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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 71 61 it is the complementary color RGB 161 184 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 71 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 71 61: RGB 99 71 56, RGB 116 89 75, RGB 133 107 94, RGB 150 125 113 and RGB 167 143 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 71 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 71 61: RGB 94 71 61, RGB 77 53 42, RGB 60 35 23, RGB 43 17 4 and RGB 26 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 35 / 63

HEX #5E473D

RGB 94 71 61

HSL 18.18, 0.21%, 0.3%

LAB 32.31, 8.23, 9.8

 

Complementary color

CMYK 17 / 5 / 0 / 24

HEX #A1B8C2

RGB 161 184 194

HSL 198.18, 0.21%, 0.7%

LAB 73.39, -5.73, -7.71

 

CMYK 0 / 28 / 43 / 61

HEX #634738

RGB 99 71 56

HSL 20.93, 0.28%, 0.3%

LAB 32.8, 9.81, 13.73

 

CMYK 0 / 23 / 35 / 55

HEX #74594B

RGB 116 89 75

HSL 20.49, 0.21%, 0.37%

LAB 40.19, 8.95, 12.37

 

CMYK 0 / 20 / 29 / 48

HEX #856B5E

RGB 133 107 94

HSL 20, 0.17%, 0.45%

LAB 47.38, 8.26, 11.19

 

CMYK 0 / 17 / 25 / 41

HEX #967D71

RGB 150 125 113

HSL 19.46, 0.15%, 0.52%

LAB 54.39, 7.69, 10.13

 

CMYK 0 / 14 / 21 / 35

HEX #A78F84

RGB 167 143 132

HSL 18.86, 0.17%, 0.59%

LAB 61.24, 7.2, 9.18

 

CMYK 0 / 24 / 35 / 63

HEX #5E473D

RGB 94 71 61

HSL 18.18, 0.21%, 0.3%

LAB 32.31, 8.23, 9.8

 

CMYK 0 / 31 / 45 / 70

HEX #4D352A

RGB 77 53 42

HSL 18.86, 0.29%, 0.23%

LAB 24.61, 9.14, 11.21

 

CMYK 0 / 42 / 62 / 76

HEX #3C2317

RGB 60 35 23

HSL 19.46, 0.45%, 0.16%

LAB 16.62, 10.4, 12.99

 

CMYK 0 / 60 / 91 / 83

HEX #2B1104

RGB 43 17 4

HSL 20, 0.83%, 0.09%

LAB 8.34, 12.13, 11.1

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 24 / 35 / 63

HEX #5E473D

RGB 94 71 61

HSL 18.18, 0.21%, 0.3%

LAB 32.31, 8.23, 9.8

 

CMYK 0 / 18 / 35 / 64

HEX #5C4B3C

RGB 92 75 60

HSL 28.13, 0.21%, 0.3%

LAB 33.21, 4.67, 11.63

 

CMYK 0 / 13 / 35 / 64

HEX #5C503C

RGB 92 80 60

HSL 37.5, 0.21%, 0.3%

LAB 34.68, 1.57, 13.64

 

CMYK 0 / 7 / 35 / 64

HEX #5C563C

RGB 92 86 60

HSL 48.75, 0.21%, 0.3%

LAB 36.47, -2.09, 16.05

 

CMYK 0 / 1 / 35 / 64

HEX #5C5B3C

RGB 92 91 60

HSL 58.13, 0.21%, 0.3%

LAB 37.99, -5.08, 18.06

 

CMYK 0 / 24 / 35 / 63

HEX #5E473D

RGB 94 71 61

HSL 18.18, 0.21%, 0.3%

LAB 32.31, 8.23, 9.8

 

CMYK 0 / 24 / 35 / 43

HEX #916E5E

RGB 145 110 94

HSL 18.82, 0.21%, 0.47%

LAB 49.47, 11.54, 14.29

 

CMYK 0 / 24 / 35 / 23

HEX #C4947F

RGB 196 148 127

HSL 18.26, 0.37%, 0.63%

LAB 65.32, 15.19, 18.11

 

CMYK 0 / 24 / 35 / 3

HEX #F7BBA0

RGB 247 187 160

HSL 18.62, 0.84%, 0.8%

LAB 80.66, 18.11, 22.07

 

CMYK 0 / 26 / 35 / 83

HEX #2B201C

RGB 43 32 28

HSL 16, 0.21%, 0.14%

LAB 13.41, 4.54, 4.74

 

CMYK 0 / 24 / 35 / 63

HEX #5E473D

RGB 94 71 61

HSL 18.18, 0.21%, 0.3%

LAB 32.31, 8.23, 9.8

 

CMYK 17 / 0 / 35 / 64

HEX #4C5C3C

RGB 76 92 60

HSL 90, 0.21%, 0.3%

LAB 36.96, -12.65, 16.45

 

CMYK 35 / 32 / 0 / 64

HEX #3C3F5C

RGB 60 63 92

HSL 234.38, 0.21%, 0.3%

LAB 27.54, 6.57, -17.66

 

CMYK 0 / 24 / 35 / 63

HEX #5E473D

RGB 94 71 61

HSL 18.18, 0.21%, 0.3%

LAB 32.31, 8.23, 9.8

 

CMYK 35 / 0 / 24 / 64

HEX #3C5C46

RGB 60 92 70

HSL 138.75, 0.21%, 0.3%

LAB 36.09, -17.02, 9

 

CMYK 24 / 35 / 0 / 64

HEX #463C5C

RGB 70 60 92

HSL 258.75, 0.21%, 0.3%

LAB 27.59, 12, -17.51

 

CMYK 0 / 24 / 35 / 63

HEX #5E473D

RGB 94 71 61

HSL 18.18, 0.21%, 0.3%

LAB 32.31, 8.23, 9.8

 

CMYK 17 / 0 / 35 / 64

HEX #4C5C3C

RGB 76 92 60

HSL 90, 0.21%, 0.3%

LAB 36.96, -12.65, 16.45

 

CMYK 35 / 11 / 0 / 64

HEX #3C525C

RGB 60 82 92

HSL 198.75, 0.21%, 0.3%

LAB 33.49, -5.64, -8.56

 

CMYK 17 / 35 / 0 / 64

HEX #4C3C5C

RGB 76 60 92

HSL 270, 0.21%, 0.3%

LAB 28.22, 14.15, -16.48

 

CMYK 0 / 24 / 35 / 63

HEX #5E473D

RGB 94 71 61

HSL 18.18, 0.21%, 0.3%

LAB 32.31, 8.23, 9.8

 

CMYK 28 / 0 / 35 / 64

HEX #425C3C

RGB 66 92 60

HSL 108.75, 0.21%, 0.3%

LAB 36.25, -16.74, 15.38

 

CMYK 35 / 11 / 0 / 64

HEX #3C525C

RGB 60 82 92

HSL 198.75, 0.21%, 0.3%

LAB 33.49, -5.64, -8.56

 

CMYK 7 / 35 / 0 / 64

HEX #563C5C

RGB 86 60 92

HSL 288.75, 0.21%, 0.3%

LAB 29.37, 17.8, -14.62

 

Description

Color code: RGB 94 71 61 | qconv.com Color code: RGB 94 71 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 71 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 71 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 35 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 35% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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