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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 123 139 it is the complementary color RGB 159 132 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 123 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 123 139: RGB 101 123 134, RGB 118 141 153, RGB 135 159 172, RGB 152 177 191 and RGB 169 195 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 123 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 123 139: RGB 96 123 139, RGB 79 105 120, RGB 62 87 101, RGB 45 69 82 and RGB 28 51 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 12 / 0 / 45

HEX #607B8B

RGB 96 123 139

HSL 202.33, 0.18%, 0.46%

LAB 50.12, -5.69, -11.85

 

Complementary color

CMYK 0 / 17 / 27 / 38

HEX #9F8474

RGB 159 132 116

HSL 22.33, 0.18%, 0.54%

LAB 57.21, 7.79, 12.49

 

CMYK 25 / 8 / 0 / 47

HEX #657B86

RGB 101 123 134

HSL 200, 0.14%, 0.46%

LAB 50.28, -5.35, -8.64

 

CMYK 23 / 8 / 0 / 40

HEX #768D99

RGB 118 141 153

HSL 200.57, 0.15%, 0.53%

LAB 57.27, -5.4, -9.09

 

CMYK 22 / 8 / 0 / 33

HEX #879FAC

RGB 135 159 172

HSL 201.08, 0.18%, 0.6%

LAB 64.1, -5.45, -9.55

 

CMYK 20 / 7 / 0 / 25

HEX #98B1BF

RGB 152 177 191

HSL 201.54, 0.23%, 0.67%

LAB 70.79, -5.51, -10

 

CMYK 20 / 7 / 0 / 18

HEX #A9C3D2

RGB 169 195 210

HSL 201.95, 0.31%, 0.74%

LAB 77.35, -5.56, -10.44

 

CMYK 31 / 12 / 0 / 45

HEX #607B8B

RGB 96 123 139

HSL 202.33, 0.18%, 0.46%

LAB 50.12, -5.69, -11.85

 

CMYK 34 / 13 / 0 / 53

HEX #4F6978

RGB 79 105 120

HSL 201.95, 0.21%, 0.39%

LAB 42.95, -5.59, -11.46

 

CMYK 39 / 14 / 0 / 60

HEX #3E5765

RGB 62 87 101

HSL 201.54, 0.24%, 0.32%

LAB 35.56, -5.47, -11.08

 

CMYK 45 / 16 / 0 / 68

HEX #2D4552

RGB 45 69 82

HSL 201.08, 0.29%, 0.25%

LAB 27.91, -5.3, -10.7

 

CMYK 56 / 19 / 0 / 75

HEX #1C333F

RGB 28 51 63

HSL 200.57, 0.38%, 0.18%

LAB 19.94, -5.03, -10.33

 

CMYK 31 / 12 / 0 / 45

HEX #607B8B

RGB 96 123 139

HSL 202.33, 0.18%, 0.46%

LAB 50.12, -5.69, -11.85

 

CMYK 30 / 17 / 0 / 46

HEX #60738A

RGB 96 115 138

HSL 212.86, 0.18%, 0.46%

LAB 47.73, -1.28, -14.87

 

CMYK 30 / 22 / 0 / 46

HEX #606C8A

RGB 96 108 138

HSL 222.86, 0.18%, 0.46%

LAB 45.7, 2.9, -17.97

 

CMYK 30 / 27 / 0 / 46

HEX #60658A

RGB 96 101 138

HSL 232.86, 0.18%, 0.46%

LAB 43.7, 7.15, -21.05

 

CMYK 30 / 30 / 0 / 46

HEX #61608A

RGB 97 96 138

HSL 241.43, 0.18%, 0.46%

LAB 42.37, 10.56, -23.09

 

CMYK 31 / 12 / 0 / 45

HEX #607B8B

RGB 96 123 139

HSL 202.33, 0.18%, 0.46%

LAB 50.12, -5.69, -11.85

 

CMYK 31 / 12 / 0 / 25

HEX #83A8BE

RGB 131 168 190

HSL 202.37, 0.31%, 0.63%

LAB 66.94, -7.29, -15.36

 

CMYK 31 / 12 / 0 / 5

HEX #A6D5F1

RGB 166 213 241

HSL 202.4, 0.73%, 0.8%

LAB 82.94, -8.8, -18.68

 

CMYK 30 / 11 / 0 / 85

HEX #1A2125

RGB 26 33 37

HSL 201.82, 0.17%, 0.12%

LAB 12.23, -1.98, -3.75

 

CMYK 31 / 11 / 0 / 65

HEX #3D4E58

RGB 61 78 88

HSL 202.22, 0.18%, 0.29%

LAB 32.14, -3.96, -8.06

 

CMYK 31 / 12 / 0 / 45

HEX #607B8B

RGB 96 123 139

HSL 202.33, 0.18%, 0.46%

LAB 50.12, -5.69, -11.85

 

CMYK 13 / 30 / 0 / 46

HEX #78608A

RGB 120 96 138

HSL 274.29, 0.18%, 0.46%

LAB 44.51, 18.2, -19.62

 

CMYK 0 / 1 / 30 / 46

HEX #8A8960

RGB 138 137 96

HSL 58.57, 0.18%, 0.46%

LAB 56.23, -6.49, 22.18

 

CMYK 31 / 12 / 0 / 45

HEX #607B8B

RGB 96 123 139

HSL 202.33, 0.18%, 0.46%

LAB 50.12, -5.69, -11.85

 

CMYK 0 / 30 / 12 / 46

HEX #8A607A

RGB 138 96 122

HSL 322.86, 0.18%, 0.46%

LAB 45.87, 21.38, -7.74

 

CMYK 12 / 0 / 30 / 46

HEX #7A8A60

RGB 122 138 96

HSL 82.86, 0.18%, 0.46%

LAB 55.24, -13.54, 20.63

 

CMYK 31 / 12 / 0 / 45

HEX #607B8B

RGB 96 123 139

HSL 202.33, 0.18%, 0.46%

LAB 50.12, -5.69, -11.85

 

CMYK 13 / 30 / 0 / 46

HEX #78608A

RGB 120 96 138

HSL 274.29, 0.18%, 0.46%

LAB 44.51, 18.2, -19.62

 

CMYK 0 / 20 / 30 / 46

HEX #8A6F60

RGB 138 111 96

HSL 21.43, 0.18%, 0.46%

LAB 49.03, 8.3, 12.38

 

CMYK 17 / 0 / 30 / 46

HEX #728A60

RGB 114 138 96

HSL 94.29, 0.18%, 0.46%

LAB 54.66, -16.68, 19.75

 

CMYK 31 / 12 / 0 / 45

HEX #607B8B

RGB 96 123 139

HSL 202.33, 0.18%, 0.46%

LAB 50.12, -5.69, -11.85

 

CMYK 4 / 30 / 0 / 46

HEX #84608A

RGB 132 96 138

HSL 291.43, 0.18%, 0.46%

LAB 45.78, 22.35, -17.56

 

CMYK 0 / 20 / 30 / 46

HEX #8A6F60

RGB 138 111 96

HSL 21.43, 0.18%, 0.46%

LAB 49.03, 8.3, 12.38

 

CMYK 27 / 0 / 30 / 46

HEX #658A60

RGB 101 138 96

HSL 112.86, 0.18%, 0.46%

LAB 53.8, -21.57, 18.45

 

Description

Color code: RGB 96 123 139 | qconv.com Color code: RGB 96 123 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as LightSkyBlue4.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 123 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 123 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 12 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 12% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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