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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 24 104 it is the complementary color RGB 133 231 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 24 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 122 24 104: RGB 127 24 99, RGB 144 42 118, RGB 161 60 137, RGB 178 78 156 and RGB 195 96 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 24 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 122 24 104: RGB 122 24 104, RGB 105 6 85, RGB 88 0 66, RGB 71 0 47 and RGB 54 0 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 15 / 52

HEX #7A1868

RGB 122 24 104

HSL 311.02, 0.67%, 0.29%

LAB 28.88, 49.12, -22.7

 

Complementary color

CMYK 42 / 0 / 35 / 9

HEX #85E797

RGB 133 231 151

HSL 131.02, 0.67%, 0.71%

LAB 84.16, -45.42, 30.18

 

CMYK 0 / 81 / 22 / 50

HEX #7F1863

RGB 127 24 99

HSL 316.31, 0.68%, 0.3%

LAB 29.58, 49.62, -18.3

 

CMYK 0 / 71 / 18 / 44

HEX #902A76

RGB 144 42 118

HSL 315.29, 0.55%, 0.36%

LAB 35.78, 50.57, -20.56

 

CMYK 0 / 63 / 15 / 37

HEX #A13C89

RGB 161 60 137

HSL 314.26, 0.46%, 0.43%

LAB 42.18, 50.69, -22.17

 

CMYK 0 / 56 / 12 / 30

HEX #B24E9C

RGB 178 78 156

HSL 313.2, 0.39%, 0.5%

LAB 48.65, 50.35, -23.37

 

CMYK 0 / 51 / 10 / 24

HEX #C360AF

RGB 195 96 175

HSL 312.12, 0.45%, 0.57%

LAB 55.14, 49.79, -24.31

 

CMYK 0 / 80 / 15 / 52

HEX #7A1868

RGB 122 24 104

HSL 311.02, 0.67%, 0.29%

LAB 28.88, 49.12, -22.7

 

CMYK 0 / 94 / 19 / 59

HEX #690655

RGB 105 6 85

HSL 312.12, 0.89%, 0.22%

LAB 22.96, 46.81, -19.71

 

CMYK 0 / 100 / 25 / 65

HEX #580042

RGB 88 0 66

HSL 315, 1%, 0.17%

LAB 17.77, 41.87, -15.1

 

CMYK 0 / 100 / 34 / 72

HEX #47002F

RGB 71 0 47

HSL 320.28, 1%, 0.14%

LAB 12.89, 35.42, -9.39

 

CMYK 0 / 100 / 48 / 79

HEX #36001C

RGB 54 0 28

HSL 328.89, 1%, 0.11%

LAB 7.84, 28.78, -3.09

 

CMYK 0 / 80 / 15 / 52

HEX #7A1868

RGB 122 24 104

HSL 311.02, 0.67%, 0.29%

LAB 28.88, 49.12, -22.7

 

CMYK 0 / 80 / 28 / 52

HEX #7B1858

RGB 123 24 88

HSL 321.21, 0.67%, 0.29%

LAB 28.3, 47.11, -13.15

 

CMYK 0 / 80 / 41 / 52

HEX #7B1848

RGB 123 24 72

HSL 330.91, 0.67%, 0.29%

LAB 27.66, 45.18, -3.49

 

CMYK 0 / 80 / 55 / 52

HEX #7B1837

RGB 123 24 55

HSL 341.21, 0.67%, 0.29%

LAB 27.13, 43.54, 7.2

 

CMYK 0 / 80 / 68 / 52

HEX #7B1827

RGB 123 24 39

HSL 350.91, 0.67%, 0.29%

LAB 26.77, 42.39, 17.5

 

CMYK 0 / 80 / 15 / 52

HEX #7A1868

RGB 122 24 104

HSL 311.02, 0.67%, 0.29%

LAB 28.88, 49.12, -22.7

 

CMYK 0 / 80 / 15 / 32

HEX #AD2293

RGB 173 34 147

HSL 311.22, 0.67%, 0.41%

LAB 41.43, 64.36, -29.26

 

CMYK 0 / 80 / 15 / 12

HEX #E02CBF

RGB 224 44 191

HSL 311, 0.74%, 0.53%

LAB 53.4, 78.81, -35.94

 

CMYK 0 / 80 / 15 / 92

HEX #140411

RGB 20 4 17

HSL 311.25, 0.67%, 0.05%

LAB 2.49, 6.99, -3.72

 

CMYK 0 / 80 / 14 / 72

HEX #470E3D

RGB 71 14 61

HSL 310.53, 0.67%, 0.17%

LAB 15.44, 32.37, -15.5

 

CMYK 0 / 80 / 15 / 52

HEX #7A1868

RGB 122 24 104

HSL 311.02, 0.67%, 0.29%

LAB 28.88, 49.12, -22.7

 

CMYK 0 / 50 / 80 / 52

HEX #7B3E18

RGB 123 62 24

HSL 23.03, 0.67%, 0.29%

LAB 33.4, 23.56, 33.99

 

CMYK 80 / 0 / 17 / 52

HEX #187B66

RGB 24 123 102

HSL 167.27, 0.67%, 0.29%

LAB 46.07, -32.62, 3.7

 

CMYK 0 / 80 / 15 / 52

HEX #7A1868

RGB 122 24 104

HSL 311.02, 0.67%, 0.29%

LAB 28.88, 49.12, -22.7

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 80 / 15 / 0 / 52

HEX #18697B

RGB 24 105 123

HSL 190.91, 0.67%, 0.29%

LAB 40.78, -16.81, -16.79

 

CMYK 0 / 80 / 15 / 52

HEX #7A1868

RGB 122 24 104

HSL 311.02, 0.67%, 0.29%

LAB 28.88, 49.12, -22.7

 

CMYK 0 / 50 / 80 / 52

HEX #7B3E18

RGB 123 62 24

HSL 23.03, 0.67%, 0.29%

LAB 33.4, 23.56, 33.99

 

CMYK 80 / 0 / 66 / 52

HEX #187B2A

RGB 24 123 42

HSL 130.91, 0.67%, 0.29%

LAB 44.98, -44.84, 35.59

 

CMYK 80 / 31 / 0 / 52

HEX #18557B

RGB 24 85 123

HSL 203.03, 0.67%, 0.29%

LAB 34.23, -4.96, -26.94

 

CMYK 0 / 80 / 15 / 52

HEX #7A1868

RGB 122 24 104

HSL 311.02, 0.67%, 0.29%

LAB 28.88, 49.12, -22.7

 

CMYK 0 / 25 / 80 / 52

HEX #7B5C18

RGB 123 92 24

HSL 41.21, 0.67%, 0.29%

LAB 41.11, 5.8, 41.42

 

CMYK 80 / 0 / 66 / 52

HEX #187B2A

RGB 24 123 42

HSL 130.91, 0.67%, 0.29%

LAB 44.98, -44.84, 35.59

 

CMYK 80 / 55 / 0 / 52

HEX #18377B

RGB 24 55 123

HSL 221.21, 0.67%, 0.29%

LAB 24.82, 15.3, -41.97

 

Description

Color code: RGBA 122 24 104 1 | qconv.com Color code: RGBA 122 24 104 1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 24 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 24 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 15 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 15% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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