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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 150 76 it is the complementary color RGB 124 105 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 150 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 150 76: RGB 136 150 71, RGB 153 168 90, RGB 170 186 109, RGB 187 204 128 and RGB 204 222 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 150 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 150 76: RGB 131 150 76, RGB 114 132 57, RGB 97 114 38, RGB 80 96 19 and RGB 63 78 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 49 / 41

HEX #83964C

RGB 131 150 76

HSL 75.41, 0.33%, 0.44%

LAB 59.12, -18.82, 36.53

 

Complementary color

CMYK 31 / 41 / 0 / 30

HEX #7C69B3

RGB 124 105 179

HSL 255.41, 0.33%, 0.56%

LAB 49.06, 24.22, -36.71

 

CMYK 9 / 0 / 53 / 41

HEX #889647

RGB 136 150 71

HSL 70.63, 0.36%, 0.43%

LAB 59.44, -17.25, 39.53

 

CMYK 9 / 0 / 46 / 34

HEX #99A85A

RGB 153 168 90

HSL 71.54, 0.31%, 0.51%

LAB 66.15, -17.54, 38.34

 

CMYK 9 / 0 / 41 / 27

HEX #AABA6D

RGB 170 186 109

HSL 72.47, 0.36%, 0.58%

LAB 72.74, -17.75, 37.14

 

CMYK 8 / 0 / 37 / 20

HEX #BBCC80

RGB 187 204 128

HSL 73.42, 0.43%, 0.65%

LAB 79.22, -17.91, 35.97

 

CMYK 8 / 0 / 34 / 13

HEX #CCDE93

RGB 204 222 147

HSL 74.4, 0.53%, 0.72%

LAB 85.6, -18.03, 34.85

 

CMYK 13 / 0 / 49 / 41

HEX #83964C

RGB 131 150 76

HSL 75.41, 0.33%, 0.44%

LAB 59.12, -18.82, 36.53

 

CMYK 14 / 0 / 57 / 48

HEX #728439

RGB 114 132 57

HSL 74.4, 0.4%, 0.37%

LAB 52.26, -18.55, 37.7

 

CMYK 15 / 0 / 67 / 55

HEX #617226

RGB 97 114 38

HSL 73.42, 0.5%, 0.3%

LAB 45.24, -18.14, 38.67

 

CMYK 17 / 0 / 80 / 62

HEX #506013

RGB 80 96 19

HSL 72.47, 0.67%, 0.23%

LAB 38.05, -17.5, 38.99

 

CMYK 19 / 0 / 100 / 69

HEX #3F4E00

RGB 63 78 0

HSL 71.54, 1%, 0.15%

LAB 30.65, -16.61, 38.5

 

CMYK 13 / 0 / 49 / 41

HEX #83964C

RGB 131 150 76

HSL 75.41, 0.33%, 0.44%

LAB 59.12, -18.82, 36.53

 

CMYK 21 / 0 / 50 / 42

HEX #76954B

RGB 118 149 75

HSL 85.14, 0.33%, 0.44%

LAB 57.9, -23.69, 35.35

 

CMYK 29 / 0 / 50 / 42

HEX #6A954B

RGB 106 149 75

HSL 94.86, 0.33%, 0.44%

LAB 57.14, -28.34, 34.25

 

CMYK 38 / 0 / 50 / 42

HEX #5D954B

RGB 93 149 75

HSL 105.41, 0.33%, 0.44%

LAB 56.42, -33.04, 33.2

 

CMYK 46 / 0 / 50 / 42

HEX #51954B

RGB 81 149 75

HSL 115.14, 0.33%, 0.44%

LAB 55.84, -37, 32.35

 

CMYK 13 / 0 / 49 / 41

HEX #83964C

RGB 131 150 76

HSL 75.41, 0.33%, 0.44%

LAB 59.12, -18.82, 36.53

 

CMYK 12 / 0 / 49 / 21

HEX #B0C966

RGB 176 201 102

HSL 75.15, 0.48%, 0.59%

LAB 77.26, -23.6, 46.29

 

CMYK 13 / 0 / 49 / 1

HEX #DCFC80

RGB 220 252 128

HSL 75.48, 0.95%, 0.75%

LAB 94.48, -28.53, 55.46

 

CMYK 13 / 0 / 50 / 81

HEX #2A3018

RGB 42 48 24

HSL 75, 0.33%, 0.14%

LAB 18.68, -7.49, 14.49

 

CMYK 13 / 0 / 49 / 61

HEX #566332

RGB 86 99 50

HSL 75.92, 0.33%, 0.29%

LAB 39.8, -13.69, 26.06

 

CMYK 13 / 0 / 49 / 41

HEX #83964C

RGB 131 150 76

HSL 75.41, 0.33%, 0.44%

LAB 59.12, -18.82, 36.53

 

CMYK 50 / 0 / 28 / 42

HEX #4B956C

RGB 75 149 108

HSL 146.76, 0.33%, 0.44%

LAB 56.16, -32.93, 14.71

 

CMYK 7 / 50 / 0 / 42

HEX #8A4B95

RGB 138 75 149

HSL 291.08, 0.33%, 0.44%

LAB 42.16, 38.66, -29.71

 

CMYK 13 / 0 / 49 / 41

HEX #83964C

RGB 131 150 76

HSL 75.41, 0.33%, 0.44%

LAB 59.12, -18.82, 36.53

 

CMYK 50 / 13 / 0 / 42

HEX #4B8295

RGB 75 130 149

HSL 195.41, 0.33%, 0.44%

LAB 51.42, -12.75, -15.85

 

CMYK 0 / 50 / 13 / 42

HEX #954B82

RGB 149 75 130

HSL 315.41, 0.33%, 0.44%

LAB 42.81, 38.54, -17.08

 

CMYK 13 / 0 / 49 / 41

HEX #83964C

RGB 131 150 76

HSL 75.41, 0.33%, 0.44%

LAB 59.12, -18.82, 36.53

 

CMYK 50 / 0 / 28 / 42

HEX #4B956C

RGB 75 149 108

HSL 146.76, 0.33%, 0.44%

LAB 56.16, -32.93, 14.71

 

CMYK 38 / 50 / 0 / 42

HEX #5D4B95

RGB 93 75 149

HSL 254.59, 0.33%, 0.44%

LAB 36.98, 25.59, -38.23

 

CMYK 0 / 50 / 23 / 42

HEX #954B73

RGB 149 75 115

HSL 327.57, 0.33%, 0.44%

LAB 42.25, 36.1, -8.76

 

CMYK 13 / 0 / 49 / 41

HEX #83964C

RGB 131 150 76

HSL 75.41, 0.33%, 0.44%

LAB 59.12, -18.82, 36.53

 

CMYK 50 / 0 / 13 / 42

HEX #4B9582

RGB 75 149 130

HSL 164.59, 0.33%, 0.44%

LAB 56.69, -27.89, 2.96

 

CMYK 38 / 50 / 0 / 42

HEX #5D4B95

RGB 93 75 149

HSL 254.59, 0.33%, 0.44%

LAB 36.98, 25.59, -38.23

 

CMYK 0 / 50 / 38 / 42

HEX #954B5D

RGB 149 75 93

HSL 345.41, 0.33%, 0.44%

LAB 41.55, 33.02, 3.81

 

Description

Color code: RGBA 131 150 76 1 | qconv.com Color code: RGBA 131 150 76 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 150 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 150 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 49 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 49% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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