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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99.9 162 229 it is the complementary color RGB 155.1 93 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99.9 162 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99.9 162 229 shade: RGB 104.9 162 224, RGB 121.9 180 243, RGB 138.9 198 255, RGB 155.9 216 255 and RGB 172.9 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99.9 162 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99.9 162 229 shade: RGB 99.9 162 229, RGB 82.9 144 210, RGB 65.9 126 191, RGB 48.9 108 172 and RGB 31.9 90 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99.9 162 229 shade: RGB 98 161 228, RGB 98 126 228, RGB 106 98 228, RGB 141 98 228 and RGB 176 98 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99.9 162 229 shade: RGB 98 161 228, RGB 98 126 228 and RGB 98 98 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99.9 162 229 shade matches the following richer shades: RGB 98 161 228 and RGB 83 160 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99.9 162 229 shade: RGB 98 161 228, RGB 113 161 214, RGB 128 162 199, RGB 143 162 184 and RGB 157 163 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99.9 162 229 shade: RGB 98 228 226, RGB 98 196 228, RGB 98 161 228, RGB 98 126 228 and RGB 105 98 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99.9 162 229 shade: RGB 35 119 209, RGB 63 140 222, RGB 98 161 228, RGB 133 182 234 and RGB 169 203 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99.9 162 229 shade: RGB 99.9 162 229, RGB 191 98 228 and RGB 213 228 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99.9 162 229 shade: RGB 99.9 162 229, RGB 228 98 161 and RGB 161 228 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99.9 162 229 shade: RGB 99.9 162 229, RGB 191 98 228, RGB 228 165 98 and RGB 135 228 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99.9 162 229 shade: RGB 99.9 162 229, RGB 228 98 226, RGB 228 165 98 and RGB 98 228 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 29 / 0 / 10

HEX #63A2E5

RGB 99.9 162 229

HSL 211.14, 0.71%, 0.64%

LAB 65.12, -0.72, -39.87

 

Complementary color

CMYK 0 / 40 / 83 / 39

HEX #9B5D1A

RGB 155.1 93 26

HSL 31.14, 0.71%, 0.36%

LAB 45.47, 20.23, 46.12

 

CMYK 53 / 28 / 0 / 12

HEX #68A2E0

RGB 104.9 162 224

HSL 211.23, 0.66%, 0.64%

LAB 65.14, -1.21, -37.08

 

CMYK 50 / 26 / 0 / 5

HEX #79B4F3

RGB 121.9 180 243

HSL 211.21, 0.83%, 0.72%

LAB 71.72, -1.82, -37.15

 

CMYK 46 / 22 / 0 / 0

HEX #8AC6FF

RGB 138.9 198 255

HSL 209.46, 1%, 0.77%

LAB 77.93, -4.28, -33.93

 

CMYK 39 / 15 / 0 / 0

HEX #9BD8FF

RGB 155.9 216 255

HSL 203.61, 1%, 0.81%

LAB 83.65, -9.61, -25.08

 

CMYK 32 / 8 / 0 / 0

HEX #ACEAFF

RGB 172.9 234 255

HSL 195.35, 1%, 0.84%

LAB 89.36, -14.35, -16.35

 

CMYK 56 / 29 / 0 / 10

HEX #63A2E5

RGB 99.9 162 229

HSL 211.14, 0.71%, 0.64%

LAB 65.12, -0.72, -39.87

 

CMYK 61 / 31 / 0 / 18

HEX #5290D2

RGB 82.9 144 210

HSL 211.16, 0.59%, 0.57%

LAB 58.45, 0.17, -39.83

 

CMYK 65 / 34 / 0 / 25

HEX #417EBF

RGB 65.9 126 191

HSL 211.18, 0.49%, 0.5%

LAB 51.65, 1.28, -39.8

 

CMYK 72 / 37 / 0 / 33

HEX #306CAC

RGB 48.9 108 172

HSL 211.19, 0.56%, 0.43%

LAB 44.74, 2.71, -39.77

 

