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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 96 94 it is the complementary color RGB 159 159 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 96 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 96 94: RGB 101 96 89, RGB 118 114 108, RGB 135 132 127, RGB 152 150 146 and RGB 169 168 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 96 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 96 94: RGB 96 96 94, RGB 79 78 75, RGB 62 60 56, RGB 45 42 37 and RGB 28 24 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 2 / 62

HEX #60605E

RGB 96 96 94

HSL 60, 0.01%, 0.37%

LAB 40.67, -0.41, 1.13

 

Complementary color

CMYK 1 / 1 / 0 / 37

HEX #9F9FA1

RGB 159 159 161

HSL 240, 0.01%, 0.63%

LAB 65.55, 0.39, -1.05

 

CMYK 0 / 5 / 12 / 60

HEX #656059

RGB 101 96 89

HSL 35, 0.06%, 0.37%

LAB 40.98, 0.63, 4.7

 

CMYK 0 / 3 / 8 / 54

HEX #76726C

RGB 118 114 108

HSL 36, 0.04%, 0.44%

LAB 48.22, 0.38, 3.86

 

CMYK 0 / 2 / 6 / 47

HEX #87847F

RGB 135 132 127

HSL 37.5, 0.03%, 0.51%

LAB 55.26, 0.17, 3.09

 

CMYK 0 / 1 / 4 / 40

HEX #989692

RGB 152 150 146

HSL 40, 0.03%, 0.58%

LAB 62.14, -0.02, 2.36

 

CMYK 0 / 1 / 2 / 34

HEX #A9A8A5

RGB 169 168 165

HSL 45, 0.02%, 0.65%

LAB 68.86, -0.2, 1.66

 

CMYK 0 / 0 / 2 / 62

HEX #60605E

RGB 96 96 94

HSL 60, 0.01%, 0.37%

LAB 40.67, -0.41, 1.13

 

CMYK 0 / 1 / 5 / 69

HEX #4F4E4B

RGB 79 78 75

HSL 45, 0.03%, 0.3%

LAB 33.18, -0.22, 1.91

 

CMYK 0 / 3 / 10 / 76

HEX #3E3C38

RGB 62 60 56

HSL 40, 0.05%, 0.23%

LAB 25.39, -0, 2.77

 

CMYK 0 / 7 / 18 / 82

HEX #2D2A25

RGB 45 42 37

HSL 37.5, 0.1%, 0.16%

LAB 17.21, 0.28, 3.76

 

CMYK 0 / 14 / 36 / 89

HEX #1C1812

RGB 28 24 18

HSL 36, 0.22%, 0.09%

LAB 8.51, 0.69, 4.58

 

CMYK 0 / 0 / 2 / 62

HEX #60605E

RGB 96 96 94

HSL 60, 0.01%, 0.37%

LAB 40.67, -0.41, 1.13

 

CMYK 1 / 0 / 2 / 63

HEX #5E5F5D

RGB 94 95 93

HSL 90, 0.01%, 0.37%

LAB 40.17, -0.81, 1

 

CMYK 1 / 0 / 2 / 63

HEX #5E5F5D

RGB 94 95 93

HSL 90, 0.01%, 0.37%

LAB 40.17, -0.81, 1

 

CMYK 1 / 0 / 2 / 63

HEX #5E5F5D

RGB 94 95 93

HSL 90, 0.01%, 0.37%

LAB 40.17, -0.81, 1

 

CMYK 1 / 0 / 2 / 63

HEX #5E5F5D

RGB 94 95 93

HSL 90, 0.01%, 0.37%

LAB 40.17, -0.81, 1

 

CMYK 0 / 0 / 2 / 62

HEX #60605E

RGB 96 96 94

HSL 60, 0.01%, 0.37%

LAB 40.67, -0.41, 1.13

 

CMYK 0 / 0 / 2 / 42

HEX #939390

RGB 147 147 144

HSL 60, 0.01%, 0.57%

LAB 60.86, -0.57, 1.58

 

CMYK 0 / 0 / 2 / 22

HEX #C6C6C2

RGB 198 198 194

HSL 60, 0.03%, 0.77%

LAB 79.78, -0.72, 1.99

 

CMYK 0 / 0 / 2 / 2

HEX #F9F9F4

RGB 249 249 244

HSL 60, 0.29%, 0.97%

LAB 97.8, -0.87, 2.38

 

CMYK 0 / 0 / 2 / 82

HEX #2D2D2C

RGB 45 45 44

HSL 60, 0.01%, 0.17%

LAB 18.44, -0.23, 0.64

 

CMYK 0 / 0 / 2 / 62

HEX #60605E

RGB 96 96 94

HSL 60, 0.01%, 0.37%

LAB 40.67, -0.41, 1.13

 

CMYK 2 / 0 / 2 / 63

HEX #5D5F5D

RGB 93 95 93

HSL 120, 0.01%, 0.37%

LAB 40.08, -1.21, 0.86

 

CMYK 1 / 2 / 0 / 63

HEX #5E5D5F

RGB 94 93 95

HSL 270, 0.01%, 0.37%

LAB 39.64, 0.82, -1.01

 

CMYK 0 / 0 / 2 / 62

HEX #60605E

RGB 96 96 94

HSL 60, 0.01%, 0.37%

LAB 40.67, -0.41, 1.13

 

CMYK 2 / 0 / 0 / 63

HEX #5D5F5F

RGB 93 95 95

HSL 180, 0.01%, 0.37%

LAB 40.14, -0.78, -0.28

 

CMYK 0 / 2 / 0 / 63

HEX #5F5D5F

RGB 95 93 95

HSL 300, 0.01%, 0.37%

LAB 39.73, 1.21, -0.87

 

CMYK 0 / 0 / 2 / 62

HEX #60605E

RGB 96 96 94

HSL 60, 0.01%, 0.37%

LAB 40.67, -0.41, 1.13

 

CMYK 2 / 0 / 2 / 63

HEX #5D5F5D

RGB 93 95 93

HSL 120, 0.01%, 0.37%

LAB 40.08, -1.21, 0.86

 

CMYK 2 / 2 / 0 / 63

HEX #5D5D5F

RGB 93 93 95

HSL 240, 0.01%, 0.37%

LAB 39.55, 0.43, -1.15

 

CMYK 0 / 2 / 1 / 63

HEX #5F5D5E

RGB 95 93 94

HSL 330, 0.01%, 0.37%

LAB 39.7, 1, -0.3

 

CMYK 0 / 0 / 2 / 62

HEX #60605E

RGB 96 96 94

HSL 60, 0.01%, 0.37%

LAB 40.67, -0.41, 1.13

 

CMYK 2 / 0 / 1 / 63

HEX #5D5F5E

RGB 93 95 94

HSL 150, 0.01%, 0.37%

LAB 40.11, -1, 0.29

 

CMYK 2 / 2 / 0 / 63

HEX #5D5D5F

RGB 93 93 95

HSL 240, 0.01%, 0.37%

LAB 39.55, 0.43, -1.15

 

CMYK 0 / 2 / 1 / 63

HEX #5F5D5E

RGB 95 93 94

HSL 330, 0.01%, 0.37%

LAB 39.7, 1, -0.3

 

Description

Color code: RGB 96 96 94 | qconv.com Color code: RGB 96 96 94 | qconv.com - big

With this color almost no shade stands out particularly. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 96 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 96 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 2 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 2% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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