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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 90.4 175.4 it is the complementary color RGB 160 164.6 79.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 90.4 175.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 90.4 175.4 shade: RGB 100 90.4 170.4, RGB 117 108.4 189.4, RGB 134 126.4 208.4, RGB 151 144.4 227.4 and RGB 168 162.4 246.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 90.4 175.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 90.4 175.4 shade: RGB 95 90.4 175.4, RGB 78 72.4 156.4, RGB 61 54.4 137.4, RGB 44 36.4 118.4 and RGB 27 18.4 99.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 90.4 175.4 shade: RGB 94 90 175, RGB 118 90 175, RGB 141 90 175, RGB 164 90 175 and RGB 175 90 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 90.4 175.4 shade: RGB 94 90 175 and RGB 90 90 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 90.4 175.4 shade matches the following richer shades: RGB 94 90 175, RGB 77 70 195, RGB 59 50 215, RGB 41 30 235 and RGB 24 11 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 90.4 175.4 shade: RGB 94 90 175, RGB 112 110 156, RGB 130 129 136, RGB 147 149 116 and RGB 165 169 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 90.4 175.4 shade: RGB 90 131 175, RGB 90 108 175, RGB 94 90 175, RGB 117 90 175 and RGB 140 90 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 90.4 175.4 shade: RGB 63 59 123, RGB 77 73 151, RGB 94 90 175, RGB 121 118 189 and RGB 149 145 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 90.4 175.4 shade: RGB 95 90.4 175.4, RGB 175 90 154 and RGB 120 175 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 90.4 175.4 shade: RGB 95 90.4 175.4, RGB 175 94 90 and RGB 90 175 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 90.4 175.4 shade: RGB 95 90.4 175.4, RGB 175 90 154, RGB 171 175 90 and RGB 90 175 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 90.4 175.4 shade: RGB 95 90.4 175.4, RGB 175 90 128, RGB 171 175 90 and RGB 90 175 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 48 / 0 / 31

HEX #5F5AAF

RGB 95 90.4 175.4

HSL 243.25, 0.35%, 0.52%

LAB 42.65, 24.35, -44.94

 

Complementary color

CMYK 3 / 0 / 52 / 35

HEX #A0A44F

RGB 160 164.6 79.6

HSL 63.25, 0.35%, 0.48%

LAB 65.6, -13.92, 43.01

 

CMYK 41 / 47 / 0 / 33

HEX #645AAA

RGB 100 90.4 170.4

HSL 247.2, 0.32%, 0.51%

LAB 42.77, 24.11, -41.77

 

CMYK 38 / 43 / 0 / 26

HEX #756CBD

RGB 117 108.4 189.4

HSL 246.37, 0.38%, 0.58%

LAB 49.84, 23.07, -41.55

 

CMYK 36 / 39 / 0 / 18

HEX #867ED0

RGB 134 126.4 208.4

HSL 245.56, 0.47%, 0.66%

LAB 56.75, 22.17, -41.38

 

CMYK 34 / 36 / 0 / 11

HEX #9790E3

RGB 151 144.4 227.4

HSL 244.77, 0.6%, 0.73%

LAB 63.52, 21.39, -41.27

 

CMYK 32 / 34 / 0 / 3

HEX #A8A2F6

RGB 168 162.4 246.4

HSL 244, 0.83%, 0.8%

LAB 70.17, 20.69, -41.2

 

CMYK 46 / 48 / 0 / 31

HEX #5F5AAF

RGB 95 90.4 175.4

HSL 243.25, 0.35%, 0.52%

LAB 42.65, 24.35, -44.94

 

CMYK 50 / 54 / 0 / 39

HEX #4E489C

RGB 78 72.4 156.4

HSL 244, 0.37%, 0.45%

LAB 35.44, 25.72, -45.25

 

CMYK 56 / 60 / 0 / 46

HEX #3D3689

RGB 61 54.4 137.4

HSL 244.77, 0.43%, 0.38%

LAB 28.08, 27.36, -45.6

 

CMYK 63 / 69 / 0 / 54

HEX #2C2476

RGB 44 36.4 118.4

HSL 245.56, 0.53%, 0.3%

LAB 20.59, 29.32, -45.87

 

