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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96.3 72 142 it is the complementary color RGB 158.7 183 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96.3 72 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96.3 72 142 shade: RGB 101.3 72 137, RGB 118.3 90 156, RGB 135.3 108 175, RGB 152.3 126 194 and RGB 169.3 144 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96.3 72 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96.3 72 142 shade: RGB 96.3 72 142, RGB 79.3 54 123, RGB 62.3 36 104, RGB 45.3 18 85 and RGB 28.3 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96.3 72 142 shade: RGB 96 72 142, RGB 115 72 142, RGB 134 72 142, RGB 142 72 131 and RGB 142 72 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96.3 72 142 shade: RGB 96 72 142, RGB 77 72 142 and RGB 72 72 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96.3 72 142 shade matches the following richer shades: RGB 96 72 142, RGB 91 54 160, RGB 86 37 177, RGB 80 20 194 and RGB 75 2 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96.3 72 142 shade: RGB 96 72 142, RGB 102 89 125, RGB 107 106 108, RGB 112 124 90 and RGB 117 141 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96.3 72 142 shade: RGB 72 86 142, RGB 76 72 142, RGB 95 72 142, RGB 114 72 142 and RGB 133 72 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96.3 72 142 shade: RGB 59 44 88, RGB 78 58 115, RGB 96 72 142, RGB 115 86 170 and RGB 138 113 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96.3 72 142 shade: RGB 96.3 72 142, RGB 142 72 105 and RGB 76 142 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96.3 72 142 shade: RGB 96.3 72 142, RGB 142 95 72 and RGB 72 142 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96.3 72 142 shade: RGB 96.3 72 142, RGB 142 72 105, RGB 119 142 72 and RGB 72 142 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96.3 72 142 shade: RGB 96.3 72 142, RGB 142 72 84, RGB 119 142 72 and RGB 72 142 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96.3 72 142

HSL 260.83, 0.33%, 0.42%

LAB 36.16, 26.4, -35.27

 

Complementary color

CMYK 13 / 0 / 38 / 28

HEX #9EB771

RGB 158.7 183 113

HSL 80.83, 0.33%, 0.58%

LAB 71.15, -20.16, 32.88

 

CMYK 26 / 47 / 0 / 46

HEX #654889

RGB 101.3 72 137

HSL 267.05, 0.31%, 0.41%

LAB 36.41, 26.53, -31.78

 

CMYK 24 / 42 / 0 / 39

HEX #765A9C

RGB 118.3 90 156

HSL 265.73, 0.27%, 0.48%

LAB 43.63, 25.61, -31.76

 

CMYK 23 / 38 / 0 / 31

HEX #876CAF

RGB 135.3 108 175

HSL 264.45, 0.3%, 0.55%

LAB 50.68, 24.79, -31.77

 

CMYK 21 / 35 / 0 / 24

HEX #987EC2

RGB 152.3 126 194

HSL 263.21, 0.36%, 0.63%

LAB 57.58, 24.05, -31.81

 

CMYK 21 / 32 / 0 / 16

HEX #A990D5

RGB 169.3 144 213

HSL 262, 0.45%, 0.7%

LAB 64.34, 23.38, -31.88

 

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96.3 72 142

HSL 260.83, 0.33%, 0.42%

LAB 36.16, 26.4, -35.27

 

CMYK 36 / 56 / 0 / 52

HEX #4F367B

RGB 79.3 54 123

HSL 262, 0.39%, 0.35%

LAB 28.76, 27.51, -35.41

 

CMYK 40 / 65 / 0 / 59

HEX #3E2468

RGB 62.3 36 104

HSL 263.21, 0.49%, 0.27%

LAB 21.19, 28.72, -35.52

 

CMYK 47 / 79 / 0 / 67

HEX #2D1255

RGB 45.3 18 85

HSL 264.45, 0.65%, 0.2%

LAB 13.55, 29.78, -35.38

 

