CMYK 51 / 40 / 0 / 20

HEX #657BCD

RGB 101 123 205

HSL 227.31, 0.51%, 0.6%

LAB 53.32, 14.89, -45.03

 

CMYK 62 / 49 / 0 / 13

HEX #5471DE

RGB 84 113 222

HSL 227.39, 0.68%, 0.6%

LAB 50.65, 23.14, -58.98

 

CMYK 71 / 56 / 0 / 7

HEX #4468EE

RGB 68 104 238

HSL 227.29, 0.83%, 0.6%

LAB 48.64, 31.9, -71.27

 

CMYK 22 / 17 / 0 / 33

HEX #868EAC

RGB 134 142 172

HSL 227.37, 0.19%, 0.6%

LAB 59.34, 3.76, -16.73

 

CMYK 4 / 3 / 0 / 39

HEX #96979C

RGB 150 151 156

HSL 230, 0.03%, 0.6%

LAB 62.52, 0.63, -2.76

 

CMYK 0 / 4 / 17 / 35

HEX #A7A18B

RGB 167 161 139

HSL 47.14, 0.14%, 0.6%

LAB 66.19, -1.64, 12.24

 

CMYK 0 / 7 / 33 / 28

HEX #B7AA7B

RGB 183 170 123

HSL 47, 0.29%, 0.6%

LAB 69.64, -2.51, 25.96

 

CMYK 0 / 10 / 47 / 22

HEX #C8B46A

RGB 200 180 106

HSL 47.23, 0.46%, 0.6%

LAB 73.52, -2.8, 40.18

 

CMYK 22 / 5 / 0 / 33

HEX #86A3AC

RGB 134 163 172

HSL 194.21, 0.19%, 0.6%

LAB 65.15, -7.95, -7.99

 

CMYK 22 / 12 / 0 / 33

HEX #8698AC

RGB 134 152 172

HSL 211.58, 0.19%, 0.6%

LAB 62.09, -1.89, -12.57

 

CMYK 22 / 17 / 0 / 33

HEX #868EAC

RGB 134 142 172

HSL 227.37, 0.19%, 0.6%

LAB 59.34, 3.76, -16.73

 

CMYK 21 / 22 / 0 / 33

HEX #8886AC

RGB 136 134 172

HSL 243.16, 0.19%, 0.6%

LAB 57.33, 9.01, -19.76

 

CMYK 15 / 22 / 0 / 33

HEX #9286AC

RGB 146 134 172

HSL 258.95, 0.19%, 0.6%

LAB 58.17, 12.3, -18.41

 

CMYK 32 / 26 / 0 / 48

HEX #5B6385

RGB 91 99 133

HSL 228.57, 0.19%, 0.44%

LAB 42.52, 5.43, -19.88

 

CMYK 30 / 24 / 0 / 39

HEX #6D779C

RGB 109 119 156

HSL 227.23, 0.19%, 0.52%

LAB 50.51, 5.2, -21.15

 

CMYK 22 / 17 / 0 / 33

HEX #868EAC

RGB 134 142 172

HSL 227.37, 0.19%, 0.6%

LAB 59.34, 3.76, -16.73

 

CMYK 16 / 13 / 0 / 26

HEX #9EA5BD

RGB 158 165 189

HSL 226.45, 0.19%, 0.68%

LAB 67.91, 2.54, -13.16

 

CMYK 11 / 9 / 0 / 19

HEX #B7BCCE

RGB 183 188 206

HSL 226.96, 0.19%, 0.76%

LAB 76.37, 1.83, -9.64

 

CMYK 22 / 17 / 0 / 33

HEX #868EAC

RGB 134 142 172

HSL 227.37, 0.19%, 0.6%

LAB 59.34, 3.76, -16.73

 

CMYK 0 / 22 / 0 / 33

HEX #AC86AC

RGB 172 134 172

HSL 300, 0.19%, 0.6%

LAB 60.6, 21.18, -14.49

 

CMYK 8 / 0 / 22 / 33

HEX #9EAC86

RGB 158 172 134

HSL 82.11, 0.19%, 0.6%

LAB 68.38, -11.75, 17.95

 

CMYK 22 / 17 / 0 / 33

HEX #868EAC

RGB 134 142 172

HSL 227.37, 0.19%, 0.6%

LAB 59.34, 3.76, -16.73

 

CMYK 0 / 22 / 17 / 33

HEX #AC868E

RGB 172 134 142

HSL 347.37, 0.19%, 0.6%

LAB 59.68, 15.79, 1.3

 

CMYK 17 / 0 / 22 / 33

HEX #8EAC86

RGB 142 172 134

HSL 107.37, 0.19%, 0.6%

LAB 67.26, -17.65, 16.22

 

CMYK 22 / 17 / 0 / 33

HEX #868EAC

RGB 134 142 172

HSL 227.37, 0.19%, 0.6%

LAB 59.34, 3.76, -16.73

 

CMYK 0 / 22 / 0 / 33

HEX #AC86AC

RGB 172 134 172

HSL 300, 0.19%, 0.6%

LAB 60.6, 21.18, -14.49

 

CMYK 0 / 5 / 22 / 33

HEX #ACA486

RGB 172 164 134

HSL 47.37, 0.19%, 0.6%

LAB 67.31, -2.11, 16.63

 

CMYK 22 / 0 / 22 / 33

HEX #86AC86

RGB 134 172 134

HSL 120, 0.19%, 0.6%

LAB 66.74, -20.49, 15.42

 

CMYK 22 / 17 / 0 / 33

HEX #868EAC

RGB 134 142 172

HSL 227.37, 0.19%, 0.6%

LAB 59.34, 3.76, -16.73

 

CMYK 0 / 22 / 6 / 33

HEX #AC86A1

RGB 172 134 161

HSL 317.37, 0.19%, 0.6%

LAB 60.24, 19.1, -8.75

 

CMYK 0 / 5 / 22 / 33

HEX #ACA486

RGB 172 164 134

HSL 47.37, 0.19%, 0.6%

LAB 67.31, -2.11, 16.63

 

CMYK 22 / 0 / 16 / 33

HEX #86AC91

RGB 134 172 145

HSL 137.37, 0.19%, 0.6%

LAB 66.99, -18.44, 9.71

 

Description

Color code: RGBA 134 142 172 0.75 | qconv.com Color code: RGBA 134 142 172 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 142 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 142 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 13 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 13% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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