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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 0 191 255 0.5 it is the complementary color RGBA 255 64 0 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 0 191 255 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 0 191 255 0.5: RGBA 5 191 250 0.5, RGBA 22 209 255 0.5, RGBA 39 227 255 0.5, RGBA 56 245 255 0.5 and RGBA 73 255 255 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 0 191 255 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 0 191 255 0.5: RGBA 0 191 255 0.5, RGBA 0 173 236 0.5, RGBA 0 155 217 0.5, RGBA 0 137 198 0.5 and RGBA 0 119 179 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 13 / 0 / 0

HEX #00BFFF7F

RGBA 0 191 255 0.5

HSLA 195.06, 1%, 0.5%, 0.5

LABA 72.55, -17.65, -42.55, 0.5

 

Complementary color

CMYK 0 / 37 / 50 / 0

HEX #FF40007F

RGBA 255 64 0 0.5

HSLA 15.06, 1%, 0.5%, 0.5

LABA 57, 69.38, 68.71, 0.5

 

CMYK 49 / 12 / 0 / 1

HEX #05BFFA7F

RGBA 5 191 250 0.5

HSLA 194.45, 0.96%, 0.5%, 0.5

LABA 72.36, -19.27, -40.15, 0.5

 

CMYK 46 / 9 / 0 / 0

HEX #16D1FF7F

RGBA 22 209 255 0.5

HSLA 191.85, 1%, 0.54%, 0.5

LABA 77.87, -26.26, -34.27, 0.5

 

CMYK 42 / 5 / 0 / 0

HEX #27E3FF7F

RGBA 39 227 255 0.5

HSLA 187.78, 1%, 0.58%, 0.5

LABA 83.23, -34.13, -26.04, 0.5

 

CMYK 39 / 2 / 0 / 0

HEX #38F5FF7F

RGBA 56 245 255 0.5

HSLA 183.02, 1%, 0.61%, 0.5

LABA 88.62, -41.15, -17.84, 0.5

 

CMYK 36 / 0 / 0 / 0

HEX #49FFFF7F

RGBA 73 255 255 0.5

HSLA 180, 1%, 0.64%, 0.5

LABA 91.76, -43.91, -13.12, 0.5

 

CMYK 50 / 13 / 0 / 0

HEX #00BFFF7F

RGBA 0 191 255 0.5

HSLA 195.06, 1%, 0.5%, 0.5

LABA 72.55, -17.65, -42.55, 0.5

 

CMYK 50 / 13 / 0 / 4

HEX #00ADEC7F

RGBA 0 173 236 0.5

HSLA 196.02, 1%, 0.46%, 0.5

LABA 66.48, -14.75, -41.74, 0.5

 

CMYK 50 / 14 / 0 / 7

HEX #009BD97F

RGBA 0 155 217 0.5

HSLA 197.14, 1%, 0.43%, 0.5

LABA 60.3, -11.75, -40.95, 0.5

 

CMYK 50 / 15 / 0 / 11

HEX #0089C67F

RGBA 0 137 198 0.5

HSLA 198.48, 1%, 0.39%, 0.5

LABA 53.99, -8.63, -40.19, 0.5

 

CMYK 50 / 17 / 0 / 15

HEX #0077B37F

RGBA 0 119 179 0.5

HSLA 200.11, 1%, 0.35%, 0.5

LABA 47.56, -5.36, -39.44, 0.5

 

CMYK 50 / 13 / 0 / 0

HEX #00BFFF7F

RGBA 0 191 255 0.5

HSLA 195.06, 1%, 0.5%, 0.5

LABA 72.55, -17.65, -42.55, 0.5

 

CMYK 50 / 21 / 0 / 0

HEX #0094FF7F

RGBA 0 148 255 0.5

HSLA 205.18, 1%, 0.5%, 0.5

LABA 60.25, 6.55, -62.02, 0.5

 

CMYK 50 / 29 / 0 / 0

HEX #006AFF7F

RGBA 0 106 255 0.5

HSLA 215.06, 1%, 0.5%, 0.5

LABA 48.92, 32.67, -80.36, 0.5

 

CMYK 50 / 38 / 0 / 0

HEX #003FFF7F

RGBA 0 63 255 0.5

HSLA 225.18, 1%, 0.5%, 0.5

LABA 39.2, 58.61, -96.37, 0.5

 

CMYK 50 / 46 / 0 / 0

HEX #0015FF7F

RGBA 0 21 255 0.5

HSLA 235.06, 1%, 0.5%, 0.5

LABA 33.47, 75.58, -105.91, 0.5

 