CMYK 73 / 81 / 0 / 61

HEX #1B1263

RGB 27 18.4 99.4

HSL 246.37, 0.69%, 0.23%

LAB 13.15, 31.41, -45.78

 

CMYK 46 / 49 / 0 / 31

HEX #5E5AAF

RGB 94 90 175

HSL 242.82, 0.35%, 0.52%

LAB 42.44, 24.24, -45.04

 

CMYK 33 / 49 / 0 / 31

HEX #765AAF

RGB 118 90 175

HSL 259.76, 0.35%, 0.52%

LAB 44.6, 30.44, -41.47

 

CMYK 19 / 49 / 0 / 31

HEX #8D5AAF

RGB 141 90 175

HSL 276, 0.35%, 0.52%

LAB 47.07, 36.91, -37.41

 

CMYK 6 / 49 / 0 / 31

HEX #A45AAF

RGB 164 90 175

HSL 292.24, 0.35%, 0.52%

LAB 49.86, 43.61, -32.82

 

CMYK 0 / 49 / 6 / 31

HEX #AF5AA4

RGB 175 90 164

HSL 307.76, 0.35%, 0.52%

LAB 50.81, 44.85, -24.79

 

CMYK 46 / 49 / 0 / 31

HEX #5E5AAF

RGB 94 90 175

HSL 242.82, 0.35%, 0.52%

LAB 42.44, 24.24, -45.04

 

CMYK 49 / 49 / 0 / 31

HEX #5A5AAF

RGB 90 90 175

HSL 240, 0.35%, 0.52%

LAB 42.13, 23.28, -45.56

 

CMYK 46 / 49 / 0 / 31

HEX #5E5AAF

RGB 94 90 175

HSL 242.82, 0.35%, 0.52%

LAB 42.44, 24.24, -45.04

 

CMYK 61 / 64 / 0 / 24

HEX #4D46C3

RGB 77 70 195

HSL 243.36, 0.51%, 0.52%

LAB 37.66, 39.52, -64.56

 

CMYK 73 / 77 / 0 / 16

HEX #3B32D7

RGB 59 50 215

HSL 243.27, 0.67%, 0.52%

LAB 34.23, 54.96, -81.85

 

CMYK 83 / 87 / 0 / 8

HEX #291EEB

RGB 41 30 235

HSL 243.22, 0.84%, 0.52%

LAB 32.7, 68.31, -95.88

 

CMYK 91 / 96 / 0 / 0

HEX #180BFF

RGB 24 11 255

HSL 243.2, 1%, 0.52%

LAB 33.25, 77.72, -106.27

 

CMYK 46 / 49 / 0 / 31

HEX #5E5AAF

RGB 94 90 175

HSL 242.82, 0.35%, 0.52%

LAB 42.44, 24.24, -45.04

 

CMYK 28 / 29 / 0 / 39

HEX #706E9C

RGB 112 110 156

HSL 242.61, 0.19%, 0.52%

LAB 48.26, 11.54, -24.59

 

CMYK 4 / 5 / 0 / 47

HEX #828188

RGB 130 129 136

HSL 248.57, 0.03%, 0.52%

LAB 54.26, 1.79, -3.65

 

CMYK 1 / 0 / 22 / 42

HEX #939574

RGB 147 149 116

HSL 63.64, 0.13%, 0.52%

LAB 60.75, -6.51, 17.23

 

CMYK 2 / 0 / 43 / 34

HEX #A5A960

RGB 165 169 96

HSL 63.29, 0.3%, 0.52%

LAB 67.44, -12.49, 37.08

 

CMYK 49 / 25 / 0 / 31

HEX #5A83AF

RGB 90 131 175

HSL 211.06, 0.35%, 0.52%

LAB 53.49, -1.8, -27.65

 

CMYK 49 / 38 / 0 / 31

HEX #5A6CAF

RGB 90 108 175

HSL 227.29, 0.35%, 0.52%

LAB 46.97, 12.05, -37.87

 

CMYK 46 / 49 / 0 / 31

HEX #5E5AAF

RGB 94 90 175

HSL 242.82, 0.35%, 0.52%

LAB 42.44, 24.24, -45.04

 

CMYK 33 / 49 / 0 / 31

HEX #755AAF

RGB 117 90 175

HSL 259.06, 0.35%, 0.52%

LAB 44.5, 30.17, -41.63

 

