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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96.9 162 210 it is the complementary color RGB 158.1 93 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96.9 162 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96.9 162 210 shade: RGB 101.9 162 205, RGB 118.9 180 224, RGB 135.9 198 243, RGB 152.9 216 255 and RGB 169.9 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96.9 162 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96.9 162 210 shade: RGB 96.9 162 210, RGB 79.9 144 191, RGB 62.9 126 172, RGB 45.9 108 153 and RGB 28.9 90 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96.9 162 210 shade: RGB 96 162 210, RGB 96 131 210, RGB 96 100 210, RGB 123 96 210 and RGB 153 96 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96.9 162 210 shade: RGB 96 162 210, RGB 96 131 210, RGB 96 100 210 and RGB 96 96 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96.9 162 210 shade matches the following richer shades: RGB 96 162 210, RGB 79 164 227 and RGB 63 167 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96.9 162 210 shade: RGB 96 162 210, RGB 112 159 194, RGB 129 157 177, RGB 145 154 161 and RGB 162 152 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96.9 162 210 shade: RGB 96 210 197, RGB 96 193 210, RGB 96 163 210, RGB 96 132 210 and RGB 96 102 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96.9 162 210 shade: RGB 49 121 174, RGB 64 143 201, RGB 96 162 210, RGB 128 181 219 and RGB 160 199 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96.9 162 210 shade: RGB 96.9 162 210, RGB 166 96 210 and RGB 208 210 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96.9 162 210 shade: RGB 96.9 162 210, RGB 210 96 163 and RGB 163 210 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96.9 162 210 shade: RGB 96.9 162 210, RGB 166 96 210, RGB 210 143 96 and RGB 140 210 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96.9 162 210 shade: RGB 96.9 162 210, RGB 201 96 210, RGB 210 143 96 and RGB 105 210 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96.9 162 210

HSL 205.46, 0.56%, 0.6%

LAB 64.18, -7.2, -30.84

 

Complementary color

CMYK 0 / 41 / 72 / 38

HEX #9E5D2D

RGB 158.1 93 45

HSL 25.46, 0.56%, 0.4%

LAB 46.04, 22.4, 38.02

 

CMYK 50 / 21 / 0 / 20

HEX #65A2CD

RGB 101.9 162 205

HSL 205.02, 0.51%, 0.6%

LAB 64.22, -7.58, -27.99

 

CMYK 47 / 20 / 0 / 12

HEX #76B4E0

RGB 118.9 180 224

HSL 205.12, 0.63%, 0.67%

LAB 70.83, -7.97, -28.21

 

CMYK 44 / 19 / 0 / 5

HEX #87C6F3

RGB 135.9 198 243

HSL 205.21, 0.82%, 0.74%

LAB 77.33, -8.29, -28.43

 

CMYK 40 / 15 / 0 / 0

HEX #98D8FF

RGB 152.9 216 255

HSL 202.92, 1%, 0.8%

LAB 83.49, -10.37, -25.33

 

CMYK 33 / 8 / 0 / 0

HEX #A9EAFF

RGB 169.9 234 255

HSL 194.81, 1%, 0.83%

LAB 89.21, -15.16, -16.6

 

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96.9 162 210

HSL 205.46, 0.56%, 0.6%

LAB 64.18, -7.2, -30.84

 

CMYK 58 / 25 / 0 / 25

HEX #4F90BF

RGB 79.9 144 191

HSL 205.38, 0.46%, 0.53%

LAB 57.47, -6.58, -30.65

 

CMYK 63 / 27 / 0 / 33

HEX #3E7EAC

RGB 62.9 126 172

HSL 205.3, 0.46%, 0.46%

LAB 50.63, -5.77, -30.47

 

CMYK 70 / 29 / 0 / 40

HEX #2D6C99

RGB 45.9 108 153

HSL 205.21, 0.54%, 0.39%

LAB 43.66, -4.69, -30.27

 

