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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96.3 144.4 204 it is the complementary color RGB 158.7 110.6 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96.3 144.4 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96.3 144.4 204 shade: RGB 101.3 144.4 199, RGB 118.3 162.4 218, RGB 135.3 180.4 237, RGB 152.3 198.4 255 and RGB 169.3 216.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96.3 144.4 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96.3 144.4 204 shade: RGB 96.3 144.4 204, RGB 79.3 126.4 185, RGB 62.3 108.4 166, RGB 45.3 90.4 147 and RGB 28.3 72.4 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96.3 144.4 204 shade: RGB 97 145 204, RGB 97 116 204, RGB 107 97 204, RGB 136 97 204 and RGB 165 97 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96.3 144.4 204 shade: RGB 97 145 204, RGB 97 116 204 and RGB 97 97 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96.3 144.4 204 shade matches the following richer shades: RGB 97 145 204, RGB 80 143 221, RGB 63 141 238 and RGB 46 139 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96.3 144.4 204 shade: RGB 97 145 204, RGB 114 147 187, RGB 131 148 170, RGB 148 150 153 and RGB 165 152 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96.3 144.4 204 shade: RGB 97 202 204, RGB 97 174 204, RGB 97 145 204, RGB 97 117 204 and RGB 106 97 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96.3 144.4 204 shade: RGB 54 103 165, RGB 66 123 194, RGB 97 145 204, RGB 128 167 214 and RGB 159 188 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96.3 144.4 204 shade: RGB 96.3 144.4 204, RGB 177 97 204 and RGB 188 204 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96.3 144.4 204 shade: RGB 96.3 144.4 204, RGB 204 97 145 and RGB 145 204 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96.3 144.4 204 shade: RGB 96.3 144.4 204, RGB 177 97 204, RGB 204 156 97 and RGB 124 204 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96.3 144.4 204 shade: RGB 96.3 144.4 204, RGB 204 97 198, RGB 204 156 97 and RGB 97 204 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 29 / 0 / 20

HEX #6090CC

RGB 96.3 144.4 204

HSL 213.2, 0.51%, 0.59%

LAB 58.91, 0.8, -35.69

 

Complementary color

CMYK 0 / 30 / 68 / 38

HEX #9E6E33

RGB 158.7 110.6 51

HSL 33.2, 0.51%, 0.41%

LAB 50.52, 13, 39.91

 

CMYK 49 / 27 / 0 / 22

HEX #6590C7

RGB 101.3 144.4 199

HSL 213.53, 0.47%, 0.59%

LAB 58.95, 0.44, -32.79

 

CMYK 46 / 26 / 0 / 15

HEX #76A2DA

RGB 118.3 162.4 218

HSL 213.46, 0.57%, 0.66%

LAB 65.68, -0.1, -32.86

 

CMYK 43 / 24 / 0 / 7

HEX #87B4ED

RGB 135.3 180.4 237

HSL 213.39, 0.74%, 0.73%

LAB 72.29, -0.55, -32.96

 

CMYK 40 / 22 / 0 / 0

HEX #98C6FF

RGB 152.3 198.4 255

HSL 213.07, 1%, 0.8%

LAB 78.75, -1.2, -32.6

 

CMYK 34 / 15 / 0 / 0

HEX #A9D8FF

RGB 169.3 216.4 255

HSL 207.02, 1%, 0.83%

LAB 84.49, -6.28, -23.74

 

CMYK 53 / 29 / 0 / 20

HEX #6090CC

RGB 96.3 144.4 204

HSL 213.2, 0.51%, 0.59%

LAB 58.91, 0.8, -35.69

 

CMYK 57 / 32 / 0 / 27

HEX #4F7EB9

RGB 79.3 126.4 185

HSL 213.26, 0.43%, 0.52%

LAB 52.07, 1.61, -35.67

 

CMYK 62 / 35 / 0 / 35

HEX #3E6CA6

RGB 62.3 108.4 166

HSL 213.33, 0.45%, 0.45%

LAB 45.08, 2.63, -35.68

 

CMYK 69 / 39 / 0 / 42

HEX #2D5A93

RGB 45.3 90.4 147

HSL 213.39, 0.53%, 0.38%

LAB 37.93, 3.97, -35.71

 

