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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 164.2 254.6 it is the complementary color RGB 159 90.8 0.40000000000001. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 164.2 254.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 164.2 254.6 shade: RGB 101 164.2 249.6, RGB 118 182.2 255, RGB 135 200.2 255, RGB 152 218.2 255 and RGB 169 236.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 164.2 254.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 164.2 254.6 shade: RGB 96 164.2 254.6, RGB 79 146.2 235.6, RGB 62 128.2 216.6, RGB 45 110.2 197.6 and RGB 28 92.2 178.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 164.2 254.6 shade: RGB 98 165 254, RGB 98 123 254, RGB 115 98 254, RGB 157 98 254 and RGB 199 98 254

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 164.2 254.6 shade: RGB 98 165 254, RGB 98 123 254 and RGB 98 98 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 164.2 254.6 shade matches the following richer shades: RGB 98 165 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 164.2 254.6 shade: RGB 98 165 254, RGB 110 167 241, RGB 123 169 229, RGB 136 170 216 and RGB 149 172 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 164.2 254.6 shade: RGB 98 249 254, RGB 98 207 254, RGB 98 166 254, RGB 98 124 254 and RGB 113 98 254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 164.2 254.6 shade: RGB 16 118 254, RGB 57 142 254, RGB 98 165 254, RGB 139 188 254 and RGB 180 212 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 164.2 254.6 shade: RGB 96 164.2 254.6, RGB 218 98 254 and RGB 228 254 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 164.2 254.6 shade: RGB 96 164.2 254.6, RGB 254 98 166 and RGB 166 254 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 164.2 254.6 shade: RGB 96 164.2 254.6, RGB 218 98 254, RGB 254 186 98 and RGB 134 254 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 164.2 254.6 shade: RGB 96 164.2 254.6, RGB 254 98 244, RGB 254 186 98 and RGB 98 254 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 36 / 0 / 0

HEX #60A4FE

RGB 96 164.2 254.6

HSL 214.2, 0.99%, 0.69%

LAB 66.75, 5.48, -51.33

 

Complementary color

CMYK 0 / 43 / 100 / 38

HEX #9F5A00

RGB 159 90.8 0.40000000000001

HSL 34.2, 0.99%, 0.31%

LAB 45.39, 22.66, 53.76

 

CMYK 60 / 34 / 0 / 2

HEX #65A4F9

RGB 101 164.2 249.6

HSL 214.48, 0.93%, 0.69%

LAB 66.72, 4.77, -48.63

 

CMYK 54 / 29 / 0 / 0

HEX #76B6FF

RGB 118 182.2 255

HSL 211.88, 1%, 0.73%

LAB 72.63, -0.33, -42.23

 

CMYK 47 / 21 / 0 / 0

HEX #87C8FF

RGB 135 200.2 255

HSL 207.4, 1%, 0.76%

LAB 78.33, -6.37, -33.32

 

CMYK 40 / 14 / 0 / 0

HEX #98DAFF

RGB 152 218.2 255

HSL 201.44, 1%, 0.8%

LAB 84.04, -11.73, -24.5

 

CMYK 34 / 7 / 0 / 0

HEX #A9ECFF

RGB 169 236.2 255

HSL 193.12, 1%, 0.83%

LAB 89.75, -16.51, -15.79

 

CMYK 62 / 36 / 0 / 0

HEX #60A4FE

RGB 96 164.2 254.6

HSL 214.2, 0.99%, 0.69%

LAB 66.75, 5.48, -51.33

 

CMYK 66 / 38 / 0 / 8

HEX #4F92EB

RGB 79 146.2 235.6

HSL 214.25, 0.8%, 0.62%

LAB 60.17, 6.79, -51.37

 

CMYK 71 / 41 / 0 / 15

HEX #3E80D8

RGB 62 128.2 216.6

HSL 214.31, 0.67%, 0.55%

LAB 53.5, 8.39, -51.43

 

CMYK 77 / 44 / 0 / 23

HEX #2D6EC5

RGB 45 110.2 197.6

HSL 214.36, 0.63%, 0.48%

LAB 46.73, 10.38, -51.47

 

