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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 52 36 it is the complementary color RGB 161 203 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 52 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 52 36: RGB 99 52 31, RGB 116 70 50, RGB 133 88 69, RGB 150 106 88 and RGB 167 124 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 52 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 52 36: RGB 94 52 36, RGB 77 34 17, RGB 60 16 0, RGB 43 0 0 and RGB 26 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 62 / 63

HEX #5E3424

RGB 94 52 36

HSL 16.55, 0.45%, 0.25%

LAB 26.63, 17.12, 18.19

 

Complementary color

CMYK 26 / 7 / 0 / 14

HEX #A1CBDB

RGB 161 203 219

HSL 196.55, 0.45%, 0.75%

LAB 79.27, -10.18, -12.47

 

CMYK 0 / 47 / 69 / 61

HEX #63341F

RGB 99 52 31

HSL 18.53, 0.52%, 0.25%

LAB 27.32, 19.01, 22.34

 

CMYK 0 / 40 / 57 / 55

HEX #744632

RGB 116 70 50

HSL 18.18, 0.4%, 0.33%

LAB 34.65, 17.48, 20.29

 

CMYK 0 / 34 / 48 / 48

HEX #855845

RGB 133 88 69

HSL 17.81, 0.32%, 0.4%

LAB 41.84, 16.24, 18.57

 

CMYK 0 / 29 / 41 / 41

HEX #966A58

RGB 150 106 88

HSL 17.42, 0.26%, 0.47%

LAB 48.88, 15.21, 17.1

 

CMYK 0 / 26 / 36 / 35

HEX #A77C6B

RGB 167 124 107

HSL 17, 0.25%, 0.54%

LAB 55.78, 14.34, 15.8

 

CMYK 0 / 45 / 62 / 63

HEX #5E3424

RGB 94 52 36

HSL 16.55, 0.45%, 0.25%

LAB 26.63, 17.12, 18.19

 

CMYK 0 / 56 / 78 / 70

HEX #4D2211

RGB 77 34 17

HSL 17, 0.64%, 0.18%

LAB 19.07, 18.83, 20.48

 

CMYK 0 / 73 / 100 / 76

HEX #3C1000

RGB 60 16 0

HSL 16, 1%, 0.12%

LAB 11.49, 20.65, 17.68

 

CMYK 0 / 100 / 100 / 83

HEX #2B0000

RGB 43 0 0

HSL 0, 1%, 0.08%

LAB 4.64, 20.46, 7.33

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 45 / 62 / 63

HEX #5E3424

RGB 94 52 36

HSL 16.55, 0.45%, 0.25%

LAB 26.63, 17.12, 18.19

 

CMYK 0 / 36 / 62 / 64

HEX #5C3B23

RGB 92 59 35

HSL 25.26, 0.45%, 0.25%

LAB 28.18, 11.72, 20.68

 

CMYK 0 / 25 / 62 / 64

HEX #5C4523

RGB 92 69 35

HSL 35.79, 0.45%, 0.25%

LAB 31, 5.43, 24.09

 

CMYK 0 / 14 / 62 / 64

HEX #5C4F23

RGB 92 79 35

HSL 46.32, 0.45%, 0.25%

LAB 33.96, -0.76, 27.56

 

CMYK 0 / 4 / 62 / 64

HEX #5C5823

RGB 92 88 35

HSL 55.79, 0.45%, 0.25%

LAB 36.7, -6.15, 30.67

 

CMYK 0 / 45 / 62 / 63

HEX #5E3424

RGB 94 52 36

HSL 16.55, 0.45%, 0.25%

LAB 26.63, 17.12, 18.19

 

CMYK 0 / 45 / 61 / 43

HEX #915038

RGB 145 80 56

HSL 16.18, 0.44%, 0.39%

LAB 41.28, 24.84, 25.92

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4B

RGB 196 108 75

HSL 16.36, 0.51%, 0.53%

LAB 55.04, 31.93, 33.65

 

CMYK 0 / 45 / 62 / 3

HEX #F7895F

RGB 247 137 95

HSL 16.58, 0.9%, 0.67%

LAB 68.38, 38.21, 40.71

 

CMYK 0 / 44 / 63 / 83

HEX #2B1810

RGB 43 24 16

HSL 17.78, 0.46%, 0.12%

LAB 10.59, 8.44, 8.99

 

CMYK 0 / 45 / 62 / 63

HEX #5E3424

RGB 94 52 36

HSL 16.55, 0.45%, 0.25%

LAB 26.63, 17.12, 18.19

 

CMYK 29 / 0 / 62 / 64

HEX #415C23

RGB 65 92 35

HSL 88.42, 0.45%, 0.25%

LAB 35.79, -20.77, 29.05

 

CMYK 62 / 54 / 0 / 64

HEX #232A5C

RGB 35 42 92

HSL 232.63, 0.45%, 0.25%

LAB 19.17, 14.02, -31.03

 

CMYK 0 / 45 / 62 / 63

HEX #5E3424

RGB 94 52 36

HSL 16.55, 0.45%, 0.25%

LAB 26.63, 17.12, 18.19

 

CMYK 62 / 0 / 46 / 64

HEX #235C32

RGB 35 92 50

HSL 135.79, 0.45%, 0.25%

LAB 34.48, -29.05, 18.72

 

CMYK 46 / 62 / 0 / 64

HEX #32235C

RGB 50 35 92

HSL 255.79, 0.45%, 0.25%

LAB 18.6, 22.57, -31.87

 

CMYK 0 / 45 / 62 / 63

HEX #5E3424

RGB 94 52 36

HSL 16.55, 0.45%, 0.25%

LAB 26.63, 17.12, 18.19

 

CMYK 29 / 0 / 62 / 64

HEX #415C23

RGB 65 92 35

HSL 88.42, 0.45%, 0.25%

LAB 35.79, -20.77, 29.05

 

CMYK 62 / 16 / 0 / 64

HEX #234D5C

RGB 35 77 92

HSL 195.79, 0.45%, 0.25%

LAB 30.49, -9.63, -13.24

 

CMYK 34 / 62 / 0 / 64

HEX #3D235C

RGB 61 35 92

HSL 267.37, 0.45%, 0.25%

LAB 19.91, 25.52, -29.69

 

CMYK 0 / 45 / 62 / 63

HEX #5E3424

RGB 94 52 36

HSL 16.55, 0.45%, 0.25%

LAB 26.63, 17.12, 18.19

 

CMYK 48 / 0 / 62 / 64

HEX #305C23

RGB 48 92 35

HSL 106.32, 0.45%, 0.25%

LAB 34.81, -27.4, 27.67

 

CMYK 62 / 16 / 0 / 64

HEX #234D5C

RGB 35 77 92

HSL 195.79, 0.45%, 0.25%

LAB 30.49, -9.63, -13.24

 

CMYK 14 / 62 / 0 / 64

HEX #4F235C

RGB 79 35 92

HSL 286.32, 0.45%, 0.25%

LAB 22.43, 30.7, -25.52

 

Description

Color code: RGB 94 52 36 | qconv.com Color code: RGB 94 52 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 52 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 52 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 62 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 62% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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