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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 112 201 232 0.75 it is the complementary color RGBA 143 54 23 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 112 201 232 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 112 201 232 0.75 shade: RGBA 117 201 227 0.75, RGBA 134 219 246 0.75, RGBA 151 237 255 0.75, RGBA 168 255 255 0.75 and RGBA 185 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 112 201 232 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 112 201 232 0.75 shade: RGBA 112 201 232 0.75, RGBA 95 183 213 0.75, RGBA 78 165 194 0.75, RGBA 61 147 175 0.75 and RGBA 44 129 156 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 112 201 232 0.75 shade: RGB 110 200 231, RGB 110 167 231, RGB 110 135 231, RGB 118 110 231 and RGB 151 110 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 112 201 232 0.75 shade: RGB 110 200 231, RGB 110 167 231, RGB 110 135 231 and RGB 110 110 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 112 201 232 0.75 shade matches the following richer shades: RGB 110 200 231 and RGB 97 207 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 112 201 232 0.75 shade: RGB 110 200 231, RGB 124 194 218, RGB 137 187 204, RGB 151 180 191 and RGB 165 174 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 112 201 232 0.75 shade: RGB 110 231 197, RGB 110 231 229, RGB 110 201 231, RGB 110 169 231 and RGB 110 137 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 112 201 232 0.75 shade: RGB 39 173 220, RGB 75 187 226, RGB 110 200 231, RGB 146 214 237 and RGB 181 227 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 112 201 232 0.75 shade: RGB 112 201 232, RGB 165 110 231 and RGB 231 213 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 112 201 232 0.75 shade: RGB 112 201 232, RGB 231 110 201 and RGB 201 231 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 112 201 232 0.75 shade: RGB 112 201 232, RGB 165 110 231, RGB 231 141 110 and RGB 177 231 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 112 201 232 0.75 shade: RGB 112 201 232, RGB 201 110 231, RGB 231 141 110 and RGB 141 231 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 10 / 0 / 7

HEX #70C9E8BF

RGBA 112 201 232 0.75

HSLA 195.5, 0.72%, 0.67%, 0.75

LABA 76.71, -18.35, -23.57, 0.75

 

Complementary color

CMYK 0 / 47 / 63 / 33

HEX #8F3617BF

RGBA 143 54 23 0.75

HSLA 15.5, 0.72%, 0.33%, 0.75

LABA 35.08, 36.11, 37.27, 0.75

 

CMYK 36 / 9 / 0 / 8

HEX #75C9E3BF

RGBA 117 201 227 0.75

HSLA 194.18, 0.66%, 0.67%, 0.75

LABA 76.74, -18.64, -20.81, 0.75

 

CMYK 34 / 8 / 0 / 3

HEX #86DBF6BF

RGBA 134 219 246 0.75

HSLA 194.46, 0.86%, 0.75%, 0.75

LABA 83.12, -18.82, -21.22, 0.75

 

CMYK 31 / 5 / 0 / 0

HEX #97EDFFBF

RGBA 151 237 255 0.75

HSLA 190.38, 1%, 0.8%, 0.75

LABA 89.1, -21.48, -16.86, 0.75

 

CMYK 26 / 0 / 0 / 0

HEX #A8FFFFBF

RGBA 168 255 255 0.75

HSLA 180, 1%, 0.83%, 0.75

LABA 94.77, -25.99, -8.31, 0.75

 

CMYK 21 / 0 / 0 / 0

HEX #B9FFFFBF

RGBA 185 255 255 0.75

HSLA 180, 1%, 0.86%, 0.75

LABA 95.6, -21.45, -6.98, 0.75

 

CMYK 39 / 10 / 0 / 7

HEX #70C9E8BF

RGBA 112 201 232 0.75

HSLA 195.5, 0.72%, 0.67%, 0.75

LABA 76.71, -18.35, -23.57, 0.75

 

CMYK 42 / 11 / 0 / 12

HEX #5FB7D5BF

RGBA 95 183 213 0.75

HSLA 195.25, 0.58%, 0.6%, 0.75

LABA 70.25, -18, -23.18, 0.75

 

CMYK 45 / 11 / 0 / 18

HEX #4EA5C2BF

RGBA 78 165 194 0.75

HSLA 195, 0.49%, 0.53%, 0.75

LABA 63.69, -17.54, -22.75, 0.75

 