CMYK 79 / 41 / 0 / 40

HEX #1F5A99

RGB 31.9 90 153

HSL 211.21, 0.65%, 0.36%

LAB 37.69, 4.59, -39.73

 

CMYK 57 / 29 / 0 / 11

HEX #62A1E4

RGB 98 161 228

HSL 210.92, 0.71%, 0.64%

LAB 64.71, -0.85, -39.96

 

CMYK 57 / 45 / 0 / 11

HEX #627EE4

RGB 98 126 228

HSL 227.08, 0.71%, 0.64%

LAB 55.2, 19.77, -55.02

 

CMYK 54 / 57 / 0 / 11

HEX #6A62E4

RGB 106 98 228

HSL 243.69, 0.71%, 0.64%

LAB 48.76, 38.26, -65.35

 

CMYK 38 / 57 / 0 / 11

HEX #8D62E4

RGB 141 98 228

HSL 259.85, 0.71%, 0.64%

LAB 51.84, 45.58, -60.23

 

CMYK 23 / 57 / 0 / 11

HEX #B062E4

RGB 176 98 228

HSL 276, 0.71%, 0.64%

LAB 55.65, 53.84, -53.9

 

CMYK 57 / 29 / 0 / 11

HEX #62A1E4

RGB 98 161 228

HSL 210.92, 0.71%, 0.64%

LAB 64.71, -0.85, -39.96

 

CMYK 57 / 45 / 0 / 11

HEX #627EE4

RGB 98 126 228

HSL 227.08, 0.71%, 0.64%

LAB 55.2, 19.77, -55.02

 

CMYK 57 / 57 / 0 / 11

HEX #6262E4

RGB 98 98 228

HSL 240, 0.71%, 0.64%

LAB 48.18, 36.79, -66.32

 

CMYK 57 / 29 / 0 / 11

HEX #62A1E4

RGB 98 161 228

HSL 210.92, 0.71%, 0.64%

LAB 64.71, -0.85, -39.96

 

CMYK 66 / 34 / 0 / 5

HEX #53A0F3

RGB 83 160 243

HSL 211.13, 0.87%, 0.64%

LAB 64.52, 1.89, -48.55

 

CMYK 57 / 29 / 0 / 11

HEX #62A1E4

RGB 98 161 228

HSL 210.92, 0.71%, 0.64%

LAB 64.71, -0.85, -39.96

 

CMYK 47 / 25 / 0 / 16

HEX #71A1D6

RGB 113 161 214

HSL 211.49, 0.55%, 0.64%

LAB 64.85, -1.76, -31.97

 

CMYK 36 / 19 / 0 / 22

HEX #80A2C7

RGB 128 162 199

HSL 211.27, 0.39%, 0.64%

LAB 65.4, -2.55, -22.72

 

CMYK 22 / 12 / 0 / 28

HEX #8FA2B8

RGB 143 162 184

HSL 212.2, 0.22%, 0.64%

LAB 65.86, -1.77, -13.57

 

CMYK 7 / 4 / 0 / 34

HEX #9DA3A9

RGB 157 163 169

HSL 210, 0.07%, 0.64%

LAB 66.69, -0.93, -3.85

 

CMYK 57 / 0 / 1 / 11

HEX #62E4E2

RGB 98 228 226

HSL 179.08, 0.71%, 0.64%

LAB 83.74, -35.93, -9.82

 

CMYK 57 / 14 / 0 / 11

HEX #62C4E4

RGB 98 196 228

HSL 194.77, 0.71%, 0.64%

LAB 74.62, -19.76, -24.65

 

CMYK 57 / 29 / 0 / 11

HEX #62A1E4

RGB 98 161 228

HSL 210.92, 0.71%, 0.64%

LAB 64.71, -0.85, -39.96

 

CMYK 57 / 45 / 0 / 11

HEX #627EE4

RGB 98 126 228

HSL 227.08, 0.71%, 0.64%

LAB 55.2, 19.77, -55.02

 

CMYK 54 / 57 / 0 / 11

HEX #6962E4

RGB 105 98 228

HSL 243.23, 0.71%, 0.64%

LAB 48.69, 38.07, -65.47

 

