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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 129 97 it is the complementary color RGB 160 126 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 129 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 95 129 97: RGB 100 129 92, RGB 117 147 111, RGB 134 165 130, RGB 151 183 149 and RGB 168 201 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 129 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 95 129 97: RGB 95 129 97, RGB 78 111 78, RGB 61 93 59, RGB 44 75 40 and RGB 27 57 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 25 / 49

HEX #5F8161

RGB 95 129 97

HSL 123.53, 0.15%, 0.44%

LAB 50.68, -18.87, 13.55

 

Complementary color

CMYK 0 / 21 / 1 / 37

HEX #A07E9E

RGB 160 126 158

HSL 303.53, 0.15%, 0.56%

LAB 56.94, 18.8, -12.1

 

CMYK 22 / 0 / 29 / 49

HEX #64815C

RGB 100 129 92

HSL 107.03, 0.17%, 0.43%

LAB 50.9, -17.94, 16.77

 

CMYK 20 / 0 / 24 / 42

HEX #75936F

RGB 117 147 111

HSL 110, 0.14%, 0.51%

LAB 57.84, -17.76, 15.69

 

CMYK 19 / 0 / 21 / 35

HEX #86A582

RGB 134 165 130

HSL 113.14, 0.16%, 0.58%

LAB 64.64, -17.61, 14.69

 

CMYK 17 / 0 / 19 / 28

HEX #97B795

RGB 151 183 149

HSL 116.47, 0.19%, 0.65%

LAB 71.29, -17.47, 13.75

 

CMYK 16 / 0 / 16 / 21

HEX #A8C9A8

RGB 168 201 168

HSL 120, 0.23%, 0.72%

LAB 77.83, -17.35, 12.87

 

CMYK 26 / 0 / 25 / 49

HEX #5F8161

RGB 95 129 97

HSL 123.53, 0.15%, 0.44%

LAB 50.68, -18.87, 13.55

 

CMYK 30 / 0 / 30 / 56

HEX #4E6F4E

RGB 78 111 78

HSL 120, 0.17%, 0.37%

LAB 43.56, -19.12, 14.67

 

CMYK 34 / 0 / 37 / 64

HEX #3D5D3B

RGB 61 93 59

HSL 116.47, 0.22%, 0.3%

LAB 36.25, -19.39, 15.92

 

CMYK 41 / 0 / 47 / 71

HEX #2C4B28

RGB 44 75 40

HSL 113.14, 0.3%, 0.23%

LAB 28.7, -19.65, 17.31

 

CMYK 53 / 0 / 63 / 78

HEX #1B3915

RGB 27 57 21

HSL 110, 0.46%, 0.15%

LAB 20.88, -19.77, 18.81

 

CMYK 26 / 0 / 25 / 49

HEX #5F8161

RGB 95 129 97

HSL 123.53, 0.15%, 0.44%

LAB 50.68, -18.87, 13.55

 

CMYK 26 / 0 / 21 / 49

HEX #5F8166

RGB 95 129 102

HSL 132.35, 0.15%, 0.44%

LAB 50.8, -17.9, 10.81

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 26 / 0 / 12 / 49

HEX #5F8171

RGB 95 129 113

HSL 151.76, 0.15%, 0.44%

LAB 51.07, -15.61, 4.79

 

CMYK 26 / 0 / 8 / 49

HEX #5F8177

RGB 95 129 119

HSL 162.35, 0.15%, 0.44%

LAB 51.23, -14.28, 1.52

 

CMYK 26 / 0 / 25 / 49

HEX #5F8161

RGB 95 129 97

HSL 123.53, 0.15%, 0.44%

LAB 50.68, -18.87, 13.55

 

CMYK 26 / 0 / 25 / 29

HEX #85B487

RGB 133 180 135

HSL 122.55, 0.24%, 0.61%

LAB 69.02, -24.67, 18.03

 

CMYK 26 / 0 / 25 / 9

HEX #AAE7AE

RGB 170 231 174

HSL 123.93, 0.56%, 0.79%

LAB 86.38, -30.29, 21.67

 

CMYK 26 / 0 / 26 / 89

HEX #141B14

RGB 20 27 20

HSL 120, 0.15%, 0.09%

LAB 8.85, -5.1, 3.69

 

CMYK 27 / 0 / 24 / 69

HEX #394E3B

RGB 57 78 59

HSL 125.71, 0.16%, 0.26%

LAB 30.96, -12.59, 8.66

 

CMYK 26 / 0 / 25 / 49

HEX #5F8161

RGB 95 129 97

HSL 123.53, 0.15%, 0.44%

LAB 50.68, -18.87, 13.55

 

CMYK 26 / 7 / 0 / 49

HEX #5F7881

RGB 95 120 129

HSL 195.88, 0.15%, 0.44%

LAB 48.82, -6.84, -7.91

 

CMYK 0 / 26 / 17 / 49

HEX #815F6B

RGB 129 95 107

HSL 338.82, 0.15%, 0.44%

LAB 44.11, 15.83, -1.38

 

CMYK 26 / 0 / 25 / 49

HEX #5F8161

RGB 95 129 97

HSL 123.53, 0.15%, 0.44%

LAB 50.68, -18.87, 13.55

 

CMYK 25 / 26 / 0 / 49

HEX #615F81

RGB 97 95 129

HSL 243.53, 0.15%, 0.44%

LAB 41.71, 8.78, -18.68

 

CMYK 0 / 25 / 26 / 49

HEX #81615F

RGB 129 97 95

HSL 3.53, 0.15%, 0.44%

LAB 44.29, 12.66, 6.17

 

CMYK 26 / 0 / 25 / 49

HEX #5F8161

RGB 95 129 97

HSL 123.53, 0.15%, 0.44%

LAB 50.68, -18.87, 13.55

 

CMYK 26 / 7 / 0 / 49

HEX #5F7881

RGB 95 120 129

HSL 195.88, 0.15%, 0.44%

LAB 48.82, -6.84, -7.91

 

CMYK 0 / 26 / 2 / 49

HEX #815F7F

RGB 129 95 127

HSL 303.53, 0.15%, 0.44%

LAB 44.78, 19.61, -12.5

 

CMYK 0 / 20 / 26 / 49

HEX #81675F

RGB 129 103 95

HSL 14.12, 0.15%, 0.44%

LAB 45.9, 9.1, 8.45

 

CMYK 26 / 0 / 25 / 49

HEX #5F8161

RGB 95 129 97

HSL 123.53, 0.15%, 0.44%

LAB 50.68, -18.87, 13.55

 

CMYK 26 / 15 / 0 / 49

HEX #5F6E81

RGB 95 110 129

HSL 213.53, 0.15%, 0.44%

LAB 45.87, -0.99, -12.35

 

CMYK 0 / 26 / 2 / 49

HEX #815F7F

RGB 129 95 127

HSL 303.53, 0.15%, 0.44%

LAB 44.78, 19.61, -12.5

 

CMYK 0 / 12 / 26 / 49

HEX #81715F

RGB 129 113 95

HSL 31.76, 0.15%, 0.44%

LAB 48.64, 3.22, 12.29

 

Description

Color code: RGB 95 129 97 | qconv.com Color code: RGB 95 129 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 129 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 129 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 25 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 25% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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