CMYK 49 / 12 / 0 / 24

HEX #3D93AFBF

RGBA 61 147 175 0.75

HSLA 194.74, 0.48%, 0.46%, 0.75

LABA 57.03, -16.92, -22.3, 0.75

 

CMYK 54 / 13 / 0 / 29

HEX #2C819CBF

RGBA 44 129 156 0.75

HSLA 194.46, 0.56%, 0.39%, 0.75

LABA 50.26, -16.06, -21.8, 0.75

 

CMYK 52 / 13 / 0 / 9

HEX #6EC8E7

RGB 110 200 231

HSL 195.37, 0.72%, 0.67%

LAB 76.31, -18.54, -23.65

 

CMYK 52 / 28 / 0 / 9

HEX #6EA7E7

RGB 110 167 231

HSL 211.74, 0.72%, 0.67%

LAB 67.07, -0.79, -37.9

 

CMYK 52 / 42 / 0 / 9

HEX #6E87E7

RGB 110 135 231

HSL 227.6, 0.72%, 0.67%

LAB 58.43, 17.8, -51.5

 

CMYK 49 / 52 / 0 / 9

HEX #766EE7

RGB 118 110 231

HSL 243.97, 0.72%, 0.67%

LAB 52.7, 34.46, -60.63

 

CMYK 35 / 52 / 0 / 9

HEX #976EE7

RGB 151 110 231

HSL 260.33, 0.72%, 0.67%

LAB 55.58, 42.02, -55.85

 

CMYK 52 / 13 / 0 / 9

HEX #6EC8E7

RGB 110 200 231

HSL 195.37, 0.72%, 0.67%

LAB 76.31, -18.54, -23.65

 

CMYK 52 / 28 / 0 / 9

HEX #6EA7E7

RGB 110 167 231

HSL 211.74, 0.72%, 0.67%

LAB 67.07, -0.79, -37.9

 

CMYK 52 / 42 / 0 / 9

HEX #6E87E7

RGB 110 135 231

HSL 227.6, 0.72%, 0.67%

LAB 58.43, 17.8, -51.5

 

CMYK 52 / 52 / 0 / 9

HEX #6E6EE7

RGB 110 110 231

HSL 240, 0.72%, 0.67%

LAB 52.1, 32.81, -61.62

 

CMYK 52 / 13 / 0 / 9

HEX #6EC8E7

RGB 110 200 231

HSL 195.37, 0.72%, 0.67%

LAB 76.31, -18.54, -23.65

 

CMYK 60 / 16 / 0 / 4

HEX #61CFF5

RGB 97 207 245

HSL 195.41, 0.88%, 0.67%

LAB 78.32, -20.58, -28.12

 

CMYK 52 / 13 / 0 / 9

HEX #6EC8E7

RGB 110 200 231

HSL 195.37, 0.72%, 0.67%

LAB 76.31, -18.54, -23.65

 

CMYK 43 / 11 / 0 / 15

HEX #7CC2DA

RGB 124 194 218

HSL 195.32, 0.56%, 0.67%

LAB 74.78, -15.8, -18.89

 

CMYK 33 / 8 / 0 / 20

HEX #89BBCC

RGB 137 187 204

HSL 195.22, 0.4%, 0.67%

LAB 73.04, -12.27, -13.85

 

CMYK 21 / 6 / 0 / 25

HEX #97B4BF

RGB 151 180 191

HSL 196.5, 0.24%, 0.67%

LAB 71.54, -7.43, -8.88

 

CMYK 7 / 2 / 0 / 31

HEX #A5AEB1

RGB 165 174 177

HSL 195, 0.07%, 0.67%

LAB 70.49, -2.55, -2.63

 

CMYK 52 / 0 / 15 / 9

HEX #6EE7C5

RGB 110 231 197

HSL 163.14, 0.72%, 0.67%

LAB 84.22, -42.06, 6.24

 

CMYK 52 / 0 / 1 / 9

HEX #6EE7E5

RGB 110 231 229

HSL 179.01, 0.72%, 0.67%

LAB 85.06, -34.28, -9.41

 

CMYK 52 / 13 / 0 / 9

HEX #6EC9E7

RGB 110 201 231

HSL 194.88, 0.72%, 0.67%

LAB 76.59, -19.05, -23.22

 