CMYK 84 / 48 / 0 / 30

HEX #1C5CB2

RGB 28 92.2 178.6

HSL 214.42, 0.73%, 0.41%

LAB 39.87, 12.89, -51.46

 

CMYK 61 / 35 / 0 / 0

HEX #62A5FE

RGB 98 165 254

HSL 214.23, 0.99%, 0.69%

LAB 67.02, 5.18, -50.56

 

CMYK 61 / 52 / 0 / 0

HEX #627BFE

RGB 98 123 254

HSL 230.38, 0.99%, 0.69%

LAB 56.01, 30.1, -68.16

 

CMYK 55 / 61 / 0 / 0

HEX #7362FE

RGB 115 98 254

HSL 246.54, 0.99%, 0.69%

LAB 51.31, 47.75, -75.72

 

CMYK 38 / 61 / 0 / 0

HEX #9D62FE

RGB 157 98 254

HSL 262.69, 0.99%, 0.69%

LAB 55.13, 55.7, -69.34

 

CMYK 22 / 61 / 0 / 0

HEX #C762FE

RGB 199 98 254

HSL 278.85, 0.99%, 0.69%

LAB 59.92, 64.79, -61.39

 

CMYK 61 / 35 / 0 / 0

HEX #62A5FE

RGB 98 165 254

HSL 214.23, 0.99%, 0.69%

LAB 67.02, 5.18, -50.56

 

CMYK 61 / 52 / 0 / 0

HEX #627BFE

RGB 98 123 254

HSL 230.38, 0.99%, 0.69%

LAB 56.01, 30.1, -68.16

 

CMYK 61 / 61 / 0 / 0

HEX #6262FE

RGB 98 98 254

HSL 240, 0.99%, 0.69%

LAB 50.08, 45.03, -77.77

 

CMYK 61 / 35 / 0 / 0

HEX #62A5FE

RGB 98 165 254

HSL 214.23, 0.99%, 0.69%

LAB 67.02, 5.18, -50.56

 

CMYK 61 / 35 / 0 / 0

HEX #62A5FE

RGB 98 165 254

HSL 214.23, 0.99%, 0.69%

LAB 67.02, 5.18, -50.56

 

CMYK 54 / 31 / 0 / 5

HEX #6EA7F1

RGB 110 167 241

HSL 213.89, 0.82%, 0.69%

LAB 67.5, 2.26, -42.69

 

CMYK 46 / 26 / 0 / 10

HEX #7BA9E5

RGB 123 169 229

HSL 213.96, 0.67%, 0.69%

LAB 68.2, 0.5, -34.99

 

CMYK 37 / 21 / 0 / 15

HEX #88AAD8

RGB 136 170 216

HSL 214.5, 0.51%, 0.69%

LAB 68.71, -0.3, -27

 

CMYK 27 / 15 / 0 / 20

HEX #95ACCB

RGB 149 172 203

HSL 214.44, 0.34%, 0.69%

LAB 69.62, -0.93, -18.39

 

CMYK 61 / 2 / 0 / 0

HEX #62F9FE

RGB 98 249 254

HSL 181.92, 0.99%, 0.69%

LAB 90.55, -38.12, -14.34

 

CMYK 61 / 19 / 0 / 0

HEX #62CFFE

RGB 98 207 254

HSL 198.08, 0.99%, 0.69%

LAB 78.68, -17.72, -32.37

 

CMYK 61 / 35 / 0 / 0

HEX #62A6FE

RGB 98 166 254

HSL 213.85, 0.99%, 0.69%

LAB 67.3, 4.61, -50.13

 

CMYK 61 / 51 / 0 / 0

HEX #627CFE

RGB 98 124 254

HSL 230, 0.99%, 0.69%

LAB 56.26, 29.49, -67.76

 

CMYK 56 / 61 / 0 / 0

HEX #7162FE

RGB 113 98 254

HSL 245.77, 0.99%, 0.69%

LAB 51.15, 47.41, -75.98

 

