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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 177 206 it is the complementary color RGB 157 78 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 177 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 98 177 206: RGB 103 177 201, RGB 120 195 220, RGB 137 213 239, RGB 154 231 255 and RGB 171 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 177 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 98 177 206: RGB 98 177 206, RGB 81 159 187, RGB 64 141 168, RGB 47 123 149 and RGB 30 105 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 14 / 0 / 19

HEX #62B1CE

RGB 98 177 206

HSL 196.11, 0.52%, 0.6%

LAB 68.39, -16.26, -22.17

 

Complementary color

CMYK 0 / 50 / 69 / 38

HEX #9D4E31

RGB 157 78 49

HSL 16.11, 0.52%, 0.4%

LAB 42.52, 30.48, 31.86

 

CMYK 49 / 12 / 0 / 21

HEX #67B1C9

RGB 103 177 201

HSL 194.69, 0.48%, 0.6%

LAB 68.42, -16.56, -19.34

 

CMYK 45 / 11 / 0 / 14

HEX #78C3DC

RGB 120 195 220

HSL 195, 0.59%, 0.67%

LAB 74.94, -16.75, -19.74

 

CMYK 43 / 11 / 0 / 6

HEX #89D5EF

RGB 137 213 239

HSL 195.29, 0.76%, 0.74%

LAB 81.37, -16.9, -20.14

 

CMYK 40 / 9 / 0 / 0

HEX #9AE7FF

RGB 154 231 255

HSL 194.26, 1%, 0.8%

LAB 87.6, -17.76, -19.09

 

CMYK 33 / 2 / 0 / 0

HEX #ABF9FF

RGB 171 249 255

HSL 184.29, 1%, 0.84%

LAB 93.29, -22.31, -10.49

 

CMYK 52 / 14 / 0 / 19

HEX #62B1CE

RGB 98 177 206

HSL 196.11, 0.52%, 0.6%

LAB 68.39, -16.26, -22.17

 

CMYK 57 / 15 / 0 / 27

HEX #519FBB

RGB 81 159 187

HSL 195.85, 0.44%, 0.53%

LAB 61.77, -15.88, -21.77

 

CMYK 62 / 16 / 0 / 34

HEX #408DA8

RGB 64 141 168

HSL 195.58, 0.45%, 0.45%

LAB 55.04, -15.36, -21.35

 

CMYK 68 / 17 / 0 / 42

HEX #2F7B95

RGB 47 123 149

HSL 195.29, 0.52%, 0.38%

LAB 48.18, -14.63, -20.88

 

CMYK 77 / 19 / 0 / 49

HEX #1E6982

RGB 30 105 130

HSL 195, 0.63%, 0.31%

LAB 41.2, -13.57, -20.36

 

CMYK 52 / 14 / 0 / 19

HEX #62B1CE

RGB 98 177 206

HSL 196.11, 0.52%, 0.6%

LAB 68.39, -16.26, -22.17

 

CMYK 52 / 22 / 0 / 19

HEX #63A0CE

RGB 99 160 206

HSL 205.79, 0.52%, 0.6%

LAB 63.55, -6.83, -29.59

 

CMYK 52 / 31 / 0 / 19

HEX #638ECE

RGB 99 142 206

HSL 215.89, 0.52%, 0.6%

LAB 58.47, 3.43, -37.5

 

CMYK 52 / 40 / 0 / 19

HEX #637CCE

RGB 99 124 206

HSL 225.98, 0.52%, 0.6%

LAB 53.52, 14.14, -45.29

 

CMYK 52 / 48 / 0 / 19

HEX #636BCE

RGB 99 107 206

HSL 235.51, 0.52%, 0.6%

LAB 49.04, 24.53, -52.43

 

CMYK 52 / 14 / 0 / 19

HEX #62B1CE

RGB 98 177 206

HSL 196.11, 0.52%, 0.6%

LAB 68.39, -16.26, -22.17

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 53 / 13 / 0 / 79

HEX #192E35

RGB 25 46 53

HSL 195, 0.36%, 0.15%

LAB 17.54, -6.07, -7.11

 

CMYK 53 / 14 / 0 / 59

HEX #315968

RGB 49 89 104

HSL 196.36, 0.36%, 0.3%

LAB 35.59, -9.47, -12.97

 

CMYK 52 / 14 / 0 / 39

HEX #4A859B

RGB 74 133 155

HSL 196.3, 0.35%, 0.45%

LAB 52.51, -12.87, -17.68

 

CMYK 52 / 14 / 0 / 19

HEX #62B1CE

RGB 98 177 206

HSL 196.11, 0.52%, 0.6%

LAB 68.39, -16.26, -22.17

 

CMYK 28 / 52 / 0 / 19

HEX #9563CE

RGB 149 99 206

HSL 268.04, 0.52%, 0.6%

LAB 51.58, 41.41, -48.12

 

CMYK 0 / 7 / 52 / 19

HEX #CEBF63

RGB 206 191 99

HSL 51.59, 0.52%, 0.6%

LAB 76.85, -6.7, 47.82

 

CMYK 52 / 14 / 0 / 19

HEX #62B1CE

RGB 98 177 206

HSL 196.11, 0.52%, 0.6%

LAB 68.39, -16.26, -22.17

 

CMYK 0 / 52 / 14 / 19

HEX #CE63B1

RGB 206 99 177

HSL 316.26, 0.52%, 0.6%

LAB 57.29, 51.96, -22.03

 

CMYK 14 / 0 / 52 / 19

HEX #B1CE63

RGB 177 206 99

HSL 76.26, 0.52%, 0.6%

LAB 78.69, -25.93, 49.44

 

CMYK 52 / 14 / 0 / 19

HEX #62B1CE

RGB 98 177 206

HSL 196.11, 0.52%, 0.6%

LAB 68.39, -16.26, -22.17

 

CMYK 28 / 52 / 0 / 19

HEX #9563CE

RGB 149 99 206

HSL 268.04, 0.52%, 0.6%

LAB 51.58, 41.41, -48.12

 

CMYK 0 / 38 / 52 / 19

HEX #CE8063

RGB 206 128 99

HSL 16.26, 0.52%, 0.6%

LAB 61.19, 27.13, 28.37

 

CMYK 24 / 0 / 52 / 19

HEX #9CCE63

RGB 156 206 99

HSL 88.04, 0.52%, 0.6%

LAB 77.35, -33.91, 47.52

 

CMYK 52 / 14 / 0 / 19

HEX #62B1CE

RGB 98 177 206

HSL 196.11, 0.52%, 0.6%

LAB 68.39, -16.26, -22.17

 

CMYK 12 / 52 / 0 / 19

HEX #B563CE

RGB 181 99 206

HSL 285.98, 0.52%, 0.6%

LAB 55.28, 49.96, -42.02

 

CMYK 0 / 38 / 52 / 19

HEX #CE8063

RGB 206 128 99

HSL 16.26, 0.52%, 0.6%

LAB 61.19, 27.13, 28.37

 

CMYK 40 / 0 / 52 / 19

HEX #7CCE63

RGB 124 206 99

HSL 105.98, 0.52%, 0.6%

LAB 75.66, -44.94, 45.09

 

Description

Color code: RGB 98 177 206 | qconv.com Color code: RGB 98 177 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 177 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 177 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 14 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 14% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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