CMYK 52 / 27 / 0 / 9

HEX #6EA9E7

RGB 110 169 231

HSL 210.74, 0.72%, 0.67%

LAB 67.62, -1.91, -37.03

 

CMYK 52 / 41 / 0 / 9

HEX #6E89E7

RGB 110 137 231

HSL 226.61, 0.72%, 0.67%

LAB 58.95, 16.6, -50.67

 

CMYK 82 / 21 / 0 / 14

HEX #27ADDC

RGB 39 173 220

HSL 195.58, 0.72%, 0.51%

LAB 66.13, -18.55, -33.49

 

CMYK 67 / 17 / 0 / 11

HEX #4BBBE2

RGB 75 187 226

HSL 195.5, 0.72%, 0.59%

LAB 71.23, -19.68, -28.82

 

CMYK 52 / 13 / 0 / 9

HEX #6EC8E7

RGB 110 200 231

HSL 195.37, 0.72%, 0.67%

LAB 76.31, -18.54, -23.65

 

CMYK 38 / 10 / 0 / 7

HEX #92D6ED

RGB 146 214 237

HSL 195.16, 0.72%, 0.75%

LAB 82.01, -15.67, -18.06

 

CMYK 26 / 7 / 0 / 5

HEX #B5E3F3

RGB 181 227 243

HSL 195.48, 0.72%, 0.83%

LAB 87.6, -11.28, -12.65

 

CMYK 52 / 13 / 0 / 9

HEX #70C9E8

RGB 112 201 232

HSL 195.5, 0.72%, 0.67%

LAB 76.71, -18.35, -23.57

 

CMYK 29 / 52 / 0 / 9

HEX #A56EE7

RGB 165 110 231

HSL 267.27, 0.72%, 0.67%

LAB 57, 45.49, -53.51

 

CMYK 0 / 8 / 52 / 9

HEX #E7D56E

RGB 231 213 110

HSL 51.07, 0.72%, 0.67%

LAB 84.84, -6.8, 52.57

 

CMYK 52 / 13 / 0 / 9

HEX #70C9E8

RGB 112 201 232

HSL 195.5, 0.72%, 0.67%

LAB 76.71, -18.35, -23.57

 

CMYK 0 / 52 / 13 / 9

HEX #E76EC9

RGB 231 110 201

HSL 314.88, 0.72%, 0.67%

LAB 63.64, 57.85, -25.67

 

CMYK 13 / 0 / 52 / 9

HEX #C9E76E

RGB 201 231 110

HSL 74.88, 0.72%, 0.67%

LAB 87.34, -27.56, 54.93

 

CMYK 52 / 13 / 0 / 9

HEX #70C9E8

RGB 112 201 232

HSL 195.5, 0.72%, 0.67%

LAB 76.71, -18.35, -23.57

 

CMYK 29 / 52 / 0 / 9

HEX #A56EE7

RGB 165 110 231

HSL 267.27, 0.72%, 0.67%

LAB 57, 45.49, -53.51

 

CMYK 0 / 39 / 52 / 9

HEX #E78D6E

RGB 231 141 110

HSL 15.37, 0.72%, 0.67%

LAB 67.4, 31.06, 30.99

 

CMYK 23 / 0 / 52 / 9

HEX #B1E76E

RGB 177 231 110

HSL 86.78, 0.72%, 0.67%

LAB 85.82, -36.54, 52.76

 

CMYK 52 / 13 / 0 / 9

HEX #70C9E8

RGB 112 201 232

HSL 195.5, 0.72%, 0.67%

LAB 76.71, -18.35, -23.57

 

CMYK 13 / 52 / 0 / 9

HEX #C96EE7

RGB 201 110 231

HSL 285.12, 0.72%, 0.67%

LAB 61.08, 54.81, -46.77

 

CMYK 0 / 39 / 52 / 9

HEX #E78D6E

RGB 231 141 110

HSL 15.37, 0.72%, 0.67%

LAB 67.4, 31.06, 30.99

 

CMYK 39 / 0 / 52 / 9

HEX #8DE76E

RGB 141 231 110

HSL 104.63, 0.72%, 0.67%

LAB 83.93, -48.79, 50.06

 

Description

Color code: RGBA 112 201 232 0.75 | qconv.com Color code: RGBA 112 201 232 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 201 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 201 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 10 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 10% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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