CMYK 78 / 43 / 0 / 50

HEX #1C4880

RGB 28.3 72.4 128

HSL 213.46, 0.64%, 0.31%

LAB 30.63, 5.82, -35.74

 

CMYK 52 / 29 / 0 / 20

HEX #6191CC

RGB 97 145 204

HSL 213.08, 0.51%, 0.59%

LAB 59.11, 0.61, -35.37

 

CMYK 52 / 43 / 0 / 20

HEX #6174CC

RGB 97 116 204

HSL 229.35, 0.51%, 0.59%

LAB 51.14, 17.93, -47.94

 

CMYK 48 / 52 / 0 / 20

HEX #6B61CC

RGB 107 97 204

HSL 245.61, 0.51%, 0.59%

LAB 47.02, 31.77, -54.49

 

CMYK 33 / 52 / 0 / 20

HEX #8861CC

RGB 136 97 204

HSL 261.87, 0.51%, 0.59%

LAB 49.67, 38.69, -50.1

 

CMYK 19 / 52 / 0 / 20

HEX #A561CC

RGB 165 97 204

HSL 278.13, 0.51%, 0.59%

LAB 52.85, 46.26, -44.85

 

CMYK 52 / 29 / 0 / 20

HEX #6191CC

RGB 97 145 204

HSL 213.08, 0.51%, 0.59%

LAB 59.11, 0.61, -35.37

 

CMYK 52 / 43 / 0 / 20

HEX #6174CC

RGB 97 116 204

HSL 229.35, 0.51%, 0.59%

LAB 51.14, 17.93, -47.94

 

CMYK 52 / 52 / 0 / 20

HEX #6161CC

RGB 97 97 204

HSL 240, 0.51%, 0.59%

LAB 46.25, 29.61, -55.78

 

CMYK 52 / 29 / 0 / 20

HEX #6191CC

RGB 97 145 204

HSL 213.08, 0.51%, 0.59%

LAB 59.11, 0.61, -35.37

 

CMYK 64 / 35 / 0 / 13

HEX #508FDD

RGB 80 143 221

HSL 213.19, 0.67%, 0.59%

LAB 58.57, 3.89, -45.79

 

CMYK 74 / 41 / 0 / 7

HEX #3F8DEE

RGB 63 141 238

HSL 213.26, 0.84%, 0.59%

LAB 58.3, 8.45, -55.71

 

CMYK 82 / 45 / 0 / 0

HEX #2E8BFF

RGB 46 139 255

HSL 213.3, 1%, 0.59%

LAB 58.29, 14.1, -65.14

 

CMYK 52 / 29 / 0 / 20

HEX #6191CC

RGB 97 145 204

HSL 213.08, 0.51%, 0.59%

LAB 59.11, 0.61, -35.37

 

CMYK 39 / 21 / 0 / 27

HEX #7293BB

RGB 114 147 187

HSL 212.88, 0.35%, 0.59%

LAB 59.92, -1.24, -24.47

 

CMYK 23 / 13 / 0 / 33

HEX #8394AA

RGB 131 148 170

HSL 213.85, 0.19%, 0.59%

LAB 60.7, -1.09, -13.55

 

CMYK 3 / 2 / 0 / 40

HEX #949699

RGB 148 150 153

HSL 216, 0.02%, 0.59%

LAB 62.01, -0.13, -1.84

 

CMYK 0 / 8 / 18 / 35

HEX #A59888

RGB 165 152 136

HSL 33.1, 0.14%, 0.59%

LAB 63.54, 2.05, 10.14

 

CMYK 52 / 1 / 0 / 20

HEX #61CACC

RGB 97 202 204

HSL 181.12, 0.51%, 0.59%

LAB 75.54, -29.65, -10.29

 

CMYK 52 / 15 / 0 / 20

HEX #61AECC

RGB 97 174 204

HSL 196.82, 0.51%, 0.59%

LAB 67.41, -15.47, -22.56

 

CMYK 52 / 29 / 0 / 20

HEX #6191CC

RGB 97 145 204

HSL 213.08, 0.51%, 0.59%

LAB 59.11, 0.61, -35.37

 

CMYK 52 / 43 / 0 / 20

HEX #6175CC

RGB 97 117 204

HSL 228.79, 0.51%, 0.59%

LAB 51.41, 17.32, -47.51

 