CMYK 83 / 43 / 0 / 18

HEX #2377D1

RGB 35 119 209

HSL 211.03, 0.71%, 0.48%

LAB 49.68, 8.2, -53.26

 

CMYK 72 / 37 / 0 / 13

HEX #3F8CDE

RGB 63 140 222

HSL 210.94, 0.71%, 0.56%

LAB 57.16, 3.35, -48.63

 

CMYK 57 / 29 / 0 / 11

HEX #62A1E4

RGB 98 161 228

HSL 210.92, 0.71%, 0.64%

LAB 64.71, -0.85, -39.96

 

CMYK 43 / 22 / 0 / 8

HEX #85B6EA

RGB 133 182 234

HSL 210.89, 0.71%, 0.72%

LAB 72.48, -2.83, -31.04

 

CMYK 30 / 15 / 0 / 6

HEX #A9CBF0

RGB 169 203 240

HSL 211.27, 0.7%, 0.8%

LAB 80.43, -2.93, -21.94

 

CMYK 56 / 29 / 0 / 10

HEX #63A2E5

RGB 99.9 162 229

HSL 211.14, 0.71%, 0.64%

LAB 65.12, -0.72, -39.87

 

CMYK 16 / 57 / 0 / 11

HEX #BF62E4

RGB 191 98 228

HSL 282.92, 0.71%, 0.64%

LAB 57.48, 57.54, -50.89

 

CMYK 7 / 0 / 57 / 11

HEX #D5E462

RGB 213 228 98

HSL 66.92, 0.71%, 0.64%

LAB 87.25, -22.43, 60.41

 

CMYK 56 / 29 / 0 / 10

HEX #63A2E5

RGB 99.9 162 229

HSL 211.14, 0.71%, 0.64%

LAB 65.12, -0.72, -39.87

 

CMYK 0 / 57 / 29 / 11

HEX #E462A1

RGB 228 98 161

HSL 330.92, 0.71%, 0.64%

LAB 59.71, 56.89, -8.82

 

CMYK 29 / 0 / 57 / 11

HEX #A1E462

RGB 161 228 98

HSL 90.92, 0.71%, 0.64%

LAB 83.94, -42.09, 55.76

 

CMYK 56 / 29 / 0 / 10

HEX #63A2E5

RGB 99.9 162 229

HSL 211.14, 0.71%, 0.64%

LAB 65.12, -0.72, -39.87

 

CMYK 16 / 57 / 0 / 11

HEX #BF62E4

RGB 191 98 228

HSL 282.92, 0.71%, 0.64%

LAB 57.48, 57.54, -50.89

 

CMYK 0 / 28 / 57 / 11

HEX #E4A562

RGB 228 165 98

HSL 30.92, 0.71%, 0.64%

LAB 72.42, 16.1, 43.52

 

CMYK 41 / 0 / 57 / 11

HEX #87E462

RGB 135 228 98

HSL 102.92, 0.71%, 0.64%

LAB 82.66, -50.74, 53.95

 

CMYK 56 / 29 / 0 / 10

HEX #63A2E5

RGB 99.9 162 229

HSL 211.14, 0.71%, 0.64%

LAB 65.12, -0.72, -39.87

 

CMYK 0 / 57 / 1 / 11

HEX #E462E2

RGB 228 98 226

HSL 300.92, 0.71%, 0.64%

LAB 62.27, 66.5, -41.87

 

CMYK 0 / 28 / 57 / 11

HEX #E4A562

RGB 228 165 98

HSL 30.92, 0.71%, 0.64%

LAB 72.42, 16.1, 43.52

 

CMYK 57 / 0 / 56 / 11

HEX #62E464

RGB 98 228 100

HSL 120.92, 0.71%, 0.64%

LAB 81.29, -60.71, 51.11

 

Description

Color code: RGB 99.9 162 229 | qconv.com Color code: RGB 99.9 162 229 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99.9 red, 162 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99.9 162 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 29 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 29% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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