CMYK 94 / 54 / 0 / 0

HEX #1076FE

RGB 16 118 254

HSL 214.29, 0.99%, 0.53%

LAB 52.09, 25.08, -74.63

 

CMYK 78 / 44 / 0 / 0

HEX #398EFE

RGB 57 142 254

HSL 214.11, 0.99%, 0.61%

LAB 59.32, 12.93, -62.92

 

CMYK 61 / 35 / 0 / 0

HEX #62A5FE

RGB 98 165 254

HSL 214.23, 0.99%, 0.69%

LAB 67.02, 5.18, -50.56

 

CMYK 45 / 26 / 0 / 0

HEX #8BBCFE

RGB 139 188 254

HSL 214.43, 0.98%, 0.77%

LAB 75.21, 0.9, -37.6

 

CMYK 29 / 17 / 0 / 0

HEX #B4D4FF

RGB 180 212 255

HSL 214.4, 1%, 0.85%

LAB 83.97, -1, -24.46

 

CMYK 62 / 36 / 0 / 0

HEX #60A4FE

RGB 96 164.2 254.6

HSL 214.2, 0.99%, 0.69%

LAB 66.75, 5.48, -51.33

 

CMYK 14 / 61 / 0 / 0

HEX #DA62FE

RGB 218 98 254

HSL 286.15, 0.99%, 0.69%

LAB 62.34, 69.1, -57.39

 

CMYK 10 / 0 / 61 / 0

HEX #E4FE62

RGB 228 254 98

HSL 70, 0.99%, 0.69%

LAB 95.27, -28.85, 69.51

 

CMYK 62 / 36 / 0 / 0

HEX #60A4FE

RGB 96 164.2 254.6

HSL 214.2, 0.99%, 0.69%

LAB 66.75, 5.48, -51.33

 

CMYK 0 / 61 / 35 / 0

HEX #FE62A6

RGB 254 98 166

HSL 333.85, 0.99%, 0.69%

LAB 63.8, 65.29, -5.19

 

CMYK 35 / 0 / 61 / 0

HEX #A6FE62

RGB 166 254 98

HSL 93.85, 0.99%, 0.69%

LAB 91.63, -51.41, 64.49

 

CMYK 62 / 36 / 0 / 0

HEX #60A4FE

RGB 96 164.2 254.6

HSL 214.2, 0.99%, 0.69%

LAB 66.75, 5.48, -51.33

 

CMYK 14 / 61 / 0 / 0

HEX #DA62FE

RGB 218 98 254

HSL 286.15, 0.99%, 0.69%

LAB 62.34, 69.1, -57.39

 

CMYK 0 / 27 / 61 / 0

HEX #FEBA62

RGB 254 186 98

HSL 33.85, 0.99%, 0.69%

LAB 80.22, 15.69, 53.4

 

CMYK 47 / 0 / 61 / 0

HEX #86FE62

RGB 134 254 98

HSL 106.15, 0.99%, 0.69%

LAB 90.25, -61.23, 62.56

 

CMYK 62 / 36 / 0 / 0

HEX #60A4FE

RGB 96 164.2 254.6

HSL 214.2, 0.99%, 0.69%

LAB 66.75, 5.48, -51.33

 

CMYK 0 / 61 / 4 / 0

HEX #FE62F4

RGB 254 98 244

HSL 303.85, 0.99%, 0.69%

LAB 66.78, 75.83, -44.53

 

CMYK 0 / 27 / 61 / 0

HEX #FEBA62

RGB 254 186 98

HSL 33.85, 0.99%, 0.69%

LAB 80.22, 15.69, 53.4

 

CMYK 61 / 0 / 57 / 0

HEX #62FE6C

RGB 98 254 108

HSL 123.85, 0.99%, 0.69%

LAB 89.19, -69.01, 56.8

 

Description

Color code: RGB 96 164.2 254.6 | qconv.com Color code: RGB 96 164.2 254.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 164.2 green and 254.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 164.2 254.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 36 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 36% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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