CMYK 48 / 52 / 0 / 20

HEX #6A61CC

RGB 106 97 204

HSL 245.05, 0.51%, 0.59%

LAB 46.94, 31.54, -54.63

 

CMYK 67 / 38 / 0 / 35

HEX #3667A5

RGB 54 103 165

HSL 213.51, 0.51%, 0.43%

LAB 43.07, 4.1, -38.29

 

CMYK 66 / 37 / 0 / 24

HEX #427BC2

RGB 66 123 194

HSL 213.28, 0.51%, 0.51%

LAB 50.94, 4.15, -42.64

 

CMYK 52 / 29 / 0 / 20

HEX #6191CC

RGB 97 145 204

HSL 213.08, 0.51%, 0.59%

LAB 59.11, 0.61, -35.37

 

CMYK 40 / 22 / 0 / 16

HEX #80A7D6

RGB 128 167 214

HSL 212.79, 0.51%, 0.67%

LAB 67.34, -1.32, -28.05

 

CMYK 29 / 16 / 0 / 12

HEX #9FBCE0

RGB 159 188 224

HSL 213.23, 0.51%, 0.75%

LAB 75.28, -1.62, -21.21

 

CMYK 53 / 29 / 0 / 20

HEX #6090CC

RGB 96.3 144.4 204

HSL 213.2, 0.51%, 0.59%

LAB 58.91, 0.8, -35.69

 

CMYK 13 / 52 / 0 / 20

HEX #B161CC

RGB 177 97 204

HSL 284.86, 0.51%, 0.59%

LAB 54.3, 49.49, -42.46

 

CMYK 8 / 0 / 52 / 20

HEX #BCCC61

RGB 188 204 97

HSL 68.97, 0.51%, 0.59%

LAB 78.89, -20.8, 50.81

 

CMYK 53 / 29 / 0 / 20

HEX #6090CC

RGB 96.3 144.4 204

HSL 213.2, 0.51%, 0.59%

LAB 58.91, 0.8, -35.69

 

CMYK 0 / 52 / 29 / 20

HEX #CC6191

RGB 204 97 145

HSL 333.08, 0.51%, 0.59%

LAB 55.51, 47.68, -6.12

 

CMYK 29 / 0 / 52 / 20

HEX #91CC61

RGB 145 204 97

HSL 93.08, 0.51%, 0.59%

LAB 76.11, -37.2, 46.84

 

CMYK 53 / 29 / 0 / 20

HEX #6090CC

RGB 96.3 144.4 204

HSL 213.2, 0.51%, 0.59%

LAB 58.91, 0.8, -35.69

 

CMYK 13 / 52 / 0 / 20

HEX #B161CC

RGB 177 97 204

HSL 284.86, 0.51%, 0.59%

LAB 54.3, 49.49, -42.46

 

CMYK 0 / 24 / 52 / 20

HEX #CC9C61

RGB 204 156 97

HSL 33.08, 0.51%, 0.59%

LAB 67.63, 10.89, 37.59

 

CMYK 39 / 0 / 52 / 20

HEX #7CCC61

RGB 124 204 97

HSL 104.86, 0.51%, 0.59%

LAB 75.04, -44.33, 45.3

 

CMYK 53 / 29 / 0 / 20

HEX #6090CC

RGB 96.3 144.4 204

HSL 213.2, 0.51%, 0.59%

LAB 58.91, 0.8, -35.69

 

CMYK 0 / 52 / 3 / 20

HEX #CC61C6

RGB 204 97 198

HSL 303.36, 0.51%, 0.59%

LAB 57.52, 55.8, -33.73

 

CMYK 0 / 24 / 52 / 20

HEX #CC9C61

RGB 204 156 97

HSL 33.08, 0.51%, 0.59%

LAB 67.63, 10.89, 37.59

 

CMYK 52 / 0 / 50 / 20

HEX #61CC66

RGB 97 204 102

HSL 122.8, 0.51%, 0.59%

LAB 73.99, -51.58, 41.35

 

Description

Color code: RGB 96.3 144.4 204 | qconv.com Color code: RGB 96.3 144.4 204 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96.3 red, 144.4 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96.3 144.4 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 29 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 29% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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