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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 141 54 it is the complementary color RGB 159 114 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 141 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 141 54: RGB 101 141 49, RGB 118 159 68, RGB 135 177 87, RGB 152 195 106 and RGB 169 213 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 141 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 141 54: RGB 96 141 54, RGB 79 123 35, RGB 62 105 16, RGB 45 87 0 and RGB 28 69 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 62 / 45

HEX #608D36

RGB 96 141 54

HSL 91.03, 0.45%, 0.38%

LAB 53.82, -30.65, 40.61

 

Complementary color

CMYK 21 / 43 / 0 / 21

HEX #9F72C9

RGB 159 114 201

HSL 271.03, 0.45%, 0.62%

LAB 55.71, 34.56, -38.67

 

CMYK 28 / 0 / 65 / 45

HEX #658D31

RGB 101 141 49

HSL 86.09, 0.48%, 0.37%

LAB 54.07, -29.16, 43.27

 

CMYK 26 / 0 / 57 / 38

HEX #769F44

RGB 118 159 68

HSL 87.03, 0.4%, 0.45%

LAB 60.84, -29.35, 42.32

 

CMYK 24 / 0 / 51 / 31

HEX #87B157

RGB 135 177 87

HSL 88, 0.37%, 0.52%

LAB 67.49, -29.43, 41.19

 

CMYK 22 / 0 / 46 / 24

HEX #98C36A

RGB 152 195 106

HSL 88.99, 0.43%, 0.59%

LAB 74.03, -29.44, 40.01

 

CMYK 21 / 0 / 41 / 16

HEX #A9D57D

RGB 169 213 125

HSL 90, 0.51%, 0.66%

LAB 80.46, -29.41, 38.84

 

CMYK 32 / 0 / 62 / 45

HEX #608D36

RGB 96 141 54

HSL 91.03, 0.45%, 0.38%

LAB 53.82, -30.65, 40.61

 

CMYK 36 / 0 / 72 / 52

HEX #4F7B23

RGB 79 123 35

HSL 90, 0.56%, 0.31%

LAB 46.91, -30.4, 41.38

 

CMYK 41 / 0 / 85 / 59

HEX #3E6910

RGB 62 105 16

HSL 88.99, 0.74%, 0.24%

LAB 39.86, -29.87, 41.26

 

CMYK 48 / 0 / 100 / 66

HEX #2D5700

RGB 45 87 0

HSL 88.97, 1%, 0.17%

LAB 32.64, -28.92, 39.53

 

CMYK 59 / 0 / 100 / 73

HEX #1C4500

RGB 28 69 0

HSL 95.65, 1%, 0.14%

LAB 25.27, -27.1, 33.1

 

CMYK 32 / 0 / 62 / 45

HEX #608D36

RGB 96 141 54

HSL 91.03, 0.45%, 0.38%

LAB 53.82, -30.65, 40.61

 

CMYK 43 / 0 / 62 / 45

HEX #508C35

RGB 80 140 53

HSL 101.38, 0.45%, 0.38%

LAB 52.64, -36.09, 39.52

 

CMYK 53 / 0 / 62 / 45

HEX #428C35

RGB 66 140 53

HSL 111.03, 0.45%, 0.38%

LAB 52.03, -40.55, 38.67

 

CMYK 62 / 0 / 61 / 45

HEX #358C36

RGB 53 140 54

HSL 120.69, 0.45%, 0.38%

LAB 51.59, -43.94, 37.57

 

CMYK 62 / 0 / 51 / 45

HEX #358C45

RGB 53 140 69

HSL 131.03, 0.45%, 0.38%

LAB 51.77, -41.85, 30.21

 

CMYK 32 / 0 / 62 / 45

HEX #608D36

RGB 96 141 54

HSL 91.03, 0.45%, 0.38%

LAB 53.82, -30.65, 40.61

 

CMYK 32 / 0 / 61 / 25

HEX #83C04A

RGB 131 192 74

HSL 91.02, 0.48%, 0.52%

LAB 71.57, -39.12, 51.92

 

CMYK 32 / 0 / 62 / 5

HEX #A5F35D

RGB 165 243 93

HSL 91.2, 0.86%, 0.66%

LAB 88.4, -47.59, 62.96

 

CMYK 31 / 0 / 62 / 85

HEX #1B270F

RGB 27 39 15

HSL 90, 0.44%, 0.11%

LAB 13.93, -10.58, 13.77

 

CMYK 32 / 0 / 62 / 65

HEX #3D5A22

RGB 61 90 34

HSL 91.07, 0.45%, 0.24%

LAB 34.84, -21.52, 28.42

 

CMYK 32 / 0 / 62 / 45

HEX #608D36

RGB 96 141 54

HSL 91.03, 0.45%, 0.38%

LAB 53.82, -30.65, 40.61

 

CMYK 62 / 0 / 18 / 45

HEX #358C73

RGB 53 140 115

HSL 162.76, 0.45%, 0.38%

LAB 52.68, -32.33, 5.69

 

CMYK 0 / 62 / 7 / 45

HEX #8C3582

RGB 140 53 130

HSL 306.9, 0.45%, 0.38%

LAB 37.36, 46.75, -25.62

 

CMYK 32 / 0 / 62 / 45

HEX #608D36

RGB 96 141 54

HSL 91.03, 0.45%, 0.38%

LAB 53.82, -30.65, 40.61

 

CMYK 62 / 32 / 0 / 45

HEX #355F8C

RGB 53 95 140

HSL 211.03, 0.45%, 0.38%

LAB 39.3, -0.03, -29.3

 

CMYK 0 / 62 / 32 / 45

HEX #8C355F

RGB 140 53 95

HSL 331.03, 0.45%, 0.38%

LAB 35.88, 41.39, -5.92

 

CMYK 32 / 0 / 62 / 45

HEX #608D36

RGB 96 141 54

HSL 91.03, 0.45%, 0.38%

LAB 53.82, -30.65, 40.61

 

CMYK 62 / 0 / 18 / 45

HEX #358C73

RGB 53 140 115

HSL 162.76, 0.45%, 0.38%

LAB 52.68, -32.33, 5.69

 

CMYK 30 / 62 / 0 / 45

HEX #62358C

RGB 98 53 140

HSL 271.03, 0.45%, 0.38%

LAB 31.89, 37.56, -40.85

 

CMYK 0 / 62 / 44 / 45

HEX #8C354E

RGB 140 53 78

HSL 342.76, 0.45%, 0.38%

LAB 35.34, 39.33, 4.16

 

CMYK 32 / 0 / 62 / 45

HEX #608D36

RGB 96 141 54

HSL 91.03, 0.45%, 0.38%

LAB 53.82, -30.65, 40.61

 

CMYK 62 / 1 / 0 / 45

HEX #358B8C

RGB 53 139 140

HSL 180.69, 0.45%, 0.38%

LAB 53.08, -24.96, -8.2

 

CMYK 30 / 62 / 0 / 45

HEX #62358C

RGB 98 53 140

HSL 271.03, 0.45%, 0.38%

LAB 31.89, 37.56, -40.85

 

CMYK 0 / 61 / 62 / 45

HEX #8C3635

RGB 140 54 53

HSL 0.69, 0.45%, 0.38%

LAB 34.94, 36.54, 19.57

 

Description

Color code: RGB 96 141 54 | qconv.com Color code: RGB 96 141 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 141 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 141 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 62 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 62% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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