CMYK 57 / 100 / 0 / 74

HEX #1C0042

RGB 28.3 0 66

HSL 265.73, 1%, 0.13%

LAB 5.82, 30.53, -34.94

 

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96 72 142

HSL 260.57, 0.33%, 0.42%

LAB 36.13, 26.31, -35.32

 

CMYK 19 / 49 / 0 / 44

HEX #73488E

RGB 115 72 142

HSL 276.86, 0.33%, 0.42%

LAB 38.26, 31.88, -31.82

 

CMYK 6 / 49 / 0 / 44

HEX #86488E

RGB 134 72 142

HSL 293.14, 0.33%, 0.42%

LAB 40.66, 37.64, -27.87

 

CMYK 0 / 49 / 8 / 44

HEX #8E4883

RGB 142 72 131

HSL 309.43, 0.33%, 0.42%

LAB 41.25, 38.04, -20.17

 

CMYK 0 / 49 / 21 / 44

HEX #8E4870

RGB 142 72 112

HSL 325.71, 0.33%, 0.42%

LAB 40.5, 34.81, -9.63

 

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96 72 142

HSL 260.57, 0.33%, 0.42%

LAB 36.13, 26.31, -35.32

 

CMYK 46 / 49 / 0 / 44

HEX #4D488E

RGB 77 72 142

HSL 244.29, 0.33%, 0.42%

LAB 34.33, 21.16, -38.3

 

CMYK 49 / 49 / 0 / 44

HEX #48488E

RGB 72 72 142

HSL 240, 0.33%, 0.42%

LAB 33.91, 19.9, -38.99

 

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96 72 142

HSL 260.57, 0.33%, 0.42%

LAB 36.13, 26.31, -35.32

 

CMYK 43 / 66 / 0 / 37

HEX #5B36A0

RGB 91 54 160

HSL 260.94, 0.5%, 0.42%

LAB 32.7, 40.76, -51.79

 

CMYK 51 / 79 / 0 / 31

HEX #5625B1

RGB 86 37 177

HSL 261, 0.65%, 0.42%

LAB 30.58, 53.04, -65.49

 

CMYK 59 / 90 / 0 / 24

HEX #5014C2

RGB 80 20 194

HSL 260.69, 0.81%, 0.42%

LAB 29.67, 62.72, -77.11

 

CMYK 65 / 99 / 0 / 17

HEX #4B02D4

RGB 75 2 212

HSL 260.86, 0.98%, 0.42%

LAB 30.14, 70.16, -86.86

 

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96 72 142

HSL 260.57, 0.33%, 0.42%

LAB 36.13, 26.31, -35.32

 

CMYK 18 / 29 / 0 / 51

HEX #66597D

RGB 102 89 125

HSL 261.67, 0.17%, 0.42%

LAB 40.33, 13.18, -18.32

 

CMYK 1 / 2 / 0 / 58

HEX #6B6A6C

RGB 107 106 108

HSL 270, 0.01%, 0.42%

LAB 44.96, 0.8, -0.99

 

CMYK 10 / 0 / 27 / 51

HEX #707C5A

RGB 112 124 90

HSL 81.18, 0.16%, 0.42%

LAB 50.21, -10.86, 17.13

 

CMYK 17 / 0 / 48 / 45

HEX #758D49

RGB 117 141 73

HSL 81.18, 0.32%, 0.42%

LAB 55.39, -20.26, 33.31

 

CMYK 49 / 39 / 0 / 44

HEX #48568E

RGB 72 86 142

HSL 228, 0.33%, 0.42%

LAB 37.82, 10.82, -32.78

 

CMYK 46 / 49 / 0 / 44

HEX #4C488E

RGB 76 72 142

HSL 243.43, 0.33%, 0.42%

LAB 34.24, 20.9, -38.44

 

CMYK 33 / 49 / 0 / 44

HEX #5F488E

RGB 95 72 142

HSL 259.71, 0.33%, 0.42%

LAB 36.02, 26.03, -35.49

 