CMYK 20 / 49 / 0 / 31

HEX #8C5AAF

RGB 140 90 175

HSL 275.29, 0.35%, 0.52%

LAB 46.95, 36.62, -37.59

 

CMYK 49 / 52 / 0 / 52

HEX #3F3B7B

RGB 63 59 123

HSL 243.75, 0.35%, 0.36%

LAB 28.42, 19.99, -36.04

 

CMYK 49 / 52 / 0 / 41

HEX #4D4997

RGB 77 73 151

HSL 243.08, 0.35%, 0.44%

LAB 35.16, 23.37, -42.45

 

CMYK 46 / 49 / 0 / 31

HEX #5E5AAF

RGB 94 90 175

HSL 242.82, 0.35%, 0.52%

LAB 42.44, 24.24, -45.04

 

CMYK 36 / 38 / 0 / 26

HEX #7976BD

RGB 121 118 189

HSL 242.54, 0.35%, 0.6%

LAB 52.62, 18.28, -36.92

 

CMYK 26 / 28 / 0 / 21

HEX #9591CA

RGB 149 145 202

HSL 244.21, 0.35%, 0.68%

LAB 62.43, 14.01, -28.83

 

CMYK 46 / 48 / 0 / 31

HEX #5F5AAF

RGB 95 90.4 175.4

HSL 243.25, 0.35%, 0.52%

LAB 42.65, 24.35, -44.94

 

CMYK 0 / 49 / 12 / 31

HEX #AF5A9A

RGB 175 90 154

HSL 314.82, 0.35%, 0.52%

LAB 50.4, 43.14, -19.53

 

CMYK 31 / 0 / 49 / 31

HEX #78AF5A

RGB 120 175 90

HSL 98.82, 0.35%, 0.52%

LAB 66.05, -33.65, 37.74

 

CMYK 46 / 48 / 0 / 31

HEX #5F5AAF

RGB 95 90.4 175.4

HSL 243.25, 0.35%, 0.52%

LAB 42.65, 24.35, -44.94

 

CMYK 0 / 46 / 49 / 31

HEX #AF5E5A

RGB 175 94 90

HSL 2.82, 0.35%, 0.52%

LAB 49.32, 32.38, 17.06

 

CMYK 49 / 0 / 46 / 31

HEX #5AAF5E

RGB 90 175 94

HSL 122.82, 0.35%, 0.52%

LAB 64.68, -42.78, 33.68

 

CMYK 46 / 48 / 0 / 31

HEX #5F5AAF

RGB 95 90.4 175.4

HSL 243.25, 0.35%, 0.52%

LAB 42.65, 24.35, -44.94

 

CMYK 0 / 49 / 12 / 31

HEX #AF5A9A

RGB 175 90 154

HSL 314.82, 0.35%, 0.52%

LAB 50.4, 43.14, -19.53

 

CMYK 2 / 0 / 49 / 31

HEX #ABAF5A

RGB 171 175 90

HSL 62.82, 0.35%, 0.52%

LAB 69.51, -13.74, 42.75

 

CMYK 49 / 0 / 37 / 31

HEX #5AAF6F

RGB 90 175 111

HSL 134.82, 0.35%, 0.52%

LAB 64.95, -40, 25.09

 

CMYK 46 / 48 / 0 / 31

HEX #5F5AAF

RGB 95 90.4 175.4

HSL 243.25, 0.35%, 0.52%

LAB 42.65, 24.35, -44.94

 

CMYK 0 / 49 / 27 / 31

HEX #AF5A80

RGB 175 90 128

HSL 333.18, 0.35%, 0.52%

LAB 49.48, 39.11, -5.46

 

CMYK 2 / 0 / 49 / 31

HEX #ABAF5A

RGB 171 175 90

HSL 62.82, 0.35%, 0.52%

LAB 69.51, -13.74, 42.75

 

CMYK 49 / 0 / 22 / 31

HEX #5AAF89

RGB 90 175 137

HSL 153.18, 0.35%, 0.52%

LAB 65.47, -34.85, 11.66

 

Description

Color code: RGB 95 90.4 175.4 | qconv.com Color code: RGB 95 90.4 175.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 90.4 green and 175.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 90.4 175.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 48 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 48% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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