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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 142 41 it is the complementary color RGB 157 113 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 142 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 98 142 41: RGB 103 142 36, RGB 120 160 55, RGB 137 178 74, RGB 154 196 93 and RGB 171 214 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 142 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 98 142 41: RGB 98 142 41, RGB 81 124 22, RGB 64 106 3, RGB 47 88 0 and RGB 30 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 71 / 44

HEX #628E29

RGB 98 142 41

HSL 86.14, 0.55%, 0.36%

LAB 54.14, -31.45, 46.69

 

Complementary color

CMYK 27 / 47 / 0 / 16

HEX #9D71D6

RGB 157 113 214

HSL 266.14, 0.55%, 0.64%

LAB 55.92, 37.64, -45.72

 

CMYK 27 / 0 / 75 / 44

HEX #678E24

RGB 103 142 36

HSL 82.08, 0.6%, 0.35%

LAB 54.4, -29.8, 49

 

CMYK 25 / 0 / 66 / 37

HEX #78A037

RGB 120 160 55

HSL 82.86, 0.49%, 0.42%

LAB 61.14, -30.21, 48.6

 

CMYK 23 / 0 / 58 / 30

HEX #89B24A

RGB 137 178 74

HSL 83.65, 0.41%, 0.49%

LAB 67.76, -30.46, 47.74

 

CMYK 21 / 0 / 53 / 23

HEX #9AC45D

RGB 154 196 93

HSL 84.47, 0.47%, 0.57%

LAB 74.28, -30.61, 46.69

 

CMYK 20 / 0 / 48 / 16

HEX #ABD670

RGB 171 214 112

HSL 85.29, 0.55%, 0.64%

LAB 80.69, -30.69, 45.56

 

CMYK 31 / 0 / 71 / 44

HEX #628E29

RGB 98 142 41

HSL 86.14, 0.55%, 0.36%

LAB 54.14, -31.45, 46.69

 

CMYK 35 / 0 / 82 / 51

HEX #517C16

RGB 81 124 22

HSL 85.29, 0.7%, 0.29%

LAB 47.27, -30.92, 46.57

 

CMYK 40 / 0 / 97 / 58

HEX #406A03

RGB 64 106 3

HSL 84.47, 0.94%, 0.21%

LAB 40.25, -30.09, 45.08

 

CMYK 47 / 0 / 100 / 65

HEX #2F5800

RGB 47 88 0

HSL 87.95, 1%, 0.17%

LAB 33.1, -28.61, 39.93

 

CMYK 57 / 0 / 100 / 73

HEX #1E4600

RGB 30 70 0

HSL 94.29, 1%, 0.14%

LAB 25.73, -26.84, 33.57

 

CMYK 31 / 0 / 71 / 44

HEX #628E29

RGB 98 142 41

HSL 86.14, 0.55%, 0.36%

LAB 54.14, -31.45, 46.69

 

CMYK 43 / 0 / 71 / 44

HEX #518E29

RGB 81 142 41

HSL 96.24, 0.55%, 0.36%

LAB 53.23, -37.74, 45.47

 

CMYK 55 / 0 / 71 / 44

HEX #408E29

RGB 64 142 41

HSL 106.34, 0.55%, 0.36%

LAB 52.5, -43.15, 44.49

 

CMYK 66 / 0 / 71 / 44

HEX #308E29

RGB 48 142 41

HSL 115.84, 0.55%, 0.36%

LAB 51.99, -47.26, 43.79

 

CMYK 71 / 0 / 64 / 44

HEX #298E33

RGB 41 142 51

HSL 125.94, 0.55%, 0.36%

LAB 51.9, -47.66, 39.25

 

CMYK 31 / 0 / 71 / 44

HEX #628E29

RGB 98 142 41

HSL 86.14, 0.55%, 0.36%

LAB 54.14, -31.45, 46.69

 

CMYK 31 / 0 / 71 / 24

HEX #85C138

RGB 133 193 56

HSL 86.28, 0.55%, 0.49%

LAB 71.83, -40.23, 59.52

 

CMYK 31 / 0 / 71 / 4

HEX #A8F446

RGB 168 244 70

HSL 86.21, 0.89%, 0.62%

LAB 88.67, -48.61, 72.02

 

CMYK 30 / 0 / 70 / 84

HEX #1C280C

RGB 28 40 12

HSL 85.71, 0.54%, 0.1%

LAB 14.35, -11.12, 15.8

 

CMYK 31 / 0 / 71 / 64

HEX #3F5B1A

RGB 63 91 26

HSL 85.85, 0.56%, 0.23%

LAB 35.23, -21.98, 32.84

 

CMYK 31 / 0 / 71 / 44

HEX #628E29

RGB 98 142 41

HSL 86.14, 0.55%, 0.36%

LAB 54.14, -31.45, 46.69

 

CMYK 71 / 0 / 26 / 44

HEX #298E69

RGB 41 142 105

HSL 158.02, 0.55%, 0.36%

LAB 52.77, -37.91, 11.53

 

CMYK 0 / 71 / 3 / 44

HEX #8E298A

RGB 142 41 138

HSL 302.38, 0.55%, 0.36%

LAB 36.31, 53.64, -32.18

 

CMYK 31 / 0 / 71 / 44

HEX #628E29

RGB 98 142 41

HSL 86.14, 0.55%, 0.36%

LAB 54.14, -31.45, 46.69

 

CMYK 71 / 31 / 0 / 44

HEX #29628E

RGB 41 98 142

HSL 206.14, 0.55%, 0.36%

LAB 39.85, -3.39, -29.68

 

CMYK 0 / 71 / 31 / 44

HEX #8E2962

RGB 142 41 98

HSL 326.14, 0.55%, 0.36%

LAB 34.43, 47.63, -9.98

 

CMYK 31 / 0 / 71 / 44

HEX #628E29

RGB 98 142 41

HSL 86.14, 0.55%, 0.36%

LAB 54.14, -31.45, 46.69

 

CMYK 71 / 0 / 26 / 44

HEX #298E69

RGB 41 142 105

HSL 158.02, 0.55%, 0.36%

LAB 52.77, -37.91, 11.53

 

CMYK 40 / 71 / 0 / 44

HEX #55298E

RGB 85 41 142

HSL 266.14, 0.55%, 0.36%

LAB 28.03, 41.6, -48.4

 

CMYK 0 / 71 / 45 / 44

HEX #8E294E

RGB 142 41 78

HSL 338.02, 0.55%, 0.36%

LAB 33.75, 45.31, 1.9

 

CMYK 31 / 0 / 71 / 44

HEX #628E29

RGB 98 142 41

HSL 86.14, 0.55%, 0.36%

LAB 54.14, -31.45, 46.69

 

CMYK 71 / 0 / 5 / 44

HEX #298E87

RGB 41 142 135

HSL 175.84, 0.55%, 0.36%

LAB 53.56, -29.88, -4.61

 

CMYK 40 / 71 / 0 / 44

HEX #55298E

RGB 85 41 142

HSL 266.14, 0.55%, 0.36%

LAB 28.03, 41.6, -48.4

 

CMYK 0 / 71 / 66 / 44

HEX #8E2930

RGB 142 41 48

HSL 355.84, 0.55%, 0.36%

LAB 33.03, 42.82, 20.36

 

Description

Color code: RGB 98 142 41 | qconv.com Color code: RGB 98 142 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 142 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 142 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 71 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 71% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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