CMYK 20 / 49 / 0 / 44

HEX #72488E

RGB 114 72 142

HSL 276, 0.33%, 0.42%

LAB 38.14, 31.58, -32.01

 

CMYK 6 / 49 / 0 / 44

HEX #85488E

RGB 133 72 142

HSL 292.29, 0.33%, 0.42%

LAB 40.53, 37.34, -28.08

 

CMYK 33 / 50 / 0 / 65

HEX #3B2C58

RGB 59 44 88

HSL 260.45, 0.33%, 0.26%

LAB 21.71, 17.88, -24.18

 

CMYK 32 / 50 / 0 / 55

HEX #4E3A73

RGB 78 58 115

HSL 261.05, 0.33%, 0.34%

LAB 29.12, 22.34, -29.79

 

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96 72 142

HSL 260.57, 0.33%, 0.42%

LAB 36.13, 26.31, -35.32

 

CMYK 32 / 49 / 0 / 33

HEX #7356AA

RGB 115 86 170

HSL 260.71, 0.33%, 0.5%

LAB 43.07, 30.68, -40.98

 

CMYK 25 / 39 / 0 / 28

HEX #8A71B8

RGB 138 113 184

HSL 261.13, 0.33%, 0.58%

LAB 52.59, 24.87, -33.97

 

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96.3 72 142

HSL 260.83, 0.33%, 0.42%

LAB 36.16, 26.4, -35.27

 

CMYK 0 / 49 / 26 / 44

HEX #8E4869

RGB 142 72 105

HSL 331.71, 0.33%, 0.42%

LAB 40.26, 33.73, -5.66

 

CMYK 46 / 0 / 49 / 44

HEX #4C8E48

RGB 76 142 72

HSL 116.57, 0.33%, 0.42%

LAB 53.33, -35.9, 30.76

 

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96.3 72 142

HSL 260.83, 0.33%, 0.42%

LAB 36.16, 26.4, -35.27

 

CMYK 0 / 33 / 49 / 44

HEX #8E5F48

RGB 142 95 72

HSL 19.71, 0.33%, 0.42%

LAB 44.81, 16.36, 20.91

 

CMYK 49 / 0 / 33 / 44

HEX #488E5F

RGB 72 142 95

HSL 139.71, 0.33%, 0.42%

LAB 53.55, -33.15, 18.42

 

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96.3 72 142

HSL 260.83, 0.33%, 0.42%

LAB 36.16, 26.4, -35.27

 

CMYK 0 / 49 / 26 / 44

HEX #8E4869

RGB 142 72 105

HSL 331.71, 0.33%, 0.42%

LAB 40.26, 33.73, -5.66

 

CMYK 16 / 0 / 49 / 44

HEX #778E48

RGB 119 142 72

HSL 79.71, 0.33%, 0.42%

LAB 55.82, -20.07, 34.39

 

CMYK 49 / 0 / 23 / 44

HEX #488E6D

RGB 72 142 109

HSL 151.71, 0.33%, 0.42%

LAB 53.84, -30.22, 10.89

 

CMYK 32 / 49 / 0 / 44

HEX #60488E

RGB 96.3 72 142

HSL 260.83, 0.33%, 0.42%

LAB 36.16, 26.4, -35.27

 

CMYK 0 / 49 / 41 / 44

HEX #8E4854

RGB 142 72 84

HSL 349.71, 0.33%, 0.42%

LAB 39.62, 30.88, 6.51

 

CMYK 16 / 0 / 49 / 44

HEX #778E48

RGB 119 142 72

HSL 79.71, 0.33%, 0.42%

LAB 55.82, -20.07, 34.39

 

CMYK 49 / 0 / 8 / 44

HEX #488E83

RGB 72 142 131

HSL 170.57, 0.33%, 0.42%

LAB 54.41, -24.89, -0.95

 

Description

Color code: RGB 96.3 72 142 | qconv.com Color code: RGB 96.3 72 142 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96.3 red, 72 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96.3 72 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 49 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 49% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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