CMYK 78 / 33 / 0 / 47

HEX #1C5A86

RGB 28.9 90 134

HSL 205.12, 0.65%, 0.32%

LAB 36.54, -3.21, -30.06

 

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96 162 210

HSL 205.26, 0.56%, 0.6%

LAB 64.15, -7.39, -30.9

 

CMYK 54 / 38 / 0 / 18

HEX #6083D2

RGB 96 131 210

HSL 221.58, 0.56%, 0.6%

LAB 55.45, 10.53, -44.5

 

CMYK 54 / 52 / 0 / 18

HEX #6064D2

RGB 96 100 210

HSL 237.89, 0.56%, 0.6%

LAB 47.31, 29.47, -57.51

 

CMYK 41 / 54 / 0 / 18

HEX #7B60D2

RGB 123 96 210

HSL 254.21, 0.56%, 0.6%

LAB 48.55, 37.73, -55.4

 

CMYK 27 / 54 / 0 / 18

HEX #9960D2

RGB 153 96 210

HSL 270, 0.56%, 0.6%

LAB 51.6, 45.04, -50.34

 

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96 162 210

HSL 205.26, 0.56%, 0.6%

LAB 64.15, -7.39, -30.9

 

CMYK 54 / 38 / 0 / 18

HEX #6083D2

RGB 96 131 210

HSL 221.58, 0.56%, 0.6%

LAB 55.45, 10.53, -44.5

 

CMYK 54 / 52 / 0 / 18

HEX #6064D2

RGB 96 100 210

HSL 237.89, 0.56%, 0.6%

LAB 47.31, 29.47, -57.51

 

CMYK 54 / 54 / 0 / 18

HEX #6060D2

RGB 96 96 210

HSL 240, 0.56%, 0.6%

LAB 46.32, 31.92, -59.1

 

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96 162 210

HSL 205.26, 0.56%, 0.6%

LAB 64.15, -7.39, -30.9

 

CMYK 65 / 28 / 0 / 11

HEX #4FA4E3

RGB 79 164 227

HSL 205.54, 0.73%, 0.6%

LAB 64.77, -6.34, -39.38

 

CMYK 74 / 31 / 0 / 5

HEX #3FA7F3

RGB 63 167 243

HSL 205.33, 0.88%, 0.6%

LAB 65.88, -4.92, -46.45

 

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96 162 210

HSL 205.26, 0.56%, 0.6%

LAB 64.15, -7.39, -30.9

 

CMYK 42 / 18 / 0 / 24

HEX #709FC2

RGB 112 159 194

HSL 205.61, 0.4%, 0.6%

LAB 63.46, -6.58, -22.98

 

CMYK 27 / 11 / 0 / 31

HEX #819DB1

RGB 129 157 177

HSL 205, 0.24%, 0.6%

LAB 63.31, -5.05, -13.59

 

CMYK 10 / 4 / 0 / 37

HEX #919AA1

RGB 145 154 161

HSL 206.25, 0.08%, 0.6%

LAB 63.1, -1.77, -4.77

 

CMYK 0 / 6 / 11 / 36

HEX #A29890

RGB 162 152 144

HSL 26.67, 0.09%, 0.6%

LAB 63.47, 2.24, 5.51

 

CMYK 54 / 0 / 6 / 18

HEX #60D2C5

RGB 96 210 197

HSL 173.16, 0.56%, 0.6%

LAB 77.64, -35.47, -3.4

 

CMYK 54 / 8 / 0 / 18

HEX #60C1D2

RGB 96 193 210

HSL 188.95, 0.56%, 0.6%

LAB 73.08, -23.78, -17.24

 

CMYK 54 / 22 / 0 / 18

HEX #60A3D2

RGB 96 163 210

HSL 204.74, 0.56%, 0.6%

LAB 64.43, -7.95, -30.46

 

