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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 0 104 it is the complementary color RGB 151 255 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 0 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 104 0 104: RGB 109 0 99, RGB 126 18 118, RGB 143 36 137, RGB 160 54 156 and RGB 177 72 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 0 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 104 0 104: RGB 104 0 104, RGB 87 0 85, RGB 70 0 66, RGB 53 0 47 and RGB 36 0 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 0 / 59

HEX #680068

RGB 104 0 104

HSL 300, 1%, 0.2%

LAB 23.48, 50.83, -31.47

 

Complementary color

CMYK 41 / 0 / 41 / 0

HEX #97FF97

RGB 151 255 151

HSL 120, 1%, 0.8%

LAB 91.83, -50.41, 40.41

 

CMYK 0 / 100 / 9 / 57

HEX #6D0063

RGB 109 0 99

HSL 305.5, 1%, 0.21%

LAB 24.17, 50.97, -27.04

 

CMYK 0 / 86 / 6 / 51

HEX #7E1276

RGB 126 18 118

HSL 304.44, 0.75%, 0.28%

LAB 29.85, 53.82, -30.08

 

CMYK 0 / 75 / 4 / 44

HEX #8F2489

RGB 143 36 137

HSL 303.36, 0.6%, 0.35%

LAB 35.81, 55.48, -32.36

 

CMYK 0 / 66 / 2 / 37

HEX #A0369C

RGB 160 54 156

HSL 302.26, 0.5%, 0.42%

LAB 42.02, 56.06, -33.93

 

CMYK 0 / 59 / 1 / 31

HEX #B148AF

RGB 177 72 175

HSL 301.14, 0.42%, 0.49%

LAB 48.36, 56.03, -35.05

 

CMYK 0 / 100 / 0 / 59

HEX #680068

RGB 104 0 104

HSL 300, 1%, 0.2%

LAB 23.48, 50.83, -31.47

 

CMYK 0 / 100 / 2 / 66

HEX #570055

RGB 87 0 85

HSL 301.38, 1%, 0.17%

LAB 18.72, 44.55, -26.66

 

CMYK 0 / 100 / 6 / 73

HEX #460042

RGB 70 0 66

HSL 303.43, 1%, 0.14%

LAB 13.8, 38.04, -21.63

 

CMYK 0 / 100 / 11 / 79

HEX #35002F

RGB 53 0 47

HSL 306.79, 1%, 0.1%

LAB 8.67, 31.26, -16.29

 

CMYK 0 / 100 / 22 / 86

HEX #24001C

RGB 36 0 28

HSL 313.33, 1%, 0.07%

LAB 4.15, 20.38, -8.99

 

CMYK 0 / 100 / 0 / 59

HEX #680068

RGB 104 0 104

HSL 300, 1%, 0.2%

LAB 23.48, 50.83, -31.47

 

CMYK 0 / 100 / 18 / 60

HEX #660054

RGB 102 0 84

HSL 310.59, 1%, 0.2%

LAB 21.82, 47.37, -20.88

 

CMYK 0 / 100 / 33 / 60

HEX #660044

RGB 102 0 68

HSL 320, 1%, 0.2%

LAB 20.99, 45.28, -11.27

 

CMYK 0 / 100 / 50 / 60

HEX #660033

RGB 102 0 51

HSL 330, 1%, 0.2%

LAB 20.3, 43.48, -0.42

 

CMYK 0 / 100 / 68 / 60

HEX #660021

RGB 102 0 33

HSL 340.59, 1%, 0.2%

LAB 19.78, 42.1, 11.68

 

CMYK 0 / 100 / 0 / 59

HEX #680068

RGB 104 0 104

HSL 300, 1%, 0.2%

LAB 23.48, 50.83, -31.47

 

CMYK 0 / 100 / 0 / 39

HEX #9B009B

RGB 155 0 155

HSL 300, 1%, 0.3%

LAB 36.62, 67.75, -41.95

 

CMYK 0 / 100 / 0 / 19

HEX #CE00CE

RGB 206 0 206

HSL 300, 1%, 0.4%

LAB 48.98, 83.66, -51.8

 

CMYK 0 / 100 / 0 / 99

HEX #020002

RGB 2 0 2

HSL 300, 1%, 0%

LAB 0.16, 0.8, -0.57

 

CMYK 0 / 100 / 0 / 79

HEX #350035

RGB 53 0 53

HSL 300, 1%, 0.1%

LAB 9.11, 32.32, -20.02

 

CMYK 0 / 100 / 0 / 59

HEX #680068

RGB 104 0 104

HSL 300, 1%, 0.2%

LAB 23.48, 50.83, -31.47

 

CMYK 0 / 80 / 100 / 60

HEX #661400

RGB 102 20 0

HSL 11.76, 1%, 0.2%

LAB 21.3, 35.27, 31.87

 

CMYK 100 / 0 / 40 / 60

HEX #00663D

RGB 0 102 61

HSL 155.88, 1%, 0.2%

LAB 37.55, -36.35, 16.14

 

CMYK 0 / 100 / 0 / 59

HEX #680068

RGB 104 0 104

HSL 300, 1%, 0.2%

LAB 23.48, 50.83, -31.47

 

CMYK 0 / 0 / 100 / 60

HEX #666600

RGB 102 102 0

HSL 60, 1%, 0.2%

LAB 41.73, -11, 48.21

 

CMYK 100 / 0 / 0 / 60

HEX #006666

RGB 0 102 102

HSL 180, 1%, 0.2%

LAB 38.66, -24.53, -7.21

 

CMYK 0 / 100 / 0 / 59

HEX #680068

RGB 104 0 104

HSL 300, 1%, 0.2%

LAB 23.48, 50.83, -31.47

 

CMYK 0 / 80 / 100 / 60

HEX #661400

RGB 102 20 0

HSL 11.76, 1%, 0.2%

LAB 21.3, 35.27, 31.87

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 100 / 21 / 0 / 60

HEX #005166

RGB 0 81 102

HSL 192.35, 1%, 0.2%

LAB 31.45, -13.01, -18.19

 

CMYK 0 / 100 / 0 / 59

HEX #680068

RGB 104 0 104

HSL 300, 1%, 0.2%

LAB 23.48, 50.83, -31.47

 

CMYK 0 / 50 / 100 / 60

HEX #663300

RGB 102 51 0

HSL 30, 1%, 0.2%

LAB 27.28, 19.63, 37.72

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 100 / 50 / 0 / 60

HEX #003366

RGB 0 51 102

HSL 210, 1%, 0.2%

LAB 21.31, 6.82, -34.22

 

Description

Color code: RGBA 104 0 104 1.0 | qconv.com Color code: RGBA 104 0 104 1.0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, none green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 0 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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