CMYK 50 / 13 / 0 / 0

HEX #00BFFF7F

RGBA 0 191 255 0.5

HSLA 195.06, 1%, 0.5%, 0.5

LABA 72.55, -17.65, -42.55, 0.5

 

CMYK 50 / 13 / 0 / 40

HEX #0026337F

RGBA 0 38 51 0.5

HSLA 195.29, 1%, 0.1%, 0.5

LABA 13.38, -7.36, -12.18, 0.5

 

CMYK 50 / 13 / 0 / 30

HEX #004C667F

RGBA 0 76 102 0.5

HSLA 195.29, 1%, 0.2%, 0.5

LABA 29.73, -10, -20.85, 0.5

 

CMYK 50 / 12 / 0 / 20

HEX #0073997F

RGBA 0 115 153 0.5

HSLA 194.9, 1%, 0.3%, 0.5

LABA 45.03, -13.05, -28.2, 0.5

 

CMYK 50 / 13 / 0 / 10

HEX #0099CC7F

RGBA 0 153 204 0.5

HSLA 195, 1%, 0.4%, 0.5

LABA 59.11, -15.39, -35.55, 0.5

 

CMYK 50 / 13 / 0 / 0

HEX #00BFFF7F

RGBA 0 191 255 0.5

HSLA 195.06, 1%, 0.5%, 0.5

LABA 72.55, -17.65, -42.55, 0.5

 

CMYK 28 / 50 / 0 / 0

HEX #7200FF7F

RGBA 114 0 255 0.5

HSLA 266.82, 1%, 0.5%, 0.5

LABA 39.24, 82.22, -96.13, 0.5

 

CMYK 0 / 8 / 50 / 0

HEX #FFD8007F

RGBA 255 216 0 0.5

HSLA 50.82, 1%, 0.5%, 0.5

LABA 87.18, -2.43, 87.31, 0.5

 

CMYK 50 / 13 / 0 / 0

HEX #00BFFF7F

RGBA 0 191 255 0.5

HSLA 195.06, 1%, 0.5%, 0.5

LABA 72.55, -17.65, -42.55, 0.5

 

CMYK 0 / 50 / 13 / 0

HEX #FF00BF7F

RGBA 255 0 191 0.5

HSLA 315.06, 1%, 0.5%, 0.5

LABA 57.1, 90.28, -29.75, 0.5

 

CMYK 13 / 0 / 50 / 0

HEX #BFFF007F

RGBA 191 255 0 0.5

HSLA 75.06, 1%, 0.5%, 0.5

LABA 92.84, -46.87, 89.36, 0.5

 

CMYK 50 / 13 / 0 / 0

HEX #00BFFF7F

RGBA 0 191 255 0.5

HSLA 195.06, 1%, 0.5%, 0.5

LABA 72.55, -17.65, -42.55, 0.5

 

CMYK 28 / 50 / 0 / 0

HEX #7200FF7F

RGBA 114 0 255 0.5

HSLA 266.82, 1%, 0.5%, 0.5

LABA 39.24, 82.22, -96.13, 0.5

 

CMYK 0 / 38 / 50 / 0

HEX #FF3F007F

RGBA 255 63 0 0.5

HSLA 14.82, 1%, 0.5%, 0.5

LABA 56.89, 69.69, 68.67, 0.5

 

CMYK 23 / 0 / 50 / 0

HEX #8CFF007F

RGBA 140 255 0 0.5

HSLA 87.06, 1%, 0.5%, 0.5

LABA 90.37, -64.28, 86.38, 0.5

 

CMYK 50 / 13 / 0 / 0

HEX #00BFFF7F

RGBA 0 191 255 0.5

HSLA 195.06, 1%, 0.5%, 0.5

LABA 72.55, -17.65, -42.55, 0.5

 

CMYK 13 / 50 / 0 / 0

HEX #BF00FF7F

RGBA 191 0 255 0.5

HSLA 284.94, 1%, 0.5%, 0.5

LABA 49.85, 89.39, -78.27, 0.5

 

CMYK 0 / 38 / 50 / 0

HEX #FF3F007F

RGBA 255 63 0 0.5

HSLA 14.82, 1%, 0.5%, 0.5

LABA 56.89, 69.69, 68.67, 0.5

 

CMYK 38 / 0 / 50 / 0

HEX #3FFF007F

RGBA 63 255 0 0.5

HSLA 105.18, 1%, 0.5%, 0.5

LABA 88.25, -81.61, 83.8, 0.5

 

Description

Color code: RGBA 0 191 255 0.5 | qconv.com Color code: RGBA 0 191 255 0.5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as DeepSkyBlue1.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 191 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 191 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 13 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 13% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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PANTONE® to NCS®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

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