CMYK 54 / 37 / 0 / 18

HEX #6084D2

RGB 96 132 210

HSL 221.05, 0.56%, 0.6%

LAB 55.73, 9.93, -44.07

 

CMYK 54 / 51 / 0 / 18

HEX #6066D2

RGB 96 102 210

HSL 236.84, 0.56%, 0.6%

LAB 47.81, 28.24, -56.7

 

CMYK 72 / 30 / 0 / 32

HEX #3179AE

RGB 49 121 174

HSL 205.44, 0.56%, 0.44%

LAB 48.74, -4.45, -34.62

 

CMYK 68 / 29 / 0 / 21

HEX #408FC9

RGB 64 143 201

HSL 205.4, 0.56%, 0.52%

LAB 57.03, -5.57, -37.04

 

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96 162 210

HSL 205.26, 0.56%, 0.6%

LAB 64.15, -7.39, -30.9

 

CMYK 42 / 17 / 0 / 14

HEX #80B5DB

RGB 128 181 219

HSL 205.05, 0.56%, 0.68%

LAB 71.39, -7.64, -24.58

 

CMYK 30 / 13 / 0 / 11

HEX #A0C7E4

RGB 160 199 228

HSL 205.59, 0.56%, 0.76%

LAB 78.42, -6.25, -18.6

 

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96.9 162 210

HSL 205.46, 0.56%, 0.6%

LAB 64.18, -7.2, -30.84

 

CMYK 21 / 54 / 0 / 18

HEX #A660D2

RGB 166 96 210

HSL 276.84, 0.56%, 0.6%

LAB 53.09, 48.38, -47.88

 

CMYK 1 / 0 / 54 / 18

HEX #D0D260

RGB 208 210 96

HSL 61.05, 0.56%, 0.6%

LAB 82.03, -15.78, 55.29

 

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96.9 162 210

HSL 205.46, 0.56%, 0.6%

LAB 64.18, -7.2, -30.84

 

CMYK 0 / 54 / 22 / 18

HEX #D260A3

RGB 210 96 163

HSL 324.74, 0.56%, 0.6%

LAB 56.79, 52.54, -14.62

 

CMYK 22 / 0 / 54 / 18

HEX #A3D260

RGB 163 210 96

HSL 84.74, 0.56%, 0.6%

LAB 78.88, -33.46, 50.84

 

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96.9 162 210

HSL 205.46, 0.56%, 0.6%

LAB 64.18, -7.2, -30.84

 

CMYK 21 / 54 / 0 / 18

HEX #A660D2

RGB 166 96 210

HSL 276.84, 0.56%, 0.6%

LAB 53.09, 48.38, -47.88

 

CMYK 0 / 32 / 54 / 18

HEX #D28F60

RGB 210 143 96

HSL 24.74, 0.56%, 0.6%

LAB 65.11, 20.36, 35.12

 

CMYK 33 / 0 / 54 / 18

HEX #8CD260

RGB 140 210 96

HSL 96.84, 0.56%, 0.6%

LAB 77.59, -41.72, 49

 

CMYK 54 / 23 / 0 / 18

HEX #60A2D2

RGB 96.9 162 210

HSL 205.46, 0.56%, 0.6%

LAB 64.18, -7.2, -30.84

 

CMYK 4 / 54 / 0 / 18

HEX #C960D2

RGB 201 96 210

HSL 295.26, 0.56%, 0.6%

LAB 57.5, 57.59, -40.62

 

CMYK 0 / 32 / 54 / 18

HEX #D28F60

RGB 210 143 96

HSL 24.74, 0.56%, 0.6%

LAB 65.11, 20.36, 35.12

 

CMYK 50 / 0 / 54 / 18

HEX #69D260

RGB 105 210 96

HSL 115.26, 0.56%, 0.6%

LAB 76.03, -52.58, 46.77

 

Description

Color code: RGB 96.9 162 210 | qconv.com Color code: RGB 96.9 162 210 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96.9 red, 162 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96.9 162 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 23 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 23% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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